- 91
- 981 288
School of Apelles
Norway
Приєднався 28 бер 2021
Painting demonstrations, tutorials, and analysis of masterworks, in the spirit of Apelles, the greatest painter from antiquity. His technique was described by Pliny and has been emulated by painters such as Titian, Rembrandt, Velasquez, Anders Zorn and Odd Nerdrum. Apelles was once asked why he touched and retouched his pictures with so much care, to which he replied: "I paint for eternity."
Join our open community on Telegram:
t.me/schoolofapelles
Join our open community on Telegram:
t.me/schoolofapelles
The Greek Approach | Guided Tour of Bellini, la Tour and Rembrandt at Nationalmuseum in Stockholm
Jan-Ove Tuv visits the National Museum in Stockholm to look at Giovanni Bellini, Georges de la Tour and Rembrandt. Join him as he talks about some surprising similarities in their painting techniques.
You will learn about:
• The necessity of a strict form (contour line), even when painting "loose"
• How these painters work with "flat", vibrant planes
• Rembrandt as a grey/green painter (not brown)
• Rembrandt as "un-Baroque"
• Painting movement
• How Titian, Leonardo, Apelles and Aristotle influenced Rembrandt
• The point of the "Sketch-like" technica macchia
• How one stroke can save the whole form
• Painting things as they appear in your side vision
• The importance of making two different eyes
• Painting light itself
Chapters:
01:30: Giovanni Bellini "Dead Christ"
09:12: Georges de la Tour's "St. Jerome"
15:35: Rembrandt's "The Kitchen Maid"
17:48: Rembrandt's "Claudius Civilis"
45:37: Rembrandt's "Simon with Child Jesus"
👍✨ Support our channel and get access to more than 200 exclusive posts:
patreon.com/caveofapelles/
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Matthias Proy
Diego
*
Would you like to get access to the full segment and more exclusive content from The School of Apelles?
✨ Become a $10 patron:
patreon.com/caveofapelles/
Subscribe to our newsletter. It is the only way to make sure that you receive content from us on a regular basis: bit.ly/2L8qCNn
Check out our other channels:
Cave of Apelles: bit.ly/3fBGQ1I
Culture Wars: bit.ly/2PkrYdq
Visit our facebook page:
caveofapelles
For inquiries - school@caveofapelles.com
You will learn about:
• The necessity of a strict form (contour line), even when painting "loose"
• How these painters work with "flat", vibrant planes
• Rembrandt as a grey/green painter (not brown)
• Rembrandt as "un-Baroque"
• Painting movement
• How Titian, Leonardo, Apelles and Aristotle influenced Rembrandt
• The point of the "Sketch-like" technica macchia
• How one stroke can save the whole form
• Painting things as they appear in your side vision
• The importance of making two different eyes
• Painting light itself
Chapters:
01:30: Giovanni Bellini "Dead Christ"
09:12: Georges de la Tour's "St. Jerome"
15:35: Rembrandt's "The Kitchen Maid"
17:48: Rembrandt's "Claudius Civilis"
45:37: Rembrandt's "Simon with Child Jesus"
👍✨ Support our channel and get access to more than 200 exclusive posts:
patreon.com/caveofapelles/
SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Matthias Proy
Diego
*
Would you like to get access to the full segment and more exclusive content from The School of Apelles?
✨ Become a $10 patron:
patreon.com/caveofapelles/
Subscribe to our newsletter. It is the only way to make sure that you receive content from us on a regular basis: bit.ly/2L8qCNn
Check out our other channels:
Cave of Apelles: bit.ly/3fBGQ1I
Culture Wars: bit.ly/2PkrYdq
Visit our facebook page:
caveofapelles
For inquiries - school@caveofapelles.com
Переглядів: 12 613
Відео
Why All Paintings Need Asymmetry and MUST Include Children & Dogs | Advice from Boris Koller
Переглядів 2,5 тис.10 місяців тому
Jan-Ove Tuv visits Boris Koller's studio in Sweden to hear his thoughts about the multi-figure composition he is currently battling with, depicting Ask and Embla being created by the gods. ▶️ Full video (41 min): www.patreon.com/posts/98144352 🎵 Full audio: caveofapelles.com/podcast In this video you will learn about: • Painting as a "flat" problem • The Renaissance compositions method of the 7...
