Fernanda Damiano ha tutto quel che fa una grande pianista: tecnica eccellente, fantasia interpretativa, sensibilità, delicatezza unita a energia, tocco sopraffino. BRAVISSIMA! Joe Fallisi
Wonderful expression of human emotions ... continuous musical poetry. Love Fernanda Damiano's performance of Galuppi's music !!! Sammartini and Galuppi, among others, were great, transitional figures (Baroque - Classicism), and likely, heavily influenced later composers such as F.J. Haydn and W.A. Mozart.
Famed English poet Robert Browning,himself a trained musician,published a poem called "A toccata by Galuppi in 1855 -in stanza 1X it contains the following: So an octave struck the answer.Oh they praised you I dare say Brave Galuppi!that was music!good alike at rave and gay I can always leave off talking when I hear a master play! The whole poem is worth reading.
That's a fascinating tale, one I'll look into. The personal histories of the great majority of composers are full of rewarding gems, I find the topic irresistible. Thank you for sharing it.
@@radiotelegram The whole poem can be read and analysed on line -just put in the key words -Browning also did a similar one on hearing an organ piece by Abt(abbe)Vogler -another fascinating composer of a slightly later date.Browning and his wife Elizabeth Barrett Browning,lived in Venice and on the mainland near Venice -the main street in the charming little city of Asolo is named Via Browning after the two.
Love I that she has a pianistic and not cembalo approach......it enhances the sensitivity of these sonatas. She is a virtuosa of course. A wonderful pianist and album.!
Thank you for putting this on UA-cam. My mother was a music teacher and I inherited her music collection. In one of these books in her collection, there is a Sonata in D Major by Galuppi and in another book, there is a Gigue in D Major.
Fernanda, è stupenda, mariviglioso..grazie mille per suo ralenti💐🥰questa interpretazione delle sonate de Galuppi è favolosa.. Che belleza! Bravisima Fernanda👏👏👏👏💓
Occasionally brilliant and not as easy as he sounds, Galuppi was a favorite composer of Michelangeli's. This comfortable performance showcases Damiano's technique
Sicuramente la più famosa di Arturo Benedetti Michelangeli è la "Sonata No.5 in C major" e dei 3 movimenti il più bello, almeno per me, è il I movimento Andante. Comunque non è presente in questa esecuzione.
Tracklist: Piano Sonata No. 2 in C Minor: 00:00:00 I. Larghetto 00:02:22 II. Allegro 00:06:25 III. Allegro assai Piano Sonata No. 3 in A Major: 00:09:36 I. Andante 00:12:37 II. Allegro 00:16:04 III. Allegro
Piano Sonata No. 6 in E-Flat Major: 00:17:27 I. Spiritoso 00:21:00 II. Allegro 00:24:20 III. Minué Piano Sonata No. 7 in G Minor: 00:26:47 I. Largo 00:30:49 II. Presto 00:32:42 III. Allegretto
Piano Sonata No. 9 in E Major: 00:36:43 I. Andante 00:42:47 II. Allegro 00:46:33 III. Grazioso
Piano Sonata No. 10 in F Major: 00:49:03 I. Andantino 01:00:46 II. Allegro 01:04:48 III. Giga. Presto
This exquisite recording must be the finest treasure ever know, venetian early classic composer so intimate , cristal clear sound and genius pianist performing , blessings wonderful work
I do believe that the piano is the 'bedrock' of any orchestra. As I play a little and not too well, maybe I'm a bit biased. Beautiful and relaxing music 👍
A sensitive musician, who's moved up from being a pianist... the distinction is important...Its always a relief to hear a musician from the Western world interpret, and not merely reproduce the notes...A western-trained musician will be evident in the grasp of thematic elements and distinct musical thoughts....
Wunderschöne und liebliche Interpretation dieser sechs kompakten und fein komponierten Tastensonaten in verschiedenen Tempi mit klarem doch elegantem Klang des technisch perfekten Klaviers und mit künstlerisch kontrollierter Dynamik. Echt intelligente und talentierte Pianistin!
