Fascinating!! I recall Jim Hall say once that he decided to leave Brazilian music to the Brazilians, rather than to try Gilberto sounds! Thanks for posting. So interesting, as are all your videos!!
Awesome ! I have impression that Joao Gilberto doesn't stick with a particular voicing. I heard/watched differents versions he plays and it seems to me that he often change his voicings. This guy @ChristopheRousseau made a couple of very accurate transcriptions of this song (and other brazilian songs) and the voicings are different according to the period. Thank you very much for all your amazing work !
@@Mikkokosmos The person who answered that Beatles question stated that “Til There Was You” was the song in question. Although there are dim 7th chords in that performance, the chord you played, “Dominant 7th#9/5th” ( to express it generically) is played in “Michelle”, which also features garden variety dim 7th chords ascendingly. The anecdote you cited is well known, however they learned it not from “their” music teacher”, but a knowledgable acquaintance at a local music store. The chord you mentioned is played during the lyric “ma belle” as the Secondary Dominant IV chord leading to its own “I” chord, “F(6)” in the Key of “G” (original song in “F”)……While I am well aware that the chord is enharmonic to G13#5(and others) it’s proper name is tied into its function here. Thank you…I adore your videos.
@@craigsaxonmusic9372 Interesting, Yes I recall watching a documentary about the Beatles where they talk about this. But I didn't remember that it was Michelle I though it was a more obscure song
Lovely ! Was just about to dive into the A Train Bebop Workout but got "distracted" by your new video. The Real Book probably refers more to this version ua-cam.com/video/bNtQt05EglI/v-deo.html from what I could hear,m but no image added there. Anyway thanks for the effort, really helpful to say the least. One to keep.
Fascinating!! I recall Jim Hall say once that he decided to leave Brazilian music to the Brazilians, rather than to try Gilberto sounds! Thanks for posting. So interesting, as are all your videos!!
Awesome ! I have impression that Joao Gilberto doesn't stick with a particular voicing. I heard/watched differents versions he plays and it seems to me that he often change his voicings. This guy @ChristopheRousseau made a couple of very accurate transcriptions of this song (and other brazilian songs) and the voicings are different according to the period. Thank you very much for all your amazing work !
Yes that name sounds familiar I might have seen some of his videos
Great video! I love João Gilberto but I always have trouble figuring out what he’s doing. The Beatles tune is Til There Was You.
@@bimsterfls thanks
@@Mikkokosmos The person who answered that Beatles question stated that “Til There Was You” was the song in question. Although there are dim 7th chords in that performance, the chord you played, “Dominant 7th#9/5th” ( to express it generically) is played in “Michelle”, which also features garden variety dim 7th chords ascendingly. The anecdote you cited is well known, however they learned it not from “their” music teacher”, but a knowledgable acquaintance at a local music store. The chord you mentioned is played during the lyric “ma belle” as the Secondary Dominant IV chord leading to its own “I” chord, “F(6)” in the Key of “G” (original song in “F”)……While I am well aware that the chord is enharmonic to G13#5(and others) it’s proper name is tied into its function here. Thank you…I adore your videos.
@@craigsaxonmusic9372 Interesting, Yes I recall watching a documentary about the Beatles where they talk about this. But I didn't remember that it was Michelle I though it was a more obscure song
great video class
Lovely ! Was just about to dive into the A Train Bebop Workout but got "distracted" by your new video. The Real Book probably refers more to this version ua-cam.com/video/bNtQt05EglI/v-deo.html from what I could hear,m but no image added there. Anyway thanks for the effort, really helpful to say the least. One to keep.
The chord with no name? It's a diminished with one voice raised a whole step.
Same chord in Corcovado, Quiet Nights ?
@@Malcolm.Y yes that's perfect for that tune 😃
Bravooooo ❤❤❤❤😊😊😊😊😊
D7#9/A Use that chord often of Course Mikko is correct to see it as a diminished chord maybe F#dim maj7 / A lol rofl!!!
Yes I guess it's a dim(maj7) in 1st inversion 🤓 D7 is not a great name since there is no D in the voicing