I use this mic on almost everything, it's just amazing. Would love to see a tutorial for recording upright piano's with it. PS love you guys at UA, SO HAPPY I chose UA for my studio!
I use it in stereo mode, overhead with the mic parallel to the floor and the capsule pointed towards the wall. The setup cancels out the room and breathing from the musician.
My sphere is amazing! The software is magical AND I used it without the software in a live situation as a live sound engineer over the weekend. Sounded great worked amazingly
I got an idea for a show! You should do a series on using UAD Software/Hardware in modern electronic music production. It's an area that isn't really explored for you guys and a lot of people could benefit from this.
This has got to be the best thing to ever hit the market for music products flexibility convenience relatability and that top notch amazing sound wow this can’t be beat I love it
I just bought the sphere lx model. I'm gonna have some long, interesting and busy sessions with it, that's sure. It is a very creative and precise interface.
just got the sphere, would love to see a session where you record a solo acoustic guitar to fill up entire sound field as the only instrument in the song, using the single or 180 or dual blended mic emulations. Have seen some videos from from UAD but the acoustic was recorded to fit in a mix. I would happily volunteer the playing.
You've probably discovered since this post, but if you want to really fill out the stereo field then your best bet is going to be multi-mic recording. I could never get that feeling of playing in a nice room with a single mic - regardless of what room reverbs I used. I've found great results with recording acoustic guitar in an ORTF configuration but this is for songs with other instruments (so it can afford to lose a bit of fullness in the centre). Regardless of what widening techniques you use, a single mic can't really go that wide without affecting fullness - it tends to just end up louder & thinner. Mid-Side recording with (e.g.) this mic in figure of eight and a nice centred cardioid mic gives you tons of control with width and fullness!
Great introduction to using the sphere microphones. I am impressed with Drew's overview. I loved the various social media videos/discussions on the Apollo Twin X and Sphere DLX so much I went through my wife's approval process to jump to this new recording toolchain [yea, she is my sweetheart]. Going from 10 years of Audition DAW and lower cost mics to the apollo tools so far is a big zero. The intro tool videos seem to jump from install to license to UAD main tool set [console, connect, and meter/control panel] - then bam - there's the cool plugins and sphere all working in console. My problem is: how to have success with my first setup? Currently, the startup videos suggested for my UAD toolchain after installation then jump to showing several "things" loaded already, or the presenter skips several mouse clicks while verbalizing cryptic buttons to show mic output. For me, after two days of using my UAD products, I see input working fine, but damn, I only get the stuff to work to the actual mic track showing up once in a while. All other times I am wondering how you guys really start from a blank slate and get into a position to use this great tutorial!?
Update: after watching Drew's video and reading the comments here and on the forum page for this video - I think I now understand how to follow along with the video from my own apollo twin x + UAD console and even get the mic input to Auditon natively (and probably via Thunderbolt after UAD Console too). Other videos will likely be easier now as well. For new users (and several others, as expressed in comments), the idea of the Sphere Mic plugin location in the Inserts area and a Unison preamp at the top of the tool chain blocked my learning curve. I makes total sense now. But a getting started video should probably point this out as a feature of the UAD toolchain right up front. Then, for the "new new new" folks frazzled from the install process on Apple Silicon + iLok + various products all at once - my last hangup was that I had the Mute enabled for 3 hours of fiddling time. I should have known that!
Bought a dropped and broken one. Only way I could justify it $ wise. Looking forward to fixing it and using it asap. A good friend loves his and he’s an extremely experienced musician engineer so I’m confident.
To go over again. In this video you recorded dry, and then I'm the DAW you opened up the door plug in in the daw instead of in ua console to edit in post?
In the video, you note that if you have a Unison preamp emulation enabled in Console, that that processing always is printed to the DAW when recording, but that the Sphere mic emulation can just be used for monitoring while tracking, and then played with in the DAW. In the real world, though, the microphone itself would come before the preamp. With the workflow Drew demos, the post tracking processing being dialed in via the Sphere plugin would be being applied to audio that was already printed through the preamp emulation. Again, in the real world, the sounds actually captured in the studio were always the result of the combined contribution of the specific mic (first) running through a specific preamp (second) and then to tape or whatever. So my question is whether there is a way to recreate that chain with Sphere and Unison. The only way I can think to do this would be to record completely dry and then play with the mic modeling in the Sphere plugin and then route that output back to the Apollo Unison preamp to hear the combined result. I'm curious whether there's a best practice around this that I'm overlooking. Wonderful video tutorial, though!!
Just one critical remark here: Going off-axis doesn't de-ess in a natural way. That's like using an EQ to de-ess (which by itself reduces desired clarity in the vowels as well), while also turning up the noise floor, and if you're actually turning the mic, adding unwanted room reflections.
Calibration mode is for balancing levels when using an interface or preamp without stereo linking. We cover it in this video: ua-cam.com/video/kdlUH8v-0AY/v-deo.htmlsi=xboLVSFMV_9biUto&t=187
Just received delivery of my Sphere DLX, loving it so far ! --- Quick question on the Shure SM7B model, the real one has a "presence" switch, was the emulation created with that switch on or off ? Or are there plans to give access to that switch via the filter switch in Sphere ?
It is crazy because I can hear a lot more differences between the mics watching this video on my phone than on the samples I downloaded and listened to with the evaluation version of the software in my studio. Wonder why, really.
