Museum of International Folk Art
Museum of International Folk Art
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Between the Lines: Prison, Poetry and Families
Join Santa Fe Poet Laureate Tommy Archuleta with Adam Griego, Advocate for the Formerly Incarcerated and Bill Zunkel, Justice Reform Advocate in a presentation and discussion. This program was originally held at The Museum of International Folk Art on Father’s Day, June 16, 2024.
Held in conjunction with the exhibition Between the Lines: Prison Art and Advocacy:
www.internationalfolkart.org/exhibition/4614/between-the-lines-prison-art-advocacy
Переглядів: 5

Відео

Ukrainian Photography in the Time of War: The Work of Marta Syrko
Переглядів 1,2 тис.21 день тому
Contemporary Lviv-based photographer Marta Syrko (b. 1995) discusses her recently-commissioned series Wrapping Art-Art of Salvation, which debuted in MOIFA’s current exhibition Amidst Cries from the Rubble: Art of Loss and Resilience from Ukraine presented in the Mark Naylor and Dale Gunn Gallery of Conscience. Building on her earlier war-related Sculpture Series, Syrko explores the ways in whi...
iNgqikithi yokuPhica / Weaving Meanings: Telephone Wire Art from South Africa
Переглядів 229Місяць тому
“iNgqikithi yokuPhica / Weaving Meanings: Telephone Wire Art from South Africa” Opening November 17, 2024 Museum of International Folk Art, Santa Fe, New Mexico The spectacular art of telephone wire weaving is the subject of iNgqikithi yokuPhica / Weaving Meanings: Telephone Wire Art from South Africa at the Museum of International Folk Art in Santa Fe, New Mexico. This is the first exhibition ...
[Clip] iNgqikithi yokuPhica / Weaving Meanings: Telephone Wire Art from South Africa
Переглядів 25Місяць тому
“iNgqikithi yokuPhica / Weaving Meanings: Telephone Wire Art from South Africa” Opening November 17, 2024 Museum of International Folk Art, Santa Fe, New Mexico The spectacular art of telephone wire weaving is the subject of iNgqikithi yokuPhica / Weaving Meanings: Telephone Wire Art from South Africa at the Museum of International Folk Art in Santa Fe, New Mexico. This is the first exhibition ...
The Parka Imperative - Suzi Jones
Переглядів 957 місяців тому
This talk by Dr. Suzi Jones, held at the Museum of International Folk Art on January 14th, 2024, explores the cultural dimensions of parkas and parka making and their role in cultural survival. Part of the Friends of Folk Art 2024 program series. Held in conjunction with the exhibition "Ghhúunayúkata To Keep Them Warm: The Alaska Native Parka," whose title suggests the truly significant role of...
New Directions in Parka Making
Переглядів 111Рік тому
Artist Conversation with Bobby Lynn Brower (Iñupiaq), Ilegvak (Peter Williams) (Yup’ik), Joel Isaak (Dena’ina), and Golga Oscar (Yup’ik). Moderated by Melissa Shaginoff (Ahtna/Paiute). The panelists discuss parka making and skin sewing as a reflection of the deep connection to land, water, and animals; learning from elders’ knowledge and the importance of teaching Indigenous practices; the heal...
Panel Discussion, Day Two: Alexander Girard: Culture x Design Symposium, 2019
Переглядів 53Рік тому
Panelists Shawn Evans, Rachel Preston Prinz, Monica Obniski and Katherine White discuss their presentations on Alexander Girard's design work and the potential updates to his unfinished mural at St. John's College in Santa Fe.
Shawn Evans, "Girard at St. John’s College: Planning the Future of an Unfinished Masterpiece"
Переглядів 75Рік тому
