I remember the day Miles Davis came to Munich with his band and I didn't go. Instead I was in a jazz club for a jam of local musicians. Later that evening a dude came in with his sax and joined the band. After a while everybody stopped playing, only he went on and whenever I thought now he has to stop, he found a way to make it even wilder, faster, louder ... I never had heard anything like it before ... and I had no idea who was playing. Only later I learned that Kenny Garrett wanted to play some more after the concert with Miles and found the Unterfahrt. I was glad I was in the jam session and not in the concert.
i dont mean to be so off topic but does any of you know of a method to get back into an instagram account..? I somehow lost my account password. I love any tricks you can give me
@Max Kase I really appreciate your reply. I found the site thru google and I'm waiting for the hacking stuff now. Takes a while so I will reply here later when my account password hopefully is recovered.
Questo brano musicale è veramente di una bellezza unica, ma l' interpretazione che ne fa Kenny Garrett è semplicemente incredibile, favolosa, unica. Ma, se la bellezza della musica sa toccare gli animi, in questo video c'è qualcosa di più. C'è l' immagine di un giovane musicista che, salito sul palco, va avanti e indietro, a vuoto, con in mano un sassofono dal microfono malfunzionante, in una serata che doveva essere decisiva per la sua carriera. Poi, la salvezza. Il grande Miles Davis lo ferma, chiede spiegazioni, quindi, messosi di fronte a lui, si presta a fargli da microfono e, senza mai smettere di masticare il suo cheewgumm, paziente attende, al pari di un padre amorevole, che il giovane musicista esegua il suo pezzo musicale. Il giovane musicista chiude gli occhi, si estranea completamente da tutti, sfodera tutto il coraggio che possiede e suona. Suona con un' energia incredibile, che aumenta di volta in volta, e la musica che il suo sassofono fa uscire dalla grande bocca è sempre più stupendamente bella e stupefacente. Il pubblico è estasiato e, al termine dell' esecuzione musicale, esplode in un boato di approvazione. E il giovane musicista, finalmente non più prigioniero della tensione che lo attanagliava, ringrazia con un timido sorriso dietro al quale traspare una giusta meritata soddisfazione. Questi due grandi musicisti oltre al talento ci hanno regalato momenti di grande positività dove i buoni sentimenti hanno primeggiato. Siamo in tempi in cui si vive in mezzo a guerre, violenza, sopraffazioni, cattiveria ed egoismi, e via dicendo. Negatività su negatività. Vedere questo video è stato come fare un bagno nella positività e come respirare per un breve momento aria salubre e pura. La generosità di Miles Davis. Il comportamento coraggioso di Kenny Garrett che, di fronte alle difficoltà, non è indietreggiato ma ha scelto di fronteggiare la paura. La sua riconoscenza nei confronti del Maestro col quale si è poi allontanato tenendolo a braccetto. Persino l' applauso di approvazione del pubblico che ha premiato, come sempre dovrebbe succedere, la persona veramente meritevole di riceverlo. Se gli esseri umani fossero tutti così, dovrebbe essere l' Intelligenza Artificiale ad avere paura degli uomini e non viceversa. Sono le ventidue e 30.
Riveting solo and a great band - and perhaps THE defining take of Human Nature as a jazz/funk piece. Must be heard in full - this is just the last third of the take.
Whew!!! I come back to this clip all the time. Even thinking about it is inspiring. Kenny makes so much use of the modal thing and creates beautiful musical tension. The look on Miles' face when he finishes is priceless!! "Yeah, that's right Kenny, you a bad Mother!""
True, it may looks like Miles has a nonchalant look on his face but his actions express what he thought of Kenny's solo, the embrace and holding Kenny's name above his own head illistrates how he felt. We haven't yet caught up to Miles musically, he was a true musical genius, a master of the negative space in music.
A great solo on so many levels. It developed a story, used all 12 tones musically, showed how all minor scales could be used, used motivic development, and most importantly showcased an individual voice on the sax.