Fantastic video Drew. I know you said you will discuss the stereo option in a future video - I would like to ask you about classical recordings with opera singers. I see often they use 2 mics (probably identical ones) that has a space between them. You seen it...I also seen a small mic they have in the middle probably for diction. Anyways, do you get the same effect using the stereo mode as you get recording opera singers where they use 2 mics? Of course they use this method often in a concert hall where they also capture the acoustics of the room they are in as I am in a closed vocal booth made of professional sound curtains. Can I still get that same effect adding a reverb that simulates a concert hall or theater? Thanks in advance --Josh
Hi, I hope you’re well, I was wondering if there is somebody who may be able to offer me some help and advice to resolve some issues in having with the Sphere DLX. I only purchased the microphone yesterday, and I’ve started testing out some rough vocal and acoustic guitar at the same time. I am set up on a mono track in logic, but I keep getting a notification telling me ‘Identical Signal Levels Detected’, and that levels in the front (left) and rear ( right) channels are the same. It’s suggested the microphone’s calibration switch is on, but it isn’t, it’s switched to the on position. I’m obviously not doing something correctly. Some help to rectify this problem would be greatly appreciated, thanks
You need to be recording to a stereo track, as Sphere is a dual capsule mic with two distinct outs. We cover the basics here. ua-cam.com/video/kdlUH8v-0AY/v-deo.html
Right on ... LOVE these series. I've acquired the L22 & Apollo due to you guys laying out all the wonders of the eco. Now ... ANY suggestions on recording my beloved saxophones? Which modeled mic would you suggest (RB-4038 - I heard "great on horns" @ 2:15). Tracking chain? I'm currently using a UA unison Solo 610A/B pre (have the UA hardware also) via console, LA-2A & 1176, ATR-102 (4 tracking tape vibe). Would love to have you guys chime in as I'm working on my EP alone w/all UA greatness in my arsenal! Great stuff team ...
Hi Drew. Great tutorial. I am a little puzzled by the fact that on playback of my recorded audio using the DLX I am definitely getting more volume on the left speaker than on the right one. I do understand the two different wave forms generated by the mono recording but how do I playback the track so I get the same volume in each speaker. I am not a professional, just a hobbyist suffering from GAS but loving it. Kind regards, Alan
UAD can we get a console update to where you can decide which individual plugin inserts you want to commit to? For an obvious example sometimes I may want to commit my autotune insert but not the compression or vice versa.
Hi again Drew. I have been using LUNA but for this instance I switched to Studio One 6 to see if I could figure out how to solve the problem. I changed the recorded Vocal track from stereo to mono and then pressed command B to bounce the track and hey presto, now I have my DLX recorded track playing equally from both speakers when panned to the centre. Any comments and/or suggestions from you would be most welcome as I'm really only just starting to use my Sphere DLX and LUNA.
Hi Drew ! Thank you for the support you're giving to us ! One question : What keybord are you using ? Is that a custom made for Luna ? I'd love to get one ! (yes I'm a Luna lover!)
That is actually an Editor's Keys Pro Tools keyboard. But it works great with LUNA since most of the shortcuts are the same. I really like even for just having the keys all backlit. Great for dark control rooms!
If I insert a UNISON PREAMP like the Neve 1073 for example in the UNISON SLOT.. Then add the Sphere in the first PLUGIN SLOT.. and an LA2A in the second.. will I be able to capture the following chain? C800G > Neve 1073 > LA2A or will Emulation be always after the signal from the Unison Slot?
There is no issue using Sphere with Unison. Unison is all about the interaction with the HARDWARE and that needs to happen first. So 1073, Sphere, LA2 will give you amazing results.
@@joeyf808 Would using another instance of the Isophere in the Townsend software by just having the Townsend mic selected before the OWC and Putnam work ?
@@joeyf808 I thought about that but if the mic in the instance is changed to the neutral mic then technically it shouldn't color it, will have to experiment with it.
Hi there, when I monitoring with my DAW I get more volume in one side of my headphone. How I can get the same volume in Left and right side of my monitoring headphones?
Awesome! Video I just ordered mine..I have question..Can you make presets or lists of vocal chains such as country and pop because I’m just starting out and I don’t want to buy a bunch of plugins that I don’t know how to use right now I only have 9 and they sound amazing! So if you’re company could do something like that I would buy every Universal Audio plugin out there and one more thing I’d like to add to me you’re plugin are the best in the business they sound amazing 👌👍
Love my Sphere! Do you think the isosphere is enough or I have to buy a real mic shield? Second question: Could you make some video about correct UAD unison preamp setting on vocal with the Sphere (like Neve 1073, Manley Voxbox, Avalon 737, etc...) Thanks!
Hi Alex, if you have a treated room, then we find Isosphere set to booth/room to be great, no need for a shield. If your room is not treated or you're "on the go", then you'll want one. There is no "correct" setting as preamps are a subtle and subjective part of the process. Just pick one and be sure not to drive it into full distortion and you'll be good to go!
How does the selecting of a coloured Unison mic pre model not effect how the Sphere modelling works? Does the Sphere not rely on a super flat clean preamp?
Hi Drew, thanks for your video. May I ask? I am a VO artist. I own a Sphere and love it. I record from my home studio with Luna and Apollo Twin X. I am normally recorded remotely via source connect standard, clean feed and others. My doubts come at the time of sending the signal. I understand I am recording a stereo signal, but source connect only records mono. So, how can I send a mono signal, wet, with the sphere plugin on? Thank you for your time. Alberto
Hi Alberto, you're in luck. The plugin outputs a dual mono signal when set to Rec mode in Console. So when you send a mono signal, you're sending a mono version of your modeled sound, so you're good to go.
How can you record the Mic modeling after the fact if once you record through sphere the signal is mono? I want to record into Luna and just monitor the mic modeling and autotune, but it changes signal to mono in Luna which you can't use for adjusting the mic model. Is it committing the mic model no matter what? So confusing
Sounds like you may have UAD REC enabled in Console, which commits the Sphere processing and records a dual mono signal. Try using UAD MON instead, and make sure you're recording to a stereo channel in LUNA.
