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RIBOCA
Latvia
Приєднався 7 сер 2018
The Riga International Biennial of Contemporary Art (RIBOCA) is an international biennial with a European focus and a strong regional profile, founded in 2016. Taking the rich history of Riga and the Baltic states as its underlying framework, the Biennial highlights the artistic landscape of the wider region and creates opportunities for artists to enter into dialogue with the cultural, historical and socio-political context of the city and its geographic surrounds.
Kas ir RIBOCA Repository of Knowledge?
RIBOCA YOUTH programmas dalībniece Agate Albekeite stāsta par projektu RIBOCA Repository of Knowledge, kurā apvienojušās trīs mākslas organizācijas no Latvijas, Lietuvas un Somijas - RIBOCA (Rīgas Starptautiskā laikmetīgās mākslas biennāle), HIAP (Helsinku Starptautiskā mākslas programma) un NAC (Viļņas Mākslas akadēmijas Nidas mākslas kolonija). Raugoties uz mācību, izzināšanas un radošās domāšanas procesiem caur laikmetīgās mākslas prizmu, projekta ietvaros tiks radīti mācību materiālu komplekti un izveidota digitālā platforma. Projekts norisinās divus gadus, no 2021. gada aprīļa līdz 2023. gada aprīlim.
Video: Creators22
Vide: Latvijas Nacionālā bibliotēka
ERASMUS+ programmā īstenoto projektu “RIBOCA Repository of Knowledge” līdzfinansē Eiropas Savienība. Eiropas Komisija nav atbildīga par šīs publikācijas saturu.
Video: Creators22
Vide: Latvijas Nacionālā bibliotēka
ERASMUS+ programmā īstenoto projektu “RIBOCA Repository of Knowledge” līdzfinansē Eiropas Savienība. Eiropas Komisija nav atbildīga par šīs publikācijas saturu.
Переглядів: 269
Відео
and suddenly it all blossoms trailer
Переглядів 2,3 тис.3 роки тому
In March 2020, plans for the second edition of the Riga International Biennial of Contemporary Art (RIBOCA2), a major international contemporary art event, were abruptly stopped by the rapid spread of COVID-19 just a few weeks before the opening. Chief curator Rebecca Lamarche-Vadel decided to transform the exhibition into a film set, reimagining the biennial as a feature film in anticipation o...
Exhibition Tour with RIBOCA2 Chief Curator Rebecca Lamarche-Vadel
Переглядів 1,7 тис.4 роки тому
The exhibition "and suddenly it all blossoms" is somewhere between a ruin and a renovation site, mirroring the current state of the world, a liminal and floating space and time. It is fair to say that the virus, which has brought an entire civilisation to its knees, has also become a significant author of this exhibition, and is accepted as such. Its signature is present in the unfinished, the ...
RIBOCA Youth Council highlights / Agate
Переглядів 954 роки тому
EN RIBOCA Youth Council is a group of idea generators from 12 to 18 years old, who contribute to youngsters' communities. The Council empowers interaction and connection between the youth and contemporary art and artists. By working with these young people RIBOCA gets inspired by their energy, spirit and courage to think different and to ask questions. Here’s the story of our ambassador Agate r...
RIBOCA Youth Council highlights/ Betija
Переглядів 514 роки тому
EN RIBOCA Youth Council is a group of idea generators from 12 to 18 years old, who contribute to youngsters' communities. The Council empowers interaction and connection between the youth and contemporary art and artists. By working with these young people RIBOCA gets inspired by their energy, spirit and courage to think different and to ask questions. Here’s the story of our ambassador Betija ...
RIBOCA2 Youth Council highlights / Jēkabs
Переглядів 724 роки тому
EN RIBOCA Youth Council is a group of idea generators from 12 to 18 years old, who contribute to youngsters' communities. The Council empowers interaction and connection between the youth and contemporary art and artists. By working with these young people RIBOCA gets inspired by their energy, spirit and courage to think different and to ask questions. Here’s the story of our ambassador Jēkabs ...
Jack Halberstam Wild Things: An Aesthetics of Bewilderment
Переглядів 13 тис.4 роки тому
/LV and RU below/ 14th talk from RIBOCA2 online series of talks and conversations, dedicated to the glossary word WILDNESS, live from Andrejsala. More about RIBOCA2 Public programmes here: bit.ly/RIBOCA2PublicProgrammes. Introduction and Questions by Sofia Lemos, Associate Curator of RIBOCA2 Public Programmes. Subtitles available in English, Latvian and Russian. WILDNESS - Celebrating unpredict...