Who's the dude on trumpet holding the trumpet stand?? Do he have a solo out featuring him ? What's the jazz jam he's on .he looked jazz serious 're tone attention to specialized Mic stand tone quality
Kenny Garrett no es solo mi saxofonista favorito, sino que este es el mejor solo que le he oido !!! Gracias !!! Este video es para mí como un diamante. Kenny Garrett is not only my favourite sax player, this is also the best solo I've seen through youtube!!! This video is like a diamond for me. Thanks !!!!!
Oh yes, a magnificently realized piece - and it's improvised (they never did this one the same way twice, although the general curve with some sort of crescendo and a sax solo was fairly well established by 1988--89). This is a track of sculptural beauty and, in my eyes, THE defining version of Human Nature as a jazz/funk piece. I've watched and listened to it on the dvd scores of times.
L homme qui m a fait aimer le jazz !!!! Juste incroyable !!!! Le concert au Japon, son do brazil !!!! Je suis tombé amoureux de cette exceptionnelle pianiste !!!! Le son feutré de kenny.... ça c est un coup de foudre... merci
Garrett's Solo's are pure unadulterated 🔥 fire his tone and pocket and notes I can't explain I'm unfortunately am not a musician But the first time I heard him i. First with Miles at Montreal Jazz with Quincy Jones on TV then on Miles around the World Disc blown away
4:09-4:15 always gets me by its sheer emotional intensity. A very short passage, but filled with complexity and expressivity. Garrett's ability to take the solo through a fantastic journey of emotions is uncanny.
I don't know which tone of the scale he uses, but one of the cool things I've heard in many Garrett solos is that when he goes to "step out" of the chord progression he'll pick a note, half step up, and then stick in that key. I learned that is a cool way to step out, just play a half step up chord, but it is cool how he transitions by just hanging on that initial note.
The breakout at 2:20-2:41 is a key moment of the entire track for me; when the key, tempo and rhythm change like that, it beautifully captures the sense of liberation: go, GO! The whole piece (this is just the second half) has a sculptural beauty that's quite riveting.
@@louise_rose very well said. Exactly, the "GO" moment is like a liberation. First time I heard this passage it was like going for a magical journey. Yes, the entire version is even more dramatic because of the microphone issue. Garrett almost gave up soloing after the first couple of mic failures, but Miles saying "it's your night". And indeed it was Garrett's night. Btw, I think you mean 3:20 as the liberation moment.
@@andradas9688 I didn't even notice the mike issue until it was pointed out (after I had watched the dvd a dozen times) but I think there's also a symbolic aspect to the way they are standing. Miles' trumpet (with the mic) is pointed straight at Kenny's belly, and he is standing still but in command while Kenny is pouring out this longing solo, a somewhat feminine solo. There is a discrete phallic/sexual symbolism to their postures and the trumpet (Miles was certainly aware of how his instrument could be seen as a symbol of masculinity). At the climax of the track, Kenny is bucking and his sax moaning like a woman cumming hard... 😸
@@andradas9688 No, I did mean the passage beginning around 2:20 (key and tempo change at 2:35) - but there are several "liberation moments" in this superb take, 3:20 is another one. Miles mentions Wagner in one of the interview bits on the dvd, and this entire solo has a kinship with Wagner's erotically pulsating music for Tristan and Isolde - the long love duet of the second act, especially.
He was a survivor, he adapted to the times, he was and will be a genius. Kenny is a machine for making music and now he played hard rock, which is what was stretched at that time. big
Impressionante como Miles Davis consegue extrair o que seus músicos tem de melhor em todas as fases,Coltrane,Bob Berg,Kenny Garret já em suas carreiras solo a pegada deles não timbra como com o grupo de Miles Davis então a Magia e o Misticismo Espiritual da Música estava sempre no controle do Mestre Sir Miles Dewey Davis III Embaixador. Universal do Jazz All The Times..