@@UniversalAudio thanks for the reply! I figured it out. You’re right I had it on record and needed to just monitor to a stereo track. On another note I was trying to monitor autotune without recording it but committing the other plugins. I thought I could do that by putting the autotune on aux but when I mute the main track in console I’m not getting audio through the aux. I’ve done it before but can’t figure out what I’m doing wrong now
Senses it recording in stereo how do I use the plug-ins in post? After recording my vocal my vocals are stereo in the daw can I still use mono plugins or do I need too click stereo on the plug-in
@@UniversalAudio I understand that but after the recording in post can I use mono plugins too mix that video or do I need too just stereo plug-ins too mix that vocal I know the vocal I’ll be stereo in the daw after
Hey there thanks for this awesome video ! .. i do have a question 🙋♂️.. I Own a real Manley voxbox (not the plugin) and I also run the to my uad LA-2A hardware (not the plug-in) I also own a Apollo X6 ….can I use this mic with my vocal chain and still have a accurate emulation of the mics ?
Trying to install the Sphere plugin to my 2nd studio machine and the owner voucher code does not work to allow the plugin download.. Hmmmm.... It should work right??
@drewmazurek @UniversalAudio What is the difference between a L22 and the UADLX or LX? Wondering if my features carried over, lost anything or new ones in the UA version from the Townsend. Thank you!
Hello! I have to calibrate my Sphere with new Neve Portico 5211 pre Amp. When I calibrate the rear capsule (the mic2) I have to sing directly on the rear capsule or always in the front capsule and match the gain of both mic 1 and mic 2 at the same value? I don't understand the manual instructions.
Hi Alex, calibration mode sends the front capsule signal out of BOTH XLRs so that you can gain match the pres. So just put it in Cal mode, sing into the front of the mic and adjust the mic pres so they are the same, then turn off Cal mode.
Great content ! I love my Sphere and Apollo, my question is: when using Unison doesn’t come before the sphere app? In that case does it affect the modeling algorithm? I have been really wondering about if I should my 1073 in the unison slot since it comes before the plugin. I put the plugin first on the effects chain. Any input on this? Thanks in advance
For those coming to this video late, the link in the comment by UA is now deprecated and only goes to a landing page. After tracking down the FAQ's new location, one finds the following answer: *_Yes, definitely. While we generally recommend that the Sphere plug-in be inserted first in the effects signal chain, good results can be achieved with a Unison plug-in placed before the Sphere plug-in. For optimum results, the Unison preamp should be set for cleaner sounds._* This answer doesn't exactly leave one brimming with confidence that Sphere and Unison always play well together. _Good results?_ While the raw Unison preamps make for a clean and lovely signal into the Sphere insert, isn't the whole point of Unison to provide a less than pristine, less clean, and the more colored input of traditional preamps? So is UA saying "you can still use your 1073 in the Unison slot, just keep a lid on it?" I'm gonna say that UA has been somewhat wishy-washy on this subject from the git-go. And I can understand why--current Apollo hardware has been around since long before their acquisition of Townsend Labs. And now the adopted child isn't exactly playing well with the blood child. Maybe a solution can be had with an Apollo firmware and Console update. But I suspect the problem is already baked into the Apollo's hardware design. If the problem is indeed already baked into the Apollo, UA could still pull a rabbit out of the hat... What if UA offered a dedicated, bus-powered, USB "Sphere Interface" for $69? It would have dual (pre-linked) inputs, a single DSP chip, and a single mic-level XLR output--that's it (except for maybe variable output impedance of the model mic?) Console could then implement a button for linking a given Unison slot to a USB Sphere Interface for plugin configuration. This would have the added benefit of freeing a valuable Apollo Unison input channel for other use.
What does not make sense to me is why UA Is dropping two new mics modeling the 251 and the u87 for $5k+ but also marketing that the L22 modes the exact same mix for less than $1.5k. Would that not make one of them redundant and be a conflict of interestv?
Different strokes for different folks! Some want/need the flexibility that Sphere offers while others prefer to keep it old school and use a classic (but modern) LDC, with or without tubes! Just like with the Standard Series mics, we want to offer a solution for all tastes and budgets. This is all win win for our users since they get to choose their tool while always knowing that it's backed by UA craftsmanship. Thanks for asking the question, it was a good one!!
The plugin sums its output to dual mono, so if the DAW supports it, (Pro Tools does) you can simply select one of the inputs and you'll get a mono version of the mic model. This is NOT possible in the DAW I am showing, LUNA.
i just bought the sphere l22 and i got this question, how can i pan an audio track recorded to with this mic? do i need to bounce first the vocal or is there another way to do it?
Need the ability to send stereo channels like the sphere requires to a panned cue send for systems like the hearback. It’s embarrassing that the Apollo is missing that basic function that every competing system already does.
This may be a dumb question, but would you do time based effects directly on the channel since it's stereo, or would you (could you) send it to a bus. Do the different "levels" of the R and L channel (front capsule and back capsule) distort the reverbs or echos (esp if doing a ping pong delay, etc)?
@@UniversalAudio Thank you. Do the two channels (R and L/front of capsule and rear) being different levels affect the delays or reverbs? Or does the effect essentially see it as "one" signal?
Great video, thank you for the info I have a question. I was doing a mix and I had unplugged my L22 from my Twin to conserve DSP, I got a pop-up message in my DAW that said I needed to plug the microphone back in to do a final EQ and add some reverb. I am guessing I didn't do something correctly. I have a friend with a L22 he says he can mix down without the microphone plugged in. Can you offer a solution for me? Thabks. Lee
Hmm, that sounds strange. Perhaps you're using the Console Recall plugin that is loading a session in Console when you open that mix?? Regardless, the mic does not need to be plugged in to make changes in the DAW for sure.
Sure, because Unison is all about the physical interaction between the preamp and the hardware. This needs to happen FIRST. For example, when using Sphere with external mic pres, the preamp comes first, then the modeling. Same thing with Unison.
