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HIPP in Music Collective
Приєднався 14 кві 2017
Historically informed performance practice in music.
Impromptu, J. T. De Sutter
Anne Pustlauk, flute.
Toby Sermeus, piano.
2024
Jules-Toussaint De Sutter (1889-1959) composed the Impromptu in 1913, at the age of 24. It was written for the final flute examination at the Brussels Conservatoire.
De Sutter studied piano and composition at the Ghent Conservatoire. During World War I, he went to England where he performed for Belgian refugees. After the war, he studied conducting in Germany and returned to Belgium where he worked as a conductor.
The wooden cylindrical Boehm system flute used in the video was made around 1880 in the workshop of Eugène Albert in Brussels. The Albert workshop was active for more than a century, starting with Eugène in around 1839, at a time when the Boehm flute was played by only very few flutists. In 1867, Albert’s flutes won a gold medal at the Paris Exhibition. In 1887 he retired, and his three sons Jean-Baptiste, Jacques Émile and Joseph-Eugène took over the business. Jacques made mainly oboes under his own name; the other brothers made all kinds of woodwind instruments, from 1886 to 1895 under the name of “Albert Frères” and later under their own names. After their deaths, their wives took over the workshop. The last Albert workshop closed in 1950.
Albert flutes don’t have serial numbers, and documents from or about the workshops are rare. It is therefore difficult to date their instruments.
The grand piano, made in 1884 by Pleyel, Wolff & Cie., is in the collection of the Museum Vleeshuis in Antwerp where the recording took place.
Toby Sermeus, piano.
2024
Jules-Toussaint De Sutter (1889-1959) composed the Impromptu in 1913, at the age of 24. It was written for the final flute examination at the Brussels Conservatoire.
De Sutter studied piano and composition at the Ghent Conservatoire. During World War I, he went to England where he performed for Belgian refugees. After the war, he studied conducting in Germany and returned to Belgium where he worked as a conductor.
The wooden cylindrical Boehm system flute used in the video was made around 1880 in the workshop of Eugène Albert in Brussels. The Albert workshop was active for more than a century, starting with Eugène in around 1839, at a time when the Boehm flute was played by only very few flutists. In 1867, Albert’s flutes won a gold medal at the Paris Exhibition. In 1887 he retired, and his three sons Jean-Baptiste, Jacques Émile and Joseph-Eugène took over the business. Jacques made mainly oboes under his own name; the other brothers made all kinds of woodwind instruments, from 1886 to 1895 under the name of “Albert Frères” and later under their own names. After their deaths, their wives took over the workshop. The last Albert workshop closed in 1950.
Albert flutes don’t have serial numbers, and documents from or about the workshops are rare. It is therefore difficult to date their instruments.
The grand piano, made in 1884 by Pleyel, Wolff & Cie., is in the collection of the Museum Vleeshuis in Antwerp where the recording took place.
Переглядів: 215
Відео
Idylle Impromptu, A. F. Wouters
Переглядів 241День тому
Anne Pustlauk, flute. Toby Sermeus, piano. 2024 Adolphe-François Wouters (1849-1924) studied at the Brussels Conservatoire. In 1868, he began his professional career as an organist and conductor; a few years later he was appointed at the Brussels Conservatoire to teach the female piano students. He gave up this post in 1900 to concentrate on composing and writing pedagogical works. The Idylle-I...
Romanza, K. Candael
Переглядів 31114 днів тому
Anne Pustlauk, flute. Toby Sermeus, piano. 2024 The Belgian composer and conductor Karel Candael (1883-1948) wrote the Romanza in 1917, "wartime". He dedicated the piece to his colleague, Ferdinand Valck (1869-1832), who taught the flute at the Antwerp Conservatoire. The Romanza is Candael’s only work for flute. He mainly wrote vocal music. The Romanza was never published. The autograph is now ...
J.B. Loeillet: 18th and 19th century performance practice
J.B. Loeillet: 18th and 19th century performance practice
Tulou Cinquième Concerto op. 37
Переглядів 833Рік тому
Anne Pustlauk, flute. Toby Sermeus, piano. 2022 Jean-Louis Tulou published the 5th Concerto for Flute and Orchestra in Paris and Bonn in 1825. The version in this video is an arrangement for flute and piano by the Leipzig flute player Christian Gottlieb Belcke. Belcke played the concerto himself in concerts. Since newspaper critics frequently criticised the length of the concerto, Belcke shorte...