Part of what makes this solo great is the rhythm section, solid and building up the way it did. It was an inspiration for Kenny. And Miles just being there, holding the mike, chewing gum. Fantastic.
Yes, at first the drummer holds back carefully (this is just the last third of the entire track) and then he helps build up the volume and punch. Notice how he begins to use the crash cymbal with sharp, loud strikes to punctuate the funky beat, more and more frequent as the tension rises...
This solo by Kenny Garret is out of this world! Miles seems to be pretty pleased with it as his gesture of offering his own mike shows! Thank you for posting!
Kenny what can you say just killing it from beginning to end you can tell that Miles even enjoyed the solo pure Altos is what you're hearing no filler all meat pure saxophone Kenny doing a great job
Garret has a vibrant tone on this. I think it fits perfectly against the electronics and his shifts in and out of tonality are a study in playing "outside".
Yes, beautiful layered keyboards too - and wonderful, dramatic drumming by Ricky Wellman that guides the rising tension on the track. The band is rock solid on this 1989 Paris show - like so many of Miles' bands.
I think there's also some erotic symbolism to it.Kenny's solo has a definite feminine tone and vibe, and Miles is standing with his trumpet pointed like a *** straight at Kenny's lower torso, looking intently at him... :) The ending of the track has, it always seemed to me, a double symbolism that ties in with this: climax or release, but also the birth of a child, with growing pressure from the bass and organ, a final cathartic push - and then finally the "first scream" at the very end, where Miles and Kenny join together. Which locks it back to the title: "Human nature"...
@@romeoperrin7524 Hélas non, je reste avec les audiences! :) - mais dans bien des genres différents. J'ai toujours aimé bien des bandes rock, aussi la musique classique et l'opéra. Quand on est depuis longtemps un fan de diverse bands du "rock progressif" des années 70 (Genesis, Yes, Camel, Pink Floyd, etc ) et aussi des gens tels que Herbie Hancock et Chick Corea, il devient presqu'impossible de ne pas découvrir Miles Davis et Keith Jarrett, qui étaient si centrales pour ce type des bands (Phil Collins, dans les années 70, était un grand fan de Miles Davis et de Weather Report). C'est par cette route que j'ai vraiment decouvert le jazz environ l'an 2000, et depuis ce point je me suis fouillé en maintes directions, vers les années 30-50 et vers le jazz contemporain. :)
I listened to his "The Wall" CD the other night on a plane and it was the best thing I've heard in 10 years. So I decided to listen to this video, one of the first I have ever watched on UA-cam. It backed up what I thought--he is a master.
Amazing! I love Garrett and Miles. Miles has influenced so many styles of jazz and even pop-music - and everything he did was right in terms of taste and style. Thanks for posting Kennys solo!
This is nothing more than the passing of the torch, if u please, the transfering of power from one king to another. To crown him the WIZARD OF JAZZ. ALL HAIL KING KENNY!!!!!!!!!!!
He was a survivor, he adapted to the times, he was and will be a genius. Kenny is a machine for making music and now he played hard rock, which is what was stretched at that time. big
Once in a life time Solo with the great Miles Davis who played along with tbe Master of Bebop & Jazz , Charlie Parker.Must have been a Honor for Kenny.Kenny Garret this Best Sax ever!
Love this! Slow and gradual building of rhythm and tension.... .... hints at first and then a full blow crescendo of BLISS! Great medicine here!!! The best I've felt in weeks after listening to this.. Clean and beautiful. Thanks for sharing this
Yes, absolutely. he is amazing throughout this show (Miles in Paris, Nov 1989), and he and the rhythm section really shape the dynamics and pacing to frame Miles' and Kenny's solos. This is beautifully paced, as his drumming grows heavier, louder, faster and more determined.
