Audio Basics - Phase Cancellation | SpectreSoundStudios Tutorial
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- Опубліковано 2 жов 2018
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About Spectre Sound Studios:
I'm Glenn Fricker, engineer here at Spectre Sound Studios. I love making records, and after doing it for sixteen years, I want to pass on what I've learned. On my channel you can find tutorials on how to record guitar, bass, real drums and vocals. There's reviews and demos of tube amps, amp sims, drums, mics, preamps, outboard gear, Electric Guitar, Bass Guitar, and plugin effects.
We've covered Moon on the Water, played Bias FX, given you the absolute best in Stupid Musician Texts, ranted & raved about bass guitar, and this channel is where The Eagle has Landed.
Everything you've wanted to learn about recording Hard Rock & Heavy Metal can be found right here on this channel!
I also respond to your comments & questions: The best make it into the SMG Viewer's Comments series of videos. Loads of fun, lots of laughs.
Thanks for checking out my channel & please subscribe!
I have been working as a drummer in studios since I was 18 years old. Whoever says nailing that song in 1 take is easy has no idea what he is talking about.. incredible job!
@Poo Ninja lead singer disorder, this is gold
No kidding. Drumming four flawless measures is challenging enough.
Do you work as a session musician or are you with a band?
Pretty common in Nashville
Wait, let me get this straight. I'm supposed to go out and slap anyone who DIDN'T tell me to listen in mono? This is going to take a while...
David Tyndale it will be worth it, despite not getting any benefits from doing it
Hey David! You didn't tell me to listen in mono!
Slapfest 2018
Nobody in this thread ever told me to listen to mono!
If you're going to slap everyone that didn't told you to listen in mono do it to the sound of The Eagle Has Landed.
And if you really want to make a point, listen to it in mono.
I find myself watching these "basics" videos even though I know the information. Never know if you'll pick up something new.
Worth noting: EQ causes phase shift!
Pass filters are the most notorious for it since each 6dB/oct increase of slope rotates the phase by 90° (e.g. 6dB/Oct is 90°, 12dB/Oct is 180°, etc). It's worth keeping in mind for multi-miked drums and for anything you do band limited processing on like a bass guitar.
Give this guy a medal
Dude, that's old school.
Of course there may still be plenty of analog EQs out there,
but none of the modern digital stuff causes phase shift.
Multiple mics are a much bigger problem, unless you are TRYING to create a mechanical chorus effect
to "thicken" the "tone".
@@jimbrown563 no, digital minimum phase EQs have the same problem as analog minimum phase EQs.
Kudos to Glenn for calling it what it is......a polarity reversal! Phase and polarity are quite different things.
Infinite Impulse Response (IIR) - A change in amplitude yields a shift in phase. Most filters are this type. They are also called minimum phase as pointed out earlier.
Finite Impulse Response (FIR) - Amplitude and phase can be adjusted independently of each other. These are more difficult to implement. They have latency at lower frequencies. They are being used more and more as processing speeds get faster. Meyer was recently awarded a patent for technology that they are using to obtain a flat phase response in a studio monitor. Pretty awesome stuff to us "propellerheads"!
Whether using IIR or FIR, the bottom line is "does it sound good?" If the answer is "no", then keep moving mics, flipping switches, and fiddling with those knobs until it sounds good! :)
@@patrickmcdaniel2845 FIR also has problems with pre-ringing to my understanding.
I spent 2 years in college and I always wanted to slap my instructor...now I have a good reason to!
How to get a vintage black metal tone. Record with dual micing and don't adjust the phase....check.
Pretty accurate assessment.
That was my immediate thought when you undid the phase. Immense laughing ensued.
When Glenn is taking from this angle, you know it is a great video!
Thanks, man!
SpectreSoundStudios hell yeah
And the screen recording on your computer for the B roll shots
I love that teaching setup
We were talking about this in my audio production class yesterday! It’s nice to see and hear some actual examples of this.
Thanks for your AMAZING tutorials, Glenn. Your tutorials have helped me achieve really amazing results over the years! I hope I get more subs so I can share this goodness haha
I’m excited for this lesson! No one does it like Glenn
I listened to your 2009 work on Ashent BTW. The production quality is SPECTACULAR
Great video Glen! Would love to see a part two talking about time alignment on more subtle things like bass with a mic and DI, that was one of the most important things I learned!
Have a question Glenn, just curious, have you ever had a situation when two mics out of phase actually work best for the mix? Cheers from Colombia!
