What’s up guys, I just wanted to quickly inform those of you who aren’t aware of this, or are new to the channel, that this piece was featured on the final episodes of my orchestration series. Some of these comments are making me realise that a lot of you are hearing it for the first time only now. I don’t know if it’s due to YT not pushing my contents or a diminishing interest in my tutorials but in any case I just thought I’d let you know that anybody interested can still watch my analysis of the music and a comparison between mock-ups and the live recording from the links below. ua-cam.com/video/jY9BDbzvx8k/v-deo.html ua-cam.com/video/RYxrFe92vvc/v-deo.html
Greatly appreciated Mattia! You are high on my ranking list of composers to follow closely on YT! Hilarious part at 1:21 where the two violists interact with each other as to the part being played! Had to laugh out loud. Strangely I hear nothing odd here!? But I love to watch people interacting with each other when playing; this makes the piece come alive! Sadly I don't see this too often in the live playing of classical orchestras.
I can’t believe I’ve only just discovered your music now. I haven’t found a single young composer on UA-cam who can write and orchestrate in the classical style of John Williams. I’m deeply impressed!
Mattia, you are a very talented composer. There is everything: a sense of the picture, dynamics, a variety of harmonies. You are well done! I subscribed to the channel and enjoy watching your videos. I find a lot of valuable information in your videos. I also write orchestral music using a computer, but I don't understand a lot. I'm really looking forward to new videos. Keep it up!!! Now you are in the top of my subscriptions!!! Well, in this video, the live performance of the orchestra is INCREDIBLE!
Love the melody. It's so catchy, and listening to it in all your orchestration videos, and how you used to modify and change it to suit so many different orchestration styles is just so astounding. It's so hard to believe that you're all self taught, but this is just incredible stuff. Been a fan since the beginning and will always be a fan.
Amazing! Great job Mattia! What an absolute thrill this must be to have your music played (so well) by an orchestra. I love that you made some kind of a medley of your previous orchestral tutorials. Really goes to show how good orchestration can better a melody.
Mattia I have listened to this at least 3 times today in awe. I’ve been listening to UA-cam channels like yours for 5 years but yours has fast become my favourite - a main reason is you’re the only one that I actually like their personal music. You’re amazing friend. Blessings from New Zealand
Absolute gorgeous. Half of the current movie composers are not even close to this level. The clarity and simplicity of orchestration is striking and gripping. It tells me if I want to study this to mastery level I know where I do have to go. The orchestra is a lucky choice too. Hungarians always had their unique way with classical music. I'm one of them. (without Liszt Academy background) They give what they can, what they got used to.
Great work! I'm presently researching various orchestras in hopes to record a short composition that I created. Can you please let me know how your experience went using Budapest Scoring Orchestra? Thanks.
Yeah, the piece was featured in the last episodes, so it’s nothing new. I realized though I lost so so many viewers along the way and decided to share it individually.
Very well done and thought out.....too bad the movie industry in our days would never be able to come up with a character noble enough to be worthy of such a fine piece of music. !!
So amazing. Your mockup has been sublimate by real musicians. Nevertheless, the writing of this piece is perfect and already very musical at the level of the mockup
Hi Mattia, I am so attracted by your piece. I am a music producer in China and is sometimes producing orchestra music OST in Cubase for some mobile games. Howover, I stuck into low level orchestra writing for a long time and do not know how to upgrade my orchestra skills towards your level. Do you suggest listening to a lot of movie music like John williams while look the scores and memorize the typical orchestra texture? How do you come up with so many amazing authentic orchestra textures in series within four minutes of this piece, does this comes from experience or just intuition of musicians?
Time and practice my friend. I’m not gifted, I spent countless hours studying, composing and playing musical instruments. It becomes easier with time just like any other skill.
regard texture, a tip that i can add would be to spend more time reading scores, watching score follow videos, and use other types of videos or sources just to answer questions rase by this. You should at least have a notion of the common figures and textures and when a composer is going beyond them (like Strauss, Mahler, Ravel, and principally Martinu/Dutilleux did). And it is a visual learning process; this is the best part! Leave some scores open in your room. It has also to do with you composing to much in track arrangement view, this leads to “block” writing, principally if you never composed direct on score. If you can’t read well, a piano lesson for one year helps, and later you hire someone to teach how to read scores on piano for a while. And the rest is as he said. time and practice, a clear problem to solve, and pray to you have some intuition and luck 🍀
@@emanuel_soundtrack thank you very much for your comprehensive suggestions, so ultimately score readings are as important as listening right? It is quite common that in my music production company everyone music producer study music by only listening or looking at some Cubase project, but no one seems to use a socre reading as a common tool for learning becuase they think it is time consuming and only for those who prefer to persue "academic writing" (I am assuming it is because all of us are not really good at reading staff quickly). So as you said, in order to make a breakthrough in music writing, studying and reading scores is very important, and is worth spending couple of hours (or more) every week right?
