The two players are technically competent, although the clarinetist had a few strained or rough notes. My favorite clarinetist is the long-time principal clarinet of the Los Angeles Philharmonic, Michele Zukovsky. Listen to her superb performance on the same Beethoven Duos for Clarinet and Bassoon, G147, with the bassoonist Breidenthal, on Avant 1011 (if you can find it).
In Wikipedia I'm looking at the article "List of compositions by Ludwig van Beethoven". For this work it says "WoO 27: Three duets for clarinet and bassoon (probably spurious)". Oh dear.
4 роки тому+4
It is a very pleasant piece of music, and the players are very good. Bravo!
I play bassoon and I have always wondered... why do most professional orchestra players move there heads so much... does it make the tone better or something???
This comment is old, but once j learned to embrace the playing of bassoon I started to move around A L O T.Sometimes it does help me with air control on low notes.I am yet a freshman though, please don't judge this comment to fondly.(I do hope for a profession in bassoon though, so I have done alot of research and pushed myself, so i know what i am talking about.I was even placed so high in a competition that i got first chair in an orchestra band, obviously for children, but still amazing)
From a practical perspective it’s much easier to maintain the necessary muscle tone without becoming stiff or stuck if there’s some movement, and it’s also a natural human response to music. Additionally it can convey the feeling of the flow of the music to fellow musicians. It’s almost all good, if, like anything else, it can become too much: what’s good for one musician might be counterproductive for another.
John Blyth - Composer, writer I totally agree with your statement. In addition to your opinion I think that, if young musician prefers moving over standing still, a instrument teacher should encourage him/her to act like that in first couple of years. Although this movements can cause some intonation and articulation problems, especially when those body moves are not synced with the rhythm of music piece, a musician can benefit from them in terms of understanding misic piece ( in his/her own unique way ) whilst feeling confident. I was that kid who believed that moving your body while playing is bad habit that I must correct, which I did sort of, now I’m really thankful for doing that when I was 10,11 yo.
I just love watching the guy playing the bassoon, such enthusiasm and effort put in, it makes me happy
Both sound great. Bassoon, hands down- the best!
The two players are technically competent, although the clarinetist had a few strained or rough notes. My favorite clarinetist is the long-time principal clarinet of the Los Angeles Philharmonic, Michele Zukovsky. Listen to her superb performance on the same Beethoven Duos for Clarinet and Bassoon, G147, with the bassoonist Breidenthal, on Avant 1011 (if you can find it).
The bassoonist's head moving like he has equalizer
In Wikipedia I'm looking at the article "List of compositions by Ludwig van Beethoven". For this work it says "WoO 27: Three duets for clarinet and bassoon (probably spurious)". Oh dear.
It is a very pleasant piece of music, and the players are very good. Bravo!
I play bassoon and I have always wondered... why do most professional orchestra players move there heads so much... does it make the tone better or something???
This comment is old, but once j learned to embrace the playing of bassoon I started to move around A L O T.Sometimes it does help me with air control on low notes.I am yet a freshman though, please don't judge this comment to fondly.(I do hope for a profession in bassoon though, so I have done alot of research and pushed myself, so i know what i am talking about.I was even placed so high in a competition that i got first chair in an orchestra band, obviously for children, but still amazing)
From a practical perspective it’s much easier to maintain the necessary muscle tone without becoming stiff or stuck if there’s some movement, and it’s also a natural human response to music. Additionally it can convey the feeling of the flow of the music to fellow musicians. It’s almost all good, if, like anything else, it can become too much: what’s good for one musician might be counterproductive for another.
John Blyth - Composer, writer
I totally agree with your statement.
In addition to your opinion I think that, if young musician prefers moving over standing still, a instrument teacher should encourage him/her to act like that in first couple of years. Although this movements can cause some intonation and articulation problems, especially when those body moves are not synced with the rhythm of music piece, a musician can benefit from them in terms of understanding misic piece ( in his/her own unique way ) whilst feeling confident.
I was that kid who believed that moving your body while playing is bad habit that I must correct, which I did sort of, now I’m really thankful for doing that when I was 10,11 yo.
If you also notice, instrumentalists that play 1st chairs move more than instrumentalists of lower chairs.
@@waniyare9004 they are using their movements to communicate with their sections - cuing entrances, dynamics, etc.
Excellent and Bravo! Merci Beaucoup!
Movement 2- 4:35
Odlican ton, momci, ton je sve, bravo!
Miroslav Kostic hvala puno!
Wow
Amazing interpretation
Saludos desde México
The bassoonist's head movements were quite distracting.
It's like a bobblehead
nah they rocked
it’s expression, most judges like that but yeah your right, it was a little over the top
Wonderful
Bravi !
Cool
Bom Demais Meus Amigos, saludos..!
Great Job! Can I please have the sheet music?
Nehith Gopireddy You can find it on IMSLP, that's how we found this :-)
Fucking aweosme
Thanks mate!
Wonderful music but dreadful camera settings
Please tell me you won!?!
Devin Cohen Actually yes, Laureate 😇
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