This is the solo part of a song Michael Jackson used to sing called Human Nature -in fact it is the 1st track from "Miles in Paris", recorded during the 10th Paris Jazz Festival, 3rd November 1989 in Zenith. One of my favourite (ever) sax solos!!!
4:49 the look on miles davis face was like damn he played his ass off. and i cant top that right now, let me end this with a couple of squeaks and call it a night.
I remember the day Miles Davis came to Munich with his band and I didn't go. Instead I was in a jazz club for a jam of local musicians. Later that evening a dude came in with his sax and joined the band. After a while everybody stopped playing, only he went on and whenever I thought now he has to stop, he found a way to make it even wilder, faster, louder ... I never had heard anything like it before ... and I had no idea who was playing. Only later I learned that Kenny Garrett wanted to play some more after the concert with Miles and found the Unterfahrt. I was glad I was in the jam session and not in the concert.
Been there 💥
@@jazz234 Wow ... das ist ja eine Ueberraschung ...
i dont mean to be so off topic but does any of you know of a method to get back into an instagram account..?
I somehow lost my account password. I love any tricks you can give me
@Kristopher Zachariah Instablaster ;)
@Max Kase I really appreciate your reply. I found the site thru google and I'm waiting for the hacking stuff now.
Takes a while so I will reply here later when my account password hopefully is recovered.
Questo brano musicale è veramente di una bellezza unica, ma l' interpretazione che ne fa Kenny Garrett è semplicemente incredibile, favolosa, unica. Ma, se la bellezza della musica sa toccare gli animi, in questo video c'è qualcosa di più. C'è l' immagine di un giovane musicista che, salito sul palco, va avanti e indietro, a vuoto, con in mano un sassofono dal microfono malfunzionante, in una serata che doveva essere decisiva per la sua carriera. Poi, la salvezza. Il grande Miles Davis lo ferma, chiede spiegazioni, quindi, messosi di fronte a lui, si presta a fargli da microfono e, senza mai smettere di masticare il suo cheewgumm, paziente attende, al pari di un padre amorevole, che il giovane musicista esegua il suo pezzo musicale. Il giovane musicista chiude gli occhi, si estranea completamente da tutti, sfodera tutto il coraggio che possiede e suona. Suona con un' energia incredibile, che aumenta di volta in volta, e la musica che il suo sassofono fa uscire dalla grande bocca è sempre più stupendamente bella e stupefacente. Il pubblico è estasiato e, al termine dell' esecuzione musicale, esplode in un boato di approvazione. E il giovane musicista, finalmente non più prigioniero della tensione che lo attanagliava, ringrazia con un timido sorriso dietro al quale traspare una giusta meritata soddisfazione. Questi due grandi musicisti oltre al talento ci hanno regalato momenti di grande positività dove i buoni sentimenti hanno primeggiato. Siamo in tempi in cui si vive in mezzo a guerre, violenza, sopraffazioni, cattiveria ed egoismi, e via dicendo. Negatività su negatività. Vedere questo video è stato come fare un bagno nella positività e come respirare per un breve momento aria salubre e pura. La generosità di Miles Davis. Il comportamento coraggioso di Kenny Garrett che, di fronte alle difficoltà, non è indietreggiato ma ha scelto di fronteggiare la paura. La sua riconoscenza nei confronti del Maestro col quale si è poi allontanato tenendolo a braccetto. Persino l' applauso di approvazione del pubblico che ha premiato, come sempre dovrebbe succedere, la persona veramente meritevole di riceverlo. Se gli esseri umani fossero tutti così, dovrebbe essere l' Intelligenza Artificiale ad avere paura degli uomini e non viceversa. Sono le ventidue e 30.
This is definitely one of the best funk solos, if not THE best funk solo, I've ever heard...
Riveting solo and a great band - and perhaps THE defining take of Human Nature as a jazz/funk piece. Must be heard in full - this is just the last third of the take.