There are some fun little psycho-acoustic tricks you can achieve in your mixes by placing some elements out of phase. I was reminded of such when I had to put a likewise effected track off our CD onto my drummer's sampler for our live set. Some voices that appear in the stereo mix and fly through 3D space disappeared when the entire track was summed to mono. I had to go back to the basic mix and sum all channels to mono and check that the phase settings were all congruent, then save a mono copy to the sampler. Love the tutorials Glenn!
So helpful, thanks alot Glenn!!
Glenn! A tutorial on Gain staging would be awesome!
I would love to see a guitar mixing series, but not just the basics. I mean when you are quad tracking, and quad tracking harmonies or different guitars, ending up with a pile of layers. How to properly pan all those layers, keeping all the Guitar A to the L, and all guitar B to the R, or mix and match the layers, stuff like that. And how to deal with all those layers. I have some songs that have at least 10 layers of guitars because there are a few different layers to the song, and all the layers being quad tracked.... driving me insane! Haha
One thing I've done before, bc I've worked on multi tracks where the snare mics are JUST off enough to where they're about halfway in between completely in and completely out of phase, is turn off the "magnetic snapping" on the DAW and slide one of the tracks until they're all in phase. Just make sure to check with multiple snare hits and don't try to get bit by bit precision (bc you won't) and you'll be golden.
The snare at the start sounded unbelievable! Bodhisattva sound
It came back! I thought I was going mad!
OMG, this guitar tone is so crushing.
Glenn not yelling definitely sounds like ASMR!!!
Just got my Behringer Eurorack UB1202 Mixer in the mail and I cannot wait until my next band practice (that I usually record just in case)!
It's nice the way the 57's work in that clip. I got one. I like to do the Fredman with my blue encore100i's which obviously takes more work and stands, but they sound great. Because of the screens on them though, if you have it set up right, you'll always have to invert one because the capsules can't be as close as with the 57's. Long story short, you can use your favorite mics, or whatever you can afford, but that phase stuff needs to be kept in mind always.
Thanks!
I've been curious about phasing for some time now, I appreciate the video. Glenn, I saw in your studio tour that you have an old Sunn Beta Lead. I was wondering if you ever thought of dragging it out for a demo/rundown? I'd be interested in hearing what you would do with it.
I ran into this yesterday. Playing 2 guitar tracks i recorded with an sm57 and a pyle mic. While it was playing i muted one of the tracks was surprised by the improvement. When i zoomed in i saw them out of faze. I should have just stuck one of them behind the speaker
You just inspired a t-shirt idea... flying away to develop the concept. 👍
cool!
Hy Glenn! You said in an earlier QnA that you would do a video on takeing the grill off a bass/guitar cabinet, how it affects the sound and such. I would really like to see that!
Along with that, plugins may change the polarity, so always check. I've had that happen to me a few times and I was wondering why my bass was sounding so weak after adding a plugin.
i think phase cancellation (intentional, as in phase flip button) can yield good results if you combine 2 radically different mics, like, say, one mic for that purpose, and another mic that, let's say, capture the sound you don't want from that certain parts (not only for guitars, it can work on kick drum too, basically you have a normal kick mic and another mic that capture its boxiness).
Wouldn't phase inverting be useful for finding those nasty frequencies? I used the trick of boosting a mid-filter all the way up to find frequencies that doesn't sound well, and then cut them as much as needed.
I bet Mozart never had this problem when he recorded "The Marriage of Figaro"...
mozart was an amp sim and drum sample using bitch
Hey man! Thanks for your tutorials. Learning a lot from you. Keep it rockin' ! \m/
One question. Our bands bass guitar has serious tuning stability issues. We changed strings, adjusted setup, but still, on open notes it still jumps sharp to flat... Thought about changing machine heads. Any advice? Are there any budget options?
Thanks,
Cheers from Armenia!
Hi Gleen, thanks for your great tutorials, they helped me a lot to learn to mix and record.
But I have a question, how to process the guitars when you have dual tracks, to get a good mono compatibility? Because when I mix in mono they just disappear into the mix. all the other things, drums, bass, vocals etc. I can reach a good mono compatibility, but on heavy distorted guitars I just lose.
Hey Glenn, nice video. What in situation when signal sounds bad with and without phase flip? Do you move tracks manually to correct the phase, or are you using track delay plugins?
1:12 WHOOOOOOOAA that shit's sounding meaty!!