Shawn Evans, "Alexander Girard at St. John’s College: Planning the Future of an Unfinished Masterpiece" Alexander Girard: Culture x Design Symposium, 2019
Rachel Preston Prinz "Alexander Girard in New Mexico"
Переглядів 112Рік тому
Alexander Girard: Culture x Design Symposium, 2019
Katherine White, "Uncovering the Girard Collection at The Henry Ford"
Переглядів 150Рік тому
Alexander Girard: Culture x Design Symposium, 2019
Monica Obniski, PhD, "Textiles and Architecture"
Переглядів 100Рік тому
Alexander Girard: Culture x Design Symposium, 2019
Jochen Eisenbrand, PhD, "Renaissance Man: On the Italian Roots of Girard’s Design"
Переглядів 71Рік тому
Alexander Girard: Culture x Design Symposium, 2019
Amy Auscherman, "Spaces for Open Minds: Alexander Girard’s Interiors for Herman Miller, 1951 - 1974"
Переглядів 335Рік тому
Alexander Girard: Culture x Design Symposium, 2019
Panel Discussion, Day One: Alexander Girard: Culture x Design Symposium, 2019
Переглядів 49Рік тому
Panelists Charlene Cerny, Felicia Katz-Harris, Matthew Martinez and Kymberly Pinder discuss their presentations and the day's focus on Alexander Girard's approach to the collecting and exhibiting of global material culture.
Matthew Martinez, “Honoring the Spirit of O’Gha Po’oge: Exhibiting Place & Context”
Переглядів 50Рік тому
Matthew Martinez, “Honoring the Spirit of O’Gha Po’oge: Exhibiting Place & Context”
Felicia Katz-Harris, “Asia Decontextualized?”
Переглядів 42Рік тому
Felicia Katz-Harris, “Asia Decontextualized?”
Charlene Cerny, “Multiple Visions, Multiple Tales: Working Alongside Alexander Girard”
Переглядів 176Рік тому
Charlene Cerny, “Multiple Visions, Multiple Tales: Working Alongside Alexander Girard”
Kymberly N. Pinder, “I Will Tell Your Story: The Cultural Power of Collecting”
Переглядів 73Рік тому
Kymberly N. Pinder, “I Will Tell Your Story: The Cultural Power of Collecting”
Khristaan Villela, “The Alexander Girard Wing at Santa Fe’s Museum of International Folk Art”
Переглядів 203Рік тому
Khristaan Villela, “The Alexander Girard Wing at Santa Fe’s Museum of International Folk Art”
Alexander Girard: Culture x Design Symposium, 2019, Introduction with Laura Addison and Todd Oldham
Переглядів 109Рік тому
Alexander Girard: Culture x Design Symposium, 2019, Introduction with Laura Addison and Todd Oldham
Vince Bravo: Collecting Girard
Переглядів 268Рік тому
Vince Bravo: Collecting Girard
Carlos Cervantes - Reflections On Time
Переглядів 219Рік тому
Carlos Cervantes - Reflections On Time
Carlos Cervantes - Reflexiones sobre el tiempo
Переглядів 94Рік тому
Carlos Cervantes - Reflexiones sobre el tiempo
Rachel Preston: MOIFA: America's First Modern Folk Art Museum
Переглядів 139Рік тому
Rachel Preston: MOIFA: America's First Modern Folk Art Museum
Ghhúunayúkata | To Keep Them Warm: The Alaska Native Parka
Переглядів 1,1 тис.Рік тому
Ghhúunayúkata | To Keep Them Warm: The Alaska Native Parka
Nathan Muus: A Sámi Yoik Performance
Переглядів 695Рік тому
Nathan Muus: A Sámi Yoik Performance
Woven: Traditional Swedish Hair Jewelry with Karen Keenan [KarenFinalDraft]
Переглядів 278Рік тому
Woven: Traditional Swedish Hair Jewelry with Karen Keenan [KarenFinalDraft]
Thank You for Your Support of the Museum of International Folk Art in 2022
Переглядів 129Рік тому
Thank You for Your Support of the Museum of International Folk Art in 2022
Keith Recker - Color At Work: Storytelling in Branding, Packaging and Commercial Imagery
Переглядів 7812 роки тому
Keith Recker - Color At Work: Storytelling in Branding, Packaging and Commercial Imagery
A Corrido Lesson with Cipriano Vigil
Переглядів 4872 роки тому
A Corrido Lesson with Cipriano Vigil

