Відео

1. Prelude 2. Allemande (5:26) 3. Courante (9:26) 4. Sarabande (11:33) 5. Gavotte I & II (14:07) 6. Gigue (17:40) Please visit www.jonathankaroly.com for more information

1. Prelude 2. Allemande (2:43) 3. Courante (5:02) 4. Sarabande (6:36) 5. Menuet I & II (8:05) 6. Gigue (10:41) Please visit www.jonathankaroly.com for more information

1. Prelude 2. Allemande (3:46) 3. Courante (5:51) 4. Sarabande (7:41) 5. Bourrée I & II (9:48) 6. Gigue (12:37) Please visit www.jonathankaroly.com for more information

1. Prelude 2. Allemande (3:36) 3. Courante (5:12) 4. Sarabande (6:36) 5. Menuet 1 & 2 (9:01) 6. Gigue (11:18) Please visit www.jonathankaroly.com for more information

1. Prelude 2. Allemande (3:49) 3. Courante (6:02) 4. Sarabande (7:59) 5. Bourrée 1 & 2 (10:26) 6. Gigue (14:12) Please visit www.jonathankaroly.com for more information

Using Dvorak Concerto and Bach D Major Suite as examples, I demonstrate how to improve left hand clarity and precision. Please visit my website at jonathankaroly.com

Using the last movement of Schubert 9 as an example, I demonstrate an efficient use of bow and arm technique. Please visit my website at www.jonathankaroly.com

Fingering choices should be made based on musical choices rather than convenience. We can be more free and expressive in our playing if we experiment with many fingerings. Please visit my website at www.jonathankaroly.com

Using Bach C Major Suite as an example, this video explores a typical Baroque bowing pattern and its successful execution. Please visit my website at www.jonathankaroly.com

Utilizing arm weight and a relaxed, fluid hand and fingers will help create refined bow skills. Please visit my website at www.jonathankaroly.com

Developing a seamless, even vibrato is necessary in order to create a beautiful sound and refined playing. Please visit my website at www.jonathankaroly.com

Developing different types and styles of shifts makes cello playing much more expressive. Please visit my website at www.jonathankaroly.com