What stands out is your skill at not overworking areas. So much valuable info packed into this video. Thank you. I feel like I have just moved one notch higher in understanding in just an hour of viewing. Amazing.
Beautiful and nice painting moreover yor step by step explanation is also very useful. The medium oil and solvents and it's effective usage and it's drying time according to the local climate conditions by chance if you explained in any of your video, kindly let us know.
wow! your portraits just continue to get better and better with each demo. your teaching method mirrors your painting style, precise, efficient, easy to understand, down to earth and straight to the point. I look forward to your posts every week. thanks for being so generous with your hard won skills. those of us out here in the real world with day jobs, trying to teach ourselves realistic oil painting find your lessons invaluable.
I enjoy watching a good painter paint. I like using an under painting, too. I've gotten the habit of using a thin layer acrylic for it just because it dries so quick. I then continue on with oil. I believe it's important to talk about and show the difference between a painting and a photograph. They are extremely different things, and they should look different. Keep up the good message.
I have been oil painting for years but had the biggest fear of trying to do a portrait painting until I watched your video. I watched it three times and I think you gave me the confidence to try it. thank you for taking the time to go slow and explain what you were doing. I am so excited to try your method that I ordered the colors I will need and plan to try it tomorrow. Thank you again. Barbara Taylor
Thank you for creating such an inspirational tutorial Yupari. I'm also really impressed with your model Nataliya for sitting so still. I don't think she even blinked...
Very useful tutorial. I learned a lot. One solitary criticism: in the final rendering, her neck is rendered as if it is impossibly narrow (rather than occluded by hair).
Fantastic - and to echo the sentiments of other commentators - the presentation is so concise, easy to follow and understand. The work is superbly done and many many thanks for taking the time to upload this video.
Totally mesmerized. OLGA ,used watercolour, pastels, crayons n oil, but not for a portrait.Very interesting the way U use your paintbrush.Will follow your tutorials Thank U, from Canada
Thank you for a fantastic demonstration and very informative too. I use a Grisaille method for my paintings for years but i never knew it had a name until now... so thanks :)
Like your take on the classical approach. The molding of the eyes, nose and mouth with your particular colors and brush strokes fascinate me still! Well done, my friend! Well done! :) I'm about to take the plunge...your way! :)
Excellent technique, and outstanding presentation. Thank you so much for sharing yourself with all of us who are looking to learn from those who already know..
Love your portrait videos! Your work is awesome. I also try to keep a classical approach to my paintings and I get a lot from watching you paint. This particular painting is beautiful. Liked and subscribed.
Hello Sir I love your approach to painting your portraits and i also like your approach to painting classical portraits. Thank you so much for taking the time to produce these great paintings on UA-cam. I have a photo that I would like you to paint.
Love.your painting. I do think the microohone makes your voice a bit too harsh whereas thr orevious one was much smoother. Just thought you might like some feedback. Fab art thank you.
Awesome video! I love seeing different techniques for the under painting! I'm curious if this technique can be adapted to a full painting with professional Acrylics at all or does the drying time play a significant factor (offset with acrylic mediums?)
Hi! Yep yes, you can certainly use linseed instead of stand oil. In fact, stand oil is simply boiled linseed that has less of a tendency to yellow than linseed. The problem is it dries too slow and needs to be thinned with mineral spirits, but it’s not too bad. Hope this helps!
I really love your work, but I do have one objection. We all see color in our own special way, but your faces so often are not flesh-like with a green undertone, they have an overall impression of a pea green face, or in another one, an overall grey face with a distinct violet overall. Again, there is no doubt that those colors exist in flesh and in shadows, but they seem to be very obvious in your finished works in a way that makes it a bit distracting from the beauty of your work.
One time I would like to see you just work on the painting and go as far as you choose to go. No talking. When it is done, you watch the silent video a few times, think about what you want to say, and make some notes. Then, you add the narration. Instead of talking while you are painting. Personally, I think it is difficult to both paint and talk. If I am concentrating on the painting, I can’t be articulate about what I’m doing. Now, this isn’t a mean spirited criticism,. It’s meant to be a helpful suggestion. So readers, please don’t tell me to make my own video etc.
iv tried to watch this several times but the talking is endless i still like it but please lesss talk you dont need to explane it everyone will get it on their own terms
The good things to say - its nice of you to make the effort to help teach people to paint portraits. However I think would be students should learn to be more critical than your audience appears to be. For whatever reason flesh colors are awfull, like a horrid grey putty. The drawing is adequate but uninspired and obviously done from a photo rather than life which is relatively easy. The composition is also adequate but uninspired. The general choice of subject matter and the presentation is just hackneyed and pretentious meaningless and silly.
