How Nirvana Writes A Chord Progression | Artists Series S2E2
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- Опубліковано 30 бер 2018
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Ever wonder how Kurt Cobain wrote his songs and what role Power Chords played in his writing? Here's your answers, plus a whole lot more.
how kurt actually made progressions: move the power chord shape around the fretboard until you finding something that sounds cool
lol yeah this dude is overanalyzing this shit so much
Yeah so all you have to do is have the musical talent of Kurt Cobain and you can write songs like him! Or, for the rest of us, you can watch videos like these and have a better understanding of how he did it. I like these videos, keep it up!
@@BeastmanUCF I wouldn't say this is how he did it, I'd say it's more how it works.
Totally missing the point. They wouldn't even be chords if it wasn't for the melody he sings, which is the what the whole video is about.
@Liam Beyer and we still come to the same conclusion. That Kurt just moves around power chords randomly.
Let’s take Aneurysm, for example. Intro of F# - C - B - A. Doesn’t really fit into much of a pattern unless you hyper analyze it. Even more so when you look at it the way Kurt plays it sloppily... F#sus4 - Cmaj - Bmaj- Amaj.. typically with the B and e string ringing
Then he does a basic chromatic scale on the G string starting st the third fret with the B and E strings ringing going up at an uneven rhythm to an arbitrary end (no version is the same... even in the same recording of the song).
Then it’s just alternating between B and D power chords for the verse with B being clean and D being distorted.
Then the chorus is just F# - G - A - A# - B - A. Pretty much a random pattern with lots of half-step intervals.
If you want to see Kurt at the peak of his random power chords... listen to Milk In on In Utero. A# - E - G (with an open E string for a couple beats) - G# - E
Kurt was quoted, "I was lazy and waited to the last minute and just wrote down a bunch of garble. Then spent all my time trying to explain what the songs actually meant".
sly angler lyrics wise
sly angler ohh theres still hope for me i see xD
Lol such a piscean
@@michelleottley5292 oh stfu
@@westonwheeler2311 He was into astology and really related to it though.(so in his case he was "such a Pisces")
"I have no concept of knowing how to be a musician at all, whatsoever. I mean I don't know the name of the chords I play, I don't know how to do major or minor chords on a guitar at all. I couldn't even pass you know, Guitar 101. Everyone knows more than I do" - Kurt Cobain
He knew scales
@@demos1936 i dont think he knew scals he didnt even knew if he was playing major or minor chords
@@mikoaj5891 he knew, there are a lot of evidence, he was maybe joking or exagerating about it.
@@juannauj9631 Kurt was a far more capable guitarist than he liked to let on. He started playing the piano at four, and had been playing guitar for 6 years by the time he formed Nirvana. I'd recommend the Nevermind episode of VH1 Classic Albums if you want to get an idea of what he was like behind the public image.
@@surfdigby yeah i know, i never said something against that idea, i said that he knew a lot about guitar, maybe not on a high level of theory, but more than usually gets credit for.
if kurt made this video himself it would be 30 seconds long.
"just find a chord you like and branch off and be creative"
My music teacher when I told him I wanted to learn guitar:
This is a power chord, you can move it around. Now go form a band.
Zer0Spinn When I told my teacher I wanted to learn piano:
"You'll never be popular or sexy."
@@basedbattledroid3507 You'll be popular and sexy if you eat meat.
@A one legged man I did see him in an interview once and they asked about music theory and he just said " its worthless, it only gets in the way". Not sure if that means he did know theory or not..
@@jesse.b613 ua-cam.com/video/tSNUYTBao7I/v-deo.html
Another explanation for major where you expect minor is that an overdriven major chord sounds way sweeter then a minor one. Good video!
This! People miss the big reason why he used these chords and it all has to do with the equipment he used (the distortion pedals) and the sound they made which affected completely the use of certain chords. Barre chords would be way too muddy for a 3 piece band with that much distortion on just one guitar.
if Paul Davids says the video is great, the video is great
Kurt never used overdrive pedals but yeah distortion and dynamics come into effect during his creative process
I don't think Kurt realized any of these things at all
most of these things are merely interpretations of this guy who never lived on 80's and 90's.
a lot of bs here
Most of these are tho, Kurt was a feminist punk rocker that rebelled agaisnt a buncj of things
Who cares. You can still analyze what someone did and see how they did it so you can do something similar. That's what great about music theory. You can learn from others and know why it sounds so good.
It doesnt matter whether or not he knew what he was doing, he still DID it.