Using Different Models to Paint a Figure in a Large Composition | Boris Koller paints Jan-Ove Tuv
Переглядів 3,3 тис.11 місяців тому
Jan-Ove Tuv visits Boris Koller's studio in Sweden to model for several legs in a multi-figure composition. In this video you will learn about: • Using yourself and others to model for the same figure • Not changing everything when using another model • How conscious you should be while working • What Abba's Benny Andersson can teach you about painting • Manipulating the position of the model •...
Seth Fite Paints a Ram Skull | Demonstration of Andrew Wyeth's Water Color Technique | Part 2
Переглядів 2,4 тис.11 місяців тому
Jan-Ove Tuv observes Seth Fite as he continues to work on the painting of the ram skull with a water-based medium. ▶️ Full video (1 hour 22 min): www.patreon.com/posts/96312508 🎵 Full audio: caveofapelles.com/podcast In this video you will learn about: • Letting layers play together • Using the white paper to get glowing colours • Creating structure by dry brushing with small brush • Using smal...
Seth Fite Paints a Ram Skull | Demonstration of Andrew Wyeth's Water Color Technique | Part 1
Переглядів 6 тис.Рік тому
Returning for his second stay at the Nerdrum Studio, Seth Fite has taken upon him the challenge of depicting the Binding of Isaac. Influenced by the Kitsch philosophy, Fite recently founded the Louisville School of Painting in his home-state Kentucky, where he teaches traditional techniques, focusing on observations and inspiration from nature. The subdued, terre-verte-palette is ever present, ...
Portrait Demonstration in Oil by Cheng Wu
Переглядів 6 тис.Рік тому
Cheng Wu came all the way from China to demonstrate his technique with Jan-Ove Tuv to observe him at the Nerdrum studio. In this video you will learn about: • Establishing the main forms first • Laying in middle tones • Establishing the darkest and lightest areas early on • Painting in planes • Painting with wet, opaque strokes • Efficiently blocking in ear, eyes and hair • Simplifying forms to...
The Extended Apelles Palette | Core and Additional Colors, “Palette Hygiene” and Zorn's Brush Tip
Переглядів 3,3 тис.Рік тому
In this video you will learn about: • The colors of the Apelles palette • How the Apelles palette is doubly divided into cool vs warm • Three colors to extend your Apelles palette (and their strengths) • Three additional colors you can mix from the core colors • What brushes to use in the beginning • The uses of grey • A good way of setting up your palette • The advantage of “palette hygiene” (...
Sebastian Salvo Applies the First Layer of the Portrait of Gloria Bedoire
Переглядів 10 тис.Рік тому
Sebastian Salvo Applies the First Layer of the Portrait of Gloria Bedoire
The Necessity of Contour Line in Painting to Achieve a Credible Form
Переглядів 1,7 тис.Рік тому
The Necessity of Contour Line in Painting to Achieve a Credible Form
Kaja Norum Draws a Male Nude from the Back in Graphite
Переглядів 6 тис.Рік тому
Kaja Norum Draws a Male Nude from the Back in Graphite
The Flame | Sebastian Salvo on "Impersonal" Storytelling and the Challenges of a Big Composition
Переглядів 3,6 тис.Рік тому
The Flame | Sebastian Salvo on "Impersonal" Storytelling and the Challenges of a Big Composition
How to Make Cheap Double-Sided Sketch Paper for Oil with Animal Skin Glue
Переглядів 2,9 тис.Рік тому
How to Make Cheap Double-Sided Sketch Paper for Oil with Animal Skin Glue
A Multi-Layered Story with Past, Present and Future | Sebastian Salvo Presents "The Outcast"
Переглядів 4,3 тис.Рік тому
A Multi-Layered Story with Past, Present and Future | Sebastian Salvo Presents "The Outcast"
How to Use Sand Paper on a Painting | Tutorial by Jan-Ove Tuv
Переглядів 14 тис.Рік тому
How to Use Sand Paper on a Painting | Tutorial by Jan-Ove Tuv
Integrating the Background Stories | Sebastian Salvo Paints a Two-Figure Composition (Pt. 3)
Переглядів 3,2 тис.Рік тому
Integrating the Background Stories | Sebastian Salvo Paints a Two-Figure Composition (Pt. 3)