Check out Michael brecker in Barcelona skunk funk, absolutely filthy solo
Kenny Garrett is an absolute legend.
Miles shows a lot of respect for a young master!
Anyone who enjoys some good funky music should enjoy this! And what a great microphone stand Kenny Garret has.......
haha
ahahahah
Yes........indeed
hahahahahah
Lol, he can say Miles Davis used his mic ,, what PRESSURE,, BUT ,,That’s what’s cool about jazz,
The master, the archetype, the natural progression of hard bop alto playing...The REAL KENNY G
Whew!!! I come back to this clip all the time. Even thinking about it is inspiring. Kenny makes so much use of the modal thing and creates beautiful musical tension. The look on Miles' face when he finishes is priceless!! "Yeah, that's right Kenny, you a bad Mother!""
True, it may looks like Miles has a nonchalant look on his face but his actions express what he thought of Kenny's solo, the embrace and holding Kenny's name above his own head illistrates how he felt. We haven't yet caught up to Miles musically, he was a true musical genius, a master of the negative space in music.
even when Miles is just standing he’s the coolest dude in the room
A great solo on so many levels. It developed a story, used all 12 tones musically, showed how all minor scales could be used, used motivic development, and most importantly showcased an individual voice on the sax.
But you’ve told me that you didn’t like Kenny :)
Awesome vibe Mic.stand bell to bell quality synchronized tone quality Kenny. JazzTCB
Who's the dude on trumpet holding the trumpet stand?? Do he have a solo out featuring him ? What's the jazz jam he's on .he looked jazz serious 're tone attention to specialized Mic stand tone quality
Rythm >>>>>>>>> harmony
Heavily indebted to Maceo and Woody Shaw!
Kenny Garrett no es solo mi saxofonista favorito, sino que este es el mejor solo que le he oido !!! Gracias !!! Este video es para mí como un diamante.
Kenny Garrett is not only my favourite sax player, this is also the best solo I've seen through youtube!!! This video is like a diamond for me. Thanks !!!!!
Es muy bueno
Without a doubt one of the finest solos of all time.
Got to see the whole thing though, this entire ensemble is on it that nite.
Killer!!!!!
Apart from sax solo (masterpiece)...the background crescendo and final explosion are just amazing!
Oh yes, a magnificently realized piece - and it's improvised (they never did this one the same way twice, although the general curve with some sort of crescendo and a sax solo was fairly well established by 1988--89). This is a track of sculptural beauty and, in my eyes, THE defining version of Human Nature as a jazz/funk piece. I've watched and listened to it on the dvd scores of times.
What looked to be a frustrating moment at the worse time ended up being one of the greatest sax solos ever in a Miles Davis Band.
L homme qui m a fait aimer le jazz !!!! Juste incroyable !!!! Le concert au Japon, son do brazil !!!! Je suis tombé amoureux de cette exceptionnelle pianiste !!!! Le son feutré de kenny.... ça c est un coup de foudre... merci
Garrett's Solo's are pure unadulterated 🔥 fire his tone and pocket and notes I can't explain I'm unfortunately am not a musician
But the first time I heard him i. First with Miles at Montreal Jazz with Quincy Jones on TV then on Miles around the World Disc blown away
MONSTRUOSO! 🔥
El mejor Solo de saxofón alto de la vida!! 👏🏼
this video is addicted, i saw this maybe 20 times and i´m not tired yet. if you know any sax solo cooler than this please tell me!
4:09-4:15 always gets me by its sheer emotional intensity. A very short passage, but filled with complexity and expressivity. Garrett's ability to take the solo through a fantastic journey of emotions is uncanny.
I don't know which tone of the scale he uses, but one of the cool things I've heard in many Garrett solos is that when he goes to "step out" of the chord progression he'll pick a note, half step up, and then stick in that key. I learned that is a cool way to step out, just play a half step up chord, but it is cool how he transitions by just hanging on that initial note.