Hi, can I use it with preamp Avalon 737 analog then connect to Apollo x8p or just direct with interface then I use it as plug-ins ( because he has a front and back how I can connected with preamp analog)
Just got mine last week and have yet to use it ..still trying to find out to connect Apollo x6 and Apollo twin X duo to concole and logic (mic attachments)
just connect all devices on the same TB chain, and the driver does the rest. Be sure your new device is registered into your UA account and then refresh your Authorization in the UA Meter app. If you have any issue, contact Support. u.audio/support
I’ve been looking at mic modeling. I think he said we have that option in the video but is it possible to record the mic modeling in real-time through the console or so I have to record it dry and add the mic emulation later in mixing?
@@UniversalAudio is there a specific way to make it mono? like basically i want to do a signal chain of a SPHERE - NEVE- Cl1B all through console and print that. i believe it comes out as stereo though?
@@BigbossHD444 The output of the plugin in mono (unless using 180), so provided that your DAW supports it (PT does for example) you can simply select one of the inputs and you'll get the modeling and the processing if you're in Rec mode in Console.
Tonality: Tonality refers to the particular system of relationships between notes, chords, and keys. Also used in reference to painting. Most misunderstood and abused word in the music world. Mics do not have a tonality. They may have a color, or whatever, but not a tonality.
@@UniversalAudio Unbelievable Drew how good t is I’ve been looking for aU47 clone for the last two months ,just by accident I came too realize UAD HAS ONE ,nothing short short of amazing
This microphone was my best purchase so far! Possibilities are unlimited.
🥂
I LOVE my sphere! THE BEST mic I ever owned! More Sphere content! Would love to see how different pros are using it. I loved the Townsend Labs content
👍🏻
Agreed!
Agreed! UA really needs to push and expand this ecosystem in relation to mic modeling.
@@joeydego2 Got a feeling they may rebrand it with a UA mic
Agree. I love how they don't get greedy on updated packs.....
One of the best Mics, hands down.
Been waiting for L22 content from UA!
More coming!
I use this mic on almost everything, it's just amazing. Would love to see a tutorial for recording upright piano's with it. PS love you guys at UA, SO HAPPY I chose UA for my studio!
😍
I use it in stereo mode, overhead with the mic parallel to the floor and the capsule pointed towards the wall. The setup cancels out the room and breathing from the musician.
👍🏻
My sphere is amazing! The software is magical AND I used it without the software in a live situation as a live sound engineer over the weekend. Sounded great worked amazingly
Indeed Damon, it's an amazing mic in its own right!!
I got an idea for a show! You should do a series on using UAD Software/Hardware in modern electronic music production. It's an area that isn't really explored for you guys and a lot of people could benefit from this.
Thanks for the feedback.
This has got to be the best thing to ever hit the market for music products flexibility convenience relatability and that top notch amazing sound wow this can’t be beat I love it
🤘🏻
Drew! The champ. Just got my L22 up & tracking, thanks for the knowhow
My pleasure my man!!! Enjoy, and come over to the forum if you need any help!
I Love the Sphere Microphone
Looking forward to future videos !
Kudos to Drew ! Awesome job !
Thanks Simon!! We all have such fun making these vids!!
That video was amazing. Best one I’ve seen for sure. Thanks much!
I just bought the sphere lx model. I'm gonna have some long, interesting and busy sessions with it, that's sure. It is a very creative and precise interface.
Congrats!!
just got the sphere, would love to see a session where you record a solo acoustic guitar to fill up entire sound field as the only instrument in the song, using the single or 180 or dual blended mic emulations. Have seen some videos from from UAD but the acoustic was recorded to fit in a mix. I would happily volunteer the playing.
You've probably discovered since this post, but if you want to really fill out the stereo field then your best bet is going to be multi-mic recording. I could never get that feeling of playing in a nice room with a single mic - regardless of what room reverbs I used. I've found great results with recording acoustic guitar in an ORTF configuration but this is for songs with other instruments (so it can afford to lose a bit of fullness in the centre). Regardless of what widening techniques you use, a single mic can't really go that wide without affecting fullness - it tends to just end up louder & thinner. Mid-Side recording with (e.g.) this mic in figure of eight and a nice centred cardioid mic gives you tons of control with width and fullness!
Great Mic and Video!!
Great introduction to using the sphere microphones. I am impressed with Drew's overview. I loved the various social media videos/discussions on the Apollo Twin X and Sphere DLX so much I went through my wife's approval process to jump to this new recording toolchain [yea, she is my sweetheart]. Going from 10 years of Audition DAW and lower cost mics to the apollo tools so far is a big zero. The intro tool videos seem to jump from install to license to UAD main tool set [console, connect, and meter/control panel] - then bam - there's the cool plugins and sphere all working in console.
My problem is: how to have success with my first setup? Currently, the startup videos suggested for my UAD toolchain after installation then jump to showing several "things" loaded already, or the presenter skips several mouse clicks while verbalizing cryptic buttons to show mic output. For me, after two days of using my UAD products, I see input working fine, but damn, I only get the stuff to work to the actual mic track showing up once in a while. All other times I am wondering how you guys really start from a blank slate and get into a position to use this great tutorial!?
Update: after watching Drew's video and reading the comments here and on the forum page for this video - I think I now understand how to follow along with the video from my own apollo twin x + UAD console and even get the mic input to Auditon natively (and probably via Thunderbolt after UAD Console too). Other videos will likely be easier now as well. For new users (and several others, as expressed in comments), the idea of the Sphere Mic plugin location in the Inserts area and a Unison preamp at the top of the tool chain blocked my learning curve. I makes total sense now. But a getting started video should probably point this out as a feature of the UAD toolchain right up front. Then, for the "new new new" folks frazzled from the install process on Apple Silicon + iLok + various products all at once - my last hangup was that I had the Mute enabled for 3 hours of fiddling time. I should have known that!
Excellent!! Glad you're enjoying!
Bought a dropped and broken one. Only way I could justify it $ wise. Looking forward to fixing it and using it asap. A good friend loves his and he’s an extremely experienced musician engineer so I’m confident.
