Sitar on Fire | Raag Lalit (Part 2) | Pandit Budhaditya Mukherjee | Music of India
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- Опубліковано 10 кві 2017
- #darbarfestival | “Then came the realization of responsibility. When that hits you, it feels like an earthquake...However, my sitar recognises me. And that’s what I live for.” (Budhaditya Mukherjee)
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Budhaditya Mukherjee is revered for his extraordinary command of the sitar and surbahar, with many counting him among the world’s leading exponents of both - at age 22 veena maestro S Balachander described him as the ‘sitar artist of the century’. He first started learning from his father Bimalendu Mukherjee, an eclectic musician who studied under sitarist Enayat Khan as well as a plethora of singers, beenkars, percussionists, and sarangi, esraj, and sursringar exponents.
Budhaditya achieved success early, winning various competitions while also pursuing academic work (he graduated with a first class degree in Metallurgical Engineering, and it is said that he barely made a key exam on time after flying straight in from a performance). In his youth he sought to replicate the distinctive sound of Vilayat Khan (“my goal, the shining star, and the sun in whose ambience I too wanted to bathe”). He began to tour internationally, and holds the curious distinction of being the first musician to perform in the British House of Commons. Always seeking to broaden his musical vocabulary, he is considered to be the first sitarist to capture the intricacies of tappa vocal music - a semi-classical style derived from Punjabi camel-riders replete with fast, distinctively angular melodies, typically depicting the emotional outbursts of a lover.
He has customised his sitars using his engineering knowledge, and brings new imagination to playing them with a fine-lens command of the Imdadkhani gayaki ang [singing style]. He is notoriously uninterested in self-promotion, and prides himself on musical self-control, not allowing his near-unrivalled speed to distract from the underlying shape of a melody (“speed in sitar music is an incidental decoration, not the core on which aesthetics of sitar music stands”). A stellar performance career has not prevented him from living out a strong commitment to teaching - he is among India’s most respected gurus, with students including Dhruv Bedi and Gagandeep Hothi. He has also held academic positions in Rotterdam and Venice, and tours the world, enrapturing audiences of newcomers and old connoisseurs alike. Listen to more of Budhaditya here:
-Mian Ki Malhar | • Epic Sitar in a Thunde...
-Todi | • Video
Lalit is an oddly-shaped raga intended for performance around the time of sunrise. Its modern form takes the notes SrGmMdNS, with shuddha Ma as the vadi [king note]. Note the absence of Pa, and the adjacent use of both tivra and shuddha Ma in descent - a rare, perhaps even unique feature (twin-swara ragas typically permit one version of the note in ascent and the other in descent). This leads some to say that the tivra Ma functions as a kind of komal Pa in practice - something supposedly forbidden in Hindustani classical (although the concept is mentioned in ancient texts such as the Natya Shastra). Different traditions may use either a komal or a shuddha Dha, and others hold that it is in fact a microtone somewhere between these two tones. It is similar to Carnatic Raga Lalitha, suggesting a common source. Hear more of Lalit here:
-Jyoti Hegde (rudra veena) | • Raag Lalit | Solo Rudr...
-Rajendra Prasanna (bansuri) | • Enchanting Raag Lalit ...
-Indrani Mukherjee (khayal) | • Mesmerising Raag Lalit...
Recorded at Darbar Festival 2017, at London’s Southbank Centre:
-Budhaditya Mukherjee (sitar)
-Soumen Nandy (tabla)
Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK.
All Rights Reserved ©2019 Darbar Arts Culture Heritage Trust
India was shredding strings and jazzing it up before any one else.
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Well, to be honest this ain't shredding per say. Shredding requires way too much speed and precision. There is precision here for sure but not speed, for speed is against the very nature of Hindustani classical music.
Oldest civilisation on earth we were doing this when usa didn’t exist and Europeans were eating dirt and killing each other for food
Perfect at 4 AM
me at 3 am... you win
I am listening at 4 pm its sounds me perfect at that time also..🤐
4:20 am bro! True happiness.
Ohh thanks for listening indian music
Same
Sitar sounds give a feeling of stars (glitter) falling into my ears... melodious 🎶🎶
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Mind Blowing .....Classical ke saamne sab Fail....Indian Classical is Just Awesome!!!
The greatest sitar player of our time!
No doubt
Agreed
God level focus .
Salute to both the Ustads
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Toughest Instrument to play in Indian Classical Music.
Really It’s Sitar on fire.
🙏🏻🌹.