The breakout at 2:20-2:41 is a key moment of the entire track for me; when the key, tempo and rhythm change like that, it beautifully captures the sense of liberation: go, GO! The whole piece (this is just the second half) has a sculptural beauty that's quite riveting.
@@louise_rose very well said. Exactly, the "GO" moment is like a liberation. First time I heard this passage it was like going for a magical journey. Yes, the entire version is even more dramatic because of the microphone issue. Garrett almost gave up soloing after the first couple of mic failures, but Miles saying "it's your night". And indeed it was Garrett's night. Btw, I think you mean 3:20 as the liberation moment.
@@andradas9688 I didn't even notice the mike issue until it was pointed out (after I had watched the dvd a dozen times) but I think there's also a symbolic aspect to the way they are standing.
Miles' trumpet (with the mic) is pointed straight at Kenny's belly, and he is standing still but in command while Kenny is pouring out this longing solo, a somewhat feminine solo. There is a discrete phallic/sexual symbolism to their postures and the trumpet (Miles was certainly aware of how his instrument could be seen as a symbol of masculinity). At the climax of the track, Kenny is bucking and his sax moaning like a woman cumming hard... 😸
@@andradas9688 No, I did mean the passage beginning around 2:20 (key and tempo change at 2:35) - but there are several "liberation moments" in this superb take, 3:20 is another one. Miles mentions Wagner in one of the interview bits on the dvd, and this entire solo has a kinship with Wagner's erotically pulsating music for Tristan and Isolde - the long love duet of the second act, especially.
Now this is the Kenny G I like
No comparison.
vu7
agreed
He was a survivor, he adapted to the times, he was and will be a genius. Kenny is a machine for making music and now he played hard rock, which is what was stretched at that time. big
Yeah, I don't care that much about the OTHER Kenny G! :)
Impressionante como Miles Davis consegue extrair o que seus músicos tem de melhor em todas as fases,Coltrane,Bob Berg,Kenny Garret já em suas carreiras solo a pegada deles não timbra como com o grupo de Miles Davis então a Magia e o Misticismo Espiritual da Música estava sempre no controle do Mestre Sir Miles Dewey Davis III Embaixador.
Universal do Jazz All The Times..
Part of what makes this solo great is the rhythm section, solid and building up the way it did. It was an inspiration for Kenny. And Miles just being there, holding the mike, chewing gum. Fantastic.
Yes, at first the drummer holds back carefully (this is just the last third of the entire track) and then he helps build up the volume and punch. Notice how he begins to use the crash cymbal with sharp, loud strikes to punctuate the funky beat, more and more frequent as the tension rises...
This solo by Kenny Garret is out of this world! Miles seems to be pretty pleased with it as his gesture of offering his own mike shows! Thank you for posting!
Kenny what can you say just killing it from beginning to end you can tell that Miles even enjoyed the solo pure Altos is what you're hearing no filler all meat pure saxophone Kenny doing a great job
Garret has a vibrant tone on this. I think it fits perfectly against the electronics and his shifts in and out of tonality are a study in playing "outside".
Yes, beautiful layered keyboards too - and wonderful, dramatic drumming by Ricky Wellman that guides the rising tension on the track. The band is rock solid on this 1989 Paris show - like so many of Miles' bands.
Miles performance as a microphone stand is phenomenal.
I think there's also some erotic symbolism to it.Kenny's solo has a definite feminine tone and vibe, and Miles is standing with his trumpet pointed like a *** straight at Kenny's lower torso, looking intently at him... :)
The ending of the track has, it always seemed to me, a double symbolism that ties in with this: climax or release, but also the birth of a child, with growing pressure from the bass and organ, a final cathartic push - and then finally the "first scream" at the very end, where Miles and Kenny join together. Which locks it back to the title: "Human nature"...
@@louise_rose sacrée analyse!!
@@romeoperrin7524 Merci! J'aime tant ce concert entier, et cette version magistrale de la tube!
