Leopold Kozeluch - Clarinet Concerto No.2 in E-flat major
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- Опубліковано 14 жов 2024
- Picture: Frederick Goodall - The Village Holiday
Leopold Kozeluch (26 June 1747 -- 7 May 1818) was a Czech composer and teacher of classical music.
Work: Clarinet Concerto in E-flat major
Mov.I: Allegro 00:00
Mov.II: Andante moderato 10:49
Mov.III: Rondo Allegro 17:30
Clarinet: Dieter Klöcker
Orchestra: Prager Kammerorchester
Leopold Kozeluch . . . wat een ontdekking
Dieter Klocher specialises in bringing us forgotten compositions for the clarinet; his lightness of touch and complete mastery of the instrument are a delight. Literally fabulous. Thank you, Herr Dieter.
Ausgesprochen heiter, herrlich virtuos und voller Lebensfreude
First time I've come across this composer. Crussell and Sphor have been my top two chosen clarinet favourites, however, it now seems I have a third. Thank you 😊
I think this is one of the most perfect moments of music in the history of music. It's so understated and sells itself so well, it's a shame more people don't know it.
really
I agree
It is so well balanced and it has a well rounded solo part with fantastic cadencing to the end of each phrase.
Yep! Love it so much!! Wished I kept playing clarinet....
Fascinating musical effects such as the "scottish bagpipe" effect at 21 minutes. Dieter K is justly famous for his skill and this ensemble does us all a favor by publishing this merry concerto. Thanks and dekuje dobre!
I had not heard of this composer before but this is beautiful. Lovely performance too.
Amazing! What a gem and at 22:36...just wow!
those are some speedy fingers and a good set of lungs, excellent performance
What a magnificent concerto
Your uploads: A seemingly endless list of 18th century concertos. Wonderful. Thank you. Don't know when I will find time to listen to them all.
How old are you artabanes? You have the rest of your life to indulge yourself in the perfection of it.
Vielen Dank für den Download dieses wunderschönen Konzerts, das leider viel zu selten gespielt wird!
What a wonderful performance!
It can only be said to be wonderful.
jolie morceau de clarinette de leopold kozulich fiere d'appresier se concerto agréablement bien interpreter
Recognized teacher and composer and music editor; his time, the same as Haydn, Mozart and Beethoven. Kozeluch was disregarded by many critics, even from the nineteenth century. This was a later revised error. His works, in addition to formally claiming quality in the classicism in vogue, showed a peculiar melody.
I love this concerto
Délicieux concerto, pré-beethovent ici et là mais sans exagération. Il renouvelle discrètement le style général de ses contemporains....
This is just as good as the first Clarinet Concerto wich I've loved for many years, thanks for sharing.
Brilliant composition!!!!!!
enjoyed it thoroughly
A fine piece of music !
An awesome performance by soloist and orchestra! I wish there were a full, LIVE video of this concerto on UA-cam!
And now there is ua-cam.com/video/hZa1YxOopWU/v-deo.html 😉
Magnífico , una belleza !
Καλησπέρα σας .Άπό τήν Άθήνα . Εΐς τό κέντρον .
Greetings from iraq 🇮🇶🇮🇶🇮🇶
20:40 Einfach toll
Amazing music greetings from iraq 00:00
Det er vidunderligt med endnu et klarinetværk, denne gang af Kozeluch. Jeg er helt enig med kommentaren nedenfor!
After a long morning browsing the political dailies with a cup of tea in my hand, my bay-window overlooking the sea with the sounds of this concerto on the background, it was just a perfect conjunction !
Lindo, excepcional!
thank you so much for uploading
0:00 Allegro
10:40 Adante Moderato
17:30 Rondo Allegro
my fav chanel ty
You R A Genius thanks...
Now I hear that the concert from Kozeluch differs a little from the concert from Stamitz. Kozeluch compose with a little more elegance.
Brilliant who ever composed it
Leopold Kozeluch.
Very charming piece, but I have heard this concerto earlier and then it should have been composed of Carl Stamitz,it is at least very eaguelOne of the composers must have lend from the other if it is Stamitz or Kozeluch. is there anyone who knows
18:05 just saving this for later
Baie mooi.
ek stem saam Willem, klarinet bly maar koning van die windblasers
The second movement differs from Stamitz and is something own but the third remind of the third movement at the concerto from Stamitz even if there is a little difference. Myself I guess that Kozeluch have used at concerto from Stamitz and mde it a little better. If there are someone who knows anything of i please write.
