Grande duetto con due voci nel pieno delle proprie possibilità … entrambe superbe e altere come due regine! Bellissima prova, indimenticabile e perfetta!!
Elizabeth I and Mary, Queen of Scots have met many times on stage and on screen - from Friedrich Schiller's early 19th-century play Mary Stuart, to Saoirse Ronan and Margot Robbie's dramatic head-to-head in Josie Rourke's film, Mary Queen of Scots. Yet in reality the two women famously never met. However, this is a great scene.
@@normanzurich2781 Vivo e più creativo che mai! A 93 anni suonati fa ancora regie esemplari (il suo Barbiere di Siviglia dell'estate scorsa, a Pesaro, era incantevole)
The fast pace loses the drama of the Figlia Impura di Bolena scene. That key phrase is not accented with long notes. The confrontation duet, the final sound like a modern disco song. The scene does not save even Antonecci's precious interpretation
Oh, you mean the one where Gencer screams her guts out? Yeah, that’s just about the antithesis of bel canto, although a lot of people like the verismo approach. 🤮 Btw, it’s SHIRLEY, who I saw many times in New York.
The Stuarda autograph score wasn’t discovered until 1991, so what you’re used to hearing is not what Donizetti had in mind. This performance follows the new critical edition, although it may not be your taste.
Oh well, ok that's why I thought this final was so much more beautiful and spectacular than usual, and I couldn't understand why. There's no comparison. This version is absolutely superior to the other one.
How come she has no chest voice at all and thought it would be aaaamazing to sing a role that depends on it? A nice voice with a good timbre and a very secure top, but the lack of chest is sad.
Grande duetto con due voci nel pieno delle proprie possibilità … entrambe superbe e altere come due regine! Bellissima prova, indimenticabile e perfetta!!
Un final à la hauteur du talent de Mariella Devia
💚🤍❤️
Elizabeth I and Mary, Queen of Scots have met many times on stage and on screen - from Friedrich Schiller's early 19th-century play Mary Stuart, to Saoirse Ronan and Margot Robbie's dramatic head-to-head in Josie Rourke's film, Mary Queen of Scots. Yet in reality the two women famously never met. However, this is a great scene.
What a powerful ending
On ne peut lire les sous-titres à cause de votre logo ! C'est agaçant !
don't watch it! 🙄
@@ThisisColoratura Very selfish reply.
Magnifique version de Marie Stuart
La dernière grande production de la Scala .....
Indimenticabile anche la regia, firmata dallo squisito Pier Luigi Pizzi. Quelli si, che erano spettacoli!!
E ancora vivo ?! 💚🤍❤️ una persona adorabile, generosa ed amabile 🎶 🎵
@@normanzurich2781 Vivo e più creativo che mai! A 93 anni suonati fa ancora regie esemplari (il suo Barbiere di Siviglia dell'estate scorsa, a Pesaro, era incantevole)
Would love to see Alessandra Marc sing this opera
The fast pace loses the drama of the Figlia Impura di Bolena scene. That key phrase is not accented with long notes. The confrontation duet, the final sound like a modern disco song. The scene does not save even Antonecci's precious interpretation
No one beats Leyla Gencer and Shurley Verrett in the 1967 Florentine May Festval perfornance.
Oh, you mean the one where Gencer screams her guts out? Yeah, that’s just about the antithesis of bel canto, although a lot of people like the verismo approach. 🤮 Btw, it’s SHIRLEY, who I saw many times in New York.
The Stuarda autograph score wasn’t discovered until 1991, so what you’re used to hearing is not what Donizetti had in mind. This performance follows the new critical edition, although it may not be your taste.
Oh well, ok that's why I thought this final was so much more beautiful and spectacular than usual, and I couldn't understand why. There's no comparison. This version is absolutely superior to the other one.
Antonaci Brava!
8:29
How come she has no chest voice at all and thought it would be aaaamazing to sing a role that depends on it? A nice voice with a good timbre and a very secure top, but the lack of chest is sad.
Divinità