Possible FUTURES
Переглядів 2954 роки тому
/LV and RU below/ The ultimate week of the RIBOCA2 online series of talks and conversations, dedicated to the glossary word FUTURES. Please learn more about RIBOCA2 Public programmes here: bit.ly/RIBOCA2PublicProgrammes. FUTURES The glossary-based series of talks and conversations began with ENDINGS and now comes to a close with possible FUTURES. Away from those thoughts of ends and abrupt rupt...
McKenzie Wark "Ficting and Facting"
Переглядів 7 тис.4 роки тому
/LV and RU below/ 19th talk from RIBOCA2 online series of talks and conversations, dedicated to the word FICTIONS. More about RIBOCA2 Public programmes here: bit.ly/RIBOCA2PublicProgrammes. Introduction and Questions by Sofia Lemos, Associate Curator of RIBOCA2 Public Programmes. Subtitles available in English, Latvian and Russian. FICTIONS - Narrating impossible stories, archival omissions, an...
Vinciane Despret "Phonocene’: Bird-singing in a multispecies world"
Переглядів 6 тис.4 роки тому
/LV and RU below/ 18th talk from RIBOCA2 online series of talks and conversations, dedicated to LANGUAGE. More about RIBOCA2 Public programmes here: bit.ly/RIBOCA2PublicProgrammes. Introduction and Questions by Rebecca Lamarche-Vadel, RIBOCA2 Chief Curator. Subtitles available in French, English, Latvian and Russian. LANGUAGE - Moving away from the idea that language is a fact and towards commu...
RIBOCA2 viss reizē zied Baltajā naktī
Переглядів 1124 роки тому
Šis savādais laiks ir sniedzis mums iespēju pierimt uz mirkli un atrasties šajā brīdī, atgādinot, ka mūsu dzīves sastāvdaļa ir māksla tās visdažādākajās izpausmēs. Esam pateicīgi, ka vienu no šādiem rimtajiem vakariem pavadījām Laikmetīgās kultūras foruma Baltā Nakts vakarā un tā nesteidzīgajā un nepiespiestajā atmosfērā. RIBOCA2 viss reizē zied izstādes galvenajā norises vietā Mūsdienu kultūra...
Oliver Beer "Lost Rights and Unattained Goals"
Переглядів 7254 роки тому
/LV and RU below/ 17th talk from RIBOCA2 online series of talks and conversations, dedicated to the glossary word VOICES. More about RIBOCA2 Public programmes here: bit.ly/RIBOCA2PublicProgrammes. Introduction and Questions by Rebecca Lamarche-Vadel, RIBOCA2 Chief Curator. Subtitles available in English, Latvian and Russian. VOICES - Moving toward different possibilities of coming to voice, by ...
Avery F. Gordon "Haunted Futures: the Utopian Margins"
Переглядів 5 тис.4 роки тому
/LV and RU below/ 15th talk from RIBOCA2 online series of talks and conversations, dedicated to the glossary word GHOSTS. More about RIBOCA2 Public programmes here: bit.ly/RIBOCA2PublicProgrammes. Introduction and Questions by Sofia Lemos, Associate Curator of RIBOCA2 Public Programmes. Subtitles available in English, Latvian and Russian. GHOSTS - Constructing ourselves as part of a layered tes...