With the Friedman technique, I often will use an MD421 as my "bright" mic. Since its presence peak sits a bit lower in frequency than the 57, I find that it gives me a "more desirable brightness" (IMO) than a 57.
Hey Glenn, getting ready to buy either guitar rig or bias fx. Which do you prefer and why? I'm recording using reaper and reason if that makes a difference as to which would be more compatible and user friendly.
Hey Glenn, can you do a video on comb filtering? I think it's a pretty important thing to know about when recording as it's a similar but separate entity to phasing. Cheers from Ontario!
I like to record my acoustic guitar with 2 mics. Can you explain the 3 to 1 rules for me? I don't get it. Thanks for the great show, Glenn!
Hey Glenn, do powerful tube amps (like the Mesa Mark 4) sound good at low volumes? I wanna get a good tube amp with a mesa like distortion, what do you recommend? Thanks
Awesome video Glenn
where do you get that mic holder for the 45 degree angle?
Any chance we can get a tutorial on gain staging (using VU meter)?
Keep up the great work!
Hey Glenn, do you think you could do an audio basics on mastering?
Hey Glenn, I noticed that your drum waveforms dip down. Wouldn't this be out of absolute phase? I know it's kind of nitpicky, but one of my professors is absolutely obsessed with that.
Thanks for the nice video Glenn! Question: What is the name of the band and album you are producing there. It sounds amazing :D
Hey Glenn, what do you have to say about the Fender Champion 40 amp for a beginner?
I see how this works. Hypothetically, if a singer has two or more microphones that are out of phase, it will either clip the bottom, middle, top end or a combination of the three, making the singer sound too sharp, uneven or too flat etc, which of course typically affects instruments this way, that have a multiple microphone setup as well. I wonder if the arrangement and placement of instruments can typically affect one another and cause phases to drop periodically or constantly and just the microphones? Cool, thankyou.
Would it ever make sense to zoom in, cut a few milliseconds before the first signal in your track for it to align with another track (OH/snare for example)? That would seem like the most intuitive thing to do for me. Is this a legit way of dealing with phase issues?
Ohhh thank you Glenn by the way can you take a look at the fender mustang 1 v.2
Hey glen, what do you think about sound shields for mics
Hey Glenn, I know there's tons and tons of vids, but... could you maybe drop a word on gain staging? Some say it's the only way to go, other say it's a leftover from the analog days. Would love to hear your insight - thanks a lot; keep those vids coming, very much appreciated!
Quick question. When miking a cab with both mics on axis (aka not the Fredman technique), will I need to be worried about phase? Will the mixer like Urlich suggested help with this?
Mics have their own phase response. There is no such thing as a perfectly accurate mic. The phase response differences are what can give you an interesting sound. Phase isn't a 4 letter word.
Have you tried the Fredman mic technique on a snare?
Hey, Glenn! Noob here. Talking about phase cancellation, is it possible to turn a *single* guitar track into quad tracks? Would that 1) just end up sounding like a regular centered track, therefore being pointless, or 2) cause phase issues if you edited the duplicated tracks to make them sound slightly different from each other? (Like changing the amp sim settings, adding a VST of some sort, etc.) I'm having a difficult time making sticato rhythms sound synced together and wondered if this would maybe be a simple solution.
Also really important if you do bass with a DI and a mic'd amp.
Have you every recorded overhead using a shotgun mic? I've been wanting to try that out.
I have come across and issue you might have some tips on. My snare dissappers a little in the mix when turning guitars up despite the guitars beeing panned 100% left and right. Maybe it can be sorted out by EQ.. but i'm not sure how to fix it.. Tips? Frequency war going on?
If the snare/drums wasnt recorded at the same time i would bet on "frequency war", there are alot mid range in both distorted guitars and snares. Turn up and/or EQ the snare or even EQ the guitars.
Glenn do you offer a service where you listen to fans' mixes and offer advice?
I didn't catch the name of this band/album? This sounds good. 7:00 that thin guitar tone would be a cool effect for an intro to a part, flip the phase and bring on the heavy.
Thanks for great tips, Glenn!
What would you do, if the floor tom is totally out of phase in left and right OH, while the snare's phase matches perfectly? Is it a big issue or is the tom's tone more about the close mics?
This is due to the tom being off to the side. Its sound hits the closer mic first. I wouldn't worry about it. A big part of stereo width is subtle phase differences.
