Відео

Thanks for the video The mic positions are not set to the same distance. All Cinesample are much more distant. Hard to make a comparison.

Is it just me or do the bread-and-butter articulations sound really un-abbey roady. Don't know if it's just down to Mix 1 but they don't sound so different from BBCSO, especially the trems.

Cinebrass clear winner here

Great video, thanks for this, it makes me confirm ehat my next purchase will be.

Legendary has 4 articulations. Ark 4 has 28. TWENTY EIGHT. So it depends if your a composer working on a symphonic piece or just need a vruummmm string. Still worth the extra 15$ for 7 times the options instead of on off legato and spiccato basically

Thanks. CSS sound most natural to me-maybe not as much character as some aspects of some other libraries but had an overall balanced consistent sound

I like the sound of Damage2 and Cerberus.

Very nice! :D

I recommend you to hear "Coming Back Around (Bonus / Demo Track)" by John Powell its a mockup done by John Powell himself. That video will help to to hear some parts which are not audible in the film version.

Thanks for this comparison. I'm just now diving into BB, setting it up in my template. The range of the marcato in BB Ens Trumpets is nice to hear and glad we have the lower options.

Congratulations for Your step into the light. And thanks for sharing, the last step i skip too often, but it's so important.

Another great video! We're happy to see your face and hear your voice, but I think it would be nice to have captions as well. About your mockup process: if you were composing something from scratch, rather than working from a reference, would you go through this process similarly?

The Legacy sounds like soloists where as the revive sounds more as part of an orchestral section. The room tone in revive is much more present.

where the cymbal Piatti from?

Gutes Video Bro! 🔥

Congratulations on the 1K!

Wait! You're an human and not an L shaped abstract entity?, mind-blowing

👍👍

Congrats on 1000 subs!

You are doing well to reach this point. It takes a lot of courage to do the face reveal. You look very intelligent with your glasses. If I did this, I would try to emulate the video style of Michael Keithson. He has an excellent way of making music videos engaging, and has a professional setup in terms of lighting, camera angles, and editing.

congratulations 1000 subscribers! I owe alot to your videos with helping me learn music production and composition :D

I know why you wrote face reveal i guess in the title 😂 I saw your face on Instagram.

I honestly don't know how it works but maybe you could put timestamps for the different versions? Great work btw :)

I think this is great. Please do continue with this format. 👍🏻 A question though. When you edit in the midi-notes at the beginning, did you do that from reading the sheetmusic?

Better than the Dream face reveal.

Thank y'all so much for helping me reach 1000 subscribers!! I'm always happy to hear your feedback, but this time even more so! Do you want me to appear more often in my videos or should I stick with putting text on the screen? I feel like there are some things that can be more easily explained in person, and watching someone talk isn't quite as dull as just reading a wall of text...

I own LLS and the fact that the bass and cellos are together is totally useless . What a waste of money. Why can’t they separate the damn thing ?

Please more of this kind of videos! Respect, You played every trick to make it sound right! JunkieXL vs Berlin Brass: Only EQ could make Berlin Brass aggressive enough for such an arrangement, that's why JXL recorded his library. Solo it sounds fake, but that's not the purpose.

Sounds great.

Sounds as if Soaring Strings have more "heart and desire", while they keep the ARO SymStrings more neutral, which is ok. But even the runs are better with Soaring Strings!

Very nice

Best solo strings there are. There is no competition. The hardwork put into these is unmatched, even by CSS

i m glad how can i update for this version?

Is it possible that you will make a video comparison of this library & Berlin Brass?

I dont know how brass libraries still have such a bad crossfading most of the times. It sounds okay, but not realistic. A solo trumpet sounding like 2 (phasing) very bad programmed legato, why is that? Even Cinebrass sounds better than this library and its very old! It doesnt have as much articulations, but it is just the better library in terms of sound and crossfading and legato. Really, i dont get why there is still no brass library that gets the crossfading AND legato the right way!

I'm sorry for the crackling around 4 and 5 minutes - this was caused by OBS, it's not the fault of the library. As always I'm happy to read your questions, feedback and sugestions in the comments! If you like this kind of content, please consider giving the video a like and subscribing to my channel. Also check out my main channel if you want to hear my original compositions: www.youtube.com/@c-m-laurin-lenschow ...and consider following me on Instagram for more music content: instagram.com/laurinlenschow.music/

It’s interesting, but you can’t do convincing runs with just one patch. I use 3 layers (sometimes with more than one soloist per section) for my string mockups: Spitfire Symphonic, Chamber, and Solo Strings. The more variations and imperfections you can program in, the more human it sounds. Here, pop on over really quick and listen to the isolated strings, especially at the end of the cue: ua-cam.com/video/qfiM-wGcP9o/v-deo.html

Bro this one deserves a full version

At first glance: - The staccato articulation on the AR Orchestra for both Celli and Double Basses has a wider array of dynamics, and has a more smooth transition between forte and piano. In comparison, the Legendary Low Strings goes straight from forte to piano, without dynamic layers in between (that's a guess as A) I don't have it; B) You can't peek inside the patches to see how they work). It's specially obvious when you play a soft note shortly after a louder note (1:22), when the decay of the louder note deafens the sound of the following softer note. - When using the Performance Legato, the note transitions differ between the celli and the basses, so they aren't perfectly in sync (as is expected considering the sections were recorded separately). When you stack both celli and basses, and they play a melody in octaves, it's a bit distracting. As LLS was recorded in-situ, the transitions, in that aspect, sound more natural.

Super! That’s enough for me to understand, that usability of Basses separated from Celli is more useful for my music using AR Orchestral range of libraries. And also seems like in LLS there’s super wide dynamics in the spiccato 😮

As always I'm happy to read your questions, feedback and sugestions in the comments! If you like this kind of content, please consider giving the video a like and subscribing to my channel. Also check out my main channel if you want to hear my original compositions: www.youtube.com/@c-m-laurin-lenschow...and consider following me on Instagram for more music content: instagram.com/laurinlenschow.music/

Thanks! Can you maybe compare Basses & Celli in Octaves vs. Legendary Low Strings?

1st violins sounds beautiful but the 2nd violins seems to struggle during each legato transition. It kind of reminds me of Areia and Dolce with their legato issues. Other than that, all the other string instruments in this library are very nice.

A high dynamic range was obviously recorded, but does not reflected when working with the modulation wheel only. Must be supported by expression, what is lot more work to do. So I will look if there is a setting to optimize that.

The runs sound much better with high soaring strings.

I already work with this string section and legatos are a lot of work to correct. I hope there"ll be an update as soon as possible! (should be perfect for this price!)

Can you please make a video with comparison of this basses library with ARO 1 Low Strings - I often use ARO 1 lows to add some spice to my low end of the mix

As always I'm happy to read your questions, feedback and sugestions in the comments! If you like this kind of content, please consider giving the video a like and subscribing to my channel. Also check out my main channel if you want to hear my original compositions: www.youtube.com/@c-m-laurin-lenschow...and consider following me on Instagram for more music content: instagram.com/laurinlenschow.music/

Soundwise they both sound similar, but the issue with the legato bumps in V2 makes it stand out. It's incredible what Spitfire achieved with a 49€ lib in Soaring High Strings. The only place where I can see that V1 & V2 AROSS (playing together) can outshine Soaring is in the medium speed legato phrases at softer dynamics.