Marisol de la Cadena "Runa: Human but Not Only"
Переглядів 4,6 тис.4 роки тому
Marisol de la Cadena "Runa: Human but Not Only"
Tim Ingold "The Young, The Old And The Generation Of Now"
Переглядів 9 тис.4 роки тому
Tim Ingold "The Young, The Old And The Generation Of Now"
Andre Lepecki "Movement in the Confinement (or: choreopandemia)"
Переглядів 6 тис.4 роки тому
Andre Lepecki "Movement in the Confinement (or: choreopandemia)"
Jackie Wang "Oceanic Feeling and Communist Affect"
Переглядів 11 тис.4 роки тому
Jackie Wang "Oceanic Feeling and Communist Affect"
Astrida Neimanis "We Are All at Sea"
Переглядів 11 тис.4 роки тому
Astrida Neimanis "We Are All at Sea"
Birgit Menzel, Nikolay Smirnov "Religious Libertarians: Marginal Spirituality and Political Dissent"
Переглядів 6624 роки тому
Birgit Menzel, Nikolay Smirnov "Religious Libertarians: Marginal Spirituality and Political Dissent"
RIBOCA2 DIY workshop “When the Invisible Becomes Visible”
Переглядів 2884 роки тому
RIBOCA2 DIY workshop “When the Invisible Becomes Visible”
Boris Groys and The Institute of the Cosmos "Cosmic Disputation"
Переглядів 1,7 тис.4 роки тому
Boris Groys and The Institute of the Cosmos "Cosmic Disputation"
RIBOCA2 Fake healing school with Agnese Krivade
Переглядів 2984 роки тому
RIBOCA2 Fake healing school with Agnese Krivade
Federico Campagna "The End of the World(s)"
Переглядів 13 тис.4 роки тому
Federico Campagna "The End of the World(s)"
RIBOCA2 Vija Eniņa’s masterclass “Medicus curat, natura sanat” (A Doctor Cures, Nature heals)
Переглядів 3854 роки тому
RIBOCA2 Vija Eniņa’s masterclass “Medicus curat, natura sanat” (A Doctor Cures, Nature heals)
Michael Marder "To Heal a Shipwrecked World: St. Hildegard's Cures"
Переглядів 2,7 тис.4 роки тому
Michael Marder "To Heal a Shipwrecked World: St. Hildegard's Cures"
Boaventura de Sousa Santos "The Future Begins Today"
Переглядів 4,2 тис.4 роки тому
Boaventura de Sousa Santos "The Future Begins Today"
CAConrad "(Soma)tic Poetry Rituals"
Переглядів 3,4 тис.4 роки тому
CAConrad "(Soma)tic Poetry Rituals"
Sophie Lewis "Mothering Against The World"
Переглядів 6 тис.4 роки тому
Sophie Lewis "Mothering Against The World"
C'è stato un ultimo genio in Italia, tra gli anni 90 e l'inizio degli anni 2000. Era un uomo del sud Italia, di enorme talento ed intuizione. Fu lui il primo a portare in scena, in teatro, a livello internazionale, tutto ciò di cui ha parlato questo ragazzo, che sicuramente conosce la persona di cui sto parlando. Il suo nome, era molto conosciuto, ha lavorato con personaggi di alto calibro come Pasolini e Deleuze. Fu quello che ebbe l'intuizione di riferire se stessi come al passato, di creare il proprio mondo slegato dalle gigantesche rovine delle strutture, e di contemplare, attraverso i buchi neri del linguaggio, l'improponibilitá della volontà di potenza come forza dell'esistenza stessa. Quest'uomo nel nostro paese, era conosciuto come C.B. ma aveva un nome. Il suo nome, era Carmelo Bene. Ed in questo giovane genio italiano, ho visto tutta la sua eredità.
Just, thank you.
great. The links between convenional artistic creation, collective political action, trauma and healing and ecology are beautifully made
This is unbelievable genius and the ultimate poetics and beauty of thought.
Nature composts and regrows from fire and food. Humanity is not immune to nature's cycle no matter how clever the invention.
I wish you'd do these online conversations again, they've opened the world to me
Que vídeo maravilhoso! Que aula espetacular sobre mundoS, no plural do plural. Mundos não só possíveis mas existentes e presentes há muito tempo e ativamente ignorados e massacrados por um mundo onto-epistêmico hegemônico extrativista e "desanimador" de todos os outros mundos. Viva Marisol de la Cadena!
Had to take a pause halfway into this podcast and absorb the extraordinary framework of a narrative Federico is building up. An absolutely fascinating 'world-ing' experience!
sorry.... i know you don't want to hear any more, but this is three years old so probably nobody cares anymore about what i write here. But this idea of Perennial thought...ie Aldous Huxley..and Ken wilbur..etc. Really what seems to be emerging is that Carl Jung's conception of religion... which has been grossly misunderstood as an effort to create new religion was in fact the effort to explain why these mystical traditions are indeed so similar. Jung finally concluded more or less that religion is a deep seated psychological complex that manifests differently in various traditions but really is mirroring the evolution of the psyche both at the level of the individual and the collective. So this was his great realization in Answer to Job which i think will be the text where that very clearly pronounced and demonstrated that our conception of "God" is actually a reflection of our deeper self...and the evolution of God is reallly an evolution in our "Self"..ie what we call the God Image. This was further elaborated by other Jungian thinkers such as Edward Edinger. What God really is ...who knows.... but that's now what religion is about...it's really about the evolution of what our deeper self. What God really is is beyond the dark glass....we cannot see it.