The horn part in the third movement reminds me of a piece by Gottschalk. I can't remember which piece though.
Ads right in the middle of such a wonderful music - what a shame!
chrome.google.com/webstore/category/extensions
>search
>"adblock"
alternatively, you could try youtube premium, though I'm reluctant to give scumbag google any more money than they already have. Surely all of my data is enough
Conductor: Milan Lajčík
What is this. The first movement is almost the same as the concerto nr 11 from Stamitz ? is it the same composer who has changed his name. Otherwise one of them must has lend from the other. Now i hear that the concert from Kozeluch is a little different, but in the opening one of them either Stamitz or Kuzeluch must have lend the thema.
+Berrnt Ortner Hi. I know this response comes a little bit late, but here it is how it stands. The era was different back then, and there wasn't really anything like a trademark or protection of artist work back in the day. Even more so, composers of classical era often stole some ideas from the others. It wasn't looked upon as a violation of copyright, it was just a tool for the composer, if he felt strangled or didnt know how to progress his work, he just "borrowed the idea from somebody else". I hope that cleared it up for you.
I don't recognize the first two movements, but I know that I have heard the main theme of the last movement more than once before, and the attribution was not to this composer. It is a lovely theme.
The opening theme is the same but after about 20 seconds it's a different concerto.
Ewald Czerwenski it was the same in theatre - travelling groups used to write their own version of plays, including Shakespeare, for no other reason than that they didn’t have any copies of the original
Why would anybody waste time listening to Beethoven, Dvorak, or Tchaikovsky, when he could listen to this instead?
This is exactly the same recoding as one of C Stamitz's clarinett concertos. I think the uploader or Mr Kloecker may confused the composer's name.
The tune In the beginning look like the concerto of stamitz but it is different concerto
this is NOT Kozeluch, but C. Stamitz.. or, is this an arrangement of Kozeluch? The melodies are just the same. and also used in Stamitz' Jagd Symphony. But whatever: very beautiful music! Very well played.
From Notes and Editorial Reviews to CD: "The first concerto is indebted to the Mannheim School, while the second, written for the German virtuoso Josef Beer, is (according to Dieter Klöcker’s copious and erudite annotations) based upon the popular Clarinet Concerto No. 3 in Bb by Kozeluch’s countryman, Carl Stamitz, but the Kozeluch concertos are far superior to anything Stamitz wrote for the instrument and along with the concertos of Franz Krommer, run a close second to Mozart’s lone clarinet concerto."
Clarinet concerto nr. 11 by Carl Stamitz!?
not Carl Stamitz Concerto No.11?
I just finished listening to the same piece composed by Carl Stamitz -- Number 11, also in E flat +. What gives?
I have the nagging suspicion (being an ex-clarinet player...) that this was a friendlier key for the soloist to play in. If you examine the symphony in c sharp minor by Joseph Martin Kraus you would see that....that's one of maybe TWO works in the 18th century which used c sharp minor. It was probably performed or at least rehearsed and deemed unplayable (or rather a little out of the comfort zone) and then transposed to c minor. So if you look at the lists of pieces of music that these composers used...you'd see they used a lot of the same key since it was better on the ears (of the audience) AND to the musicians. And same exact piece, or same exact key David? I don't quite follow.
Dear Carey,
Kozeluch's Number 2 Clarinet Concerto has exactly the same melodies as Carl Stamitz's 11th. I know about keys, but I don't have the same ear as the composers who chose certain keys to express different ideas. I love G minor sturm und drang but for me it wouldn't make any difference which minor key they were played in. I am not yet sophisticated or experienced enough to tell them apart, except when they change keys in mid movement.
I have just listened again to the opening orchestral passage and a few bars of the clarinet and, other than the tempo (the Kozeluch is faster) the melodies are an exact match. Kalman Berkes is the clarinettist in the Kozeluch AND in the Stamitz. I am more familiar with Sabine Meyer's performance of the Stamitz, since I have it on CD and play it in the car (at full blast with all the windows open in summer, to teach ruffian sub-woofers a lesson). If this upload really is Kozeluch's No 2, then one or them pinched the opus from the other.
Dave
Came here to say this. The third movements are more or less identical.
umm... Isn't this supposed to be Stamitz???
Aoibhinn bheith ar eití an cheoil.
your pants are on fire
I feel little inspiration from Stamitz.
Nice piece. Fine performance. Composition is definitely a full step below Haydn quality.