@@louise_rose vous avez bien raison, le jazz c'est formidable surtout avec Miles, est-ce que vous en jouez aussi?
@@romeoperrin7524 Hélas non, je reste avec les audiences! :) - mais dans bien des genres différents. J'ai toujours aimé bien des bandes rock, aussi la musique classique et l'opéra. Quand on est depuis longtemps un fan de diverse bands du "rock progressif" des années 70 (Genesis, Yes, Camel, Pink Floyd, etc ) et aussi des gens tels que Herbie Hancock et Chick Corea, il devient presqu'impossible de ne pas découvrir Miles Davis et Keith Jarrett, qui étaient si centrales pour ce type des bands (Phil Collins, dans les années 70, était un grand fan de Miles Davis et de Weather Report). C'est par cette route que j'ai vraiment decouvert le jazz environ l'an 2000, et depuis ce point je me suis fouillé en maintes directions, vers les années 30-50 et vers le jazz contemporain. :)
I listened to his "The Wall" CD the other night on a plane and it was the best thing I've heard in 10 years. So I decided to listen to this video, one of the first I have ever watched on UA-cam. It backed up what I thought--he is a master.
Amazing! I love Garrett and Miles. Miles has influenced so many styles of jazz and even pop-music - and everything he did was right in terms of taste and style. Thanks for posting Kennys solo!
My family.....!!!!! Grandmother's sister's son. You've always been a beast cuz.
Mine too! My stepmoms brother!
@@mindfulculturecreators Oh really? Who? What city are u in?
2:41 this lick is amazing
Yeah!!!! I like this one too 0:21
@@mr.estebansax I totally agree
Toca muuuuuuuuuuuuuuuuuuuuuuito!!! Kenny Garret, esse é o cara!!!
That is one of the most funkiest solos I have heard!! Nice One!
One day you're changing the road of jazz, another one you're an stand...
a stand*
@Aidan Doyle How is it correct? Unless you categorize "s" as a vowel...
A vs. An Rules Use A if the next word starts with the sound of a consonant.
This is nothing more than the passing of the torch, if u please, the transfering of power from one king to another. To crown him the WIZARD OF JAZZ. ALL HAIL KING KENNY!!!!!!!!!!!
Awesome saxophone solo! Very melodic and technical! Especially, I like these places with one sound, but diferent tone! Magnificent!
Kenny speaks volumes. Digs into ones soul and captivates. I place in my top five my alto sax players.
This is smooooooooth! I can listen to this all day long. I hope I can play like him. Serious sax player!
Kenny is a great soul, Miles was such a great musician and master....
My favorite Kenny Garrett solo!
muy bueno, no sé nada de saxo peo me encanta el sonido y lo q expresa ese instrumento, y mas tocado por una persona tan talentosa
This Dynamic is so amazing! And hes Growls and overtunes are almost as breckers! Gosh love this piece !
This is beautiful on so many levels
Meilleur solo de saxophone de l’histoire du jazz moderne.
He was a survivor, he adapted to the times, he was and will be a genius. Kenny is a machine for making music and now he played hard rock, which is what was stretched at that time. big
Um excelente saxofonista. Sou fã !
Toda una leyenda
One of the Best Funky's Alto Sax solo of the world for sure!!!! Yeahhhhhh
amzing. i play saxophone for now 6 years. its really great what he plays here. =)
The most talented mic stand ever!
Saw Kenny at the North Sea Jazz festival. Show stopping.
super video!!
jéspère savoir en faire autant un jour !!!
merci pour la video!!
Once in a life time Solo with the great Miles Davis who played along with tbe Master of Bebop & Jazz , Charlie Parker.Must have been a Honor for Kenny.Kenny Garret this Best Sax ever!