Well, someone does care. You put it well. I agree with what you wrote there.
closure: This sum up of 54...the idea of conflict. I think that this is a part of the process laid out in all the mythological accounts of the "end of time" ....the apocolypse.... things become more polarized... wars occur. it's pretty much a given. However, out of the tension of the poles (thesis and anti-thesis) comes the synthesis.... the trancendent perspective that in part reconciles the two polar positions but more importantly renders them moot because we move to a new perspective completely. This is what Carl Jung referred to as the Trancendent Function...but also it's something found in many thought systems including Platonism and a religious system called the "Law of Three" ... it's in Kabblah and other mystical systems.
Another thing that i thought about during this talk: What if we could educate an AI discretely in each of these past worlds... wouldn't it be fascinating to converse with someone from another "time".... if we could educate an AI in all say the Sumarian cuniform texts... or from the Middle Ages? . then we could therectically converse with a being from that time, no? Would it open up new insights to converse or would we be limited by our own linguistic constructs? Would that way of worlding come across in the AI's language?
Very very interesting... would like to see Frederico patch into that group of thinkers that i feel are forging ahead to this "new world".... including Bernardo Kastrup, Daniel Schmatchenberger, John Vervaeke, Iain McGuilchrist... Zak Stein... .these are, along with Frederico, to me, the inheritors of this Post Post modern emergent world.. and i think Federico has important things to add to this conversation. I love the idea of "re-worlding".... and this is has really fundamental linkages to another area of personal interest of mine, museology,... the French have a nice term "mettre en valeur" which gets at shifting of the phenomenological experience of an object (and it's cultural content) via specific physical treatments that help the gaze attend in a different way (to say it like McGuilchrist might say it). Duchamps urinal is perhaps a striking example. Put something on in a "sacred" space with a certain kind of light and it becomes something different phenomenologically...something symbolic rather than utilitarian. So this idea that you can reworld is something that museum curators regularly do in their work. Regarding the phenomenology of time (mn 16-17)..] It is felt as a "wall" or as Terrence McKenna put it "the approach of The Eschaton" It is a time of great chaos and apprehension as our categories are breaking down and blurring together and our assumptions no longer work in the same way. Thus, it is very difficult to think beyond that "wall"... we stand at a threshold but peer into the void. This is when it helps to understand mythology and history. It is the time when the artists come to fore and the religous...because it is a time of faith out of necessity, right? (Cue the Qnon conspiracy). However if we understand the larger arc of history, we can have reasonable faith that the apocalypse is not the end but only the "unveiling" of a new beginning of a new world. Very exciting. mn 22: Really makes me think about that movie "Arrival"....how the alien language was written in a circle... reflecting a different conception of time in the future. mn 35... About our creative latitude when we leave legacy for the post future: Rather than lie it is the purview of the "normative entrepreneur" to convey how norms should be perpetuated ....and the artist too of course. But we have a responsibility to draw conclusions about what went right and wrong...which isn't a lie but it isn't a faithful representation of the majority of the time...only the closing act perhaps. Also, what's also coming to mind here is this idea of the mystic Gurdieff ... he thought alot of encoding key cultural truths into dances and music because he thought of those things as a superior means of conveying important truths over time. He claimed that he learned this from a group called the Sarmoung a group of Tibetan monks somewhere in Tibet that referred to this sort of activity "The gathering of the honey"... i guess they were beekeepers. Gather the truth, transform it into durable cultural productions and encapsulate it for the future generations. Of course one could say that mythology does this because the myths that get kept and repeated are the ones that retain their immediacy and resonance...so mythology is subject to a sort of Darwinian process over long spans of time that ensures an aspect of antifragility.
Spectacular Thank you, be well, Geraldine
Thank you for this conversation ❤️
i am amazed by how this young and obviously very gifted scholar navigates subjects that are extremely hard to convey without making a huge word salad and eventually losing the audience. i was able to follow through without getting lost.
much love and respect two both of you from istanbul. amazing conversation.
