Where in the World? Lacquer

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  • Опубліковано 30 січ 2023
  • Marie-Laure Buku Pongo, Assistant Curator of Decorative Arts, joins Curator Aimee Ng to investigate two cross-cultural cabinets from the 1760s. The pair of cabinets combines French materials and craft with elements made a century earlier and oceans away-eight sumptuous black-and-gold lacquer panels taken from imported Japanese objects. A traditional Asian art form, lacquerware was made through a time-consuming and dangerous process, and the mysteries that Japan held in Europe enhanced the material’s popularity in fashionable French furniture.
    The Frick’s temporary move to Frick Madison has prompted new ways of looking at our works of art. The reframing of the collection sheds light on the fact that the Frick's art, although predominantly European, is undeniably linked to the world beyond Europe. In this series, we’re exploring some of these stories, asking "where in the world" we can find new connections to familiar objects.
    To view the cabinets in detail, visit our website: www.frick.org/lacquercabinets
    Producers: Aimee Ng, Marie-Laure Buku Pongo & Alexis Light
    Director: Lisa Goble
    Editor: Courtlin Byrd
    Director of Photography: George Koelle
    Audio Production: Sean Troxell
    Original Music: George Koelle
    Research Assistance: Gemma McElroy
    Copy Editor: Noah Purdy
    © 2023 The Frick Collection

КОМЕНТАРІ • 10

  • @paulfiniello6750
    @paulfiniello6750 10 місяців тому

    Thank you for the informative presentation; it is a bit easier to view these pieces up close while temporarily at Frick Madison.

  • @singing-sands
    @singing-sands Рік тому +1

    So interesting!

  • @chinarmart8685
    @chinarmart8685 Рік тому +2

    Thank you for your work and survey. I'd like to know more about the origins of the imagery; the screen was made in Japan, but the facial features, figures' appearances, and landscape backdrop elements bear the marks of influence from Chinese art. In my humble opinion, the vogue for this lacquerware was also stimulated by the Chinoiserie fashion in applied arts.

    • @barrymoore4470
      @barrymoore4470 Місяць тому

      The element of chinoiserie is definitely there. The French craftsmen and consumers of this furniture may well have thought the panels to be Chinese in origin.

  • @cicchiamichael
    @cicchiamichael Рік тому +1

    👏🏼👏🏼👏🏼👏🏼

  • @marksletters
    @marksletters Рік тому +2

    Thank you for the wonderful video !!

  • @rhondafusaro2459
    @rhondafusaro2459 Рік тому +1

    Wonderful, thank you so much!

  • @luciemedici
    @luciemedici Рік тому +1

    Thank you 🌹

  • @marieanneaffre1802
    @marieanneaffre1802 Рік тому +1

    Thank you very much Beautiful
    😍💖🌐❤👌🎶🎵💕💕

  • @hd-xc2lz
    @hd-xc2lz Рік тому

    How does "cost just as much as, and often more than paintings and sculptures..." inform us on value without any specifics regarding the paintings and sculptures compared?? Or are we merely attempting to elevate in the public's mind the value of Asian lacquer work? Forced, lazy effort, unworthy of The Frick.