What stands out is your skill at not overworking areas. So much valuable info packed into this video. Thank you. I feel like I have just moved one notch higher in understanding in just an hour of viewing. Amazing.
Beautiful and nice painting moreover yor step by step explanation is also very useful. The medium oil and solvents and it's effective usage and it's drying time according to the local climate conditions by chance if you explained in any of your video, kindly let us know.
Add a public reply please
wow! your portraits just continue to get better and better with each demo. your teaching method mirrors your painting style, precise, efficient, easy to understand, down to earth and straight to the point. I look forward to your posts every week. thanks for being so generous with your hard won skills. those of us out here in the real world with day jobs, trying to teach ourselves realistic oil painting find your lessons invaluable.
Ryan Embry Art Classes can b expensive but most colleges offer affordable courses!!! U can also get financial aid!!
@Ryan Embry I agree. I have taken painting lessons, however I have learned more from watching Yupari's video's and following along with him.
I enjoy watching a good painter paint. I like using an under painting, too. I've gotten the habit of using a thin layer acrylic for it just because it dries so quick. I then continue on with oil.
I believe it's important to talk about and show the difference between a painting and a photograph. They are extremely different things, and they should look different. Keep up the good message.
Thank you! Thanks for watching! An acrylic underpainting sounds like a very smart idea!
I have been oil painting for years but had the biggest fear of trying to do a portrait painting until I watched your video. I watched it three times and I think you gave me the confidence to try it. thank you for taking the time to go slow and explain what you were doing. I am so excited to try your method that I ordered the colors I will need and plan to try it tomorrow. Thank you again. Barbara Taylor
Thank you for creating such an inspirational tutorial Yupari. I'm also really impressed with your model Nataliya for sitting so still. I don't think she even blinked...
Hola soy José Quiroga,Gracias por todo !!!!
This is tremendous! Rarely do you get to see this sort of developing portrait. Very helpful
Very informative illustration- thank you so much for your generosity in sharing the know how 💕
You are a great instructor and motivator .
Very useful tutorial. I learned a lot. One solitary criticism: in the final rendering, her neck is rendered as if it is impossibly narrow (rather than occluded by hair).
I am also an artist. Loved the way you teach with such minute details. Thanks a lot for sharing your technique
Of all the portrait artists you are so easy to understand and learn from. I love your work. Thank you so much!
Your voice over makes all the difference...super helpful. Thank you so much!
I've learned and thoroughly enjoyed every single one of your tutorial videos, thanks for continually posting them.
Fantastic - and to echo the sentiments of other commentators - the presentation is so concise, easy to follow and understand. The work is superbly done and many many thanks for taking the time to upload this video.
Totally mesmerized. OLGA ,used watercolour, pastels, crayons n oil, but not for a portrait.Very interesting the way U use your paintbrush.Will follow your tutorials Thank U, from Canada
You are the best I love the way you paint like the old master I whats you every day I can’t get enough.
I so envy your technique/style...Reminds me of Sargents work. Thank you for sharing all your techniques to help us beginners. Youre amazing!💖
Thank you for your consistent instruction
Thank you so much for sharing your knowlege and skill.You are a great artist and great teacher.
I never comment on youtube. But I will now because your channel is great and very helpful and I would like you and the world to know it.
Thank you for a fantastic demonstration and very informative too. I use a Grisaille method for my paintings for years but i never knew it had a name until now... so thanks :)
Like your take on the classical approach. The molding of the eyes, nose and mouth with your particular colors and brush strokes fascinate me still! Well done, my friend! Well done! :) I'm about to take the plunge...your way! :)
Ludmila Kosenko 0
Simply amazing! Thank you so much for uploading. I've learnt so much from this tutorial.
It is amazing! Thank you for sharing, very inspirational.
You are a god-sent!!
exceptional! Thank you!
Awesome going from sketch to grissaille to color rendering .
Best instructional tutorial. thank you for taking the time to discuss your technique
TexasMonthly.Com
Thanks for the excellent painting tutorials
Excelente trabajo 🤗👍 lindo, bello. Felicidades y bendiciones de Dios Padre Celestial. Gracias por compartir tu gran conocimiento del arte.😁
Excellent technique, and outstanding presentation. Thank you so much for sharing yourself with all of us who are looking to learn from those who already know..
