Une merveille, tout simplement grandiose ce STABAT MATER de GIOVANNI BATTISTA PERGOLESI, de l’ensemble GLI ANGELI GENEVE, que j’ai énormément aimé bravo..
Magnifique interprétation !❤❤❤❤ L'orchestre est un pur régal car il ne couvre jamais les solistes, qui peuvent déployer toute leur musicalité !! BRAVI À TOUS ☀️☀️☀️☀️☀️
Pergolèse c'est certainement retourné dans sa tombe.... c'est sans doute la plus belle interprétation de son Stabat Mater que j'ai eu le bonheur d'entendre. Quand aux deux solistes, tout simplement superbe.
Can anyone not love this? No. For me it is recognition, memories of the past, feelings of joy, but also of sorrow. I first heard this when I was 20, and it has followed me through life. And when I hear this superb uptaking, I almost burst out into tears. Both the soprano and the countertenor are wonderful , and the orchestra, well, if I say they are good, no, it is not enough, they are breathtaking!
The best performance for me so far. Even during the loudest passages voices remain musical. The embellishments perfectly rendered. What a gift to all of us to be able to enjoy this work. Bravo to all musicians and the fine conductor.
Tiefempfundene Aufführung dieses perfekt komponierten Meisterwerks mit himmlischen Stimmen aller Sänger und perfekt vereinigten Töne aller Instrumente. Carlos Mena singt besonders schön. Der intelligente Maestro dirigiert alles im gut phrasierten Tempo mit perfekt kontrollierter Dynamik. Einfach wunderschön!
An exquisite performance. I'm wowed by Carlos Mena's technical skill, for instance in that run of trilled notes. I haven't heard another countertenor render them that well.
0:03 1. Stabat mater dolorosa (à due) 4:37 2. Cujus animam gementem (canto solo) 6:43 3. O quam tristis et afflicta (à due) 9:04 4. Quae moerebat et dolebat (alto solo) 10:53 5. Qui est homo (à due) 13:53 6. Vidit suum dulcem natum (canto solo) 17:07 7. Eja mater fons amoris (alto solo) 19:14 8. Fac, ut ardeat cor meum (à due) 21:22 9. Sancta mater, istud agas (à due) 26:28 10. Fac ut portem Christi mortem (alto solo) 30:02 11. Inflammatus et accensus (à due) 32:03 12. Quando corpus morietur (à due)
Jammer dat de afronding van dit concert zo lang duurde dat ik bijna het volgende concert van Weser Renaissance miste. Had toch allemaal wat sneller gekund. Hartelijk dank AVRO & TROS voor het herbeleven van deze Stabat Maters
Yes, Im sure now, I love Ana Quintans voice. Just straight when it should be straight, and then with a little vibrato when its necessary. And her voice can expand to great dimensions! I think big vibratos hasnt anything to do with Barock Music. Of course its a matter of taste, but this is my taste.
In barock music it is a different way to treat vibratos, of course, often they are a part of the dramatic expression, and then it is good, as when Ana sings. I have to make this statement, so you dont think I dont like vibratos at all. But in operas we often hear singers with big big vibratos. I sort of hate that.
I have for example tried to listen to Anna Netrebko and Marianna Pizzolato in Stabat Mater. No, no, no! Too much sugar, and too much cream. And too much vibrato. They totally miss the fine texture there is in a fine barock version. Like this one.
And a special BIG THANK YOU! to the women solist, she is just out of this world! I dont know her name, the list of the musicians are all the ones in the orchestra, but not the solists. I cant find the solists name anywhere. Anyhow, I cant stop listen to her voice!
That is very subjective. The lady sitting next to me could not stand her voice at all. And be honest the voice was much to loud compared to the rest of the musicians.
@@HarpsichordVinylGallery OK, the lady sitting next to you could not stand Ana Quintans voice, and you yourself think her voice was much to loud. I dont disagree with you, I wasn´t there, I just think that in my earphones her voice is just perfect. But you have of course the right to another opinion. And yes, it is very subjective. Were you there?
@@staffanolofsson8201 Yes Parterre, row 4, seat 14 (Rang 1) to be precise which is right in front of the excellent singing Carlos Meña in this setting.
![Pergolesi: Stabat Mater - Live Concert [HD] - Concerto Köln - Concertgebouw Amsterdam](/img/n.gif)
Une merveille, tout simplement grandiose ce STABAT MATER de GIOVANNI BATTISTA PERGOLESI, de l’ensemble GLI ANGELI GENEVE, que j’ai énormément aimé bravo..