Really nice video, thank you for covering it!
So glad you enjoyed it!
To go over again. In this video you recorded dry, and then I'm the DAW you opened up the door plug in in the daw instead of in ua console to edit in post?
Still my go-to mic for most applications. It's so damn good that my "real" mics often don't get used as much and they're getting a little pissed off😉.
Same here.
In the video, you note that if you have a Unison preamp emulation enabled in Console, that that processing always is printed to the DAW when recording, but that the Sphere mic emulation can just be used for monitoring while tracking, and then played with in the DAW. In the real world, though, the microphone itself would come before the preamp. With the workflow Drew demos, the post tracking processing being dialed in via the Sphere plugin would be being applied to audio that was already printed through the preamp emulation. Again, in the real world, the sounds actually captured in the studio were always the result of the combined contribution of the specific mic (first) running through a specific preamp (second) and then to tape or whatever. So my question is whether there is a way to recreate that chain with Sphere and Unison. The only way I can think to do this would be to record completely dry and then play with the mic modeling in the Sphere plugin and then route that output back to the Apollo Unison preamp to hear the combined result. I'm curious whether there's a best practice around this that I'm overlooking. Wonderful video tutorial, though!!
See my detailed reply on the forum. uadforum.com/community/index.php?threads/new-sphere-walkthrough-demo.59382/
Would love some new microphone models like the Blue Kiwi, Manley Reference Cardiod, Manley Gold and the Chandler Limited EMI REDD!
All of those mics would be absolutely awesome I agree they gotta keep expanding
Just one critical remark here: Going off-axis doesn't de-ess in a natural way. That's like using an EQ to de-ess (which by itself reduces desired clarity in the vowels as well), while also turning up the noise floor, and if you're actually turning the mic, adding unwanted room reflections.
Have you released the videos you mentioned at the end of the video describing the off-axis correction, proximity effect and isosphere yet?
Not yet!
Thanks. Good info
Thanks!!! Glad you enjoyed it!
👍Very practical and offers great versatility👍
When I try panning the channels I get nothing in the right side. How do I fix this
Sorry, we'll need more to go on here. Can explain in more detail?
I'd love to see an episode on how to use the optical input with an Apollo twin to expand inputs for recording a band.
help.uaudio.com/hc/en-us/articles/209496906-Using-External-Digital-Gear-With-Your-Apollo-Digital-Clocking-Primer-
Well did you ever do the follow up with the e 180 plug-in ?
Good video but the "Calibration" button was not discussed. I'd like to understand what that does since I am getting a notification.
Calibration mode is for balancing levels when using an interface or preamp without stereo linking. We cover it in this video: ua-cam.com/video/kdlUH8v-0AY/v-deo.htmlsi=xboLVSFMV_9biUto&t=187
Just received delivery of my Sphere DLX, loving it so far ! --- Quick question on the Shure SM7B model, the real one has a "presence" switch, was the emulation created with that switch on or off ? Or are there plans to give access to that switch via the filter switch in Sphere ?
That can be replicated with an EQ after.
I'd love to see demos this mic-ing a guitar cabinet and also acoustic instruments.
Thanks for the feedback, more content coming!
I can't find the second video... was it ever recorded?
Great video! Thanks so much!
Great video with a lot of awesome explanation and tips. Did you guys ever do the second video on the 180 version of the plugins?
It is crazy because I can hear a lot more differences between the mics watching this video on my phone than on the samples I downloaded and listened to with the evaluation version of the software in my studio. Wonder why, really.
Fantastic video Drew. I know you said you will discuss the stereo option in a future video - I would like to ask you about classical recordings with opera singers. I see often they use 2 mics (probably identical ones) that has a space between them. You seen it...I also seen a small mic they have in the middle probably for diction. Anyways, do you get the same effect using the stereo mode as you get recording opera singers where they use 2 mics? Of course they use this method often in a concert hall where they also capture the acoustics of the room they are in as I am in a closed vocal booth made of professional sound curtains. Can I still get that same effect adding a reverb that simulates a concert hall or theater? Thanks in advance --Josh
Thanks for the feedback Josh! We'll pass it on to the team.
where did you get that UA apollo pillow in the background
Hi, I hope you’re well, I was wondering if there is somebody who may be able to offer me some help and advice to resolve some issues in having with the Sphere DLX. I only purchased the microphone yesterday, and I’ve started testing out some rough vocal and acoustic guitar at the same time. I am set up on a mono track in logic, but I keep getting a notification telling me ‘Identical Signal Levels Detected’, and that levels in the front (left) and rear ( right) channels are the same. It’s suggested the microphone’s calibration switch is on, but it isn’t, it’s switched to the on position. I’m obviously not doing something correctly. Some help to rectify this problem would be greatly appreciated, thanks
You need to be recording to a stereo track, as Sphere is a dual capsule mic with two distinct outs. We cover the basics here. ua-cam.com/video/kdlUH8v-0AY/v-deo.html
Or this user demo. ua-cam.com/video/rJu9urZ0U7Q/v-deo.html
Do you need to have a uad interface??
Right on ... LOVE these series. I've acquired the L22 & Apollo due to you guys laying out all the wonders of the eco. Now ... ANY suggestions on recording my beloved saxophones? Which modeled mic would you suggest (RB-4038 - I heard "great on horns" @ 2:15). Tracking chain? I'm currently using a UA unison Solo 610A/B pre (have the UA hardware also) via console, LA-2A & 1176, ATR-102 (4 tracking tape vibe). Would love to have you guys chime in as I'm working on my EP alone w/all UA greatness in my arsenal! Great stuff team ...
4038 with the Helios, into a silver La2 would be awesome!!
@@UniversalAudio headed there NOW ... thx UA ... ROCK On!