Merci Brilliant un régal ...Baldassare Galuppi, né le 18 octobre 1706 sur l'île de Burano près de Venise et mort à Venise le 3 janvier 1785, est un compositeur vénitien, principalement dans le domaine de l'opera buffa. Biographie La formation Surnommé Il Buranello d'après son lieu de naissance, il apprend d'abord la musique avec son père, barbier de profession, mais aussi violoniste amateur. À 16 ans, il se rend à Venise où il vit des salaires perçus comme organiste dans différentes églises, puis étudie, sur la recommandation de Benedetto Marcello, le clavecin et la composition avec Antonio Lotti, premier organiste de l'église des Doges de San Marco (en français : la basilique Saint-Marc)1. Son premier opéra, composé à 16 ans, La fede nell'incostanza, donné en 1722, est un échec, mais il connaîtra son premier succès important dès 1729 avec son opéra Dorinda. Le parcours dans la vie musicale vénitienne De 1740 à 1751, il est maître de musique à l'Ospedale dei Mendicanti, institution vénitienne de bienfaisance réservée aux jeunes filles orphelines et souffrantes. Le 24 mai 1748, il obtient le poste de maître adjoint de la Cappella Marciana de Saint-Marc, dont il devient le maître en 1762. Quatre ans plus tard, sous son impulsion ou, plus probablement, sous celle de Gaetano Katilla, maître de chapelle assistant, l'orchestre du doge est l'objet d'une restructuration importante, faisant passer l'effectif à 35 instrumentistes et 24 choristes2. La même année, il prend la direction du chœur de l'Ospedale degli Incurabili qu'il conservera jusqu'en 1777. Les voyages À partir de 1740, il fait de nombreux voyages, à Vienne, à Berlin où il rencontre Carl Philipp Emanuel Bach. Deux longs séjours à l'étranger sont particulièrement importants : en 1741, il est appelé en Angleterre par Lord Middlesex, où il est engagé pendant deux ans comme « compositore serio dell' opera italiana », composant trois opéras pendant son séjour londonien. Approché par le tsar Pierre III en 1761, ce n'est cependant qu'en 1765 qu'il est nommé par Catherine II de Russie compositeur de cour à Saint-Pétersbourg, les autorités vénitiennes lui ayant assuré la conservation de son poste de maître de chapelle et des émoluments correspondants, pourvu qu'il compose chaque année un Gloria et un Credo pour la messe de Noël donnée en la basilique Saint-Marc3, tâche à laquelle il ne faillit pas comme en témoignent les manuscrits des années 1766 et 1767 conservés à Gênes. À Saint-Pétersbourg, il compose quinze œuvres vocales pour l'Église russe orthodoxe. Retour à Venise De retour à Venise, il consacre la fin de sa vie à la musique pour clavecin et aux œuvres religieuses. Il dirige notamment en mai 1782 plusieurs concerts pour la visite à Venise du pape Pie VI. Il meurt le 3 janvier 1785 ; à ses funérailles solennelles en l'église San Vidal4, chante notamment le grand castrat Gasparo Pacchiarotti. Un maître de l'opéra C'est dans les années 1740 que débuta la collaboration fructueuse avec Goldoni, à l'occasion de l'écriture de l'opera seria Gustavo primo, re di Svezia, qui allait donner naissance en moins de sept ans aux 17 œuvres comiques communes qui assurèrent la célébrité de Galuppi. Il filosofo di campagna fut ainsi monté plus de 70 fois au xviiie5. Postérité Au faîte de sa gloire, Galuppi était plus célèbre que Vivaldi. C'est ainsi qu'un prêtre vénitien, Giuseppe Baldan, envoya à la cour de Saxe quatre œuvres de Vivaldi en les faisant passer pour des compositions du Buranello6. Admiré dans toute l'Europe, il fut un modèle pour nombre de ses contemporains, notamment Joseph Haydn et Carl Philipp Emanuel Bach et fut défendu, entre autres, par Giacomo Casanova et par Jean-Jacques Rousseau. Ce dernier écrit notamment dans sa Lettre sur la musique française : « J'ai vu à Venise un Arménien, homme d'esprit, qui n'avait jamais entendu de musique, et devant lequel on exécuta, dans un même concert, un monologue français qui commence par ce vers « Temple sacré, séjour tranquille » et un air de Galuppi, qui commence par celui-ci, « Voi che languite senza speranza... ». L'un et l'autre furent chantés, médiocrement pour le français et mal pour l'italien, par un homme accoutumé seulement à la musique française, et alors très-enthousiaste de celle de M. Rameau. Je remarquai dans l'Arménien, durant tout le chant français, plus de surprise que de plaisir ; mais tout le monde observa, dès les premières mesures de l'air italien, que son visage et ses yeux s'adoucissaient ; il était enchanté, il prêtait son âme aux impressions de la musique ; et, quoiqu'il entendît peu la langue, les simples sons lui causaient un ravissement sensible. Dès ce moment on ne put plus lui faire écouter aucun air français. »
Italian composers used to wrote sonatas and symphonies with a slow movement as the first one, because it's an heritage of the XVIIth century "Sonata da chiesa" (church sonata) and its 4 movements : slow-fast-slow-fast. But some of them write sonatas in one mouvement (Scarlatti, Cimarosa,) or two (Johann-Christian Bach). Young Mozart, who was very influenced by italian composers, sometimes uses a Largo as a first movement for a symphony or an aria, and many other composers too, until Mannheim school composers and also Haydn played an important role in the development of the sonata form and set a template for it. It's not only the tempo indication of each movement, but also the internal structure of each one.