КОМЕНТАРІ

  • @Benecctus
    @Benecctus 7 днів тому

    thankkkks soo much!!! greetings from CHILE

  • @Stopstaring101
    @Stopstaring101 3 місяці тому

    These stories were exquisite 🏆 Thank you to each 🙏🏼

  • @CloudlessWinter
    @CloudlessWinter 5 місяців тому

    Absolutely incredible tutorial! So cool, I really want to try it out someday! Thanks the video!

  • @NoéVillaverdeVega
    @NoéVillaverdeVega 6 місяців тому

    Las palabras Árabes del Español, como Acequia ="Seguiat" se introdujeron en el Ronance Castellano a través del Romance Mozárabe (especialmente el de Toledo) ya que era la lengua latina Iberorromance hablada por los Cristianos en el Sur Peninsular bajo el dominio Islámico. Lógicamente se aglutinó con los Romances del Norte Penínsular conforme avanzaba la Reconquista. Desde 1492 esos vocablos atravesaron el Altantico y en el siglo XVI llegaron a Nuevo México, para quedarse tras la expedición de D. Juan de Oñate.

  • @jenniefrederick6155
    @jenniefrederick6155 7 місяців тому

    Wonderful talk! Thank you Suzi! I have so enjoyed seeing the exhibit many times.

  • @SeeMeeHearMe
    @SeeMeeHearMe 8 місяців тому

    Sad that so many Americans now forget this and will berate us and call us copies.

  • @BaroudeurAventure
    @BaroudeurAventure 8 місяців тому

    Thank you for sharing that

  • @michaelcruz1125
    @michaelcruz1125 8 місяців тому

    Que Viva Nuevo Mexico es la Tierra De Mi Abuelos

  • @ronaldjaramillo7460
    @ronaldjaramillo7460 8 місяців тому

    How awesome 👍👍

  • @alro11
    @alro11 9 місяців тому

    Viva corrido🎉

  • @moahammad1mohammad
    @moahammad1mohammad 9 місяців тому

    The folk art series is finished and completed

  • @moahammad1mohammad
    @moahammad1mohammad 9 місяців тому

    Hiragana

  • @StevenMitchell-o7u
    @StevenMitchell-o7u 9 місяців тому

    How true! “Se ve triste hombre”. Me encanta sus canciones!

  • @moniquedurham806
    @moniquedurham806 11 місяців тому

    The colcha stitch is a universal stitch. It is practice all over the globe. Colcha is a delightful embroidery but it is not the "birth right" of New Mexico. New Mexico borrowed the stich from other countries. Embroidery ascend all cultures. New Mexico colcha is an Hispanic-American type of embroidery.

  • @moniquedurham806
    @moniquedurham806 11 місяців тому

    The churro sheep and the churra sheep are not the same sheep. They are related but not the same sheep. This Spanish history is bizarre.

  • @moniquedurham806
    @moniquedurham806 11 місяців тому

    How can a "Spanish" from Spain bring a Navajo spindle to New Mexico. It does not make sense

  • @moniquedurham806
    @moniquedurham806 11 місяців тому

    There is no proof that Juan de Onate brought the Churro sheep to NM in 1598. As per his contract to the King of Spain, Onate was to bring 3,000 ewes and 1,000 rams. NO MENTION OF CHURRO SHEEP. This information can be found in the Facsimiles published in Accordance with an Agreement between the California Digital Library and Espana Ministerio de Education, Cultura y Deporte Archivo de Las Indias, Sevilla , Spain. This information can be downloaded for free from UC Berkeley, Cibola Project. Authors De Marco, Barbara and Craddock, Jerry R. The title is: Juan de Frias Salazar's Inspection of Juan de Onate's Equipment and Personnel Destined for the Conquest of Nuevo Mexico November 16, 1597- February 2, 1598. It written in Spanish . On pp 158-159, where it says Ovejas and Carneros, one can see the information. The inspection took place in Santa Barbara, Mexico, not far from where Parral, Mexico is located.

  • @billburrison5897
    @billburrison5897 Рік тому

    trippin'!

  • @Illuminatedperfume
    @Illuminatedperfume Рік тому

    Fantastic! I attended live, Keith is a fantastic speaker and I so appreciate his attention to detail and beauty. So good to be able to re-listen.

  • @Illuminatedperfume
    @Illuminatedperfume Рік тому

    FYI, the maker of the dolls that Alexander included in the show are by Marilyn Neuhart, John Neuhart's wife. John (and Marilyn) printed the letterpress broadside announcing the opening of the T&O shop. Unfortunately the newspaper article references the dolls by stating that the came from California without mentioning Marilyn. There is a much bigger story to share about Alexander commissioning Marilyn to make the dolls.

  • @esthersandoval1345
    @esthersandoval1345 Рік тому

    Love the presentation. Great music. Lots of great talent!

  • @SHENDOH
    @SHENDOH Рік тому

    He is a treasure. Viva NM

  • @peak234
    @peak234 Рік тому

    Era verdad lo que dijo

  • @ryshi1299
    @ryshi1299 Рік тому

    😦

  • @travelingsnail
    @travelingsnail Рік тому

    I visited this exhibit on the Folk Art Market weekend, it was amazing! Very beautiful parkas and art on show and I learned a lot. I wish I had had more time to watch all the videos!