🥂
Hi Drew. Great tutorial. I am a little puzzled by the fact that on playback of my recorded audio using the DLX I am definitely getting more volume on the left speaker than on the right one. I do understand the two different wave forms generated by the mono recording but how do I playback the track so I get the same volume in each speaker. I am not a professional, just a hobbyist suffering from GAS but loving it. Kind regards, Alan
UAD can we get a console update to where you can decide which individual plugin inserts you want to commit to?
For an obvious example sometimes I may want to commit my autotune insert but not the compression or vice versa.
Thanks for the feedback, we'll pass it along.
Does it use a lot of dsp?
I was never interested in this plugin because I thought you need the extra mic for it. Thanks for the enlightenment
The Sphere plugins do require the Sphere mic.
Hi again Drew. I have been using LUNA but for this instance I switched to Studio One 6 to see if I could figure out how to solve the problem. I changed the recorded Vocal track from stereo to mono and then pressed command B to bounce the track and hey presto, now I have my DLX recorded track playing equally from both speakers when panned to the centre. Any comments and/or suggestions from you would be most welcome as I'm really only just starting to use my Sphere DLX and LUNA.
Hi Drew ! Thank you for the support you're giving to us ! One question : What keybord are you using ? Is that a custom made for Luna ? I'd love to get one ! (yes I'm a Luna lover!)
That is actually an Editor's Keys Pro Tools keyboard. But it works great with LUNA since most of the shortcuts are the same. I really like even for just having the keys all backlit. Great for dark control rooms!
please make native versions for ocean way and putnam collections
We know how much users want this, thanks for adding your voice.
Any word on some new mic models👀👀👀
Stay tuned!!!
I know the Sphere has two outputs. If I just plugged one output into my preamp, can I still use the mic models?
@@dspoet1 nah bro. You gotta use both inputs for it to actually work
No, you need to use both for correct modeling.
Should I sell my TLM 103 for Sphere? I'm tempted to get that Sony C-800 sound
If I insert a UNISON PREAMP like the Neve 1073 for example in the UNISON SLOT..
Then add the Sphere in the first PLUGIN SLOT.. and an LA2A in the second..
will I be able to capture the following chain?
C800G > Neve 1073 > LA2A
or will Emulation be always after the signal from the Unison Slot?
There is no issue using Sphere with Unison. Unison is all about the interaction with the HARDWARE and that needs to happen first. So 1073, Sphere, LA2 will give you amazing results.
Question: when you buy the sphere dlx does it automatically come with the sphere plug-in collection?
Drew, is Isophere coming to Putnam and Oceanway?
Nothing to announce at this time, but I can say we know how important this feature is for OWC and Putnam users. :)
@@UniversalAudio Thanks Drew.
@@joeyf808 Would using another instance of the Isophere in the Townsend software by just having the Townsend mic selected before the OWC and Putnam work ?
@@Astr-w6y good question, I would prob say no, running 2 different models would prob be a bad idea.
@@joeyf808 I thought about that but if the mic in the instance is changed to the neutral mic then technically it shouldn't color it, will have to experiment with it.
Hi there, when I monitoring with my DAW I get more volume in one side of my headphone. How I can get the same volume in Left and right side of my monitoring headphones?
You need to monitor THROUGH the plugin. It takes the L and R channels and makes the modeled output.
Sheesh I want it 😳
You can get one free right now with the purchase of an Apollo X rack unit!!
Thanks Drew
My pleasure Michel.
Thanks much!
Awesome! Video I just ordered mine..I have question..Can you make presets or lists of vocal chains such as country and pop because I’m just starting out and I don’t want to buy a bunch of plugins that I don’t know how to use right now I only have 9 and they sound amazing! So if you’re company could do something like that I would buy every Universal Audio plugin out there and one more thing I’d like to add to me you’re plugin are the best in the business they sound amazing 👌👍
There are channelstrip presets in Console for you to explore.
how to use it on vocals
What's even more impressive than the Sphere, which I've just bought, is the 8 inserts per channel within Console... 🙂
Yup!! One of the many benefits of being a LUNA user. You get 4 Record FX and 4 mixer Inserts.
Can I bounce the stereo file to mono
No, but bounce to stereo and then only use 1 side via Convert to Mono. Or in many DAWs you can record directly to a mono track.
Can we use or rander it in mono signal/output
Once you bounce/render the finished model, you can split the stereo file to mono and just use one side.
Love my Sphere! Do you think the isosphere is enough or I have to buy a real mic shield? Second question: Could you make some video about correct UAD unison preamp setting on vocal with the Sphere (like Neve 1073, Manley Voxbox, Avalon 737, etc...) Thanks!
Hi Alex, if you have a treated room, then we find Isosphere set to booth/room to be great, no need for a shield. If your room is not treated or you're "on the go", then you'll want one. There is no "correct" setting as preamps are a subtle and subjective part of the process. Just pick one and be sure not to drive it into full distortion and you'll be good to go!
How does the selecting of a coloured Unison mic pre model not effect how the Sphere modelling works? Does the Sphere not rely on a super flat clean preamp?
So long as you're not driving it into audible distortion, it does not impact the modeling. It's the same as applying it afterwards.
Hi Drew, thanks for your video. May I ask? I am a VO artist. I own a Sphere and love it. I record from my home studio with Luna and Apollo Twin X. I am normally recorded remotely via source connect standard, clean feed and others. My doubts come at the time of sending the signal. I understand I am recording a stereo signal, but source connect only records mono. So, how can I send a mono signal, wet, with the sphere plugin on? Thank you for your time. Alberto
Hi Alberto, you're in luck. The plugin outputs a dual mono signal when set to Rec mode in Console. So when you send a mono signal, you're sending a mono version of your modeled sound, so you're good to go.
How can you record the Mic modeling after the fact if once you record through sphere the signal is mono? I want to record into Luna and just monitor the mic modeling and autotune, but it changes signal to mono in Luna which you can't use for adjusting the mic model. Is it committing the mic model no matter what? So confusing
Sounds like you may have UAD REC enabled in Console, which commits the Sphere processing and records a dual mono signal. Try using UAD MON instead, and make sure you're recording to a stereo channel in LUNA.