@@emanuel_soundtrack By the way, what is your opinion of composing directly on score versus directly in DAW project? Is composing on score can lead to more advanced stuff, or will benefit a musician in a long-term if they are serious about developing their music writing abilities? I have received two years of training back in US years ago about four part writings, but that seems to not helping me too much in terms of writing good music, it is hard to imagine what the music will sound like if only composing on scores, is this because I haven't put enought time on this process? Any suggestions will help. Thanks!
Sounds great. How many takes did you get out of the session, and was there any rehearsal time? Also, is this just the raw material or is there some mixing already?
@@MattiaChiappa Ah ok...so the last take where everyone is playing together never really happened during the recording right? I had a similar situation last year where I was in a program and they had live orchestral sessions of our compositions and I find that unless meticulous care is taken with placement, recording all together is sometimes messy...LOL. Nice pice...any virtual embellishments on top? I've been thinking of trying one of these remote services myself.
I’ve done a complete take at the end just for myself. These guys are really good they can read anything and don’t need much guidance just a few comments to get things done how you want. This piece is very hard to play and I’m very picky but the long session I booked was overkill.
What’s up guys, I just wanted to quickly inform those of you who aren’t aware of this, or are new to the channel, that this piece was featured on the final episodes of my orchestration series. Some of these comments are making me realise that a lot of you are hearing it for the first time only now. I don’t know if it’s due to YT not pushing my contents or a diminishing interest in my tutorials but in any case I just thought I’d let you know that anybody interested can still watch my analysis of the music and a comparison between mock-ups and the live recording from the links below.
ua-cam.com/video/jY9BDbzvx8k/v-deo.html
ua-cam.com/video/RYxrFe92vvc/v-deo.html
Greatly appreciated Mattia! You are high on my ranking list of composers to follow closely on YT! Hilarious part at 1:21 where the two violists interact with each other as to the part being played! Had to laugh out loud. Strangely I hear nothing odd here!? But I love to watch people interacting with each other when playing; this makes the piece come alive! Sadly I don't see this too often in the live playing of classical orchestras.
You should have a million subs and you would deserve every single one. Great work. Your music is wonderful, colourful and inspirational.
I can’t believe I’ve only just discovered your music now. I haven’t found a single young composer on UA-cam who can write and orchestrate in the classical style of John Williams. I’m deeply impressed!
That's just beautiful. Amazing work!
Mattia, you are so amazingly talented! I hope the big film producers are listening. Thank you for all the fantastic tutorials as well.
Great track Mattia, sounds Hollywoodish. Nice orchestration.
The middle section is amazing! The amount of contrast here is really something.
Such a lovely composition and orchestration Mattia. Especially love those high strings at the end. Congratulations!
Thanks!
Mattia, you are a very talented composer. There is everything: a sense of the picture, dynamics, a variety of harmonies. You are well done! I subscribed to the channel and enjoy watching your videos. I find a lot of valuable information in your videos. I also write orchestral music using a computer, but I don't understand a lot. I'm really looking forward to new videos. Keep it up!!! Now you are in the top of my subscriptions!!! Well, in this video, the live performance of the orchestra is INCREDIBLE!
Thanks man, appreciate it 😀
Fantastic piece, Mattia! Nice to hear that theme from your "10 orchestrations" series brought to life by superb musicians too. :)
Great composition and orchestration, beautifully played by the musicians, your a a good composer, truly beautiful and amazing awesome work!!
Thanks 😊
Oh!! Sounds really lovely
Thanks!
Love the melody. It's so catchy, and listening to it in all your orchestration videos, and how you used to modify and change it to suit so many different orchestration styles is just so astounding. It's so hard to believe that you're all self taught, but this is just incredible stuff. Been a fan since the beginning and will always be a fan.
Thanks, really appreciate it!
Got tears in my eyes...Speechless. This is truly beautiful and amazing. 😭
Thanks!
A masterpiece Mattia, I love it, bravo!
