Franco Corelli, tenor italiano nacido en Ancona en 1921, saltó a la fama de 1954 en adelante, con su poderosa voz de timbre dramático y a veces melancólico cuando los libretos lo exigían, para mí se constituyó en el mejor maestro cantor de la ópera universal, sin demeritar a otros grandes tenores como Luciano Pavarotti, Plácido Domingo, Roberto Alagna, Marcelo Álvarez, Mario del Mónaco, Jonas Kaufmann, Juan Diego Flórez, todos ellos excelentes intérpretes de increíbles dotes vocales, unos todavía vivos y otros ya muertos hace tiempo, como el propio Corelli; pero eso sí, en mi modesta opinión de simple cantante vocacional, no de conservatorio, Franco Corelli fue maestro de maestros, ningún otro tenor poseía el timbre y la potencia excepcionales de su garganta mágica, el Señor lo coronará en el Olimpo Celestial de los Tenores Universales de todos los tiempos.
Grande Corelli.Tengo pena de quienes se aventuran hoy en día a cantar Calaf .Después de oír a Franco no hay nadie que pueda hacerlo con el brillo y el talento que él tenía.
This is at the correct performance pitch!! 99.9% of the sources for this unique 1964 Scala performance run badly sharp, obviously too fast. The only exception has been the NUOVA ERA issue that I can no longer find anywhere. Please, please, PLEASE tell me what source you used for this hexed performance? You've broken the #$%/÷"%_# curse on this performance. You found a source at the correct speed!! What source was it?!
This is from the Myto CD, which sounds better than any of the other CD edition I’ve come across. But the software I use to further improve the sound has a pitch/speed modification feature, so I can fix pitch issues in general. Myto’s pitch was already good, however. Glad you enjoyed!
@@matOpera Definitely did enjoy this -- Yes! Thank you! In fact, I'm surprised I don't see any thank you from me from earlier this season, since I've been recommending this timeless upload to all and sundry for months now! Am delighted to know you did not need to tweak the pitch on this MYTO issue. But I can't imagine why I was so tardy in saying Thank you! Maybe I somehow thought I had sent one through already.
Immenso come sempre, però un po' di paura ce l'aveva anche lui... Ritarda l'acuto e poi evita anche il cambio di vocale. Ma ogni nuova sua testimonianza è comunque una gioia. Resta il rammarico grandissimo della rarità delle registrazioni video di un simile cantante che era anche scenicamente formidabile. Ma tant'è, a quei tempi si facevano decine film con Rascel, Macario o Ciccio e Franco, ma per giganti come Corelli o Callas non c'era un metro di pellicola da sprecare ...che follia.
@@armandosanchez4978 Yes, we all we feel slightly sadistic knowing the man behind the airy otherworldly voice could not stand the stage although his voice gave the written melodies such power and beauty.
![Signore, ascolta (Vishnevskaya) & Non piangere (Corelli) - 1964 La Scala [BEST SOUND]](http://i.ytimg.com/vi/aunokYAvpwQ/mqdefault.jpg)
![Signore, ascolta (Vishnevskaya) & Non piangere (Corelli) — 1964 La Scala [BEST SOUND]](/img/tr.png)
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the sharpness is incredible ... secure an example for Luciano .....
Franco Corelli, tenor italiano nacido en Ancona en 1921, saltó a la fama de 1954 en adelante, con su poderosa voz de timbre dramático y a veces melancólico cuando los libretos lo exigían, para mí se constituyó en el mejor maestro cantor de la ópera universal, sin demeritar a otros grandes tenores como Luciano Pavarotti, Plácido Domingo, Roberto Alagna, Marcelo Álvarez, Mario del Mónaco, Jonas Kaufmann, Juan Diego Flórez, todos ellos excelentes intérpretes de increíbles dotes vocales, unos todavía vivos y otros ya muertos hace tiempo, como el propio Corelli; pero eso sí, en mi modesta opinión de simple cantante vocacional, no de conservatorio, Franco Corelli fue maestro de maestros, ningún otro tenor poseía el timbre y la potencia excepcionales de su garganta mágica, el Señor lo coronará en el Olimpo Celestial de los Tenores Universales de todos los tiempos.
