Відео

Que maravilha, simples assim.

It’s hard to tap off-beats at 200. Gotta tune out the metronome.

Anatowind music clinic.com see them for more information

Silly string!

You heard it here. The master.

Honesty with yourself, bingo.

It's about damn time !! Your interviews are required watching in the pedagogy world...........

Real

Thank you for the wise words of wisdom triple H

Wonderful Interview! Caleb is Fantastic!

Here I am 5 years later. Thus is great. I'm that guy, doing it wrong. Thank you thank you for this. You have changed my concept completely. Thank you!

SHOW ME THE TOY DUDE

THAT'S VERY INTERESTING THAT MICHAEL SACHS TOOK HIS FIRST LESSONS FROM ZIGGY ELMAN... HOW COOL IS THAT ???

THAT IS VERY INTERESTING. I DID NOT KNOW THAT. I'VE SOMETIMES WONDERED WHAT THE DIFFERENCE IN THE ENGLISH BESSON WAS COMPARED TO THE FRENCH BESSON ???

If you blow, you suck! I'll never forget it... What a different and interesting approach.. I am also experiencing the difference for good!! Thank you all!!!

YA' GOTTA LOVE MARK GOULD !!!

Having a vituoso in our field being asked pertinent questions to aid and assist beginners to professionals is so valuable in unexplainable ways. His album is one of the best I've listened to since having Wynton's albums growing up. What a win for our community and for all musicians alike.

GREAT ADVICE FROM RANDY BRECKER !!! WILLIAM VACCHIANO STATED YEARS AGO AT THE DENVER TRUMPET SYMPOSIUM BACK IN 73... HE DIDN'T THINK THAT YOUNG STUDENTS TODAY SPEND ENOUGH TIME PRACTICING IN THE ARBAN BOOK !!! ALSO, I KNOW FROM PERSONAL EXPERIENCE THAT THE SCHLOSSBERG BOOK IS REALLY GOOD FOR DEVELOPING RANGE AND ENDURANCE. BUT YOU HAVE TO PERSEVERE, SOME DAYS IT'S ROUGH GOING IN THAT SCHLOSSBERG BOOK BUT IF YOU KEEP AT IT YOU WILL GET GOOD RESULTS. SCHLOSSBERG REALLY HELPS BUILD YOUR RANGE AND ENDURANCE.

Not sure what the hell he's talking about regarding sliding off the center of the pitch when playing the mouthpiece

Amazing to hear him speak but couldn't help think Caleb is such a musical and creative spirit, whereas a lot of questions are angling at trumpet technique and technical issues: not to criticise (this is great channel!) but I wish you'd followed his direction a bit more as the interview progressed, rather than keep pulling him back to discussing trumpet technique and analysis. Nevertheless, awesome that this material is available and thanks!

I don't think he answered the endurance question

Where can i see the full talk?

UPSOUND very good

Thank you for this awesome interview and thank you for your quote Caleb!

So great to have a new chat! Monsters ask the best questions. Caleb is awesome!V

What is the stupid intro about? See you in 5 years 👋

Great interview and responses!!

Man, I was just watching an interview the other day thinking: "I hope they bring Brass Chats back."

Good to have you back!!!

I'm not sure you all realise how much you've been missed. Welcome back!

I watch UA-cam videos of Caleb Hudson to inspire me! A grand artist!

I just played a solo performance where I did the things he said to do and it was the best I’ve ever played. It was an amazing experience.

Can someone explain to me what he says in the end.My english is not very perfect i am sorry in advance!

One of the most amazing trompet players in the world ❗

My feeling is that slight changes in where the bell was pointed made noticeable changes to the room acoustics, and how the sound was recorded.

What would you consider a main key component, of framework is (framework seems pretty vague…). I ask this because when i start a new piece i sight read first and after a few minutes or so of reading to get a first look and attempt. Then, I’ll typically throw on a met and give it a shot start to finish. Chunking as needed to make sure i have a feel for the entire piece before detailing... But then what would you do after your first sight read to get your framework down. After that i would imagine you’d do notes, dynamics, textures of sorts for a lack of better words… for me it’s just hard to know where to start once I’ve got the notes because it will sound averagely good, and nothing more.

everything he says is right. He's an Arbans man. SO was I.

Doc Thank you for Making us all happy for the past 55 years. Legend!

love it.

Mahler lives!

WHAT KIND OF TRADITIONAL MUSIC? Oh... FOLK MUSIC - FOLK! Thank goodness for the subtitles.

Lots of new things for me to think about and new ways to practice 👏👏Thank you so much👏🕺🎺🎺

Thank you :)

Did this ever release?

The people behind you don't deserve this bad action from you Mabie a good trumpeter but poor person uhhhh

You guys should interview Greg Spence

What a great influence on modern trumpet sound...thank you!

I just bought a tub of the Tuning Slide Grease and I really like it! It's a bit sticky but it's not thick. It's very slippery. It goes where you put it and it stays there. I love the fact that it's stain free and synthetic. To me it does have a bit of an odor, but it's very mild and like your valve oil once you put it on your horn, you can't smell or taste it, which is something I definitely cannot say about any other tuning slide grease out there.

A tremendous, mesmerizing interview!! Thank you.

check all of the links in your description btw - they don't work :(