Nobody said he did. smh
6:48 That's not Breed that's In Bloom
who cares it’s obviously an accident
Was thinking that and scrolling to c if anyone noticed
"pro legalization of MARY-YU-ANA"
Lmao I’m glad I’m not the only one who noticed that
If I had a daughter, I would name her Mary Yu Ana.
Kurt Cobain was a power chord musical genius. You can always hear the influence of Pixies, Wipers, Buzzcocks etc. who wrote great unexpected melodies on top of their fast, hard-rocking music but Kurt just took it to a next level. If there's actually people sneering at the mere thought of a power chord they should watch this video. You don't even see it coming as he's playing the same power chord as before but the song's already in a different place when the melody goes from major to minor or vice versa. Playing those full chords to Smells Like Teen Spirit felt like spoilers to something where there's no real ending or solution. It just felt wrong. Fun experiment though, and a great video, thanks!
Sumday hey
I play guitar and have written a little
I don’t play power chords. And very rarely play bar chords
But I really like these videos. And like the fact that power chords leave off some notes from the chord is really interesting how it can effect a chord progression
Just thought I’d comment on what you said
Sumday
Kurt was a musical genius.
Come as you are is not power chords. it's chromatic arpeggio and the melody fits perfectly on it.
He's not the 1st one on mixing major/minor chords...
but he learn to did it very well.
his music is very organic.
He clearly thinks in terms of the whole thing (not only one element)
The people who sneer at power chords would be unable to understand this unless their professor told them so.
@@emzee1148 lmao.
Kurt used power chords because that was all what he needed to do. He could shred but he hated hair metal and he liked to kinda annoy and show off to other musicians/songwriters he could make hit records and great sounding music with sloppy simple easy beginner level guitar playing…that was better then their songs with complex highly skilled guitar playing and music theory. He made a bunk of artists salty. Him playing like a beginner was also part of the character /the image he wanted to present to the masses. The too cool to care, anti rockstar -that was lazy, did not want or like fame or money, too cool to care, who could barely play guitar and wrote lyrics on the fly accidentally wrote hit songs without trying. Kurt could play guitar very well, his lyrics were not meaning less and he spent a lot of time on them and wrote them well in advance. He definitely knew
music theory unlike he said. Analyzing his songwriting and it becomes apparent he did. Billy Corgan and other artists at the time, knew and later on stated the image he created was bullshit. Kurt practiced, wrote 24/7
So to write a Nirvana tune, start on happy chords and end sad chords or start on sad chords and end on happy chords. Distortion is optional on either parts depending on your mood.
Sing in a major note on the sad chords, sing on the minor for the happy chords.
Screaming or yelling is optional depending on your mood.
can you give me examples on what the sad and happy chords are, and what you mean by "major notes on sad chords and minor notes on happy chords"? please
@@mikesantiago14here’s the easiest way to think of it. Step 1, pick a key. Say you pick the e key. If you decide to use E minor there are certain modes you can pick but to be Kurt like pick Phrygian. In E key that would be E minor, F major, G major, A minor, C major, D minor. You can view this as the cynical aspect of the E key. The ironically happy scale not sure if they mentioned in the video so you can just use Ionian. E key Ionian chords would be E major, F#minor, G# minor, A major, B major, C# minor. And then cover up these progressions by picking shared chords (for example both keys have an e power chord and an a power chord), turn them into power chords, and emphasizing the key you are actually inferring with melody. Oh and every once in a while shift your power chord down half a step to keep things unexpected.
@@Davidlcorzine that is incredibly helpful. thank you
I have literally never heard anybody use the word "gender" to describe chords.
Lol I know right. I was like wtf? I bet I know this guys political leanings just by those comments.
Gordon Adams Gender = masculine/feminine
@@ltrain4479 yeah I bet you do
Its 2019 man chords can identify with whatever gender they want now.
tymime
Bingo!!!
gender is BS to music
8:30
The reason you hear that chord as major and NOT minor is because Kurt Cobain plays that chord as a major chord more often then not as an accident. This is because of his technique with power chords. Kurt uses only his index and ring finger, and (as you see and hear in live performances) Kurt barres his ring finger across the fifth and the octave and sometimes hits the next string down from that ( in this case, the g string ). This adds an affect you can hear very clearly when Kurt builds his power chords from the E string. When Kurt builds his power chords on the A string though, he barres across and usually hits the B string, making the chord overall a major chord.
In smells like teen spirits case, this means the chord progression actually goes like this:
F5 - BbMaj. - Ab5 - DbMaj.
