Відео

Thank you so much, Andy. They are that great! 😂

Thank you for your support. I'm glad that you're finding them inspiring. I just go with auto white balance. I always have. It works absolutely fine, I think, for day and night shots, across camera brands.

@@joeredski definately will go out in the next few weeks and try a few christmas lights - thank you

For women it's way easier. You can't possibly be a creep. Add a self-knitted sweater for extra quirkiness.

Thank you for watching my videos. I'm really glad you're getting something out of them. I think it gets easier, the more you take photos of people. You should definitely try it. Like I said, the more you practice the easier it becomes. I don't think it matters if you're a man or a woman taking photos. It probably is easier if you're a woman though. I can imagine it's less standoffish than being a guy. Particularly when photographing other guys, as I found out from time to time.

I've often worn knitted sweaters when I'm out shooting, but not self knitted, unfortunately.

Thank you very much for your subscription. I appreciate it.

Thank you.

You bet!

Any time!

Glad it was helpful! Thank you for the compliment. 👍

Thank you for your comment. We all have our methods on the street that suits us best. I can empathise with how you feel. I hate having my camera on a selfie stick. 👍

Thank you very much, Michael. I certainly can and will do in future videos. This is Brighton, in East Sussex.

Thank you very much, Fred. That means a lot.

Glad it was helpful! Thank you.

Awesome! Thank you! I'm really pleased you found it interesting and I appreciate your feedback and subscription.

'Do you have a Desolation Row one' - I don't but that's a great title for a new preset when I make it. I'm hoping that Bob Dylan watches my videos :) thank you for your great feedback Andy, and I'm pleased that you enjoyed my funny moments. I never know if they're gonna work but I try my best.

@joeredski 😂 they work with me. 'sad and miserable' magnet was an out loud laugh too. Wait, that was one of the funny moments right??🤔

😂 It was completely serious. - I'm glad you liked that one. My humour can get a bit dark at times. I wasn't sure how that one would come across.

Thank you so much Scot. I appreciate your support, as always.

Good point 😅

You are so welcome. Thank you.

Thanks man. I appreciate the comment. It takes a bit of time to get into, but once you start practising the shots, it gets easier. Especially when you start observing everything that goes on on your streets. Then you start to notice opportunities.

Thank you very much for your great feedback Thomas. And I’m glad you get inspiration from my videos. As long as I can help and inspire, then my job is done I appreciate your support. Keep shooting and all the best, Joe. 👍

Yes this guy has a nice way to communicate and engage and inspire

Thank you very much for that thoughtful feedback. 👍

Thank you very much. Glad I could help.

😅 Thanks. I appreciate that. I try my best 🙏

Thank you for that thoughtful comment. Much appreciated.

Glad you enjoyed it. Thank you.

It really depends on how fast the trains are moving. You might need to increase the ISO so that the shutter speed is fast enough if the trains are stationary then the settings should work no problem. If your railway layout is completely stationary then you could put your camera on a tripod and shoot at ISO 100 for the best quality image at a very slow shutter speed such as 30 seconds or up to a minute and also have a narrow debt of field such as f/8. You can only use very slow shutter speed when you have your camera on a tripod. Thanks, Fred.

@@joeredski many thanks for your help Joe I’ll give all that a try. Ps I use a Fuji X20 which has the aperture you and recommend and larger but I’ll stick with the f2.8 I think where I’ve been going wrong is using a very small f stop which bring all the problems I’ve been getting. So once again thanks . Fred

Excellent Fred. Good luck and enjoy.

My pleasure. Thank you.

Thank you. You can use f/2.0 or f/2.8. They will not affect the lack of IBIS. What will affect the lack of IBIS is a slow shutter speed, so if you want to try out f/2.0, then go ahead. Just be careful of your depth of field at f/2.0

Yes, it does.

Thank you very much. I agree.

Glad you like them! Thank you.

Thank you.

Thank you so much for this great comment. I’m glad that you find my channel helpful. 👍

My pleasure. Thank you.

Thank you so much for the super thanks. I appreciate your support.

@@joeredski It is my pleasure. You've got a good channel, should be larger. Just helping out where I can.

@scotskinner4350 Thanks. That means a lot. 👍

Cheers again Scot. You can't go wrong with the 1/8. Here's hoping Santa delivers, my friend.

Let's hope so.

Yes, definitely. Thank you very much.

They are all great. But I’d go for the 1/4. Merci.

De rien, avec plaisir !

Thank you very much for the great comment. I appreciate it. I know what you mean modern cities. However I know that in London there are certain areas with very atmospheric streets which have atmospheric lighting. I hope that you find some atmospheric lights to shoot.

Thank you very much. I appreciate that 👍

Thank you.

My job is done.👍 I’m glad I’m inspiring you man. Thank you very much.

Glad it was helpful! Thank you for your feedback.

Many thanks! I appreciate that comment 👍

Thanks so much! I’m glad I’ve inspired you to hit the streets. Enjoy 👍

No - the same principle applies. Full frame or APSC camera, you still need as much light as possible coming in through your lens so f /2 .8 is perfect on a full frame camera as well, at night time.

@joeredski Agreed, I mean to get the same depth of field. In terms of light, I'd just have higher ISO to compensate.

@@harrr53 Good point on depth of field! For exposure, f/2.8 will give you the same amount of light on both APS-C and full-frame. But you’re right that to get a similar depth of field to an APS-C f/2.8 shot, a full-frame camera would need to be around f/4.5. In low light, I prioritize f/2.8 to get as much light as possible, but adjusting ISO can definitely help if you’re aiming for more depth of field.