Música de una clara belleza. Por supuesto no son la "forma sonata" de Haydn y posteriores. Son sonatas en oposición a cantatas, es decir, música para sonar, no para cantar. Muy bellas.
@@robertoa.m.3984 Your comment is incredibly stupid. Bach was 25 years older than BG and the greatest Baroque composer. Bach knew music from other countries and BG too, that's obvious, and he must have known several Bach's works.
@@Alix777. As you said, he was forgotten, and you cannot forget someone unless you have heard of him first. At some point of his life Bach became known to many musicians. He was not recognized as the greatest Baroque composer during his lifetime, of course, but it doesn't mean that he was not known.
Beautiful music, I had never heard of this composer or this pianist (who is very good). I find the order of the movement interesting, usually the slower (andante, largo, etc...) is in the middle of the piece? And at 24:20, is it a Menuet?
Menuet in french, menuetto in italian, minuet in english. Italian composers used to wrote sonatas and symphonies with a slow movement as the first one, because it's an heritage of the XVIIth century "Sonata da chiesa" (church sonata) and its 4 movements : slow-fast-slow-fast. But some of them write sonatas in one mouvement (Scarlatti, Cimarosa,) or two (Johann-Christian Bach). Young Mozart, who was very influenced by italian composers, sometimes uses a Largo as a first movement for a symphony or an aria, and many other composers too, until Mannheim school composers and also Haydn played an important role in the development of the sonata form and set a template for it. It's not only the tempo indication of each movement, but also the internal structure of each one.
1) Piano Sonata No. 2 in C Minor: I. Larghetto 2) Piano Sonata No. 2 in C Minor: II. Allegro 3) Piano Sonata No. 2 in C Minor: III. Allegro assai 4) Piano Sonata No. 3 in A Major: I. Andante 5) Piano Sonata No. 3 in A Major: II. Allegro 6) Piano Sonata No. 3 in A Major: III. Allegro 7) Piano Sonata No. 6 in E-Flat Major: I. Spiritoso 8) Piano Sonata No. 6 in E-Flat Major: II. Allegro 9) Piano Sonata No. 6 in E-Flat Major: III. Minué 10) Piano Sonata No. 7 in G Minor: I. Largo 11) Piano Sonata No. 7 in G Minor: II. Presto 12) Piano Sonata No. 7 in G Minor: III. Allegretto 13) Piano Sonata No. 9 in E Major: I. Andante 14) Piano Sonata No. 9 in E Major: II. Allegro 15) Piano Sonata No. 9 in E Major: III. Grazioso 16) Piano Sonata No. 10 in F Major: I. Andantino 17) Piano Sonata No. 10 in F Major: II. Allegro 18) Piano Sonata No. 10 in F Major: III. Giga. Presto
This composer is a real find, not to mention the pianist. Her playing is superb, technically brilliant and beautifully expressed.
The comfort of these performances is irreplaceable , and beyond compare
Fernanda Damiano ha tutto quel che fa una grande pianista: tecnica eccellente, fantasia interpretativa, sensibilità, delicatezza unita a energia, tocco sopraffino. BRAVISSIMA!
