Відео

That would make the new camera a serious contender. Plus a full size hdmi port. Thank you. 🙏

@@JaymesMedia sure.....welcome.....i hope sigma guys are watching if they want to compete in this small full frame hybrid / video module .....

But of course still totally curious of what improvements are coming in the future 😁

I totally understand bro. My X-H2S is my camera I reach to for paid gigs. I love it. To me, the only real con is their autofocus but it’s not enough to make me want to sell my gear. Even my sigma FP won’t make me sell my camera.

I agree 100%. I know AF isn’t that important to me but I understand why it’s an important feature for most people. Hopefully Fujifilm will get it right soon.

That would be 🔥🔥🔥🔥

Thanks for the ACES tip! And interesting ideas you got. As a documentarist, the internal NDs would be huge thing. And what comes to raw, internal prores raw would be good enough to begin with, but ofcourse it would be great to have total Fuji pipeline for color handling. Good work man👍

@@tonipanula thank you, I really appreciate it. 🙏

I understand but thanks for watching and engaging

Poor you... You think that 1 or 2 extra stops of dynamic range will make you a better filmmaker? That is cute. Most of if not all high end pro-sumer cinema cameras top at 12-12 and a half usable stops and many cheat the test by using heavy internal noise reduction. Don't worry, you'll eventually learn how to correctly expose and use light and shadow as tools to tell a story without the need to obsess over specs.

100% Correct ⬆️. It’s definitely not the camera that make us better filmmakers but learning, practice and actually going to go shoot.

@@sofasogood7164 na, i just dont wantmy professional carreer to be limited by a video camara that cant show the scene properly

@@kipkipfulI understand that but you do have some creators still creating beautiful content with this camera regardless of its limitations. If dynamic range is a priority for you than this camera definitely won’t fit your needs.

The FP have the same usable dynamic range that any major camera, similar to any major brand but with a RAW output, that means that theres's no image processing. People get confused with massive amounts of noise reduction in some "14 stops of dynamic range cameras" that is not usable at all, it's amazing what can you recover on what it looks like a blown out highlights, open resolve, transform to BM colorspace click recovery highlights and enjoy. The 1080p to a SD card it's also really good, but the 12 bits 4k it's just outstanding. Just try it for yourself..... Also has the El Zone mode wich is 200 times better than false color and you can nail your exposure acuretly any single time, wich is far more important than your camera having 13 or 14 stops of fake dynamic range.

Thank you for telling me that. I wasn’t sure if it did or not.

It does NOT have a fan.

@@Wildridefilms thank you

@@Wildridefilms thanks. I always assumed it has. My apologies.

You’re more than welcome. That’s the next video I may make as well. 😁

Thank you ❤️

You’re more than welcome

You’re more than welcome, thank you for checking out the video and I’m happy it was able to help you. I may update this video soon.

Honestly bro, as of now wide tracking is definitely not useable so I only use AF area. I get much better results. The most important moments like vows and speeches, I manual focus

I’m sorry man 🥺. Thought I was pricing it fairly

I can but I would have to rent the blackmagic assist first.

@@JaymesMedia I guess apple pro res is the same quality. That could do it for that test also ! :D (You got a ninja right ?)

@@CptCurk I do, it stay glued to my rig. 😅

Thank you for pointing that out to me, I will try to get better at explaining my changes more. My goal was to have a gentler contrast with a nice highlight roll off. I felt building a s-curve gave me that result.

I’m feeling the same way. Just take my money. 💵

@@JaymesMedia rich peoples we are 🤣

@@CptCurk 😅😅😅😅nah, there are way more expensive options lol

@@JaymesMedia ahh and I forgot some stuff : timelapse option with flicker corrector (like sony), real dual iso to somthing like 800 / 6400, and a GYRO sensor for gyroflow (this is something needed for the X-H2S actaully. The gyro and accelero is here as sensor is stabilized)

You are correct

Thank you for watching, I’m happy these videos are helpful

Thank you, I really appreciate it🙏🙏

You can but make sure to put it in reference mode. Also may want to use a mouse with it.

