Відео

@@badattitudeproductions3028 great question, unfortunately I don’t have 2 sets to try this for you.

Thanks! Yeah, I've enjoyed using it for speciel looks in my videos, thanks for watching :)

lol thanks so much!

Thanks so much, I really appreciate that. It's such a fun lens to use, I definitely want to make a small set of FD lenses so they all match together. Also, nice work you've done on your channel!

@@_Gabyo_ you’re welcome! :)

Yes it does, it has a lot of space. I've used it with my FX3 with a cage and a 24-70mm lens and it balances perfectly well.

@@samankohzadi3781 hey so glad it was! :)

This device records internally so you won't need a wireless transmitter. Is that what you mean?

Hey, glad it's helped you! and that happens if you delete the only and last node in the node tree, clicking Alt+S will add a new node and fix that for you, let me know if that did it for you :)

@@AndrikLangfield It works! Thank you so much! Finally someone who actually reply the questions after making the tutorial. Keep up the work man! Can feel the effort and enthusiasm you put into for your viewers!

@@DollyMusic1727 Hey, that's awesome, glad it worked for you! And thanks so much, I really appreciate you saying that 👊🏼

@@malcgarda5042 thanks man! Appreciate it

Hey, I use Slog3 S-Gamut3.Cine on everything I shoot. I uesed to shoot HLG2 on my a7iii but now with a 10 bit camera, slog3 is incredible.

@@tymonnogalski1016 thanks! Hope it helps :)

Hey, how different does it look. It'd expect for it to look slightly different usually in a small gamma shift. But not major changes.

You’re welcome! :)

Good question, you’re right, this tripod won’t go vertical like a ball head tripod would so you’d need a cage and then simply mount the baseplate to the side of the camera :)

@@ayojerrys also nice videos, just watched your iPhone 15 👏🏼

Thanks David 🙏🏽

Yes that’s right :)

@@MoserTimmy Thanks so much man! Really appreciate it 👊🏼

Hey, great question, I have not tried it in that scenario and but I believe it would work just fine. I’ll test it later on my home projector and see how it holds up 👍🏼

@@AndrikLangfield Thank you!

@@AndrikLangfield Any update to this?

@@DavidNiedbala Thanks for the reminder. Just ran a quick test and the results were unusual. Both my FX3 and a7iii will display video perfectly fine and smoothly on my TV but as soon as I plugged my laptop or my PC into the transmitter there was no signal so, unfortunately, I don't think this would be a good option for the laptop scenario described above.

Hey, thanks so much Jericho! I've enjoyed keeping up with your videos, hope you're doing well :)

Wow thanks so much! I appreciate it 👊🏼

Hey, do you have two monitors?

@@AndrikLangfield Yes. It still does not work. This is a feature I wish worked exactly like Premiere because I use it often.

Sorry to hear it didn’t work for you, I find it sometimes doesn’t work the first time I boot up resolve but after I manually select full screen timeline, it seems to work after that. I do wish that this feature was included, one of the things I miss the most!

@@AndrikLangfield I'll try again but I probably won't use it anyway because I use one monitor for the app and the other for a full screen preview, rather than the app on both. Overall I'm very happy with Resolve but there are (so far) 3 really important missing features for me. Never going back to Premiere though.

Glad it was helpful!

Hey Lucio, great question! Those types of adjustments are best suited for a shot-by-shot basis. When I'm creating a Look LUT that’s intended to be applied across many different clips, making shot-specific adjustments isn't recommended, like qualifiers. You always want to make the most non-destructive adjustments as possible. For example, I use the most smooth curves as possible and very gentle tweaks in the HSL adjustments rather than harsh, strong color shifts or hue swings which could break your image when the LUT is applied in different scenarios. Hope that makes :)

@@AndrikLangfield I think I should have the camera manufacturer conversion to 709 somewhere in this. I exported a LUT following your tutorial and put it on a Shogun monitor to view my footage on set but it was applying the LUT I created without any conversion, so I need to put in a node somewhere to tell what colorspace to convert to.

That’s 100% correct, I missed to mention in the tutorial that if you’re intending to use it as viewing lut on your monitor, you need the CST included. I’d place it first in your node tree or close to the beginning. But I recommend that once you come back to Color grading to apply the cst and then a Rec 709 version of your lut seperately as it’s useful to grade under the cst, in between the cst and lut and after the lut for different effects.