No the chord progression you say is false. They are just power chords. Did you even listen to the song? There is obviously no D in his Bb chord nor an F in his Db chord. I tried to play that on my guitar and sounds awful.
You are absolutely right !
Just look at Kurt play... @Ben Gehre is absoutely right !
@@Patrick96322 dont look at what Kurt plays, but listen to the song. Music is audio. It looks like he is holding a major chord but it doesnt mean he's playing it.
Best comment I've read so far. That's the perfect analysis right there by @Ben Gehre. When i started playing guitar, I never took lessons. I covered Nirvana songs by watching all of their live videos and observing Kurt's playing very closely. And since i was sloppy in my initial days of playing and didn't know a lot of music theory, i would end up playing exactly like that and blow people's minds by getting the Nirvana effect.
This effect is best heard on Aneurysm. When he builds up an E string power chord. Kurt was the "let it rip" type. He wasn't very nuanced in his guitar playing which is what makes up his unique style!
Kurt was self taught. He literally made stuff up...and it worked. Creative Genius!
Creative and Gifted*
He wasn’t at all self taught he took piano lessons growing up and he had a guitar teacher as a teenager, he came from a family of musicians, and he had a Beatles song book
@@heidiherndon3890 Whatever....Nevermind
@@CrystalVideo9 lol nice
This is what I try to explain to people who say “Nirvana weren’t that good”.
God I wish I knew what any of this meant
You know, I was thinking the exact same thing and this is not my first video from this guy. I don't even know why am I watching them. :))
Don't worry kurt cobain didn't knew any of this either
came for a music lesson left with a philosophy lesson... love it
I'm so high and this is way too deep
most sincere
I always thought Cobain was a musical genius. He had this ability to change keys in the middle of a song, sometimes in the middle of a riff, which was so fluid and effortless that no musician can match him in that regard. That, and he was a melodic genius as well.
This explanation is spot on. Basic example for this technique are Smells and Rape me.
He didn't know squat about music theory. He just randomly put chords together until something sounded good to him. There is absolutely nothing wrong with that. He didn't know the chord names he used. He labeled them chord 1, chord 2..... with crudely drawn chord diagrams either at the top or bottom of the lyric sheet. There wasn't anything genius about his song writing. That's the best way to do it. Right stuff you like if somebody else likes it cool. If not oh well they can sit and spin on it. Remember the anagram K.I.S.S. or keep it simple stupid if you play live you have to play that shit.
@@DiegoMartinez-wo7tw I'm telling the truth your the stupid one.. Prove me wrong in the HBO documentary about Kurt made by his daughter they showed his notebooks. He labeled them 1,2,3.... over crude drawings. The man himself admitted to not knowing music theory its not hard to play random chords until something sounds good to you.
@@DiegoMartinez-wo7tw the musician decides you write for you not someone else. A G-C-D chord progression sounds good regardless of the fact you know why it does. Doesn't matter if you don't know it's a I-IV-V chord progression. The blues chord progression. Try it if you know theory don't use it just play till something tickles your pickle. 8 different keys doesn't matter if it's a not a chord doesn't matter. James Hetfield doesn't even know the notes across the guitar neck (Kurt didn't either) never stopped him from writing good songs.
@@DiegoMartinez-wo7tw you know music has no rules right? They're more like guidelines. The music theory police won't arrest you if you play a D flat in the key of G. So you got butt hurt because I said it's all right to not know music theory and not to over complicate things. I bet you don't even play just another Cobain fanboy that thought his untalented ass hung the moon. Kurt played punk rock guitar Barre chords and heavy distortion. He knew the shapes couldn't tell you which chord he was playing but he knew the major chord shapes. Another words put this finger here this one here etc..... . If you write for the masses you'll end up being the next Beyonce or Lady Ga Ga. Can Stephanie write does she know music theory? Yes but what does she do? Shakes her tits and ass in a meat dress to a generic hip hop beat repeating the same terrible hook over and over.
Kurt had perfect voice leading. If you take the melodies out of the context of rock and play them on the piano they sound really beautiful and very sophisticated. The influence of The Beatles especially John Lennon is undeniably there.
1. Outcasted
2. Careless
3. Unprofessional
4. Experimental
Yes
Ocue
I have no idee what you are talking about. Yet I see the whole video.
A thought for anyone who says "Kurt just played chords until he found something that sounded good.. and it worked for him, so therefore I don't need music theory"....
