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@@divyamjha49 thanks man! In one month there will be similar content and much bigger than this! Stay tuned 🙋🏼‍♂️😊

Thanks for your kind words 😊 new stuff is coming Soon! Stay tuned 👍

@@toshioshiro9962 thank you ☺️ hopefully this will bring you a step forward 😉

@@vivektyagi6848 send me a Message via Mail and i will you send the file. 😊

@@Thies_Gruenewald Figured out how to correct the json structure with regards to one's shape_keys requirement. But Thanks for offering to help.

@@vivektyagi6848 my .jason profile is also just a modifcation of the preset that comes with Face it! Check all the shape keys in the list and check whether the expression is correct. Otherwise change the shape key which drives the expression and when Everything is correct at the end, save it as a new preset 😊

@@Thies_Gruenewald I tried to add additional name-value to the .json but it does not recognize any additional elements besides the ARKit defined. I also tried to separate elements that had both the Left and Right associated with say the Cheek_Puff - }, "cheekPuffL": { "target_shapes": [ "Cheek_Puff_L" ], "amplify": 1.0, "region": "Cheeks" }, "cheekPuffR": { "target_shapes": [ "Cheek_Puff_R" ], "amplify": 1.0, "region": "Cheeks" }, But only allows cheekPuff to associate with Cheek_Puff_L and Cheek_Puff_R together but not separately. Then I tried to add my own name-value pair but it does not recognize it. It also does not even reflect in the Expression on loading. It only associates with the one's already present within the existing structure. Wonder how you could get past that constraint. I will try again. Thanks again for pointing out a new direction to look at for enhancing the Character Expression possibility.

Hope it will help you ;)

Oh wow thanks for your kind words ☺️

Thank you! And thanks for the awesome dragon Model ❤️

Check out Michael Pavlovich. He Really goes in depth! My Blender workflow is the only new variable in here 😉

Haha yeah it was time, Right!?🫣 but I‘m Working on something Really Big! 😊

@@Thies_Gruenewald waiting...

Hard to Tell without seeing your settings 🤔 maybe bring down the power of your light source and play around with the volume scatter in the world shader. As an alternative move your light source more into distance (depending on your orientation z-or y-space). And if all of this doesn‘t improve the overall Image than send me a Screenshot ✌️

You are very welcome ;) i try to post new stuff in july, so stay tuned and good luck for your ongoing learning 🙏

True, but only for the paid Version of davinci 🤪

@@Thies_Gruenewald back at you I was wondering what you did not use the mist pass in blender instead ? I am asking just trying to learn the composition side ;) slowly ;)

@@samduss4193 i was using davinci because of the the z-depth data of the original video footage. But maybe (based on the tracking data and the scene in blender), it is possible to only use a mist pass 🤔 give it a try and please keep me updated. But you will need a dummy 3d-person-kind element (with a similar movement of the real actor) as a cut out so that the mist pass can be Composited correctly i guess. Oh and for the trees as well 🤷‍♂️

@@Thies_Gruenewald thank you for answer, did mist and actually got the data but it wont get data from the main footage so.. I understand now. I wonder today I like work flow of after effet and blender i just discover that :) the thing is about color grading i watch a tutorial about Davinci I really feel like it makes all magic :) actually I wonder the work flow, track aftereffect -> blender CGI -> Motion graphics after effect -> colorize Davinci -> premiere ??? what would you do as ideal work flow for project ? ( hahha sorry to bother, have a hard time to get info ).... .. thanks thanks

@@samduss4193 no problem , im still searching for the ideal workflow myself ;) your workflow sounds good, but no need for premiere, because you can edit and sounddesign your stuff in davinci 🤷‍♂️ good luck for your production 👍

Thank You 🙏

No Problem 😊

Did you see all Parts from 1 to 4?😅 check out my Channel 😉

@@Thies_Gruenewald I think you misunderstood, I've seen and followed the first part and at the end of it you said that the assets you've made will be in blender file, and you will put the links towards the other ones because they're not yours (which is ground too I guess because it isn't in blender file you uploaded). And I've check all the links and there is no ground object (I'm talking about that dirt/grass floor). I've checked parts 3 and 4 because you mentioned it but there's nothing there that mentions ground layer and honestly I don't see the reason why should I check the parts I haven't got to yet haha, aren't they in chronological order?