Joe Fallisi
This will make a perfect recommendation for my Birthday today.
Happy Birthday Chuck! 🍻 🥳 🎂
🎶happy birthday to you 🎶
Best wishes to you.
Much love from the south of Italy
@@ninfarose Thank you!
🍀💚
Wonderful expression of human emotions ... continuous musical poetry. Love Fernanda Damiano's performance of Galuppi's music !!! Sammartini and Galuppi, among others, were great, transitional figures (Baroque - Classicism), and likely, heavily influenced later composers such as F.J. Haydn and W.A. Mozart.
Famed English poet Robert Browning,himself a trained musician,published a poem called "A toccata by Galuppi in 1855 -in stanza 1X it contains the following:
So an octave struck the answer.Oh they praised you I dare say
Brave Galuppi!that was music!good alike at rave and gay
I can always leave off talking when I hear a master play!
The whole poem is worth reading.
That's a fascinating tale, one I'll look into. The personal histories of the great majority of composers are full of rewarding gems, I find the topic irresistible. Thank you for sharing it.
@@radiotelegram The whole poem can be read and analysed on line -just put in the key words -Browning also did a similar one on hearing an organ piece by Abt(abbe)Vogler -another fascinating composer of a slightly later date.Browning and his wife Elizabeth Barrett Browning,lived in Venice and on the mainland near Venice -the main street in the charming little city of Asolo is named Via Browning after the two.
아름다운 피아노 연주곡 잘 들었습니다~감사합니다~🎵🎹🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
Love I that she has a pianistic and not cembalo approach......it enhances the sensitivity of these sonatas. She is a virtuosa of course. A wonderful pianist and album.!
Thank you. Happy Valentine's Day! 😍
Same to you!
Bellísima música, bellísima mujer. "La verdad es belleza, la belleza es verdad." John Keats.
So beautiful pianist...
Ahh el incomparable piano moderno, su calidez, amplitud sonora, belleza de sonido, riqueza expresiva...
I am in awe, both of the composer, and the pianist performing his work. Thank you, Brilliant Classics, for posting this video.
So well played, clear, sparkling,... elegant..Thank you!
Very passionate & spirited, yet displaying total control over volume, hand balance, pedal, etc.
A masterful display indeed.
Thank you for putting this on UA-cam. My mother was a music teacher and I inherited her music collection. In one of these books in her collection, there is a Sonata in D Major by Galuppi and in another book, there is a Gigue in D Major.
Fernanda, è stupenda, mariviglioso..grazie mille per suo ralenti💐🥰questa interpretazione delle sonate de Galuppi è favolosa.. Che belleza! Bravisima Fernanda👏👏👏👏💓
Fantastic,wonderful,thank's ❤️ so much.
Прекрасная музыка и исполнение великолепно.
Occasionally brilliant and not as easy as he sounds, Galuppi was a favorite composer of Michelangeli's. This comfortable performance showcases Damiano's technique
Love coming into work and discovering a new (to me at least) composer. Wonderful!
Grande il "Buranello" . Ottime le sonate. Grazie
Qual è quella famosa resa celebre da Arturo Benedetti Michelangeli, che non mi ricordo? Qua c'è?
Sicuramente la più famosa di Arturo Benedetti Michelangeli è la
"Sonata No.5 in C major" e dei 3 movimenti il più bello, almeno per me, è il I movimento Andante. Comunque non è presente in questa esecuzione.
@@mirco1707 Esatto, grazie
How beautiful is that, thank you!!
Un'altra brava pianista pugliese, che bella scoperta!!!
Tracklist:
Piano Sonata No. 2 in C Minor:
00:00:00 I. Larghetto
00:02:22 II. Allegro
00:06:25 III. Allegro assai
Piano Sonata No. 3 in A Major:
00:09:36 I. Andante
00:12:37 II. Allegro
00:16:04 III. Allegro
Piano Sonata No. 6 in E-Flat Major:
00:17:27 I. Spiritoso
00:21:00 II. Allegro
00:24:20 III. Minué
Piano Sonata No. 7 in G Minor:
00:26:47 I. Largo
00:30:49 II. Presto
00:32:42 III. Allegretto
Piano Sonata No. 9 in E Major:
00:36:43 I. Andante
00:42:47 II. Allegro
00:46:33 III. Grazioso
Piano Sonata No. 10 in F Major:
00:49:03 I. Andantino
01:00:46 II. Allegro
01:04:48 III. Giga. Presto
An hour of pure delight; many thanks for posting!
semplicemente fantastica.