Man i love this score. Great Work Mattia
Realmente maravilhoso 🩷✨
Amazing! Great job Mattia! What an absolute thrill this must be to have your music played (so well) by an orchestra. I love that you made some kind of a medley of your previous orchestral tutorials.
Really goes to show how good orchestration can better a melody.
Thanks!
Mattia this is absolutely beautiful well done
Mattia I have listened to this at least 3 times today in awe.
I’ve been listening to UA-cam channels like yours for 5 years but yours has fast become my favourite - a main reason is you’re the only one that I actually like their personal music. You’re amazing friend. Blessings from New Zealand
Thanks Michael!
Stunningly brilliant! 👏🏼👏🏼👏🏼
That was electric Mattia! Congratulations on this beautiful piece!
Thanks!
Absolute gorgeous. Half of the current movie composers are not even close to this level. The clarity and simplicity of orchestration is striking and gripping. It tells me if I want to study this to mastery level I know where I do have to go. The orchestra is a lucky choice too. Hungarians always had their unique way with classical music. I'm one of them. (without Liszt Academy background) They give what they can, what they got used to.
Thanks man, that’s very kind
Really awesome man. I totally love your channel. Just found it. Keep it up!
Wow, this finale with a taste of 50's American movies is wonderful!
So beautiful masterpiece!!!
Spectacular!!! Cheers Mattia!!!!
Thanks!
Stunning!! Beautiful work Mattia!
Thanks!
THIS IS BEAUTIFUL!!!! AHHHHHHHH. This made me want to study!!
Thanks!
Sounds fantastic. Well done, Mattia!
Thanks!
Seriously awesome piece. 🙌
Thanks!
Beautiful piece Mattia, interesting to listen this composition after to watched you work on your Cubase.
Hope to see another work.
Peace from France
Thank you!
The tutorial orchestral example has evolved to its final form👍👍
It has indeed!
Loved hearing this in the tutorial! Such lovely writing and awesome performance too!
Thanks!
Brillant, you turned 11 simple notes into something very original !
This is seriously my favorite piece to hear, well done
Awe thanks man!
Beautiful writing :-) Love it ! - Encore !! :-) 🎶🎵
Thanks!
Amazing, no words for this.
Thanks!
Great Piece.. Nice job!!! Bravo Mattia!!
Thanks!
Wow this is amazing
Thanks!
Absolutely BEAUTIFUL!!!!!!!!!!!!!
Thanks
Really nice. Used to hearing your mock-ups (which also sound nice)-- really great to hear the performance by a live orchestra. Well done - congrats!
Thanks!
Love it! Thanks, Mattia!
Thanks!
Eres mi heroe Mattia, dios... el mejor en la actualidad sin duda, maestro total 🎉
So beautiful!!!
Thanks!
Lovely piece and wonderful performance!
Thanks!
Bravo Mattia!!!
Thanks!
Love it from the bottom of my heart ♥
Thanks!
wow i found a reason to compose solo pieces for cello now
❤Sounds great
Great work!
I'm presently researching various orchestras in hopes to record a short composition that I created. Can you please let me know how your experience went using Budapest Scoring Orchestra? Thanks.
Bel lavoro, complimenti!
Grazie!
This is really awesome. It must be a great feeling when a real orchestra playing your music. I also want to that a real orchestra playing my music. :D
Thanks! Yes it is quite surreal 😁
@@MattiaChiappa Your piece is such an masterpiece.
Stunning composition new subscriber best wishes Phil UK England 👍
Thanks!
This is masterpiece, man!
Thanks!
Officially blown away. Don't know what else to say. 👍👍
Thanks!
I remember when this melody was only a small part of a tutorial about different styles of composition. Amazing work!
Thanks!
Yeah, the piece was featured in the last episodes, so it’s nothing new. I realized though I lost so so many viewers along the way and decided to share it individually.
Magistral!!!😲😃🤗❤
wow ! Real orchestra sounds brilliant and full of tension！ It definitely can be used in Hollywood movie~
Thanks!
Amazing!
Thanks!
the performers looked like they enjoyed it haha. You're such a good composer, man
Thanks man!
They sure were! Look at 2:09, the percussionist does a stick twirl which you don't get when the piece isn't interesting. ;)
C'est magnifique
Bravissimo!!!!!! 👏👏👏👏👏👏👏👏👏👏
Thanks!
Luv it ❤
what a beautifull piece!
Thanks!
Very well done and thought out.....too bad the movie industry in our days would never be able to come up with a character noble enough to be worthy of such a fine piece of music. !!