Love this! Slow and gradual building of rhythm and tension.... .... hints at first and then a full blow crescendo of BLISS! Great medicine here!!! The best I've felt in weeks after listening to this.. Clean and beautiful. Thanks for sharing this
I love this guy's outnotes-truly Jazz
Gracias,me encanta, me trasporta a otra dimensión en la que te encuentras con el sentido de la vida.
Besitos
Miles Davis changed my life. Thank you Miles !!!!!!!!!!!!!!!!!!!!!!!!!!!!
Omg i love Kenny Garrett.The best Sax solo ever!:XSuper cool!!!
just saw this yesterday on a miles davis vhs...
he´s GREAT ;-) don´t know much about jazz but his style sounds so fresh and smooth....
Dude...that was Miles Davis...I was hoping he'd play some too. Kenny Garrett is raw talent. Love it.
Big Sound man, this is really dificult, and perfect articulation, lots of ghost notes, he is one of the greats.
Quel son et style magnifique , une pureté
Rick Welmam Destroyer Drums Amazing the Best Performance.
Yes, absolutely. he is amazing throughout this show (Miles in Paris, Nov 1989), and he and the rhythm section really shape the dynamics and pacing to frame Miles' and Kenny's solos. This is beautifully paced, as his drumming grows heavier, louder, faster and more determined.
Encontro dos Magos !! Miles Davis e Kenny Garrett em magistral solo de Garrett
amo este video!!
no me canso de verlo!! y escucharlo!!!
Never before, and never since. Miles and Kenny.
Increíble sax player!
5 minutes of pure heaven
This is the solo part of a song Michael Jackson used to sing called Human Nature -in fact it is the 1st track from "Miles in Paris", recorded during the 10th Paris Jazz Festival, 3rd November 1989 in Zenith. One of my favourite (ever) sax solos!!!
the sax is the best instrument in the world . your sound don`t compare with other instruments. the sensations are diferent. it`s special
I love the look on Miles face after Kenny finishes his solo.
absolutely outstanding!
What a great SOLO!
In 4 words: OH MY FUCKING GOD. Kenny Garret is amazing that energy.
kenny garret is the best in the saxophone!!!!!!!
i like the music of the kenny garret
Always loved Kenny's taste in dresses!!
Awesome cut! This 'Miles in Davis' is one of my favorites also.
Best ever solo ❤
wow creo que es el mejor que he visto!! espectacular!!
I feel so good when i hear saxophone and specially Kenny Garett pure class
Paris 1989 at the Zenith. Kenny carving his name into the history of Jazz while Miles holds the microphone and the inspiration to wail
Ohhh yes.
A week before the Berlin Wall came down - the link feels very appropriate to me, becuse this solo is, among other things, about a sense of LIBERATION!
kikoo!! merci bcp j'adore le saxo et cette zik est superbe...
A zenekar is együtt nagyon jók.
You know you've made it when Miles puts his arm around you at 5:10
Très bonne vidéo !!
Kenny Garrett est très fort !!
That was a incredible Solo😱👍🏻
4:49 the look on miles davis face was like damn he played his ass off. and i cant top that right now, let me end this with a couple of squeaks and call it a night.
3:08 those are the coolest f#’s I have ever heard in my life!
I like the sign at the end. Lol. That was fantastic!!
What an amazing 👏performance 👏
O melhor!
Very Very Nice!!!
There is many kings but just one Kenny Garrett
Kenny Garret my favourite saxophonist
kenny is the best saxophonist ever :)
and miles davis? omg ! he's god ;D
Una autentica pasadaaaaaa.
Sin duda
this sounds so good...just makes me feel happy!!
really really a study in how to develop a solo. What a nice distinctive voice
Wow!! Pretty awesome!!!
It's all about feeling.And Ohhhhhh how Kenny Garrett is feeling the IT here.
so damn good !! fabulous playing !
me encanta!!!esto es musica!!!! no lo que hay ahora.Sin ofender a nadie
de acuerdo espectacular música en la sangre.
En la variedad está el gusto