Magnifique interprétation !❤❤❤❤ L'orchestre est un pur régal car il ne couvre jamais les solistes, qui peuvent déployer toute leur musicalité !! BRAVI À TOUS ☀️☀️☀️☀️☀️
The two fantastic voices and the orchestra give us one interpretation of Stabat Mater ever hearing. Bravo!!
Pergolèse c'est certainement retourné dans sa tombe.... c'est sans doute la plus belle interprétation de son Stabat Mater que j'ai eu le bonheur d'entendre. Quand aux deux solistes, tout simplement superbe.
Can anyone not love this? No. For me it is recognition, memories of the past, feelings of joy, but also of sorrow. I first heard this when I was 20, and it has followed me through life. And when I hear this superb uptaking, I almost burst out into tears. Both the soprano and the countertenor are wonderful , and the orchestra, well, if I say they are good, no, it is not enough, they are breathtaking!
The best performance for me so far. Even during the loudest passages voices remain musical. The embellishments perfectly rendered. What a gift to all of us to be able to enjoy this work. Bravo to all musicians and the fine conductor.
Tiefempfundene Aufführung dieses perfekt komponierten Meisterwerks mit himmlischen Stimmen aller Sänger und perfekt vereinigten Töne aller Instrumente. Carlos Mena singt besonders schön. Der intelligente Maestro dirigiert alles im gut phrasierten Tempo mit perfekt kontrollierter Dynamik. Einfach wunderschön!
An exquisite performance. I'm wowed by Carlos Mena's technical skill, for instance in that run of trilled notes. I haven't heard another countertenor render them that well.
La voz,..la voz humana !! acompañada magníficamente por los instrumentos musicales....
0:03 1. Stabat mater dolorosa (à due)
4:37 2. Cujus animam gementem (canto solo)
6:43 3. O quam tristis et afflicta (à due)
9:04 4. Quae moerebat et dolebat (alto solo)
10:53 5. Qui est homo (à due)
13:53 6. Vidit suum dulcem natum (canto solo)
17:07 7. Eja mater fons amoris (alto solo)
19:14 8. Fac, ut ardeat cor meum (à due)
21:22 9. Sancta mater, istud agas (à due)
26:28 10. Fac ut portem Christi mortem (alto solo)
30:02 11. Inflammatus et accensus (à due)
32:03 12. Quando corpus morietur (à due)
A very moving performance. Wunderschön!
Fantastische contratenor Carlos Mena,
overigens de rest van de solisten en musici ook een prachtige uitvoering. DANK
Great performance at one of the best music festivals in Europe, Early Music Festival 2019 (Festival Oude Muziek)
Sehr berührend und wunderschön.
Subliem! Beyond words! Een zegen was het om het live bijgewoond te hebben...
Bravissimo.
Divine!💖
Jammer dat de afronding van dit concert zo lang duurde dat ik bijna het volgende concert van Weser Renaissance miste. Had toch allemaal wat sneller gekund. Hartelijk dank AVRO & TROS voor het herbeleven van deze Stabat Maters
i can't understand a single word but oh the pain... this is the saddest thing i've ever listened.
Yes, Im sure now, I love Ana Quintans voice. Just straight when it should be straight, and then with a little vibrato when its necessary. And her voice can expand to great dimensions! I think big vibratos hasnt anything to do with Barock Music. Of course its a matter of taste, but this is my taste.
In barock music it is a different way to treat vibratos, of course, often they are a part of the dramatic expression, and then it is good, as when Ana sings. I have to make this statement, so you dont think I dont like vibratos at all. But in operas we often hear singers with big big vibratos. I sort of hate that.
I have for example tried to listen to Anna Netrebko and Marianna Pizzolato in Stabat Mater. No, no, no! Too much sugar, and too much cream. And too much vibrato. They totally miss the fine texture there is in a fine barock version. Like this one.
I thought her voice was shrill.
And a special BIG THANK YOU! to the women solist, she is just out of this world! I dont know her name, the list of the musicians are all the ones in the orchestra, but not the solists. I cant find the solists name anywhere. Anyhow, I cant stop listen to her voice!
The soprano is Ana Quintans, the countertenor is Carlos Mena
@@gliangeligeneve2947 Thank you.
That is very subjective. The lady sitting next to me could not stand her voice at all. And be honest the voice was much to loud compared to the rest of the musicians.
@@HarpsichordVinylGallery OK, the lady sitting next to you could not stand Ana Quintans voice, and you yourself think her voice was much to loud. I dont disagree with you, I wasn´t there, I just think that in my earphones her voice is just perfect. But you have of course the right to another opinion. And yes, it is very subjective. Were you there?
@@staffanolofsson8201 Yes Parterre, row 4, seat 14 (Rang 1) to be precise which is right in front of the excellent singing Carlos Meña in this setting.