This exquisite recording must be the finest treasure ever know, venetian early classic composer so intimate , cristal clear sound and genius pianist performing , blessings wonderful work
un hallazgo, bellísima interpretacion, de un compositor no tan frecuentado.
Hi!
Good evening my dear Nederlands friend.
I am happy with your mellow music video.
Thanks for sharing.
Hugs from my heart.
Have a good day today.
I bought this CD .
I do believe that the piano is the 'bedrock'
of any orchestra.
As I play a little and not too well, maybe I'm a bit biased.
Beautiful and relaxing music 👍
The Piano Specifically the Grand Piano, is my favorite Instrument of all time. Including the Accordion and Bassoon.
il tocco asciutto,leggero rende molto bene la bellezza di questa musica complimenti
Grazie;)
Baldassarre the Great
Bellissimo piano que poesia ! Grazie !
BRAVO !
Brava.
Minha nossa! Parece Beethoven 50 anos antes! Muito bonito e interessante. Ótima interpretação!
Splendido!😇😇😇 Magica interpretazione ...Galuppi era molto avanti: qui l'interprete vola nel mondo della gioia.
Muy ágil la pianista. Gracias por su virtuosismo. No conocía nada de Galuppi.
Another sonata by Galuppi in C major is played by Michelangeli, just look Galuppi MIchelangeli, you will find it
Caspita che brava ... per una musica grandiosa.
Me encantó transparente. Bellísimo.
Splendid and elegant!
Nice job thanks brilliant classic 👌 🎹🎵🎼❤
Good day. Thanks
A sensitive musician, who's moved up from being a pianist... the distinction is important...Its always a relief to hear a musician from the Western world interpret, and not merely reproduce the notes...A western-trained musician will be evident in the grasp of thematic elements and distinct musical thoughts....
Amazing
Wonderful performance! Thank you:-)
Thanks for listening!
Wonderful ... just wonderful! :)
Wunderschöne und liebliche Interpretation dieser sechs kompakten und fein komponierten Tastensonaten in verschiedenen Tempi mit klarem doch elegantem Klang des technisch perfekten Klaviers und mit künstlerisch kontrollierter Dynamik. Echt intelligente und talentierte Pianistin!
Exquisite!
Merci Brilliant un régal ...Baldassare Galuppi, né le 18 octobre 1706 sur l'île de Burano près de Venise et mort à Venise le 3 janvier 1785, est un compositeur vénitien, principalement dans le domaine de l'opera buffa.
Biographie
La formation
Surnommé Il Buranello d'après son lieu de naissance, il apprend d'abord la musique avec son père, barbier de profession, mais aussi violoniste amateur. À 16 ans, il se rend à Venise où il vit des salaires perçus comme organiste dans différentes églises, puis étudie, sur la recommandation de Benedetto Marcello, le clavecin et la composition avec Antonio Lotti, premier organiste de l'église des Doges de San Marco (en français : la basilique Saint-Marc)1.
Son premier opéra, composé à 16 ans, La fede nell'incostanza, donné en 1722, est un échec, mais il connaîtra son premier succès important dès 1729 avec son opéra Dorinda.
Le parcours dans la vie musicale vénitienne
De 1740 à 1751, il est maître de musique à l'Ospedale dei Mendicanti, institution vénitienne de bienfaisance réservée aux jeunes filles orphelines et souffrantes. Le 24 mai 1748, il obtient le poste de maître adjoint de la Cappella Marciana de Saint-Marc, dont il devient le maître en 1762. Quatre ans plus tard, sous son impulsion ou, plus probablement, sous celle de Gaetano Katilla, maître de chapelle assistant, l'orchestre du doge est l'objet d'une restructuration importante, faisant passer l'effectif à 35 instrumentistes et 24 choristes2. La même année, il prend la direction du chœur de l'Ospedale degli Incurabili qu'il conservera jusqu'en 1777.