@@JaymesMedia can u upload trial how to colur grade this type of video in davenci resolve on ipad

I use gimbals for my weddings

@JaymesMedia thanks for replying. I had the xh1 and was thinking about getting the xh2s but I saw your comments about the af and then I saw other videos talking about this af issue. Has it been fixed now ? I've been out of the loop since xh1 and was planning to do weddings again and now I'm contemplating if I should go xh2s or look at sony. If you don't mind can you give me some insights

@JaymesMedia thanks for replying. I had the xh1 and was thinking about getting the xh2s but I saw your comments about the af and then I saw other videos talking about this af issue. Has it been fixed now ? I've been out of the loop since xh1 and was planning to do weddings again and now I'm contemplating if I should go xh2s or look at sony. If you don't mind can you give me some insights

@@SuperAirman24 yes, for the most part it work fine for me but I don’t trust any autofocus system and always make sure to place my focus point where I want it. The biggest issue was with their tracking autofocus. I don’t use it and only use single point autofocus.

Thank you very much. If you do, there’s a number inside the course where I can be reached with any questions

Thank you so much, I really appreciate it. 🙏

@@JaymesMediayou're welcome, I'm a complete noob when it comes to video editing in general, but I think colour is so important, it's great to have a guide like this

@@bloomylicious 🙏🙏🙏 you’re definitely right. The free lesson is learning to grade canon-c-log2 if you’re interested in watching. There’s no signing up or anything like that. It’s one of my favorite grades.

Thank you, I really appreciate it 🙏

Thank you for letting me know. I will & see what I did wrong and try to fix it. I’ll let you once it’s updated.

Hello, I’m sorry agian but I did upload the wrong file. I have uploaded the correct file now and replaced the link. Now you should be able to download the free powergrade.

Honestly autofocus been fine for me but I won’t use wide tracking until it’s fixed. I just area in continuous autofocus. Just shot a wedding this past weekend and had little to no issues

Single point AF is fine. If you need to shoot action look elsewhere. Otherwise the camera is great.

@@bigd7696 totally agree

Thank you, I really appreciate it and thank you for watching. I actually don’t use autofocus that much with the x-s20. 95% of the time, I pair it with a cinema lens. Only time I use it with autofocus is if I need a really quick talking head done where I don’t have time to set up a wireless focus

@@JaymesMedia thats good to know! i ended up using manual focus quite a bit myself eventually - feels like the the only way to be 100% sure! I just need to get faster :)

Thank you, I appreciate that

I do know what you mean. If I remember right, the trigger button is customizable. I myself need to dive into it more because I never use the customizable features on any of my gimbals.

You’re right, I did.

Raw video doesn’t work like that, Raw video captures all of the information that the cameras provide. It’s like capturing a raw photo. It’ll capture all of the dynamics range without compromise but give you more bit depth 12-Bit, more control of your image in the camera raw tab. While a log profile is really good to have, it’s more like a very high quality jpeg.

@@JaymesMedia Hi, Thanks for the explanation. Actually I want to get this or the A6700. But could not find out which can give me more room for highlight and shadow recovery like I do during processing a raw photo. People are saying for internal recordings 6700 has more DR with slog3 than xs20 flog. But with Pro res raw if i can get more room for recovery then I will go for this as my main use will be for landscapes with deep darks and bright sky. And i want to get the best results in these situations. What will you suggest?

Now My timeline color space is Davinci Wide Gamut. My output color space is Rec.709 Gamma 2.4

I can’t remember if it was B-Raw or Their Log format. But one of those, Rec.709 and the final grade.

Nice!!! Thanks for

@@ProductionCompany-lz8yg you’re more than welcome

yeaahhh .. its just a clip

You can now. I made this video almost 2 weeks or before Resolve 19 landed

Thank you so much brother. 🙏

The Fujifilm flagship cameras do have specs that those full frame may not. 4K/120, ProRes HQ recording internally, ProRes Raw Externally, for video the Fujifilms will be better options but really it comes down to your personal preference. Rent them all and see which ones you prefer.

Yes it was but I’ll be redoing the LUT over the weekend. I should have the new update LuT ready Sunday

Hi, I actually use both. For my talking head shots, vows, interviews I use manual focus. For autofocus for everything else

I totally agree

Hey Jordan, thank you very much. I’m an always down to help. 🙏🙏🙏

Thank you. I really appreciate it