We weren't there when the songs were written so we have no concrete way of knowing exactly how Kurt's creative process worked. Maybe he was just an intuitive genius who stumbled onto brilliant creative chord progressions and matching melodies. Maybe he was influenced by another band member (Dave Grohl for example is a serious student of music). Maybe he found some older song transcriptions and repurposed the chord progressions and/or melody to his style. We don't know.
My point is... your brain might be tempted to tell you "music theory is for nerds, Kurt wrote brilliant music and he was just messing around." There's no way of even verifying that premise, and --- even if it is true --- I think clinging to it is just a cop out for the lazy who wish to believe that they can achieve greatness by just casually messing around on their instrument. Hey, maybe you can. But I can't see the downside of acquiring new knowledge and expanding your capabilities; and I would encourage you to look very skeptically on any idea that might dissuade you from doing so.
I think Kurt spent his early days jamming, figuring out what kind of vibe various chord progressions evoke and then used those in his songs later. A lot of his songs use the same core themes. Knowing the kind of person he was and his philosophy, it was without a doubt done intuitively and not through an application of theory.
Kurt's music was not what would be classically considered great. Listen to his solos, they're objectively garbage. But the raw nature, his voice, his sincerity and angst translate into something greater than the sum of its parts. It is possible to make great music through intuition without a knowledge of theory. Nonetheless, music theory, like any other form of theoretical knowledge, can give you the tools to explore new opportunities and form more complex compositions.
There were a few ways of verifying that he had virtually no grasp on music theory.
First was self admission. He said that he’d write songs and lyrics almost half hazardly and at the last minute. Dave Grohl said in an interview protesting the reality music shows that the way to become famous is to form a band even though you all suck.
Kurt was immensely pressured fame and realized that he was at his creative limit. A song like Rape Me was just Smells Like Teen Spirit with a different chord progression and tempo. The time signature and rhythm were identical and the lyrics were lacklustre. Senseless Apprentice l, Radio Friendly Unit Shifter, Tourette’s, and Milk It were just incoherent noise. Heart Shaped Box, Pennyroyal Tea were ok. Francis Farmer will have her Revenge on Seattle and All Apologies were almost cries for help.
The other band members got good after Nirvana. Kris just followed along with root chords 90% of the time and Dave did a good harmony and was a decent drummer but had few writing credits for Nirvana.
Dave’s proto-Foo-Fighters song Marigold was an extremely simple harmony with himself and the first Foo Fighters album didn’t stray very far from Nirvana and Grunge in general with the exception of a few more melodic pieces like For All the Cows and Big Me.
Dave taught himself to play the drums and i’m sure he did the same for guitar
I understand both sides of the argument. I purposely didn't learn theory until I'd already been writing songs for a while - and I think that worked out for the best. I'm not limited to stumbling around in the dark OR writing everything mathematically.The two things can compliment each other. That's just me though. Everyone's different and being judgmental is silly. It's all subjective.
Zach Taylor
I agree, but the main thing is composing is not looking outside like this guy on the video says, but the exactly opposite!!
composing is looking INSIDE, is an introspective thing, that's why the beginning of this video is totally BS!! all the "social changes" blah blah blah... when you create you go to your private unique universe, and you build your own world... Kurt never thought of any of that BS while he was creating a song.
besides many ppl think Nirvana songs are simple just because they are easy to play; that's Faaaraway from the truth!!
a simple song is _Stand by Me_ that's a simple song, a G circle (boring to me) with no modulations, alterations, zero... it's plain G E C D zzz
if Nirvana's music would be written, it would be full of b and #, and changes of key, different key signatures, chromatic stuffs all the time, dense harmony, rich harmony, heavy harmony (don't know the exact word)
to have all this elements (and more) and make it sounds fresh and easy to listen, that's the Genius part.
Mozart 40th symp. is also easy to listen, but it's not simple at all... is very complex.
I have a good hypothesis for your Bb major chord in Smells like teen spirits. The Major third is actually a frequency present in the sound of the guitar because of the distortion. Distortion adds a lot of overtone and increases the volume of the overtones. The major third is a pretty early note in the overtone series, which explains why you hear it in a chord that only has the root and fifth.
Laura JD Fan huh! Never thought about it like that. You might be right!
Or it is because Cobain actually plays the major third sometimes as he places his fingers so that his ring finger barres the fifth, the octave, and sometimes the major third.
true
It's most likely just from the parallel F major key.