You can try put your overheads in XY configuration to minimise this if you want. You lose some perceived stereo width but gain cleaner phase across the drum set.
If possible, could you to do a mastering tutorial? I'd love to get a better handle on that!
What about phase cancellation between guitar and vocals? While recording in GarageBand for getting down ideas, I noticed the vocal track I recorded sounds normal when isolated, but glassy and thin when when the guitar is playing. Is there a way to adjust the frequencies so the vocals sound normal?
THIS
You aren't that accurate on pitch that you're getting phase cancellation vs the guitar. It's prolly a crowded mid-range doing it.
I would love a tutorial on getting a good mix in mono, where the guitars don't drop out. I've figured out a workaround for my own music, but I've never seen other people doing it my way.
Can you explain the difference between changing frequency of notes (like tuning up) and changing the frequency of eq bands (like when mixing)? Why doesn’t pitch change when cutting and boosting Hz in EQ? If you boost 440 Hz in EQ, why do not you always hear an A note? All the same question basically
Any hard and fast rules about mics and there distances and angles?
Love this angry bastard
WOAH! This drummer can count to 6!
Hi Glenn, very usefull video!
A suggestion, Could you and Warren Huart do a collab talking about Autotune and Drum samples?? You're both smart and rational people with different points of view, so I believe it would be very enlightening...
Greetings from Argentina!!
Are you using Reaper DAW in this session?
I would like to see a comparison video of DI tracks from an inexpensive interface, and the countryman DI and of the RME interface
That's coming in a tutorial
I once had an instructor in college who said that the chances of phase problems between 2 mics increases with the distance between the mics. Because of that, he would insist on setting up the overheads for a drum kit in an xy configuration directly over the drummer's head. The auditorium had a pair of mics permanently installed up above the stage. There was at least 20 ft between the mics, and yet we never had any phase problems with them. Have you had phase problems with overhead mics, and do you think that keeping the mics close together helps?
A spaced pair setup can cause weird phasing issues. The further away the mics are from the source the less it's an issue, though.
You probably did have phasing issues. If you didn't do a mono sum on these mics, you wouldn't necessarily hear the problem. (I can hear it without summing to mono, but most people claim they can't tell. I think they do hear it, but don't know what they're hearing.) The phase issue is caused by a sound arriving at one mic at a different time from another mic. The farther apart the mics, the longer the delay can be, and the more you can be affected. If you were using the stereo pair of mics to record in stereo e.g. a choir concert, the sound is enough of a melange that you wouldn't hear the problems of missing bass; likely, you'd hear other phase issues in the midrange that don't manifest as obviously as the bass going missing.
Thanks for recommending this video on this week's VC episode (last comment of the episode). Out of curiosity, I'm gonna ask my guitar player (who runs the DAW) if there's a "mono" option (probably is) and a "phase" option. I'd like to see if there's any difference in what I've been listening to (which I think is a fantastic job of mic-ing the drums.. don't get me wrong) and what it COULD be. Might be fun to fuck around with. I've never run a DAW, so I know only enough to be a dangerous jerk with stupid questions... all in the name of having fun and enjoying my hobby -- and perhaps leaving to my kids and grandkids something to remember me by. We (I ponied up the cash) bought a Focusrite 18i20 based on your video which replaced a Delta 1010 that ran only on Windows 98 and that machine took a shit. I had my son cobble together a new top of the line computer for mixing audio (Thanks a lot, Alex.. a thousand dollars? WTF. But, okay... as long as it's gonna work, go for it...). We're having fun with the set up. And thanks for the tip about the Grinelli SM57-90. It's a blessing.
So, for the record: Based on your videos, I've purchased a Drum Dial tuner (analog version), The Focusrite interface, the Grinelli version of the SM57 and some merch. Go tell your potential sponsors that you can move gear and get them them to contribute to the channel. I've not been disappointed with anything I mentioned above.
Hey Glenn! Video idea:
Regarding guitars and the “something special” that is added by mixing two mics through a cheap mixer... could you do an A/B test to demonstrate what is different between summing the two mics with the cheap mixer vs just recording two channels and panning the same in the daw?
Already shot that as part of an upcoming tutorial
Oh yeah, when things get out of phase and the frequencies intermingle, they’ll lose their sound and cancel each other out... it sucks.
How far do you have to go with editing guitars due to phase? I have projects with quad tracked guitars and every now and again the phase will be a little off between 1 or 2 of the takes. It's almost inaudible to the human ear. Do I really need to go in and snip and slide/invert every spot where it looks like the phase is slightly off?