@@UniversalAudio thanks for the reply! I figured it out. You’re right I had it on record and needed to just monitor to a stereo track.
On another note I was trying to monitor autotune without recording it but committing the other plugins. I thought I could do that by putting the autotune on aux but when I mute the main track in console I’m not getting audio through the aux. I’ve done it before but can’t figure out what I’m doing wrong now
You'll need to set the Aux to Pre fader
Senses it recording in stereo how do I use the plug-ins in post? After recording my vocal my vocals are stereo in the daw can I still use mono plugins or do I need too click stereo on the plug-in
You record both outputs of the mic to a stereo track and use the stereo Sphere plugin.
@@UniversalAudio I understand that but after the recording in post can I use mono plugins too mix that video or do I need too just stereo plug-ins too mix that vocal I know the vocal I’ll be stereo in the daw after
Stereo.
Hey there thanks for this awesome video ! .. i do have a question 🙋♂️.. I Own a real Manley voxbox (not the plugin) and I also run the to my uad LA-2A hardware (not the plug-in) I also own a Apollo X6 ….can I use this mic with my vocal chain and still have a accurate emulation of the mics ?
Not with that hardware. Sphere requires 2 mic pres.
Trying to install the Sphere plugin to my 2nd studio machine and the owner voucher code does not work to allow the plugin download.. Hmmmm.... It should work right??
The UAD version is available using GETSPHERE code at checkout. You only need to do this once. The native version is free with no copy protection.
@drewmazurek @UniversalAudio
What is the difference between a L22 and the UADLX or LX? Wondering if my features carried over, lost anything or new ones in the UA version from the Townsend.
Thank you!
DLX is basically L22. Only the Pad is different. The LX is an all new model! L22 owners get the new models and plugin features free!
it's advertised as coming with a R-121, and M160 and a Brauner VM1. where are these hiding/why does it just not include these?
The Brauner is in LDC section and the 121 is in Hybrid.
yeh it's weird they're just not showing up, along with the m160. i appear to have every other mic on the list besides those three. @@UniversalAudio
Thanks for reaching out, get in touch with Customer Support, they'll walk you through some detailed troubleshooting steps. u.audio/support
Hello! I have to calibrate my Sphere with new Neve Portico 5211 pre Amp. When I calibrate the rear capsule (the mic2) I have to sing directly on the rear capsule or always in the front capsule and match the gain of both mic 1 and mic 2 at the same value? I don't understand the manual instructions.
Hi Alex, calibration mode sends the front capsule signal out of BOTH XLRs so that you can gain match the pres. So just put it in Cal mode, sing into the front of the mic and adjust the mic pres so they are the same, then turn off Cal mode.
Great content ! I love my Sphere and Apollo, my question is: when using Unison doesn’t come before the sphere app? In that case does it affect the modeling algorithm? I have been really wondering about if I should my 1073 in the unison slot since it comes before the plugin. I put the plugin first on the effects chain. Any input on this? Thanks in advance
It does not impact the modeling. See here: townsendlabs.com/faq/can-i-use-sphere-with-universal-audios-unison-preamp-modeling-technology/
For those coming to this video late, the link in the comment by UA is now deprecated and only goes to a landing page. After tracking down the FAQ's new location, one finds the following answer: *_Yes, definitely. While we generally recommend that the Sphere plug-in be inserted first in the effects signal chain, good results can be achieved with a Unison plug-in placed before the Sphere plug-in. For optimum results, the Unison preamp should be set for cleaner sounds._*
This answer doesn't exactly leave one brimming with confidence that Sphere and Unison always play well together. _Good results?_ While the raw Unison preamps make for a clean and lovely signal into the Sphere insert, isn't the whole point of Unison to provide a less than pristine, less clean, and the more colored input of traditional preamps? So is UA saying "you can still use your 1073 in the Unison slot, just keep a lid on it?"
I'm gonna say that UA has been somewhat wishy-washy on this subject from the git-go. And I can understand why--current Apollo hardware has been around since long before their acquisition of Townsend Labs. And now the adopted child isn't exactly playing well with the blood child. Maybe a solution can be had with an Apollo firmware and Console update. But I suspect the problem is already baked into the Apollo's hardware design.
If the problem is indeed already baked into the Apollo, UA could still pull a rabbit out of the hat... What if UA offered a dedicated, bus-powered, USB "Sphere Interface" for $69? It would have dual (pre-linked) inputs, a single DSP chip, and a single mic-level XLR output--that's it (except for maybe variable output impedance of the model mic?) Console could then implement a button for linking a given Unison slot to a USB Sphere Interface for plugin configuration. This would have the added benefit of freeing a valuable Apollo Unison input channel for other use.
What does not make sense to me is why UA Is dropping two new mics modeling the 251 and the u87 for $5k+ but also marketing that the L22 modes the exact same mix for less than $1.5k. Would that not make one of them redundant and be a conflict of interestv?
Different strokes for different folks! Some want/need the flexibility that Sphere offers while others prefer to keep it old school and use a classic (but modern) LDC, with or without tubes! Just like with the Standard Series mics, we want to offer a solution for all tastes and budgets. This is all win win for our users since they get to choose their tool while always knowing that it's backed by UA craftsmanship. Thanks for asking the question, it was a good one!!
Unfortunately, I have several microphones that are now collecting dust. 😊Way too easy.
Is it possible to sum the 2 channels down to a mono track? And record it in mono?
The plugin sums its output to dual mono, so if the DAW supports it, (Pro Tools does) you can simply select one of the inputs and you'll get a mono version of the mic model. This is NOT possible in the DAW I am showing, LUNA.