So amazing. Your mockup has been sublimate by real musicians. Nevertheless, the writing of this piece is perfect and already very musical at the level of the mockup
Certainly shows mock-up’s who’s ‘boss’ lol .
EXCELLENT Composition and orchestration
Thanks!
WOOOOOW
Thanks!
very good ! ...has a lot of life! ,,cool !
Thanks!
Bravo
Thanks!
Hi Mattia, I am so attracted by your piece. I am a music producer in China and is sometimes producing orchestra music OST in Cubase for some mobile games. Howover, I stuck into low level orchestra writing for a long time and do not know how to upgrade my orchestra skills towards your level. Do you suggest listening to a lot of movie music like John williams while look the scores and memorize the typical orchestra texture? How do you come up with so many amazing authentic orchestra textures in series within four minutes of this piece, does this comes from experience or just intuition of musicians?
Time and practice my friend. I’m not gifted, I spent countless hours studying, composing and playing musical instruments. It becomes easier with time just like any other skill.
regard texture, a tip that i can add would be to spend more time reading scores, watching score follow videos, and use other types of videos or sources just to answer questions rase by this. You should at least have a notion of the common figures and textures and when a composer is going beyond them (like Strauss, Mahler, Ravel, and principally Martinu/Dutilleux did). And it is a visual learning process; this is the best part! Leave some scores open in your room. It has also to do with you composing to much in track arrangement view, this leads to “block” writing, principally if you never composed direct on score. If you can’t read well, a piano lesson for one year helps, and later you hire someone to teach how to read scores on piano for a while. And the rest is as he said. time and practice, a clear problem to solve, and pray to you have some intuition and luck 🍀
the best repertoire to learn textures and accompaniment figures are variations and partitas, and the orchestration of such pieces
@@emanuel_soundtrack thank you very much for your comprehensive suggestions, so ultimately score readings are as important as listening right? It is quite common that in my music production company everyone music producer study music by only listening or looking at some Cubase project, but no one seems to use a socre reading as a common tool for learning becuase they think it is time consuming and only for those who prefer to persue "academic writing" (I am assuming it is because all of us are not really good at reading staff quickly). So as you said, in order to make a breakthrough in music writing, studying and reading scores is very important, and is worth spending couple of hours (or more) every week right?
@@emanuel_soundtrack By the way, what is your opinion of composing directly on score versus directly in DAW project? Is composing on score can lead to more advanced stuff, or will benefit a musician in a long-term if they are serious about developing their music writing abilities? I have received two years of training back in US years ago about four part writings, but that seems to not helping me too much in terms of writing good music, it is hard to imagine what the music will sound like if only composing on scores, is this because I haven't put enought time on this process? Any suggestions will help. Thanks!
Is your music in films?audiovisual projets i mean. Would LOVE to listen to your music Sync with video
Yes lots and lots but I’ve mostly done library music so it’s single tracks across different media types
wow very very good 😃
Thanks!
Just B E A U T I F U L 🤩
Thanks brother!
very good 👍🏻
Thanks
Wow! Well... I mean Wow!
Thanks!
Sounds great. How many takes did you get out of the session, and was there any rehearsal time? Also, is this just the raw material or is there some mixing already?
The piece was recorded in small chunks, each section 3-4 takes. It took about 1.15 minutes I believe. No this is not raw, I mixed it myself
@@MattiaChiappa Ah ok...so the last take where everyone is playing together never really happened during the recording right? I had a similar situation last year where I was in a program and they had live orchestral sessions of our compositions and I find that unless meticulous care is taken with placement, recording all together is sometimes messy...LOL. Nice pice...any virtual embellishments on top? I've been thinking of trying one of these remote services myself.
I’ve done a complete take at the end just for myself. These guys are really good they can read anything and don’t need much guidance just a few comments to get things done how you want. This piece is very hard to play and I’m very picky but the long session I booked was overkill.
@@MattiaChiappa Thanks for the reply ;) Best of luck with it. Do you have something in mind for the recording or was it just for yourself?
No this piece was for the episode finale of my 10 orchestration techniques series. I wanted to end big with a live orchestra 😁
Did you book this recording from their shared session calendar?
It was my own session
Stop being good at stuff!
😁
👍👍👍
🫶
wooow
Thanks 😁
The percussionist at 2:10 is just showing off lol
Ahah yeah I love that moment!
Noïce !!!
Thanks!
nicccccceeeeeeeeeeeeee
Thanks!