Відео

4番目マジで上手い

I always knew Scriabin had a curiously forward thinking obsession with tuplet rhythms, creating these restless jittery backdrops (you see it even in his latest sonatas) but this might be the most full and bold exploration of it I've seen from him. It's kind of a shame that they're held back by the bláse late Romantic language and that he started to deemphasize these interests in favor of his pitch experiments later on. Triplets over displaced quintuplet groupings in 1903 (!) is no joke.

5:53 10:07 18:00

Chopin wrote this charming polonaise when he was 11 years old, to honour the name day of Wojciech Zywny, the only piano teacher Chopin ever had (apart from early lessons with his mother).

Medtner's music is just so magic!

I suggest u to carry ur question to my former piano colleague, his grandpa had Close Connections to the House of Liszt 😃

I love these beautiful sounds and vibratos 😀😁😎😍

The 3rd is just an absolute masterpiece. It's very clearly a departure from what Medtner usually composed, and yet it's done so masterfully with his signature touches. Wonder what compelled him to write something so demonic. It sounds like the world is ending in many parts, quite similar to the ending of the 1st movement of the Sonata Romantica.

10:10

13:02.

Such an creative and original pieces! Rest in piece, Stanchinsky

Recently one of my most favourite Medtner's non skazki shorter works! So original and wonderfull!

まだまだ知らない名曲が沢山ありますね。余生のうちにその全部と出会いたい。

Oh my God! That coda... THAT CODA!!!

This is so wonderfull! Mejoueva did such a great job here, it's propably my most favourite interpretation, thogh think that she softened some peaks and climaxes too much - for example in Romanza I am used to a stromy monumental coda, like Hamelin has, but this also isn't bad, it just a little ignores Medtner's dynamics marks. But overally she really, really great - like that primavera left me speechless!

This is one of the most underrated violin sonatas ever, it's so beautifull, clever, tender, soft, yet joyfull and full of great stellar climaxes! Plus the form and structure is original and astonishing!

Pointless playing this unless you already have the technique and can virtually sight read it. Musically it's nothing special so no point in wasting time trying to learn it

0:51

Если слушать на повышенной скорости, то это самая лучшая запись этой сонаты

Eccellente esecuzione, l'adagio poi è delicatissimo. Bravo!!

Very interesting. Much more freedom with tempi by Zhukov.

Such an incredible sonata. Some playing I like particularly 2nd and 3rd movements (slight mishap at 12:34). 1st movement lacks the "drammatico" element for me (plus D# instead of Ds in bar 7). 4th movement is over-pedalled too much - sounds muddy in places (with the LH arpeggios).

love this piece, awful interpretation.

1:11

Tienes el PDF completo del libro?

Lindo.

No 2 is so great with the late shifts of tonality in this simple motif

Fantastically played.

This is wonderful, thank you !

01:11 04:19 06:06

There is so much to these pieces. I hear a bit of Chopin and Bach but I also hear modern jazz. What do you hear?

Based Medtner

Op. 3 No. 4 my favorite ^-^

The dissonance is SPICY

Bel canale! Grazie preziosissimi esecuzioni dei pianisti che io seguo. Complimenti!

This is one of my favourites 😊

성진아~~~ 너는 왤케 피아노를 잘치는거니? ❤❤❤❤

너무좋다...

The second piece lacks charm compared to some other performances I have listened to. The first piece is lovely. No argument that his playing is phenomenal - - just to compare him with another UA-cam idol, he blows Sokolov out of the water ;no matter whether it's young or old Sokolov, Trifonov is a vastly superior pianist.

amazing!!!

wow

The last skazka reminds me of a Rach's op. 33, no. 4 a bit.

Lovely!! And more technically demanding than meets the eye.

I love how the very first one says "tempo giusto" and the pianist plays everything without any kind of pulse

pure sex

Bars 2 and 4 of the Andante (mvt III) should have 16th-note LH octaves, not 32nd-note ones.

ua-cam.com/video/zvkWuhJvwNQ/v-deo.htmlsi=ItWlCOnz6GkIxxgS

Cannot read music; there should be D naturals (RH and LH) in Bar 7. Glenn Gould made the same mistake. This playing is unrhythmical, and directionless.

this pianist is not good at rubato

16:22