A pillow twin 🤣
i just bought the sphere l22 and i got this question, how can i pan an audio track recorded to with this mic? do i need to bounce first the vocal or is there another way to do it?
Use the panner in your DAW. For example, LUNA has a simple panner that turns a stereo panner into a single balance knob. What DAW are you using?
Tell me something to dispel the knock on this mic as simply having a bunch of nice eq curves included.
Watch the video.
One day I will own one of these... or two...
Goals!!!! 👍🏻
Does the Townsend use dsp as an insert?
Yes, but it's not a lot. help.uaudio.com/hc/en-us/articles/215262223-UAD-2-DSP-Chart
Need the ability to send stereo channels like the sphere requires to a panned cue send for systems like the hearback. It’s embarrassing that the Apollo is missing that basic function that every competing system already does.
Can you use it as a Unison plugin?
No, but you can use Unison plugs with it. townsendlabs.com/faq/can-i-use-sphere-with-universal-audios-unison-preamp-modeling-technology/
This may be a dumb question, but would you do time based effects directly on the channel since it's stereo, or would you (could you) send it to a bus. Do the different "levels" of the R and L channel (front capsule and back capsule) distort the reverbs or echos (esp if doing a ping pong delay, etc)?
Time based effects are 99.9% on Sends/Rtns.
@@UniversalAudio Thank you. Do the two channels (R and L/front of capsule and rear) being different levels affect the delays or reverbs? Or does the effect essentially see it as "one" signal?
No, because after the plugin, they're even.
@@UniversalAudio Awesome! Thanks so much.
Great video, thank you for the info I have a question. I was doing a mix and I had unplugged my L22 from my Twin to conserve DSP, I got a pop-up message in my DAW that said I needed to plug the microphone back in to do a final EQ and add some reverb. I am guessing I didn't do something correctly. I have a friend with a L22 he says he can mix down without the microphone plugged in. Can you offer a solution for me? Thabks. Lee
Hmm, that sounds strange. Perhaps you're using the Console Recall plugin that is loading a session in Console when you open that mix?? Regardless, the mic does not need to be plugged in to make changes in the DAW for sure.
Thank you so much for responding, I will try again. Have a great day.
You as well!! Let us know how it goes.
using this mic, and I just love it
but is there any future updates?
or after moving to UA we'll forget these updates?
Stay tuned!!!
@@UniversalAudioeah stay tuned for another 5 years 😂
03:03 I'm using x8p with twinx. It's amazing. How can I use 8 inserts per channel?
By becoming a LUNA user!! 😁What you're seeing is the 4 Record FX slots and then LUNA's 4 ARM Inserts.
plz give me LUNA for windows...
We’d love to do LUNA for Windows at some point in the future, but there’s nothing to announce at this time.
Any reason why you used Unison (ahead of Sphere)?
Sure, because Unison is all about the physical interaction between the preamp and the hardware. This needs to happen FIRST. For example, when using Sphere with external mic pres, the preamp comes first, then the modeling. Same thing with Unison.
@@UniversalAudio So the impedance of each mic type is modeled?
Hi, can I use it with preamp Avalon 737 analog then connect to Apollo x8p or just direct with interface then I use it as plug-ins ( because he has a front and back how I can connected with preamp analog)
You can do either.
@@UniversalAudio ok how is he has 2 inputs and the preamp has one there is any video thank you
@@1321977 No, if you're using an external analog preamp, you must have a two channel unit.
Where can I get that pillow?
Sorry, trade shows only!!! 😁
@@UniversalAudio Noooooooooo
Just got mine last week and have yet to use it ..still trying to find out to connect Apollo x6 and Apollo twin X duo to concole and logic (mic attachments)
just connect all devices on the same TB chain, and the driver does the rest. Be sure your new device is registered into your UA account and then refresh your Authorization in the UA Meter app. If you have any issue, contact Support.
u.audio/support
@@UniversalAudio I’m sorry for being ignorant (I’m new to audio systems) what is the acronym TB stand for ??
Sorry, Thunderbolt.
@@UniversalAudio ..thank you
👍🏻
Will work with volt interface?
Yes, Volt 2 and Volt 4.
I have 276
Yes, 276 as well. Anything with 2 mic pres.
can you still record the sphere in mono? sorry if this is a dumb question
Not dumb at all!! Yes, the plugin (non 180 vers) outputs a dual mono signal, so just record one of them for a mono signal.
@@UniversalAudio good to know! Will definitely be purchasing before end of the year !
🥂
I’ve been looking at mic modeling. I think he said we have that option in the video but is it possible to record the mic modeling in real-time through the console or so I have to record it dry and add the mic emulation later in mixing?
You can definitely record the modeling to the DAW by putting Console in Rec mode.
@@UniversalAudio great thank you!
@@UniversalAudio is there a specific way to make it mono? like basically i want to do a signal chain of a SPHERE - NEVE- Cl1B all through console and print that. i believe it comes out as stereo though?
@@BigbossHD444 The output of the plugin in mono (unless using 180), so provided that your DAW supports it (PT does for example) you can simply select one of the inputs and you'll get the modeling and the processing if you're in Rec mode in Console.
Delete my last message for informing the people who the singer is? KEWL.. How do you not link a singer you use for example?
any sound?
Sure, these mics work great with any source.
bonjour quel es votre préféré pour le rap moderne et pop?
ou tout simplement le passe partout en vocal?
C800!!
if the duel mic was a crossover between models, rather than a volume blend... (tm)
Then it would be dueling mics.
Tonality: Tonality refers to the particular system of relationships between notes, chords, and keys. Also used in reference to painting. Most misunderstood and abused word in the music world. Mics do not have a tonality. They may have a color, or whatever, but not a tonality.
Just came in today yeahhhhhhhhhhh at my store❤
🥂
@@UniversalAudio Unbelievable Drew how good t is I’ve been looking for aU47 clone for the last two months ,just by accident I came too realize UAD HAS ONE ,nothing short short of amazing