Hi. Just watch carefully at Cobain's fingers. He uses just one finger to do chords like F and B, so that's why it sounds like that. Most noticeable on "Dumb" and "Rape Me"
Hey, man. I know this is an old video, and nobody will see this, including the author of the video, but Kurt was in a school band, and anyone in a school band will attest to the fact that you can't be in band if you can't read music a little bit. I appreciate the effort put into this video and think a lot of what you said is super valid, but that part should get a rethink.
Underrated comment
I find just being able to count helps!?🤔
Best quote: "Even nihilism has it's formulas"
Ha - and did!
I think that what made Nirvana was the lack of so called 'musical education' which allows for going places that education would tell you was wrong.
Agreed :)
I agree, too, to a certain degree. But Cobain also listened to so much music, he might have had the knowledge unconsciously. That means he realized there was "something" happening without having the technical knowledge about it. He was a very smart guy, at least when it comes to music.
Music theory doesn't really limit you to write anything you want. You can explain everything in music in someway or the other by it. Also not knowing anything about music theory doesn't necessarily limit people to write anything. Some people can have great ear, trained their musicality by listening a lot of music and so on.
Learning music theory greatly expanded what I could do. It describes, not prescribes. Like reading more makes you a better writer (expanding vocabulary and introducing tropes and themes), learning music theory allows you to describe and manipulate your music to bring out more creativity.
@@Holistic-songwriting It's all been done before in classical music.
This is the first of your videos I've seen, and I have to say I really dig it. There's so many videos about playing and technique, it's cool to see someone approach the writing side of pop music. Looking forward to checking out more videos!
Nirvana: heavy, melodic, great lyrics and a lot of screams.
For me it’s dark,creative,inspiring
Kurt did not need to be able to read music to make music, he simply felt it, resulting in something soulful and actually beautiful, in a way breaking music theory "rules" and yet sounding great.. He defined a his own type of music.. These strange progressions actually have a feeling and that's what its all about.. RIP you LEGEND
These series are SO great. Thank you!
I should warn, though, there are some mistakes:
- at 6:48 , the video says it's Breed, but you're playing the verse of In Bloom
- at 7:49 the second chord of Drain You is C#, not C.
thank you, playing guitar while watching the video was driving me crazy
this shod probably be closer to the top of the video
This is by far the best video I've seen about his songwriting. I definitely love it when educated people like you understand and appreciate Kurt's music. I find it totally amazing that a guy like him who "technically" knew nothing about music wrote such brilliant songs. Personally, I owe him a lot for what he did, for the impact that he had on me. It's a gift that he lived.
I don't know if anyone else has mentioned but the unplugged album gives an even bigger insight into his chords. Good video thanks.
Please i need more of this kind of videos. You really helped me in terms of finding inspirations in songwriting. Thanks a million, Hollistic!
I remember playing Nirvana on the guitar all the time when I was younger, and then having trouble transitioning to bar chords as I moved on to other bands. I admire how Kurt juiced out so much melody from power chords. Playing Nirvana with bar chords completely changes their sound for the worse, I believe. It really confines the sound and impairs the melodies. I genuinely think the way he unified the simplistic limitations of power chords with the most succulent melodies was genius. It's incredibly difficult to sound distinctive with such basic tools, but he managed it.
Trent Reznor/ Nine Inch Nails next please. =)
exactly
"It's not even a chord it's an interval." Mad me laugh so hard Lol
I did do this:
1.angst
2. youth
3. disillusioned
4. distrust
We are a bit different
9:58 Kurt Cobain's moving-up-a-minor-third trick reminds me of why some people say that they're "worried learning music theory will stifle originality and creativity."
While it is true that a lot of people might not think to borrow a chord outside of the key like that if they're strictly following more basic music theory, one thing to remember that music theory is just a tool. It helps us talk about, explain, and remember what we've seen in other songs and how we can repeat it or avoid it in our own.
In fact, we're talking about borrowing a chord outside the key with music theory terms. While these are considered more advanced topics, don't worry; they're just fancy names for "Doing something that we didn't think would normally work but it totally does," which is exactly what people who don't want to learn music theory want to do in the first place.
You're still allowed to use power chords and other weird combinations of notes if you learn music theory.
I WAITED SO MUCH FOR THIS! Thank youuu
You forgot to mention what the genius of Cobain was. How he combined melodies from the beatles and other 60s pop hits to the power chord progressions that you lay down here. That's what made them so catchy.