  • @sweetrebeldy
    @sweetrebeldy Рік тому

    Impressive. Very interesting the options of restoring or not restoring. Thank you for sharing♥

  • @franciscojosecano2217
    @franciscojosecano2217 Рік тому

    ¿donde se puede ver el documental entero ? muy interesante y gueno grasia

  • @sweetrebeldy
    @sweetrebeldy Рік тому

    Amazing simposium about Girard. Thank you.

  • @MGuevaraL
    @MGuevaraL Рік тому

    Thank you for posting this! He's my dadn💖

  • @elizabethkandror1530
    @elizabethkandror1530 Рік тому

    Are you carrying the other color yarn then to make the design just like the maori technique?

  • @elizabethkandror1530
    @elizabethkandror1530 Рік тому

    I don't understand how the different color sections are still attached to each other.

  • @antoniacervantes2604
    @antoniacervantes2604 Рік тому

    So proud to say this is my Jefito te quiero con Todo mi corazon para siempre

  • @nancychace8619
    @nancychace8619 Рік тому

    Very beautiful and important tradition. They are right. It's important to keep it going. It's not just about the material things they make. It's about something more. Thank you for sharing.

  • @galaxystudios5822
    @galaxystudios5822 Рік тому

    Hello! I have a question, my family has Sámi roots and my great grandfather was in a Sámi registry in jokkmokk, my family chose to leave Sweden and I now live in North America. Were i to go to sapmi, who is allowed to wear a gakti? I understand that my Sámi roots are not strong but I admire the culture greatly, thank you

    • @blitzkrieg6872
      @blitzkrieg6872 Рік тому

      As long as you are Sami, you can wear gakti.

    • @galaxystudios5822
      @galaxystudios5822 Рік тому

      I understand that but what I’m not sure of is whether I can label myself as Sami

    • @galaxystudios5822
      @galaxystudios5822 Рік тому

      I understand that but what I’m not sure of is whether I can label myself as Sami

    • @blitzkrieg6872
      @blitzkrieg6872 Рік тому

      @@galaxystudios5822 Yes. Based on what you have written (above) you can label yourself as Sami and therefore, wear the Gakti.

    • @galaxystudios5822
      @galaxystudios5822 Рік тому

      Thank you for the clarification, I appreciate it greatly

  • @TAGITA08
    @TAGITA08 Рік тому

    Wonderful and interesting, thank you for sharing

  • @naekwon5016
    @naekwon5016 Рік тому

    Remarkable story telling

  • @ISRA_JAIME_MORALES
    @ISRA_JAIME_MORALES Рік тому

    BENDICIONES 11223

  • @river9215
    @river9215 Рік тому

    Great video! Thanks for sharing

  • @LeanneMustafa
    @LeanneMustafa Рік тому

    1:05:37 ネイサンのゲームの名前は?

  • @tallietwigg8588
    @tallietwigg8588 Рік тому

    🔥 'PromoSM'

  • @ddsmiles6382
    @ddsmiles6382 Рік тому

    The echo made it hard to understand. But otherwise interesting video.

  • @gilliancarson6522
    @gilliancarson6522 Рік тому

    Aymar!! He and I share he same hometown. He’s such a sweet man and so talented!! So is his father

  • @Phantasm57
    @Phantasm57 Рік тому

    Yokai are Amazing and So Incredibly Diverse in everything from the Forms they take to the abilities a yokai possess and even that every Yokai come from certain areas of Japan. Some live high in the Mountains,others in rivers and waterways.

  • @jsmith6599
    @jsmith6599 Рік тому

    The last part was harsh.

  • @Yiusyeng
    @Yiusyeng Рік тому

    Demons took Pity and spit at him, his wife is not so different, maybe worse?

  • @sweetrebeldy
    @sweetrebeldy Рік тому

    No words♥

  • @sweetrebeldy
    @sweetrebeldy Рік тому

    This is very emotional.

  • @eileentomaro768
    @eileentomaro768 2 роки тому

    wonderful. so well done

  • @lindasimpson600
    @lindasimpson600 2 роки тому

    What a splendid video full of memorable words and visions.

  • @sweetrebeldy
    @sweetrebeldy 2 роки тому

    jajaja, en todas partes hay gente extremista con la vestimenta histórica, pero como comenta, en su momento también se iban agregando cosas nuevas. Es complicado asegurar la supervivencia de lo auténtico y a la vez aceptar que no todo el mundo aprende al mismo ritmo. Lo malo es cuando la información es confusa y malgastas el dinero.