Tulou 15e Grand Solo op. 109
Переглядів 637Рік тому
Anne Pustlauk, flute. Toby Sermeus, piano. 2022 Jean-Louis Tulou composed the 15th Grand Solo for the 1859 concours at the Paris Conservatoire. It was his last year at the Conservatoire. He retired at the age of 73. In 1859 four students won a price. No first price was given. Charles-Cyprien Trousseau received a second price. He later took over from his father the Élysée-Ménilmontant, an inn wi...
Tulou Plaisir d'amour Fantaisie
Переглядів 1,5 тис.Рік тому
Anne Pustlauk, flute. Toby Sermeus, piano. 2022 Jean-Louis Tulou composed "Plaisir d'amour, Romance de Martini, publiée en 1764. Fantaisie pour la Flûte op. 106" in 1858 for the concours of the flute class at the Paris Conservatoire. The melody dates from the 18th century, and has been extremely popular in France through the years. Today it is best known in Elvis Presley's version (Can't Help F...
Tulou Il Trovatore Fantaisie
Переглядів 1,5 тис.Рік тому
Anne Pustlauk, flute. Toby Sermeus, piano. 2022 The Fantasy on a Theme from Il Trovatore op. 105 by Jean-Louis Tulou served as a concours work for the flute class at the Paris Conservatoire in 1856. The opera Il Trovatore by Giuseppe Verdi was first performed in Paris at the Théâtre-Italien in December 1854. It was an immediate success and was programmed many times in the following years. Tulou...
Tulou Air varié brillant op. 99
Переглядів 8752 роки тому
Anne Pustlauk, flute. Toby Sermeus, piano. 2022 Air varié brillant op. 99, composed by Jean-Louis Tulou, was played in the concours for flute at the Paris Conservatoire in 1851. In that year the piece was wrongly published as op. 98 as which it is rather known today. The publisher Brandus & Cie corrected the mistake in a re-edition. Five students took part at the concours, three of them won a p...
Tulou 11e Grand Solo op. 93
Переглядів 5982 роки тому
Anne Pustlauk, flute. Toby Sermeus, piano. 2022 Jean-Louis Tulou composed the 11th Grand Solo in D major for the concours at the Paris Conservatoire in 1845. It is one of the simpler of Tulou's 15 Grand Solos. It contains neither the usual complicated trill passages nor difficult keys for the simple system flute. Nevertheless, it is not easy tonally, since it contains some large leaps. In addit...
Tulou 9e Grand Solo op. 91
Переглядів 7962 роки тому
Anne Pustlauk, flute. Toby Sermeus, piano. 2022 Jean Louis Tulou composed the 9th Grand Solo in E flat major for the 1843 concours of the Paris Conservatoire. The 9th Solo is one of the longest works written for the concours and one of the few (5 of 20) written in a flat key. As the simple system flute is based on the D major scale, a tonality becomes more difficult the more it moves away from ...
Tulou 8e Grand Solo op. 88
Переглядів 8052 роки тому
Anne Pustlauk, flute. Toby Sermeus, piano. 2022 The 8th Grand Solo in b minor by Jean-Louis Tulou was composed for the 1842 Paris concours. Only one flute student took part and won a first price: the prodigy Joseph-Henri Altès. After his studies he played the flute in several Paris orchestras as the Opéra-Comique, the Opéra, the Nouvelle chapelle de l'empereur and the Société des concerts along...
Tulou 7e Grand Solo op. 86
Переглядів 5012 роки тому
Anne Pustlauk, flute. Toby Sermeus, piano. 2022 The 7e Grand Solo in E major by Jean-Louis Tulou was composed for the 1841 concours at the Paris Conservatoire. In that year two students won a price as the author Édouard Monnais alias Paul Smith reports in the Revue Musicale, “Among the flutists, we saw a younger one appear, smaller than all the others, wearing the uniform of one of our regiment...
Tulou 5e Grand Solo op. 79
Переглядів 1,6 тис.2 роки тому
J.-L. Tulou Cinquième Grand Solo op. 79 Anne Pustlauk, flute Toby Sermeus, piano 2022 The 5th Grand Solo, composed by Jean-Louis Tulou, was played in the 1839 concours at the Paris Conservatoire. That year’s concours saw two great talents: Hélène-Jean Joseph Miramont and Charles-Oscar Allard. Both were 15 and 16 years old and immediately won a first price. Jean-Théodore Pilliard won a second pr...