5:46
"Through his melody, he turns an e flat power chord (which should be a minor chord) into a major chord, thereby changing its gender... and yes it would be really amazing if he did that purposefully as some kind of statement on gender fluidity or sexuality"
what the fuck
It makes sence once you watch it a second time lmao
You should do the Beatles next
I'm a huge fan of nirvana and this video is amazing thank you so much for the video
First video of yours I've watched, now I'm an instant fan. It's nice to watch a well-produced series for people who already know music theory. A lot of youtube content I've come across always takes its time explaining concepts to people who presumably know no music theory.
One of the few channels that I know I have to set aside some time, hit pause constantly, and take notes. You are a swell fellow FF.
Season so far has been great Friedemann! Really dig the more theory intense stuff being discussed. Looking forward to Muse! What about a episode on The Beatles? They have very complex harmony at times, Lots of minor plagal cadences and let's not forget I am The Walrus.
Yeah, I would love to, but boy, I could do an entire season on the Beatles and there'd STILL be a ton of stuff to discuss.
Even though they’re from Aberdeen, WA. Not Seattle.
Grunge was a term coined by the mainstream. I’m sure no one involved in that subculture used that term.
They didn’t make it in Aberdeen Washington any more than Elvis made it in Tulepo Mississippi.
Sub Pop "coined" it.
The subculture coined that term (I think it might have been Mark Lanegan), and Kurt said he thought it suited their style of music.
As a musician I love your channel. Keep analyzing bands, and styles. Thanks dude.
if kurt saw this, he would laugh his ass off
I did
Bet he'd watch the whole thing though.
He definitely would have found this amusing. He did not put this much thought into it or intend for it to be analyzed like this. He sat and wrote these songs on his guitar, humming or mumbling a melody until he thought it sounded right and then would start working on the lyrics. He for sure wasn't thinking about music theory or changing a minor chord to a major through his singing over that particular note. I'm glad this video exists, though.
Jeff Watson exactly!!!!
A. Graham oh did you write songs with Kurt lol
Your voice is godly
He has an interesting accent. Is he Canadian?
I noticed his voice almost immediately, lol. This dude needs to be narrating documentaries and doing voice over work for movies and cartoons got dammit, lol. I swear a nature documentary or some science documentary would be fucking perfect for this dude. I also think he would be perfect as the wise old teacher or instructor in some Pixar or DreamWorks movie. As I'm typing this comment I have the video playing but can't see it and all I'm picturing is this guy as Poe's martial arts instructor, or as the grisled old blues guy training the animals in the movie Sing. It would be fucking cool if some movie exec or some agent stumbled across one of his video's and offered him some voice over work. He wouldn't be the first UA-camr to be cast in a big Hollywood movie, fucking Anthony and Ian from Smosh were both in the Angry birds movie, and I know there were a few more UA-camrs in other movies, I just can't remember who and what movies right now.
I'm rather hearing a very slight German accent, predominantly in some of his L's, but also, to a lesser extent, in some other aspects of his voice.
German is correct ;) But thanks, y'all!
Ce cauti aici? :)))
Elliott Smith please!
YESSS
Yeeeeszss!
Elliott Smith's changes are off the hook!!
yessss
Please please pleaaaaassee
I like how people think they are interesting in the comment section saying "you are analysing too much, Kurt wasn't thinking about this....", stop saying that "it's only feeling", i'm sure these kinds of videos could help a lot of people, music is something you do at the moment, without thinking but you can learn it to. I like these kind of videos, it's really interesting and it helps a lot.
I think kurt just showed his feelings with his voice guitar and l song melodies or chords...
This shows how he really felt in his short life and he really did give us that feeling.. feeling sad and happy at the same time or kinda nevermind things around us and being high at the same time.. fun experience thanks kurt.
Really liked the video, first time seeing your channel. Subbed, definitely going to get some popcorn and binge watch your channel at some point. Typically, when I see people who can read script and are familiar with theory talk about Kurt, they talk about him as if he's an amateur simply because he didn't learn; I'm glad you were able to recognize his talents and explain them in an introspective way whilst remaining formal, rather than condescending.
Have you seen the 12tone video on In Bloom? Definitely worth a look if you haven't yet
Ben Cronk BLA BLA BLA PC , Starbucks
Liking 90's punk rock is equivalent to supporting the enforcement of 2018 branded political correctness?
I know so little of what the hell you are on about but still find it interesting to try to understand. Thank you for sharing this.
Excelent video! Keep up the job..! You couldnt explain everything better!! Good speech and perfect speaking, clear and finally i found your video because nobody knows about original style of power chords and his unique way to make legendaries songs. And i know for the most part the meanins of them. So some of them you can give the meaning from your point of view.
Wow, this is one of the best youtube recommendations that I ever had, thanks for this great video
Awesome series, Friedemann!