Separate takes are fine. It's when you have multiple mics on one amp/take that the issues arrive
@@SpectreSoundStudios thanks for the reply! I have OCD and the phase relationship between guitar tracks would have drove me insane.
I always thought that extreme panning was the only cause for the guitars to sound awful when I turn ON the Mono button, but it seems like flipping the polarity can help sometimes too, oh dude :D
It would be pretty cool if you made a video showing how to fix these phase issues in a DAW (if you already recorded the part)
Fricker, would you agree that (taking into consideration the mass availability of prosumer recording gear, hardware and software, etc) the real advantages to large commercial studios is the purpose built rooms (both live and control) as opposed to adapting what space you have at home?
Cheers from Connecticut!
i get a good laugh about the over obsessing about treated spaces. cause its very much a preference + knowledge problem. someone with alot of experience and knowledge can make almost any room record well. in fact we see plenty of studios make use of untreated spaces for micing atmospheric's/reveb. the last thing you want is a room and recording thats is so sterile it sounds like your playing in a box.
Purpose built rooms and high end gear.
Also amenities you may not have, and neighbors not getting pissed at you.
@@davidfuller581 Yeah. That was the point I was getting at that that's the only real advantages anymore.
Is this What happens when you have a gated reverb is in een Phil Collins In The Air Tonight
TIL about phase alignment, ty
Hey Glenn!
During a recording session, what is the best options between a cheap guitar with expensive pickups, or a expensive guitar with cheap pickups?
an expensive guitar pretty much always comes with decent pickups!
GLENN. Why did you re-upload the video?
Reaper seems to run a lot louder than say, a music player on my computer. Is there any way to turn down reaper's level? Other than using the master fader. Thanks!
Don't mix so loud. Turn down your monitors.
@@haha71687 I do turn down monitor level and I mix around -10db. I'm asking if there's something else within reaper's options to match levels between that and audio from other programs. Or is that the only way?
Question about the using a cheap mixer to buss the guitar sound. I used this technique on a small and cheap board that does not have a polarity invert feature. I can't seem to get a sound that has the guitars from two speakers in phase. I can move the mics slightly to try and compensate, but that doesn't work in all volume blending possibilities. It always goes out of phase at some point when mixing the volumes together. Any ideas on how to correct this? Thanks for all the tips btw! It's helped me step up my home recording game a ton.
I'm sure that in my hands I could do some damage to trying to mod a cable like that. I'll look it up though, thanks for the reply. I'm wondering if there's an in line polarity inverter box I could get from somewhere... Just what I need, more stuff.
looks like those drums were quantized I thought u didnt like to quantize drums? Or should we? genuine question?
Can you do a tutorial on how you record 8 mics simultaneously in different daw tracks?
What ya think about this Glenn? Mr. I know everything because I have a college degree and have been doing this for 20 years. Well I don't have a college degree and I've been doing this for 50 years. I'm too smart to get a stupid college degree. I trumped the electrical engineers. I trumped the acoustic engineers. I trumped the college professors. I trumped other chief engineers. And that's no joke.
In fact the greatest compliment I have received. Is from a musician in a rock band I had previously recorded live. Who came into my control room to listen to the playback. Absolutely freaked as to the sound. But of course. It's because it's my control room, my design, my audio engineering expertise. And this guy tells me..." Remy, I'm a highly accomplished musician. I tour the country. I tour the world. I've recorded that some of the finest studios in the world. Their control rooms. Don't sound like your control room." So he heard my Positive Pressure Wave Design, control room philosophy. And without knowing why? Until I told him.
Then he ran home to try it out for himself. On his crappy system. And he couldn't believe the sonic improvement? Especially in a room he knew not to be anywhere near ideal in its acoustics. This changes lives! This is a game changer!
And so I have now turned everyone here onto my little secret. That only about 1% of studios out there get. They either get it on their own by listening and experimenting. Are they got turned on to this by a friend. From another friend. That got turned onto this from me. Including API Audio Inc. One of the most highly respected console manufacturers in the world. And owned and operated by a colleague and friend of mine for 13 years, Paul Wolff. And it absolutely blew their minds.
Now the only reason why I am here? Is because I like Glenn Fricker. He is 99% right on with everything he has told you folks. Except for my 1% contribution here.