Yes, it’s a great lens, especially with the FX3 active stabilization. You do crop in a little for active but it’s excellent. I use active sometimes with some vintage lenses I own and that works really well. Most of this video was shot just using the standard stabilization and that seems to be enough especially at 24mm, I did stabilize some shots in DaVinci resolve to get rid of some little jitters. Also might be worth mentioning that at 24mm I have noticed the active mode on the camera sometimes gives you a little of corner wobble effect, but only in active. Hope that helps :)

@@AndrikLangfield super helpful. Thanks

@@-DEX_VR- Wow, thanks so much 🙏🏼

​​@@AndrikLangfield i just have a question. Can i screenshot it and print it out? So i can put it on my wall?

Hey for sure! If you want a higher quality still from it feel free to send me a message on Instagram 👍🏼

Thanks so much!!

@@kayllangfield Thank you so much :)

Hey, thanks so much, I really appreciate it!

@@z.a.cvisualart7626 you’re welcome :)

Ahah thanks man, means a lot coming from you 🙏🏼

@@davidsfilmmaking thanks man! 🙏🏼

@@sanujsatyajit5811 the website is linked in the description :)

Hey I’m so glad it was 👊🏼

@gilbertsatria I can’t remember which ones I used in the video but the most useful to me are creating nodes before and after, alt+s makes node after your current node and shift+s makes a node before your current node :) hope that helps 👍🏼

@@AndrikLangfield thanks man

Amazing! Glad it worked for you :)

Hey Angie, thank you so much for reaching out! Sometimes some Apple users have issues with the .MOV codec I exported them in, could you send me a DM on instagram, I'll send you a google drive link with the MP4 files to see if that solves your problem :) My Instagram is @andriklangfield

Hey, I came up with a better solution, I've gone ahead and uploaded the .MP4 versions right onto Gumroad on the download page, let me know if that solves your problem, the .MP4 files are also much smaller in size :)

@@AndrikLangfield Hey Andrik. I found a work around with converting them through VLC. I didn't even know VLC converted files! Thanks so much for replying so quickly and offering to help fix.

@@angiethomas444 that’s awesome to hear! Glad that it worked out for you :) have a great day!

Hey, excellent question, watch this section here of the video: 1:24 I don’t own a wireless follow focus so I wasn’t able to test it but did read online other people that tried it. Also found this helpful Reddit post about latency for focus pulling that might be helpful: www.reddit.com/r/cinematography/s/XLUaV9twhS

It’s got a couple ms of latency, but it’s not terrible.

@@PatrickLipp thanks Patrick 👊🏼

Yes. Also not sharp enough - the compression and transmission muddies the image, makes peaking next to useless.

@@blacktar Yes, good point!

Hey! Great to hear from you! :) thanks so much, the two boys are doing great, hope you’re doing well too! 😊

@@AndrikLangfield Thats good to hear, at least he has some company now lol, yea im doing great, thanks for asking, still busy with photography etc as usual lol

Yes, he loves having his little brother and that's great to hear you're keeping busy with it 👊🏼 have a great week :)

@@AndrikLangfield Thats nice, you should do a video of himi some day, i remember your first new born, them videos were amazing, and yes thank you so much, likewise have a nice one, great to hear from you

You’re welcome! :)

Great idea, I had never tested it and just did to see what would happen and the results were pretty cool. The only macro lens I have is the apsc 60mm 2.8 by Canon so what I did was I adapted the Canon 60mm 2.8 on my FX3 so it did have a little vignetting which is manageable and then put a x.06 wide angle adapter and it worked really well. The close focus was inside the wide angle lens meaning I focused on the dust on the front of the wide angle adapter and beyond it, so for example I placed it facedown on my cellphone and focused right up to the screen, if that makes sense, and then made my phone screen go out of focus by focusing closer than that. lol thanks for the idea, I'll definitely be using that combo more often 👍🏼

Thanks so much! Glad you enjoyed them 👊🏼

@@AndrikLangfield They are good - but i am unable to download them. It starts downloading and then says download failed. I am able to download other assets from sites but here it doesn't work. Can you help please?

Hey for sure! Might be because they are larger files. Feel free to send me a dm on Instagram and I’ll work through it with you. @andriklangfield

You're welcome :)