Thanks…very helpful…
great technique
Stunningly gorgeous!
Fascinating work
Love your portrait videos! Your work is awesome. I also try to keep a classical approach to my paintings and I get a lot from watching you paint. This particular painting is beautiful. Liked and subscribed.
Amazing. Thanks for sharing your work. Awesome tutorial.
wonderful painting Yupari, i need to do another Griselle painting but it takes such patience. great tutorial as usual :)
Julian HG rrru
Fascinating! I a lot and will watch again to take all the information in
Thank you so much, great instruction, wonderful work...
What is the color type + what is the personal name+ Beautifully painted you are a genius
Great tutorial, thank you.
Wonderful instruction. Thank you.
I like your painting style
well done. thank you
Great video thanks.
Hello Sir
I love your approach to painting your portraits and i also like your approach to painting classical portraits. Thank you so much for taking the time to produce these great paintings on UA-cam. I have a photo that I would like you to paint.
Colour in your life
WOW Thank you
Love.your painting. I do think the microohone makes your voice a bit too harsh whereas thr orevious one was much smoother. Just thought you might like some feedback. Fab art thank you.
Thank you so much
Very nice! Thank you.
Bravo !!!
Hello
Can you show us how paint a portrait in acrylique ?
Thanks for your answer
Have a nice day
Stupendo !!!
thanks so much.
Awesome video! I love seeing different techniques for the under painting! I'm curious if this technique can be adapted to a full painting with professional Acrylics at all or does the drying time play a significant factor (offset with acrylic mediums?)
Ola
You are amazing!
Дуже подобаються ваші роботи.Дивлюся із задоволенням .Жалкую що колись не вивчив мову.
Very informative demo & lovely portrait 👍
Gorgeous Model!!!
Avon.Com
yensid Health.Com
nice work!
I Joydeep Mukherjee a professional artist.I am asking u can I use linseed oil instead off stand oil as medium.
Sure you can.
Hi! Yep yes, you can certainly use linseed instead of stand oil. In fact, stand oil is simply boiled linseed that has less of a tendency to yellow than linseed. The problem is it dries too slow and needs to be thinned with mineral spirits, but it’s not too bad. Hope this helps!
Would you tell me what oil painting board you use?
What medium do you use?,Oil,or acrylic?
Thank u
Are you using black with your raw umber to do your under painting?
I am just beginning painting but I try to never make it like the photo exact.
#1 it's kinda annoying
#2 I can control certain aspects of the art.
Awesome!
I love painting what oils do you use?
İs it Acrylyk or oil colour?
great !!!
You didn't paint her eyelashes.
I really love your work, but I do have one objection. We all see color in our own special way, but your faces so often are not flesh-like with a green undertone, they have an overall impression of a pea green face, or in another one, an overall grey face with a distinct violet overall. Again, there is no doubt that those colors exist in flesh and in shadows, but they seem to be very obvious in your finished works in a way that makes it a bit distracting from the beauty of your work.
One time I would like to see you just work on the painting and go as far as you choose to go.
No talking.
When it is done, you watch the silent video a few times, think about what you want to say, and make some notes.
Then, you add the narration.
Instead of talking while you are painting.
Personally, I think it is difficult to both paint and talk. If I am concentrating on the painting, I can’t be articulate about what I’m doing.
Now, this isn’t a mean spirited criticism,. It’s meant to be a helpful suggestion. So readers, please don’t tell me to make my own video etc.
Turn the sound off if you don't want to hear his words. I really enjoyed the information and need it to do that type of painting.
N
over dilluted oil painting is a lot like a bad painter 8 brush. Everything blends weird and brushes pick up WAY too much paint off the canvas.
рот не наместе
iv tried to watch this several times but the talking is endless i still like it but please lesss talk you dont need to explane it everyone will get it on their own terms
The good things to say - its nice of you to make the effort to help teach people to paint portraits. However I think would be students should learn to be more critical than your audience appears to be. For whatever reason flesh colors are awfull, like a horrid grey putty. The drawing is adequate but uninspired and obviously done from a photo rather than life which is relatively easy. The composition is also adequate but uninspired. The general choice of subject matter and the presentation is just hackneyed and pretentious meaningless and silly.
You have, masters, a lot of mistakes
lesssss talk please other wise enjoy
exceptional! Thank you!