So wow I'm really nothing more than a very talented electronic technician, recording engineer and producer. I am the Mother God of all audio. And most of the great and famous engineers. They never went to school for audio engineering. As there were no college degrees for this. Providing college degrees in this field. Is just a moneymaking plan for those academic institutions. Be they commercial for-profit universities or state-funded colleges. They all need to make a buck. On you and you and you and even you. And now Glenn is preaching the same inept clueless blather.
So let this be a lesson to Glenn. And for everyone else here. As I have just given you all, my secret. The 99% of those out there. Have no idea about? I've even had some moron electrical engineers that I worshiped for many years. Give me every mathematical reason and textbooks reference to, that I'm wrong. But I know I'm not. And so do others. Who have greatly benefited from this enlightenment and actual real solid certifiable and demonstratable, example of mine. And because if you are an idiot? And you simply invert the phase, into your power audio amplifiers or powered speakers. That makes for a subtle difference. That is audible. But the speakers are still moving in the wrong direction. I mean this is the most idiotic thing ever in Pro Audio History. And it's all because of academic idiots.
And so why did I turn everybody here onto this? It's simple really. I want people to be able to make recordings. That they can be proud of. So I give a lot of my self to others. And expect nothing back in return. Except for an occasional thank you. Of which I am flattered by.
Mx. Remy Ann David
thetruckstudio.com (This is my alternate site by my studio manager)
CROWmobile.com (site down for reconstruction. As I open at a new location TODAY!)
info@CROWmobile.com
Some recent live broadcast examples here:
soundcloud.com/user-135130368/sets/live-at-electric-church-fm-sessions-vol-1
Concerning using a cheap mixer to sum the fredman technique mics. I believe you never compared it to how daw summed signal. Should we just take your word for it? =)
Glenn i understand what you are saying in this video for the most part, but I dont understand how delay-ing a dual guitar mic by 30ms or so, or something similar to thicken out the sound would not result in phase cancellation
My mom never told me to always check my mono button. Should I really go slap her? That seems harsh.
Cancellation is misspelled
Wait I record my rhythms in mono and pan em hard left and right what do you mean listen in mono
Hit the mono button on your master out
hey glen could you do a video on gain structuring ?
sign up for my free course in the description. It's covered in lesson #2
Excuse the lame question but...does phase cancellation occur also when recording guitars through a DI Box?
You can only get cancellation if you mix the DI signal with another source like a mic, if you use only one source (mic etc) you cant get phase cancellation.
@@Stefan- oh great. Thanks. So, quad tracking guitars, four different takes, will never cause phase cancellation, right?
No, not really, although they may sound and be close to having an inverted phase, in reality they will pretty much never really be exactly inverted. Regarding quad tracking, i would personally not use it unless you play 4 different things since in my opinion there is a risk of getting a messy untight sound image if used for regular rythm tracking. You can get massive guitars with just using single left and right tracked guitars, most classic metal albums are done this way, its easy to get lost with the almost unlimited resources we have today, but often less is actually more.
@@Stefan- that's really a great advice, thank you again so much Stefan. Recording just two tracks, would you just pan one hard left and one hard right or instead would you do a blend somehow around one 75% left and one 75% right?
My goal is to get a mix similar to Necrophagist's Epitaph or similar to Feared's breaking the cycle
Alessandro Arzilli Im glad if i can help :-) Personally i have never panned hard right/left and i am not likely to, but there are really no rules, in my opinion although the soundstage can sound nicely wide panning hard left/right it also can make it sound thin. I think 75% is a very good starting point at least and you could test what works for you by gradually changeing the panning between 75 and 100% and have a good listen at different settings both on headphones and monitors/speakers. Its a big difference between headphones and speakers since the sound from speakers are mixed in and otherwise affected by the room while left and right channels are completely isolated from each other in headphones and unaffeted by the room (obviously).
I can have a listen later on maybe tomorrow at the songs you are refering to and tell you what i think about the sound.
does Auto Align do all this for you?
Yeah, it can be pretty great
Lol was just about to put a comment about the "if nobody..." -- yeah I see others beat me to it :O
What Reaper theme / skin is that? I want it.
it was Fusion Beta, mainly because Glenn is partially colorblind. Nowadays he seems to like the newer skin from 6.0
"If nobody ever told you before then go slap that person" - Glenn, 2018
I wanna see todays video resterday
was the reupload because of my comment :( ?
Come on....... HERE TOO?
lmaooo
Bro