I am in total transcendental state while listening to this amazing Lalit. It is one of life’s most pleasant experiences to hear Raag Lalit from Pt.Budhaditya Mukherjee. I have heard his Lalit on two cassettes, heard his Lalit live at Sadarang festival in Kolkata in 1980s and enjoyed all. But this rendition immerses you in the ocean of infinite, unending exuberance. The constant array of tuneful notes accompanied by perfect rhythm on Tabla by Soumen Nandy makes a musical journey without parallel. Inside your heart you feel that this musical journey continues forever.
Brilliant is not even the word..
Ecstacy is
Man that tabla was flawless.
What a brilliant execution of jhala from the genius and hats off to Soumen bhai for the classic theka!!
Thanks to Darbar... listen this Raga several times...Unparalleled..in this planet..Thank to Pandit ji..every times it brings my tears while listening.. My Pranam 🙏🙏🙏
What an amazing rendition, beyond words!! At first time stood still, and then slowly I got immersed into that mesmeric divinity he could so effortlessly create. He is undoubtedly the greatest living sitar maestro in the world today. A very high quality of accompaniment on the tabla too!
It is very soothing early in the morning. Thank you for uploading
You listen, you feel perturbed under the excellence of the divinity, you try to touch the soul, you become better Human. Finally, you're one with God. Pranaam, Regards, Tears🙏🏻🙏🏻
My wrist, forearm and elbow wen numb just watching this, lol. Awesome 🎶
Sitar is elixir for my heart goes straight from ears to heart... ♥️
I have been Waiting for Pandit ji's video for the festival. Thanks for uploading!
My humble request to Darbar is to make available full concerts of all seasons of Darbad festival, even on a commercial basis. I won't hesitate to buy those gems. 🙏
Ramachandra Bhakta Darbar player !
Wow! This is beyond words!
Great recital from down to earth artists
मुझे सितार से प्रेम है
I love sitar
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Thankyou soo much god that I am born here in my this amazing country INDIA ...... And I will try my full to not let this beauty and my traditon go extinct in the influence of that stupid western culture ...,.they are dumb and their culture is totally harmful for our health and wealth.....🙏🙏🙏🙏😊🇮🇳🇮🇳🇮🇳🇮🇳🇮🇳🇮🇳 thanks bharat mata for giving such and such amazing and amzing people legends , songs , tradition, culture and everything in one country that's my country and that's why it's different and its a mother 😎😎😎🇮🇳🇮🇳🇮🇳🇮🇳🇮🇳🇮🇳 mother BHARAT....
Mera bharat mahan !!!!🙏🙏🙏🙏🙏❤️❤️❤️❤️😎🇮🇳🇮🇳🇮🇳🇮🇳🇮🇳🇮🇳
This is total Devotion🙏🏼
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out standing. many thanks for this upload.
PANDIT JI ... 🙏🏻🙏🏻🙏🏻
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Simply marvellous. Thanks to both the artists.
Aha.... kya baat hai Panditji.... Pranaam 🙏🙏🙏
Absolutely powerful! Thanks for the incredible footage
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Simply marvellous!!!!!!
thoroughly enjoyed this
Sir .....
Speechless
what a class!
Beautiful,splendid...no words😱😇🙏👌👌👍👍👏👏❤💥💎
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Mastery in action !
Extraordinary, out standing performance.
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Magistral...increible
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Panditji is good. But Shriman Soumen is excelling by leaps and bounds.
Superb
Apratim👍, khup chan.
pranam Panditji
wah wah wau
elegant
No words
❤️❤️❤️
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❤️❤️❤️❤️👌
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Nice
A live lalit.
Please mention tabla artiste's name also. Kya theka lagaya hai!!
Table player is Soumen Nandy.
superb Theka .....
@@de2010rht PANDIT Soumen Nandy ji...
I personally felt lack in theka in first part
second part it is amazing development
oh my god
🙏😇🙏😇🙏
🙏🏽
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4:15
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Patawwwng patawwwwwng
Can word fill what I fell
Pt ji is beyond appreciation .. when was this performance? @darbarfestival
very nice play by Pt.ji and Soumen bhai. Venue and year please, anyone?
Though music is haram in Islam but I am fond of our traditional music
Hi kazi mezbah,
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💖🥰🌸🌺🌞🎋🎋🎋
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Is it copyright free?
Unfortunately not :-)
I think there are artists also seating in the audience like Patri Satish Kumar and many others am I right?
Absolutely right :-)
u r right bro😊
0:05
😇
He is such a great sitar player but hasn't covered his legs with shawl
He doesn't. Maybe that's more comforting with open legs.
sometimes u feel uncomfortable or ur legs start to feel like moisten....or any other reason....even pandit ravi shankar also seen with opn legs without shawl....so we cant tell wht really is in artists' mind....
Who needs Bollywood junk anymore.