Відео

Эта запись - изумительный подарок для всех нас. Огромное спасибо за возможность слушать эти бесподобные звуки.

1:00:30 Sanctus

Isso me lembra muito meu tempo de crianças traz muitas bembraças que sem explicar

5:27 reminds me of laying in a garden while fairies dance around me😊

EXCELENTE Y MARAVILLOSO! PARA MI LA MEJOR VERSION DE LA 5th DE BEETHOVEN QUE DIRIGIO EL MAESTRO BERNSTEIN.

With Bernstein's conducting of the Vienna Orchestra, whether the following images are intended by the composer or conductor, I know not, nevertheless, I can see the seasons of Sibelius' native Finland in dramatic detail. Bernstein seems to bring out Sibelius' depiction of the harshness of life in the North country-how easily things can go awry and the anxiety it brings. I can see the springtime flurry of activity of the animals rushing about in the 1st and 2nd movements, as if time is short before winter darkness falls again. In the fourth, I can see a crew of sailors straining at the oars against the notorious waves in the open North Sea as the storm approaches and the Maelstrom threatens to take them under. Then, just when all seems lost, the clouds seem to break, as they see land, and they, at the end of human exhaustion, reach the shore in heroic fashion. I see none of this with the other versions as they are more mechanical.

Sting, listen Gershwin works a lot. 😊

Capolavoro!

By far Bernstein’s best 5th, and among the best ever recorded.

No words

Grande musica, grande direttore, grandissima interprete

09:32 : no 1. Vorspiel. Die Vorstellung des Chaos (Prélude : la représentation du Chaos) 16:29 : no 2. Rezitativ und Chor : Im Anfang schuf Gott Himmel und Erde (Au commencement, Dieu créa le ciel et la terre) 19:36 : no 3. Arie und Chor : Nun schwanden vor dem heiligen Strahle (Vaincus par les éclairs divins) Fin du premier jour 23:48 : no 4. Rezitativ : Und Gott machte das Firmament (Et Dieu créa l’étendue du firmament) 25:57 : no 5. Solo mit Chor : Mit Staunen sieht das Wunderwerk (La glorieuse hiérarchie des Cieux / contemple avec stupeur la création) Fin du deuxième jour 27:52 : no 6. Rezitativ : Und Gott sprach: Es sammle sich das Wasser (Dieu dit : Que les eaux) 28:44 : no 7. Arie : Rollend in schäumenden Wellen (La mer se déchaîne en vagues écumeuses) 32:38 : no 8. Rezitativ : Und Gott sprach: Es bringe die Erde Gras hervor (Puis Dieu dit : Que la terre produise de la verdure) 33:20 : no 9. Arie : Nun beut die Flur das frische Grün (La flore enveloppée d’un frais manteau vert) 39:16 : no 10. Rezitativ : Und die himmlischen Heerscharen erkündigten (Et les anges du Paradis proclamèrent le troisième jour) 39:31 : no 11. Chor : Stimmt an die Saiten (Pincez les cordes) Fin du troisième jour 41:40 : no 12. Rezitativ : Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (Dieu dit : Qu’il y ait des luminaires dans l’étendue du ciel) 42:32 : no 13. In vollem Glanze steiget jetzt die Sonne (Le Soleil, d’une éclatante splendeur, se lève) 45:49 : no 14. Terzett und Chor : Die Himmel erzählen die Ehre Gottes (Les cieux racontent la gloire de Dieu) Fin du quatrième jour Seconde partie 51:22 : no 15. Rezitativ : Und Gott sprach: Es bringe das Wasser in der Fülle hervor (Et Dieu dit : que les eaux produisent un grand nombre d'êtres mobiles et vivants) 51:55 : no 16. Arie : Auf starkem Fittiche schwinget sich der Adler stolz (De son aile puissante, l'aigle s'élance fièrement) 53:34 : Alouette (clarinette) 59:30 : no 17. Rezitativ : Und Gott schuf große Walfische (Et Dieu créa les baleines) 01:01:49 : no 18. Rezitativ : Und die Engel rührten ihr' unsterblichen Harfen (Et les anges firent vibrer leurs harpes éternelles) 01:02:14 : no 19. Terzett und Chor : In holder Anmut stehn (Gracieuses et charmantes, les collines se dressent) (La ci darem la mano) 01:09:50 : no 20. Rezitativ : Und Gott sprach: Es bringe die Erde hervor (Et Dieu dit : que la terre engendre les êtres vivants) 01:10:22 : no 21. Rezitativ : Gleich öffnet sich der Erde Schoss (Alors le sein de la terre s'ouvrit) 01:10:48 : Lion 01:11:52 : boeuf 01:12:59 : insectes 01:13:11 : vers (note la plus grave pour le mot terre) Fin du cinquième jour 01:14:11 : no 22. Rezitativ : Nun scheint in vollem Glanze der Himmel (Alors le ciel brille de tout son éclat) Récitatif (Raphael) 01:17:28 : no 23. Rezitativ : Und Gott schuf den Menschen nach seinem Ebenbilde (Et Dieu créa l'homme à son image) Récitatif (Uriel) 01:18:30 : no 24. Arie : Mit Würd und Hoheit angetan (Fait de dignité et de noblesse) Air (Uriel) 01:22:25 : no 25. Rezitativ : Und Gott sah jedes Ding, was er gemacht hatte (Et Dieu vit tout ce qu'il avait fait, et c'était bien) Récitatif (Raphael) Fin du sixième jour 01:22:58 : no 26. Terzett und Chor : Vollendet ist das grosse Werk (La grande œuvre est achevée) Troisième partie 01:33:27 : no 27. Rezitativ : Aus Rosenwolken bricht/Geweckt durch süßen Klang/Der Morgen jung und schön (Parmi les nuages roses apparaît, éveillé par de doux accents, le matin jeune et beau) 01:39:34 : no 28. Duett mit Chor : « von deiner Güt', o Herr und Gott… 01:42:38 : Der Sterne hellster, o wie schön verkündest du den Tag… Wir preisen dich in Ewigkeit » (De tes bienfaits Ô Seigneur Dieu… Ô toi la plus claire des étoiles, avec quelle splendeur annonces-tu le jour… Nous te glorifions pour l'éternité). 01:49:50 : no 29. Rezitativ : Nun ist die erste Pflicht erfüllt (Notre premier devoir est accompli, nous avons remercié le Créateur) 01:52:25 : no 30. Duett : Holde Gattin… Der tauende Morgen (Chère épouse… La rosée du matin) 02:02:01 : no 31. Rezitativ : O glücklich Paar (Ô couple heureux) 02:02:34 : no 32. Chor : Singt dem Herren alle Stimmen Des Herren Ruhm, er bleibt in Ewigkeit! Amen! (Que toutes les voix chantent le Seigneur… La gloire du Seigneur est éternelle ! Amen !)