Yeah that is correct, there is no ground element in the links. Watch Part 2 at 19:54 min. There I will explain how to create the Ground. It is a little bit misleading because i should have mentioned this at the beginning of Part 2, but i thought it is okay to start with a blank plane element. Sorry for the confusion ✌️😉

Watch the other Parts of this Tutorial. The world was created in Blender 😉

Hope it will help you 🙋🏼‍♂️

Thanks for your kind words 😉 have fun creating awesome stuff☺️

Because this was a „Day-shot“ the render settings were not that crazy. Cycles, Samples between 512-1024, noise threshold at 0,01 and motion blur enabled ;) Normally i would render out different Passes (Beauty, shadow, Mist, AO), but because I was playing around with the z-depth pass in davinci, i ended up render out only the beauty pass 😉

You are welcome 😊

In working in something huge, just give me time 😊

Hi thanks for your kind words! Yeah you are totally right: Just do stuff! And if the things dont look good in first place, dont show it to other people until you are happe with your work! And then maybe some elese give you a good feedback! This is how you grow :) Good luck for you and greetings from Germany!

Thank you very much. Actually she should be walking behind him, but this story was hard to tell within five seconds 🙈

Thanks! 😊 uff Good question: i bought a „dark choir“ sample on Audiojungle . There is no real name to it 🤷‍♂️

Check out my latest Tutorial, there I share my footage 😊

Thanks for your kind words 😊 hope this Time I can hold up with you 😊

Thank you very much! Im working on something, so give me some time to blow your mind! Greetings 🙋🏼‍♂️😊

Thank you ✌️😊

Thank you 😊 Check out the videos about my short film hallaway, I Cover alot of the stuff you asked for 😊

​@@Thies_Gruenewald The AE to Blender free script is working for me. I created a 35mm composition in After Effects and imported it into Blender, but it hasn't changed. If there is any community group, I want to join for Q&A, like Discord, Telegram, or any other platform.

@@TOFANVFX thats Great to hear! Continue until you import your flnal render from Blender und back to After Effects and then tell whether the camera movement matches 👌

Thank you 😊

Thank you very much! And thank for your Support 😊

Bring up the clip Black value (in the video it was at 54). You can also animate the screen gain and bring up the numbers when ever there is a Lightning strike 👍

@@Thies_Gruenewald oh ok thank you..problem was me. i had it at 30.

Render time in eevee about 7-10 min with a grx3060 ✌️

Hope it will help you 😊

Thank you 😊

Ich stimme dir in vielen Punkten absolut zu. Das alles funktioniert - so wie du es beschreibst - aber nur, wenn die Person still steht oder seitlich geht. Die Bewegung nach vorne - wie in diesem Beispiel - würde allerdings nicht funktionieren, weil es dann so aussieht, als würde die Person größer skalieren (zumindest wenn man die Kamera animieren möchte)😉 also muss man durch manuelle Keyframes das Ganze „normalisieren“, dann klappt deine Methode wunderbar 😊 aber das war mir für ein Anfänger Tutorial zu kompliziert! 🤷‍♂️ liebe Grüße 🖖

@@Thies_Gruenewald ja, stimmt, dann muss man die Bewegung der 2D Ebene quasi nachbauen. Kann auch ungünstig sein 😊

Oh thank you for your kind words😊 i think nuke is much more powerful, but after effects is a little bit more forgiving and can give you some „cheaper“ Options . And when everything goes will, you will get away with it 😅And I like the Bridge between Blender and AE!

So by format you mean aspect ratio? I Shot this in full hd and later cropped the image to something around 1920x815!

Press F4 to toggle the Switches and than there should / will be the drop down menue! And than play around with the different mask (Alpha matte, luma matte or inverted) until you get the result that you are After 😊

thanks@@Thies_Gruenewald

u have earn my respect for fast reply@@Thies_Gruenewald

@@Virtual_edits its sunday, so I have time ✌️

Thank you 😊

Haha dont worry! I speed up the preview to shorten the video. So normally it would take longer 😉

Thank you, maybe Not Perfect, but it is a good Starting Point for something bigger 😉

Im glad that this is helpful for you 😊 yeah i have some vidoes about making a SciFi-Movie. Its not a step by step approach, but you will find a ton of Information on this subject 🙋🏼‍♂️

This is Green molton which was pinned to the Wall. It is not a product, more a do it yourself solution 🤷‍♂️

Puh hard question. In a nutshell: iwould not say easier, because its a different approach. I think Ian‘s method offers the oppturnity for more complicated shots, especially when he parents a second Camera to the existing one and than uses the camera projection, to integrate 2D-planes in 3D better. Plus you can use the Emission of the plane to light your 3D-objects. So I think all of these approaches have their justification. It totally depends on the shot 😉