Les voyages
À partir de 1740, il fait de nombreux voyages, à Vienne, à Berlin où il rencontre Carl Philipp Emanuel Bach. Deux longs séjours à l'étranger sont particulièrement importants : en 1741, il est appelé en Angleterre par Lord Middlesex, où il est engagé pendant deux ans comme « compositore serio dell' opera italiana », composant trois opéras pendant son séjour londonien. Approché par le tsar Pierre III en 1761, ce n'est cependant qu'en 1765 qu'il est nommé par Catherine II de Russie compositeur de cour à Saint-Pétersbourg, les autorités vénitiennes lui ayant assuré la conservation de son poste de maître de chapelle et des émoluments correspondants, pourvu qu'il compose chaque année un Gloria et un Credo pour la messe de Noël donnée en la basilique Saint-Marc3, tâche à laquelle il ne faillit pas comme en témoignent les manuscrits des années 1766 et 1767 conservés à Gênes. À Saint-Pétersbourg, il compose quinze œuvres vocales pour l'Église russe orthodoxe.
Retour à Venise
De retour à Venise, il consacre la fin de sa vie à la musique pour clavecin et aux œuvres religieuses. Il dirige notamment en mai 1782 plusieurs concerts pour la visite à Venise du pape Pie VI. Il meurt le 3 janvier 1785 ; à ses funérailles solennelles en l'église San Vidal4, chante notamment le grand castrat Gasparo Pacchiarotti.
Un maître de l'opéra
C'est dans les années 1740 que débuta la collaboration fructueuse avec Goldoni, à l'occasion de l'écriture de l'opera seria Gustavo primo, re di Svezia, qui allait donner naissance en moins de sept ans aux 17 œuvres comiques communes qui assurèrent la célébrité de Galuppi. Il filosofo di campagna fut ainsi monté plus de 70 fois au xviiie5.
Postérité
Au faîte de sa gloire, Galuppi était plus célèbre que Vivaldi. C'est ainsi qu'un prêtre vénitien, Giuseppe Baldan, envoya à la cour de Saxe quatre œuvres de Vivaldi en les faisant passer pour des compositions du Buranello6. Admiré dans toute l'Europe, il fut un modèle pour nombre de ses contemporains, notamment Joseph Haydn et Carl Philipp Emanuel Bach et fut défendu, entre autres, par Giacomo Casanova et par Jean-Jacques Rousseau. Ce dernier écrit notamment dans sa Lettre sur la musique française :
« J'ai vu à Venise un Arménien, homme d'esprit, qui n'avait jamais entendu de musique, et devant lequel on exécuta, dans un même concert, un monologue français qui commence par ce vers « Temple sacré, séjour tranquille » et un air de Galuppi, qui commence par celui-ci, « Voi che languite senza speranza... ». L'un et l'autre furent chantés, médiocrement pour le français et mal pour l'italien, par un homme accoutumé seulement à la musique française, et alors très-enthousiaste de celle de M. Rameau. Je remarquai dans l'Arménien, durant tout le chant français, plus de surprise que de plaisir ; mais tout le monde observa, dès les premières mesures de l'air italien, que son visage et ses yeux s'adoucissaient ; il était enchanté, il prêtait son âme aux impressions de la musique ; et, quoiqu'il entendît peu la langue, les simples sons lui causaient un ravissement sensible. Dès ce moment on ne put plus lui faire écouter aucun air français. »
感謝精彩分享~
Che bello...Che bellissima interpretazione...brava👏👏💐💐.. très joli toucher ...poesia e délicatezza... Grazie mille 💐
It is interesting that his sonata is slow-fast-fast movements set not fast-slow-fast movements set
Italian composers used to wrote sonatas and symphonies with a slow movement as the first one, because it's an heritage of the XVIIth century "Sonata da chiesa" (church sonata) and its 4 movements : slow-fast-slow-fast. But some of them write sonatas in one mouvement (Scarlatti, Cimarosa,) or two (Johann-Christian Bach). Young Mozart, who was very influenced by italian composers, sometimes uses a Largo as a first movement for a symphony or an aria, and many other composers too, until Mannheim school composers and also Haydn played an important role in the development of the sonata form and set a template for it. It's not only the tempo indication of each movement, but also the internal structure of each one.
