Відео

That is why it was named 「 The Side Story 」...as the extended topic, unplanned but brought forward based on Part 1 feedback where many fans are not aware of 「 俺の女神 」and how significant that project was in pushing female rock artists to the front, one of the contributing factor to what we have today, a well vetted and full support that eventually eliminate negative perceptions (generally speaking as the video explained - globally, not only in Japan) towards female rock artists, which includes NEMOPHILA. For additional context, BEEAST have their main voting project - the Music Award - before My Goddess was invented ...and over the years running, as far as I can remember, there were no female rock artists ever named as the winner top position. Highest achievements by female was in Best Drummer category in 3rd place, Miki mittan Tsunoda of SHOW-YA. Scandal and Lovebites were also involved but it was an exclusively made category without any competitior - not by voting. As the format is based on voting, the needs to push female artists is the sole motivation for the project, which is significant in building the platform for female in rock music scene, amid the sheer support for idol pop culture. Oh the (NEMOPHILA's) Goddesses might have something to say about this event... but this video is not conclusive yet.. to be continued.

I appreciate that!

@@clintashcraft579 thank you very much!

Coming soon!🤘🏻

@@rolandkarlsson7072 i guess its down to what song he is playing... because just it is there, it doesn't necessarily to be utilize at every moment in any song at every opportunity. Maybe you can't expect a drummer will use all those cymbals in every song although their drumkit is equipped with dozens of cymbals of every type? Hmmm maybe... 🤔🤷🏻‍♂️

@@blackucing What? I am talking about the bass.

@@rolandkarlsson7072 I know who is Satori ... and I use others as an example since you said he 'can' get more comfortable, not he 'must' because of the slanted frets availability... meaning he have the option to do so, and also, not to. To use slanted frets is not only for comfort but also a creative decision of specific musical needs for the player to produce. Comfort level also is different for each individual. In dive bomb for example, a whammy bar or pedal is consider the norm but as for me, I prefer pre bending or at times on certain notes, sliding could also work if you do it right. My guitar have a whammy bar which is easier or make more sense for dive bombing but I am used to other techniques ...and only go for whammy bar when the sound I want to produce only achievable when reaching for it - to use it or not is the creative decision, unless you look at it as a specific solution tool/design i.e. simple and easy dive bomd... as in slanted frets case, comfortable grip. Nevertheless, he is endorsing Ibanez and Ibanez recognized him worthy of representing their brand that have been in the business for decades so I do think he knows his instruments well. Oh I am in no way downplaying your take on it, just throwing my two cents. Cheers 🤘🏻

@@blackucing I am just surprised. The frets are slanted for being able to get a better tone when holding the finger slanted. And he do not do that. He is playing like the bass had no slanted frets. All musicians here are very good and I really like his playing. I am just confused by his choice of bass when he do not use its most outstanding feature. Of course, one more advantage of the slanted fret is that the deepest string is longer. Maybe it is a matter of getting the best tone due to another choice of string. Maybe? Anyhow, I am intrigued. Would be nice to know the thinking behind it.

Hirona still in Malaysia, no longer a student but busy working at the moment.

@blackucing ook... Gambarimasu

Spot on!

@@nicolaskiepol3640 it could be... because that interview was in early 2022 while ADABANA released in mid 2022. Of course they had the song ready by then but she wouldn't expose their 'insider news' to the media just yet. However, if we look at ADABANA, there is only 1 'difficult section' and in HYPNOSIS there are 2 sections, the drum solo parts and about 1 or 2 measures after that solo. Also I do think MONSTERS is more challenging than ADABANA considering the length of that section and don't forget that if we take out that section in ADABANA, the rest could only be just a warming up sections for Tamu. DISSENSION on the other hand doesn't have the kind of stood-out sections as aforementined 3 songs but its a constant locked-in for the rest of the song with only 2 rests (short after intro, long after guitar solo) . So I do think that DISSENSION drumming is another kind of beast and SEIZE THE FATE as close second (without considering G.O.D. and PROGRESS 🤔). BUT... I don't play drums too so I dunno 😅

A qué se referirá cuando dice que ya no estoy involucrado en el nuevo sistema de Nemophila? Renunció ? Debió involucrarse y sobrellevar a la banda en todos sus cambios y evolución o caprichos llegado el caso,no sé que sucedió! Debió darce cuenta que así son las súper bandas y cantantes sobresalientes,estrellas! Mayu es una hermosa persona, como la pudiste dejar. Y Saki también sé fué! Pues cometieron un gran error, Nemophila está predestinada para ser la más grande! Gracias por la información 👍😎

Relax... as Mr. Akiyama said, NEMOPHILA established a new system for their future, seems like they have a plan and it is a good thing... and no, there is no clash between them since he is willing to work with NEMOPHILA again if asked to do so. Also, it is not uncommon for a band to change producers. NEMOPHILA have lots to offer so let's just watch over their growth together with Mr. Akiyama. 👌🏼

Gracias 🤜🤛​@@blackucing

Don't forget Akane from Band Maid

Glad you enjoyed it!

I think it’s more recent than 2015, her kit looks to be the purple/gold she replaced her blue kit with.

Oh sorry, its was May 2022... and yes that's her new kit. I forgot what concert it was but the tag line maybe like: Nostalgic rock concert by 7 talented and beautiful artists...or something like that.. and the 7 are Vocals: Ai Hasegawa & Misaki Iwasa Drums: Murata Tamu Sax: 才恵加 Bass: 萩原みのり Guitar: 磯貝真由 Key: Asucah

@@blackucing Wow! Tamu’s real name is also Ai. How very fitting for her.💪🏻🤘🏻

@@bigbrutalbassbeer410 yes and its a combination of Ai Murata and our translator, Hasegawa Hirona 😎

Gracias por la información 👍​@@blackucing

Ngak tapi gak jauh lah bro, dekat aja di sebelah, tetangga.

@@blackucing tetangga dari mana✌️

@@azambuzung8371 Kuala Lumpur 👋

@@blackucing owh siap lanjutkan 🙏🙏🙏

@@azambuzung8371 iya, nantikan episod akan datang 🤘🏻

I am busy with a startup project at this moment... but part 1.5 is in final stage and the script for part 2 is all set so it is coming 🤘🏻