Fr. Chopin: étude Op. 25 n°6 (Pleyel 1854)
Переглядів 4493 роки тому
Fr. Chopin: étude Op. 25 n°6 (Pleyel 1854)
Briccialdi Bolero for flute and piano
Переглядів 5 тис.6 років тому
Briccialdi Bolero for flute and piano
Chopin Bolero Op.19. Piano Pleyel (1854)
Переглядів 1,2 тис.6 років тому
Chopin Bolero Op.19. Piano Pleyel (1854)
Chopin Etude Op. 25/1. Piano Pleyel (1854)
Переглядів 1,8 тис.6 років тому
Chopin Etude Op. 25/1. Piano Pleyel (1854)
Een Gentenaar die voor Brussel een stuk schrijft dat in Antwerpen uitgevoerd wordt. Perfect! Een indrukwekkend stuk dat op indrukwekkende wijze gespeeld wordt! Bravo aan beide uitvoerders!
👍👍Brava, Bravi !
👍
👍
👍
that's a fantastic flute sound!
beautiful!
Lovely playing, thanks for posting!
Prachtig componist! Geweldige uitvoering!
zeer mooie uitvoering
Beautiful! Jammer dat Candael niet nog wat meer schreef voor fluit, zou ik denken! Proficiat aan beide uitvoerders! Hendrik VdA
Hello, Thank you for such a beautiful performance. Out of interest, where did you source your information on Charles Allard. He is my great-great grand father and I would love to know more about his life. I have his exam certificate of his 1839 performance of this music at the conservatoire de paris. Thank you
Hats off everyone and I mean everyone who ever spent thousands of hours blowing into a hole in a peice of wood or metal hoping that something beautiful might result - eventually.
hello, can you send me these notes please!!!!
Beautiful!!!
The timbre of the middle register! I would compare it to Meursault!
Beautiful! What again were the supposed benefits of the Boehm flute?
This was 5 month ago... I miss you and I hope & wish you are well ❤
Very interesting! Would Donjon have played simple system? Did he switch to boehm and compose for it in mind with his 8 etudes and pieces like “Pan!” or was he always a simple system player? Did students under Tulou HAVE to use his flutes?
This is extraordinary good and very pleasant to listen to.
Absolutely beautiful. So sweet and pure. And such seemingly effortless virtuosity. I'm so glad this popped up on UA-cam. Thank you so much both of you.
Early Romantic music played on historical instruments using HIP approach? I love it. It is clear the difference between late Baroque flute and early Romantic flute. Thanks for sharing this amazing performance.
After having listened to this performance it is hard for me to do it with modern instruments. Thank you two a lot for this elegant masterpiece of Tulou's!
phänomenal
unfassbar beeindruckende Interpretation
Fantastisch, wunderbar anzuhören, die Schnelligkeit der Ansprache der Flöte, die Intonation, absolut ein Genuss, sehr beeindruckend
These are very interesting and beautifully played performances. I look forward to hearing more of them.
Played virtuoso while retaining the intimate character right down to the breathtaking final variations. Amazing!
Très réussi, très touchant, superbe technique, jolie sonorité. Bravo!
Merci Anne, c'est merveilleux. Bravo
amazing music, thank you
Bravo!
O SOM QUE EU GOSTO, NO PIANO.
Very nice performance! I love Tulou's work. Please continue to play a variety of his pieces.
Magnifique !!! Prodigieux !!! Je ne pcomprends pas que vous ne soyez pas plus connue ! Et votre flûte est un vrai bijou !
fantastic as always! Very interesting to compare the subtle differences between the French flutes in your previous recordings and this German flute. A terrific sounding instrument.
Splendide interprétation de remarquables nuances et fort tempérament, quel bonheur pour nous auditeurs ce si délicieux partage. Merci de tout coeur!😀
Beautifully played and with an amazingly clear and strong tone from the flute.
Bravissima!
Wonderful, thank you.
C'est ma pièce Grand Solo préférée composée par Tulou, avec les n° 12 et 13. Une performance très cool ! Merci, merci.
Parmi les nombreuses interprétations du Grandsolo n° 13 que j'ai entendues, celle-ci est ma préférée ! Très passionné.
Brava! Musical! In tune! Inspiring!
... okay, let's not say "in tune". The prowess on this instrument ,however, is spectacular! Brava
hard work and a good result of this music and a good demonstration of this instruments
wonderful - amazing to think of 12 year old Demersseman play that!
Wonderfully played, congratulations! And thank you so much for all the side notes concerning the instruments used! I really do miss them when listening to historical informed interpretations.. Thank you and keep up with the amazing playing!
Excellent performance!
Excellent
gut
すごい！ 楽器が...テクニックが...でなく 「音楽」があって研鑽があるということか...