Hjalmar Hagelstam Paints a Counterpoised Portrait of Öde Nerdrum
Переглядів 6 тис.Рік тому
Hjalmar Hagelstam Paints a Counterpoised Portrait of Öde Nerdrum
How to Block in the Big Forms | Portrait Painting from Live Model by William Heimdal
Переглядів 3 тис.Рік тому
How to Block in the Big Forms | Portrait Painting from Live Model by William Heimdal
How to Make a Goat Skin Canvas | Painting for Preppers with Alastair Blain
Переглядів 2,8 тис.Рік тому
How to Make a Goat Skin Canvas | Painting for Preppers with Alastair Blain
How to Achieve Texture and Spatial Depth with Glazing | Demonstration by Jannik Hösel AKA Nicksenium
Переглядів 9 тис.Рік тому
How to Achieve Texture and Spatial Depth with Glazing | Demonstration by Jannik Hösel AKA Nicksenium
How to Enlarge Your Canvas by Sewing | Demonstration by Jan-Ove Tuv
Переглядів 4,4 тис.Рік тому
How to Enlarge Your Canvas by Sewing | Demonstration by Jan-Ove Tuv
How to Paint a Rembrandt Eye from Sketch to Completion (2/2) | Demonstration by Jannik Hösel
Переглядів 9 тис.Рік тому
How to Paint a Rembrandt Eye from Sketch to Completion (2/2) | Demonstration by Jannik Hösel
How to Paint a Rembrandt Eye from Sketch to Completion (1/2) | Demonstration by Jannik Hösel
Переглядів 10 тис.Рік тому
How to Paint a Rembrandt Eye from Sketch to Completion (1/2) | Demonstration by Jannik Hösel
The Lost Rembrandt Medium? | Jannik Hösel AKA Nicksenium Shares His Painting Method
Переглядів 31 тис.Рік тому
The Lost Rembrandt Medium? | Jannik Hösel AKA Nicksenium Shares His Painting Method
Painterly Excellence and Mishandling in Nicolai Fechin's Portraits | Masterclass by Jan-Ove Tuv
Переглядів 12 тис.Рік тому
Painterly Excellence and Mishandling in Nicolai Fechin's Portraits | Masterclass by Jan-Ove Tuv
Fusing a Plen Air Study & Old Masters | Sebastian Salvo Paints a Two-Figure Composition (Pt. 2)
Переглядів 5 тис.Рік тому
Fusing a Plen Air Study & Old Masters | Sebastian Salvo Paints a Two-Figure Composition (Pt. 2)
Painting a Two-Figure Composition with Sebastian Salvo
Переглядів 5 тис.Рік тому
Painting a Two-Figure Composition with Sebastian Salvo
Imitating John Constable & Lars Hertervig for a Landscape Painting | Sebastian Salvo
Переглядів 3,1 тис.2 роки тому
Imitating John Constable & Lars Hertervig for a Landscape Painting | Sebastian Salvo
How to Enlarge and Restretch Canvas on New Stretcher Bars | Jan-Ove Tuv
Переглядів 6 тис.2 роки тому
How to Enlarge and Restretch Canvas on New Stretcher Bars | Jan-Ove Tuv
How to paint a Summer Landscape without Blue & Green Pigments | Using the Apelles Palette Outdoors
Переглядів 8 тис.2 роки тому
How to paint a Summer Landscape without Blue & Green Pigments | Using the Apelles Palette Outdoors
Traditional method with variations available: 1- Prepare the glue: Dissolve the rabbit glue in hot water, leaving it to soak for a few hours until it is well dissolved. 1¹ - Or use PVA glue. 2- Calcium carbonate mixture: Mix the calcium carbonate with water until it forms a thin paste. Combination: Add the dissolved glue or PVA glue to the calcium carbonate mixture, mixing well until the consistency is uniform. Application: Apply the gesso to the canvas or wood in thin layers, waiting for it to dry completely between layers. Typically, 8 to 12 layers were applied, depending on the desired thickness. Sanding: After drying, the surface was sanded with fine sandpaper to create a smooth texture, ideal for painting. Sandpaper 600+ Ingredients: 1 part calcium carbonate (or plaster powder) 1 part PVA glue (white glue) 4 parts water Eggshells and bones in general can also be used, but you need to remove proteins and lipids first, by heating them in hot water and grinding them. Eggshells are basically made of calcium carbonate. You can heat the eggshells and bones directly to turn them into calcium oxide, which is highly reactive. Calcium oxide is also known as quicklime. After this transformation that occurs after carbonization, you use demineralized water to hydrate it (distilled water). This hydration transforms the calcium oxide into the purest calcium carbonate.