Music to paint a bedroom by.
Υπέροχη μουσική
Тонкая музыка и красивый стиль тоже.
Very nice, thanks.
Our pleasure!
Já escutei toneladas de Parafernália, porém, sempre gostei acima de tudo,da música Erudita
great
Música de una clara belleza. Por supuesto no son la "forma sonata" de Haydn y posteriores. Son sonatas en oposición a cantatas, es decir, música para sonar, no para cantar. Muy bellas.
💐
很棒喔👍👍
The first piece it's an evident copy of Bach's famous Fantasy in C minor BWV 906
Don't be ridiculous!.......from where did BG know JSB's music? ..absurd
@@robertoa.m.3984 Your comment is incredibly stupid. Bach was 25 years older than BG and the greatest Baroque composer. Bach knew music from other countries and BG too, that's obvious, and he must have known several Bach's works.
Greatest baroque composer ? Ahah he was almost totally forgotten, no one didn't care about the boring Leipzig Kantor.
@@Alix777. As you said, he was forgotten, and you cannot forget someone unless you have heard of him first. At some point of his life Bach became known to many musicians. He was not recognized as the greatest Baroque composer during his lifetime, of course, but it doesn't mean that he was not known.
Galuppi was a Rafael in music© Karlo Galdoni
🌈
Alguém aqui ouvindo essa maravilha e se interessa pelo tal jogo da brazino? UA-cam não tem a menor noção de propaganda...
👏👏👏
Beautiful music, I had never heard of this composer or this pianist (who is very good). I find the order of the movement interesting, usually the slower (andante, largo, etc...) is in the middle of the piece? And at 24:20, is it a Menuet?
To your question - it absolutely is a Menuet, or at least in Menuet form
@@petetheterminator7932 Oh ok, thank you. I was just wondering if there are different ways of spelling Menuet or if it's a spelling typo :)
Menuet in french, menuetto in italian, minuet in english. Italian composers used to wrote sonatas and symphonies with a slow movement as the first one, because it's an heritage of the XVIIth century "Sonata da chiesa" (church sonata) and its 4 movements : slow-fast-slow-fast. But some of them write sonatas in one mouvement (Scarlatti, Cimarosa,) or two (Johann-Christian Bach). Young Mozart, who was very influenced by italian composers, sometimes uses a Largo as a first movement for a symphony or an aria, and many other composers too, until Mannheim school composers and also Haydn played an important role in the development of the sonata form and set a template for it. It's not only the tempo indication of each movement, but also the internal structure of each one.
Yes.... it is from Piano Sonata No. 6 in E flat major, 3rd Mvmt
1) Piano Sonata No. 2 in C Minor: I. Larghetto
2) Piano Sonata No. 2 in C Minor: II. Allegro
3) Piano Sonata No. 2 in C Minor: III. Allegro assai
4) Piano Sonata No. 3 in A Major: I. Andante
5) Piano Sonata No. 3 in A Major: II. Allegro
6) Piano Sonata No. 3 in A Major: III. Allegro
7) Piano Sonata No. 6 in E-Flat Major: I. Spiritoso
8) Piano Sonata No. 6 in E-Flat Major: II. Allegro
9) Piano Sonata No. 6 in E-Flat Major: III. Minué
10) Piano Sonata No. 7 in G Minor: I. Largo
11) Piano Sonata No. 7 in G Minor: II. Presto
12) Piano Sonata No. 7 in G Minor: III. Allegretto
13) Piano Sonata No. 9 in E Major: I. Andante
14) Piano Sonata No. 9 in E Major: II. Allegro
15) Piano Sonata No. 9 in E Major: III. Grazioso
16) Piano Sonata No. 10 in F Major: I. Andantino
17) Piano Sonata No. 10 in F Major: II. Allegro
18) Piano Sonata No. 10 in F Major: III. Giga. Presto
Another great Composer is Ferran Lopez Carrasquer Composer
As in "A Toccata of..."? 😊
!
Tracklist ???????!!!!!!!!
Thanks.
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Beethoven did learn a lot from Galuppi
Mozart too
Great music, is it baroque? Is it classical? Is it romantic? No, just a bit of all
Between Scarlatti and Clementi
Ms. Mozart, how are you?
you look stunning and hawt as hell