JOHN FRUSCIANTE pleaseee!
Great vid man, dude mindblowing physiological guitar progression
Do bring me the horizon!! I don't even care what style of them you choose! Thank you for all the knowledge you spread too man
01. Aberdeen
02. Punk
03. Who Cares
El Emilio angsty, raw, and simple.
punk= talentless
@@jeremydunn7444 but still great?
@@pietunuortimo2332 without a doubt
@@jeremydunn7444 punk wasn't created with the idea of talent in mind
Kurt lied about the lyrics being last minute and that he didn't know theory, he worked on all of the songs on Nevermind and the albums that followed for years before they were professionally recorded. He also knew music theory and even the names of all the chords and notes he was playing. His writing in his personal song notebooks details clear drawings of his chord progressions, along with the chord names and possible positional changes in each song, plus the lyrics. His whole "lazy" persona was just made up to boost his image as the "apathetic genius". He knew what he was doing.
Not saying this to diminish Cobain's genius in any way, but knowing the names of chords isn't the same as knowing music theory. Anyway I think most great composers write their music intuitively weather they know music theory or not.
Ryan you've brought enough reason now go and eat shit
He literally wrote the lyrics in 5 minutes and they often have no meaning
This is half true.
Hugh Jones he did a lot of cord leading and hummed or mumbled them. He’d pick words from his diary last minute. Often choosing contradictory phrases like afraid of never knowing fear
Dude... Your breakdown of "all that" (as a guitar player myself)...freaked me out !!
Bravo !
I love his use of chromatic melodies, as well as that moving up a minor third to another major chord, sometimes not even in the key. That's all signature for him -- and it makes for a very unique sound.
I think they just came up with some cool riffs and made it work. Do people really use theory when they when they write music? I never have. I just think of riffs in my head or noodle around until I do something that sounds good or gives me an idea. I don't think of chord progressions I just know where I want it to go. I just have to get it from my head to the fretboard.
I can see how theory could help if you are stuck but I feel it is better to think of what you want to hear rather than let theory dictate where you should go.
stimpson j cat Just depends on who you are. Some people base all of their music making on their theory knowledge and other base it on feeling. Both have pros and cons. Myself personally use a little bit theory to help me write.
Theory doesnt dictate what you should do. Knowing theory can make it actually easier to get the melodies out of your head. Melodies people sing will almost always fall inside a scale for the biggest part. Singing outside a scale takes practices. You have 12 notes on your instrument but singing a melody using all of them is really really hard.
stimpson j cat. You write entire songs worth chord progressions without understanding chord harmony and you keep everything in time?
@Marvin Bennett I am careful. I know what I am saying. I said: Theory doesnt dictate what you should do, so I am actually warning people that theory should not put a gun to their head to make them force where to go.
If people want to be scared of theory then that's their problem. You can certainly make good music without theoretic knowledge, but knowing some theory doens't make you worse. That's like saying: my english will get worse when I start learning grammar and vocabulary. I am also not saying that you should work your ass off and study it 2 hours a day everyday, but if you're interested in making music then I just don't understand why you would neglect it. Then you're just being selective and only choose to do what is fun. But we all know that staying in your comfort zone doesn't really bring progress.
stimpson j cat
music is feeling 100%
only when you need to solve something that it's already created, you can use theory.
Never in the creative process.
that's why jazz have no soul
Awesome video! I’d like to suggest St. Vincent
Heck Porter YESSSSS
Why do I like the sound of this guys voice so much haha so satisfying
Just discovered this channel today and it's brilliant
Krist said “but I love him” talking in presence rather than past tense.
Poor guy just never excepted his death as the rest of us fans haven’t either
Dan and Lilly’s Beard Product Reviews Year late, but when we die, our energy carries on. This is especially true with loved musicians. Everytime we hear the music, we feel the energy from the time
You need to do Queen!!!!!!!!!!! Please!!!!!!!!!!!!!!
This is exactly why i listen to nirvana. I like to be able to sing the music i enjoy and singing nirvana takes you through switching scales, and it's fantastic! Anyway, thirteen minutes well spent with this video, thanks a lot!!!
Julian Casablanas/The Strokes!
Super keen sense of style from day 1, very melodic hooks everywhere, and that tight locking-together of the different rhythms
You make a video about OPETH? I think it's interesting because they have [had] such a unique style and for me it's a lot about the chords and intervals they use but also the rhtymn in many songs (they even have one specific rhytmn pattern)! And acutally a lot more ;)
If you could do ‘Tool’ would be great!