My old music theory teacher Morris Lang on the taxi horn.

Beautiful strong symphony, with Prokofiev inspiration here and there. One of his great symphonies.

3:48

Unbelievable beautiful performance. Thank you so much Leonard . I will never forget you.

Tankiu

53:25

감사합니다 ❤😂😂

Harold Wright?

maestro, soloists and musicians have already died, and the boys will now be grandfathers in 2025

Böhm conducts very slow tempos, especially in the Trio Et incarnatus. It makes me feel sorry for the little soloist boy. I have never heard this mass so slow and so long. But it is an important document and Peter Schreier is magnificent.

And together, those who were considered the best conductor and the best pianist of the 20th century…

The Newbould completion makes so much sense to me. I have always loved the symphony unfinished, and welcome the Scherzo. The Rosamunde entre-Acte is not as satisfying to my ears, however the very fact that it was composed in the same time period and has identical orchestration and key signature just simply makes sense.

One of the best recordings I’ve ever seen alongside Yefim Bronfman,Evgeny Kissin,Grigory Sokolv,

In my opinion (which is strictly personal) this is the best recording of this concert. But please prove me wrong 😄

10:43 orchestra hit

@6:30 The woodwinds are thunderously ahead of the strings. It’s very underwhelming. How can this happen with an orchestra with such credentials?

A landmark great symphony. It is a shame it is not revered by the music going public on the same level as Rhapsody in Blue. Credit must be given to Leonard Bernstein for making America really aware of its greatest composer. I think the same way about Aaron Copland's 3rd Symphony. These two are Americana at its finest.

Why does the theme of the second movement (Allegretto) of the 7th fascinate me so much? Each time it begins to play, I stop everything I'm doing. Feels like it's taking me to some place and time that aren't mine. This recording is certainly one of the most beautiful and melancolical I have heard so far. Maybe, o probably for sure, the circumstances as described by @happypancake6728 explain it. Thanks Lennyforever for posting and @happypancake6728 for giving us intimate background information.

Way, way too slow. If it wasn't for the label, I would have thought John Cage was conducting the symphony. I'm surprised Bernstein approved the release of this recording; or did he?

study the score and you will see how great was bernstein.....this is a master conducting!!

Excellent!

Have listened to many renditions of Beethoven’s 7th symphony, but listened to this, by Bernstein, on recommendation and my mind was blown away by the clarity, the interpretation and the brilliant orchestra with impeccable conducting by Bernstein. A masterpiece. Thank you

I. 0:00 II. 7:17

4:23

Grazie Wolfang..eri e sei un regalo non meritato dall'umanità! Grazie Leonard per questa meravigliosa esecuzione che ascolto ormai da molti anni...

wonderful

Grazie infinite!!! Concerto - capolavoro!!!!!

what a stunning performance!!

A magnificent performance of this grand romantic symphony. Liszt is still somewhat underrated as a composer, possibly due to the fame of his virtuoso pieces, and his extraordinary life style. He can be said to personify the Romantic era! Thank you for posting this wonderful performance.

I'm a Copland contrarian, preferring early Copland (especially Dance Symphony) and late Copland (especially Music for a Great City). Not so much the middle works.

17/20

hear like METTA in gentle melody the mantra

1. Allegro con brio 00:00 2. Andante 15:35 3. Poco allegretto 25:20 4. Allegro 32:28

Fancy Free begins @ 29:15

it was written in 1901, but the world premier was in 1951, 50 years later, and after many corrections in the score may be by the same composer and Benrstein later who had the honor to interpret it by the first time, and it was considered the first american music, i mean the first american symphony, there are some influence of european composers specially in the 3 movments, the disonance in the last chord is totally intentional . BRAVO!

Merveilleux Merci beaucoup

En los largos moviéndose iniciales, pensativos, Shostakovich se sentía cómodo. Largamente inspirado.

The password is fidelio