9:47
Is Michael Marder an American or Canadian citizen? I read he was born in Russia. Just curious. Does he speak Spanish? Where he currently teaches. There seems to be nothing online about where he grew up. He went to school in the U.S. first, and then Canada. According to Wikipedia.
This is so unapologetically caring and awakening. Thank you so much.
Excellent professor
What a great conversation! It widely opened my eyes to other ways of thinking about the self, the others, mother nature, the world in itself and the moral obligation and connection each of us has to the waters we belong to, or the waters we adopted or the waters that have adopted us all.
Another insufferable femcel.
The Woman responsible for abolishing the family and ending Western Civilisation as we know it will forever be known as Sophie "These Tweets are Protected" Lewis. 😂
This woman makes me feel like chopping my balls off. We're absolutely doomed as a society.
The fact that Federico Campagna so simply prophetize an "international" war or a Cold War that will seal the "end of the future" a year or so before the invasion to Ukraine!
S’il vous plait ne parlez pas d’homme lors ce que vous voulez dire les êtres humains en général: nous, les femmes, en avons marre d’être sous entendues. Merci bien
Wtf is wrong with you Antichrist wack jobs?
I.know.now.why.we.drowned.women
Leave it to this kind of hyperwoke accedemic obscurantist to not only try and justify an unnecessary and dangerous medical condition, but to rationalize nonconsensually inflicting existence on sentient beings.
This was great! Thank you.
❤️
I want her education, I want her situation, I want her surface skin.
This is my favourite moment since joining to the internet in 2007
I cannot believe this channel <3
This is it
Chanter, c'est mesurer son territoire et le faire savoir aux lautres, leur faire ressentir. Projection reconnue aujourd'hui dans la technique du chanteur d'opéra avec une prise de possession scène et au-delà. Mentalisation du son hors de soi, définie par une visualisation des limites de l'espace, du territoire (je transporte ma voix au dernier rang du public ou je vais l'accrocher à l'arrière-scène). La fréquence sonore oscillant sur des notes plus longues d'un chant de merle "annonçant la pluie" plusieurs heures à l'avance, alors que rien ne le présageait à l'humain avec un soleil éclatant (lègende rurale?), ne serait-ce pas non plus une mesure de la pression atmosphérique (locale) et de l'ètendue de son territoire ? Mon père me racontant petit, que le merle manifestait sa joie de se débarasser bientôt de ses parasites, serait aussi une théorie interessante.... Chère Vinciane Despret, votre approche "Phonocene" claire du vivant me passionne.... Merci.
Thank you, I hope these talks will come back, I've learned so much from them.
I liked the plant!
"matrix of noise" is perfect
Interesting
"...suggest it [pet owning] is at the root of current environmental crisis" YOUR DOG MELTED THE ICECAPS HARAWAY!
Face it, every child deserves the mothering that they get. Some kids are just a whole lot easier to love than others. Doing away with the nuclear family, or supplementing it with the support of non-biological kin, isn't going to change that a bit. I LOVE the nuclear family, and I see no reason to upgrade it in the slightest. For most people, it works just fine.
Not.
#makewomendrownagain
@@harryman1303 #repealthe19th
Many blessings and thank you to CAConrad <3 Sweetest talk ever.
Excellent ! Thanks for recording and sharing this
wonderful.
Well this gives me a lot to think about, thank you for recording it and for making it available!
#makewomennotvoteagain!
Thank you so much for having this talk online, this was truly fascinating
ah awesome!!!
For a new Life, some advice and concepts conducive to changing the system that has taken paths that lead to the precipice
Lewis is unable to express herself in everyday language and terminology; something the best scholars can do. Perhaps it is because she is reading out the talk, rather than speaking from the heart, but there is little warmth here. There is something sad and bitter about her too. I wonder if her theories are solely based on growing up in an unhappy, dysfunctional family. And she's never experienced being a mother, so what can she know of motherhood?
Hit the nail on the head
i don't even think the fault is with her dad. She hates him because he spoke the truth. She's low in intelligence.
Who decides what is everyday language? I'm always puzzled by individuals who pretend to represent the norm, the majority, or what everyone should assume to be the standard.
@@sylviefortin2 By everyday language I mean language which is accessible to the lay person, not full of academic jargon.