Incredibile !
The best ever,un grande Maestro Franco Corelli.The King of tenors !!!!
La sua voce, il suo canto penetrano l'anima. Vivrai per sempre nei nostri cuori grande GIGANTE🌹🌹
Un tenore un uomo la magia del suo canto nei secoli dei secoli
wonderful. thank you. No tenors nowadays sound as good as Corelli.
Alessandro Moccia is good
ua-cam.com/video/1aHeawt2gfQ/v-deo.html
Grande Corelli.Tengo pena de quienes se aventuran hoy en día a cantar Calaf .Después de oír a Franco no hay nadie que pueda hacerlo con el brillo y el talento que él tenía.
Calaf perfetto!!!
Meraviglioso. Immenso Corelli. ❤
Got the goosebumps, for real.
Passa il tempo ma la tua voce non trmontera mai grsndissimo❤😢
Amazing Franco!
Correlli one of the greatest .one of my favourites 👍❤️
Magnífico, una voz muy limpia, gracias
What a voice
O Calaf que Puccini sonhou....
Yeah; can you imagine if Puccini had heard Corelli? Surely, he would have written an opera for him.
Extraordinario Corelli es inmenso, vaya voz!.
Grande tenore
He is a leyenda
Brilliant...
Fantastic! Thank you!
Thank you 😊
My pleasure!
이 영상을 보게 되서 너무나 기쁘다
코렐리는 칼리프 왕자입니다❤❤
Único, más videos con audio hq
I’m really glad you enjoyed. I also uploaded the end of Act 1 with similar sound: ua-cam.com/video/aunokYAvpwQ/v-deo.html
💖🎼💖
This is at the correct performance pitch!! 99.9% of the sources for this unique 1964 Scala performance run badly sharp, obviously too fast. The only exception has been the NUOVA ERA issue that I can no longer find anywhere.
Please, please, PLEASE tell me what source you used for this hexed performance? You've broken the #$%/÷"%_# curse on this performance. You found a source at the correct speed!!
What source was it?!
This is from the Myto CD, which sounds better than any of the other CD edition I’ve come across. But the software I use to further improve the sound has a pitch/speed modification feature, so I can fix pitch issues in general. Myto’s pitch was already good, however.
Glad you enjoyed!
If you’re interested, I also uploaded the end of Act 1: ua-cam.com/video/aunokYAvpwQ/v-deo.html
@@matOpera Definitely did enjoy this -- Yes! Thank you! In fact, I'm surprised I don't see any thank you from me from earlier this season, since I've been recommending this timeless upload to all and sundry for months now! Am delighted to know you did not need to tweak the pitch on this MYTO issue. But I can't imagine why I was so tardy in saying Thank you! Maybe I somehow thought I had sent one through already.
❤️
UNERREICHBAR
😂
Me gusta más la interpretación de Lauri Volpi.
He was tremendous.
Immenso come sempre, però un po' di paura ce l'aveva anche lui... Ritarda l'acuto e poi evita anche il cambio di vocale. Ma ogni nuova sua testimonianza è comunque una gioia. Resta il rammarico grandissimo della rarità delle registrazioni video di un simile cantante che era anche scenicamente formidabile. Ma tant'è, a quei tempi si facevano decine film con Rascel, Macario o Ciccio e Franco, ma per giganti come Corelli o Callas non c'era un metro di pellicola da sprecare ...che follia.
Una total que insensatez, que nos priva de verles.
hatred is crucial to high art
taught himself how to sing and hated singing and through that prism he sang as an angel sings
If i recall he said he loved singing but hated the stage fright and anxiety he felt before performing.
@@armandosanchez4978 Yes, we all we feel slightly sadistic knowing the man behind the airy otherworldly voice could not stand the stage although his voice gave the written melodies such power and beauty.