Which pigments did he use for that grisaille?
You need to seal that canvas first
Most use thinner for a Misbegotten idea it makes the thin layer they have been told to use in the starting of a picture. If you get the oil too thin the paint does not bond onto the canvas very well because there is a reduction in the number oil molecules. Better to understand a little chemistry here. Acrylic paint can be used as a "thin layer" on an acrylic primer. Just again, do not dilute it too thinly. Understand you are putting plastic paint onto a plastic primer. How ever acrylic will not adhere to oil paint but oil paint will adhere to plastic, if it is put down as the second layer and on top of the plastic. It is best to allow an acrylic underpainting to dry 2 days and then begin to apply your oil paint. Plastic does not go on top of oil.
For priming should I use liquid or powedered chalk? Because i tried with powdered one but it doesnt dry as fast as you say 😕 also when i spread the preparation isn’t as smooth over the canvas. Do you have any suggestions? Thank you
Old clay brick is the best ,.grind in water
80 grit!? Ok, I guess your canvas is made using Brutalism techniques anyway... I never take anything less than 220 grit on my panels. Panels. Taking sandpaper onto a textured canvas- I would be afraid I'd get into the bare canvas using 80 grit- doesn't take much. I use automotive sand papers to wet sand a well dried painting, just to prep the surface for new layers. 600, and 800 grits make very little impact on the look of the piece, but abrade the surface well enough that the surface tension is broken and you can start with far better adhesion. The finer the grit, the better the "scratching" and more tooth is imparted into the surface ironically so, due to the smaller grains, it can do this with less impact over the surface. Wet sanding also allows you to sand cadmium and lead without fear of dust... so all you need is gloves and lots of paper towels to clean up. The smaller grits leave the integrity of the layers intake, but offers the benefit of adhesion for the next layers. So, I guess I am saying- right idea, wrong execution? (yeah... I went there... lol)
To wet sand you use oil?
@@e.g.1218 No, I use regular water- mainly to make sure there is no dust- I use lead white. After, I wash the piece off, (with water and alcohol) and let it dry for at least two hours.
@@chrisgriffith1573 Ah ok, I've seen someone use oil. MIxed water and alcohol or one and then the other?
@@e.g.1218 ... I just use the water to wash the dust and pumice away- you could use any liquid. Soap and water, vinegar and water, idc.
I admire Nerdrum's ethos and creativity. I found myself at odds with Jan-Ove's analyses and couldn't perceive the conclusions about motion he came to in those paintings. But this was a treat all the same. Thanks for sharing.
ninguno de esa escuela es original, todos pintan lo mismo, mismo estilo, son copistas, ser original con tu propio estilo,es ser un buen pintor.
also - empty new paint cans are for sale at big box hardware store, air tight,water tight & inexpensive .
TODOS PINTAN PARECIDO A COMO Odd Nerdrum, NADIE ES ORIGINAL, SOLO SON UNA COPIA ENTRE ELLOS.
I recently acquired some quality chalk, and I am comparing it to gypsum, and to ground drywall. If I get the same results off drywall... I'll let you know. :)
I use linseed oil first, and then got into walnut/linseed oil mix, then walnut/stand oil, then walnut/safflower. I'm using linseed oil like an accelerant. I use more additives in the last layer- like glass or silica to make the surface glisten or whatever- more glaze- so I want less yellowing to happen in the future. Linseed oi has a tension to it- due to the fact that it develops a skin, and if you have a thicker layer of oil, this tension could build and be a factor in the future by the way the oil layer has tension. This is why it will crack and peel like a dry lakebed in a hundred years or so. That curling is the tension pulling from the top that dried faster.
Describing yourself as a 'master' is a bit of a stretch. A little more humility required?
I'm watching to find out what you have to say about clove oil.
I import a lot of TITANIUM WHITE OIL PAINT is there a way to DIY this paint ?
Really useful thank you very much ❤
Waiting for a New video 😢
Fascinating, informative and wonderful tutorial. Thank you both so much. Xxx❤
How did they make that grid?!
Fatty acids, not amino acids.
Bravo. Thank you
Can you start with an underpainting with liquin and then continue with walnut oil?
Nice video. What canvas are you using? Also, what is the board you’re using to mix the paste on (the black one)?
Not an artist but curious, can castor oil be used for oil painting?
Is there any place I could buy this medium or do I have to make it myself?
Nice! Did the old masters use sandpaper?
They used pumice stones, or pumice- sandpaper would not be a thing for a long time yet due to the inconvenience of gluing- paper was expensive and attaining abrasives to form a good abrasive surface over paper- too much work. A pumice stone imparts its own slurry of pumice, and makes a nice polishing effects as you go- there is a technique all of its own to this method, and it has advantages involving the flat nature of the stones- anyway... perhaps they might learn this and do a video about it?? Hint Hint*
Ahi fuera los perros ladran , mientras mientras alli,en el norte,en un lugar de Noruega Sebastian Salvo continua pintando.
Cada quien con su personajecito creado de si mismo …
Thats catholicism when he says about payments, but has he even heard about orthodoxy?
falsi profeti...😂😂 preparate un panettone per Rembrandt?
Wow --thankyou --you certainly know your mineral & earth pigments --I am a wildlife painter---60 years --in Africa----would like to grind my own oil pigments ----ochre and lapis are common here --so is malachite ---I will try to grind some down to powder & add linseed oil ---will send you some of my canvases pics ---give me your email. !
Sounds amazing. Be careful about the dust. Have fun.
Is there a school for this. What is the name of the teachers.
Please don't drink and work, not cool boys!
The man thats reaching out appears to be the artists self portrait
Hi there. Would be happy to know if he uses any solvant in his medium... Cheers
Some people use coffee.
Depressing Art, nothing special at all...
It's fantastic. Yes it's depressing, but that's part of the point, it's a reflection of the times we're living in.
Alot of misinformation and incorrect statements in this video unfortunately
Unnötiges Geschwätz, male lieber weiter!
Thoughtful and valuable content for sharing with the universe - thankyou. Pegging a brush to the rim of the container makes it easy to adjust the height of the brush above the base of the container. Also, oxygen moves ten thousand times faster through air than through water: saturating the cloth with water starves the oil of oxygen that would be needed for it to ignite.
Keep up , You Are an inspirator 🎨
You are explaining Odd's art as if its technique is unique, wich it is not, just being clear. Also the first explanation about the finger: No, He just changed his mind to were the finger should be thus he omitted the preliminary sketch. that's it, stop. Every great painter knows where the shadow must be, he is not unique nor a genius, it's basic knowledge.
I couldn't agree with you more.
Regular linseed oil or boiled?
Question. Does not Gamsol (a solvent)mean you are putting lean over fat? I am confused inasmuch that in oil painting it is fat over lean ? Thankyou.
What kind of Chalk?
Any, you can buy it in any hardware store.
I really love using chalk IN the paint, but it never occurred to me to paint INTO the chalk- I bet it’s just beautiful, I can’t wait to try. I also tried walnut oil because of your recommendation in another video and it has changed everything for me. Thank you for sharing!
Porque no se puede traducir al español???
Very good explainations!
Amazingly stunning painting a self portrait not easy however love your execution very beautiful and explanatory appreciate you🙌🏻🙌🏻great idea to take a break. Love he looks like Jesus Christ 🙏🏼