His use of the Tritone on In Utero is amazing
I tried to answer that question you ask @ the 0:40 mark.. & It made me realize that Nirvana is one of the only bands that entire catalog takes me places. & I feel like I couldn't even begin to accurately describes the places their music takes me, or the vibes, images and auras I get off the music they make. I get a surreal feeling off some of the songs that Kurt wrote, especially with a lot of the raw recordings that I would listen to on the "with the lights out,' set.
The only other artist to do what they do musically for me is DJ Screw. DJ screw is in a completely diff genre so this band has always stood out & been one of my favorites. I can tell Kurt put his soul into all of his music and put his heart into writing most of the songs that were made. Some tracks actually make me feel like I go on a journey that contradicts time in the fact I literally feel as though the message & matters Kurt was trying to convey is communicated on a level that couldn't even be reached by conversation in person with some one. That's what makes Nirvana more entertaining to me than watching movies, or TV. Kurt was one of the only artists I have found so far that could sonically produce a picture that feels realer than film. I also get this understanding that the group has an energy to it that gives that type of vibe of "This type of thing will only happen one time in history," feeling that Zeppelin has. A uniqueness that will always keep them in a spot of their own an separate them from even the best of the copy cats.
I know some people won't get it & would prefer other types of music & I feel sorry for people like that because music is one of the greatest blessings I could imagine us having & is one of the most entertaining things point blank . When it's good
Awesome episode Friedemann!
YES YES YES NIRVANAAAAAA- u need to do Catfish and the Bottlemen as well 👌
Your Channel, Sir, is awesome! Just stumbled upon it and immedeately subscribed. Very interesting concept! Keep up the good work!
I'm glad Drain You made an appearance. I love the melody of that track
Weezer sometime? Maybe? Possibly?
Also: Pink Floyd / Pearl Jam / The Who
Just Allegro YES, PLEASE
definitely maybe
Just Allegro wheezer definitely uses some bizarre chord progressions. especially in the beginning of “Say It ain’t so”
Yes please so Weezer
Dude called me TF out when I didn't pause to think about Nirvana... Call me out, man... call me out
Brilliant, thank you for sharing.
Thirds relations always work with a tonic, whether the large (major) or small (minor) third. Thus, going from C to either A flat, A, E flat or E will work, as you will have at least one shared chord tone
How about a Video about Rage against the Machine or (for all germans around here) Die Ärzte?
Pink Floyd!!!
AWESOME VIDEO
I really appreciated this one, and I'd love to see something about White Stripes sometime in the future.
Keep up the great work! Thank you
pivoting between keys is totally authorial, there are so many ways to pivot. Kurt even pivots off of natural harmonics. So much ingenuity.
If you told him that he'd probably say "da fuq you talking about?"
PLEASE DO AN ELLIOTT SMITH EPISODE. This show is absolutely great.
Very interesting music theory calls for a B minor but the sound was made famous with major, which just shows an example of what can be done by not following what other have done already. Oddly enough thats why i liked Nirvana now that i think about it, they had that not expecting it to go there chord feeling rather then something predictable. The clean to distortion thing enhanced that effect. Back in the day a guitar friend of mine always thought the chord in Rape Me should of been an A Minor also when i was showing him the chords one time, which is wasnt, but maybe the same thing was going on. Cool video.
mike jones yes. Unexpected changes and loud quiet loud playing. Kind of crazy that even though I know every single square inch of every song by now, they never get old and those unexpected changes and lql still give me a rush.
It is Am in Rape Me, as defined by the vocal melody. On guitar it's a fifth, but it's definitely not a major. The E is though - harmonic minor - also used in Dumb... so yes he certainly knew what he was doing... to a degree, by which I mean mostly intuitively.
show biz being show biz. The man probably knew alot more than he let off. excellent video, i cant wait to read your website material! Thanks so much for sharing!
Thank-you for this.
I swear I seen a documentary about ufo's with a person who narrarted the same freakin way but just older.
Do one for Fleetwood Mac
João Vitor
Would be really cool!
I like videos like this because they allow us a method of understanding something that these musicians felt naturally but I think it’s important to take these ideas in a broader sense.
Pick some techniques that you think sound cool and learn how to move them around the fretboard playing what pleases your own ear. This is how you create your own style.
I dig the descriptive chord changes. He definitely tried to make things fresh.
Oh good old days :´)
Very cool analysis of Kurt Cobain's songwriting. I've always loved his use of chromatically ascending or descending vocals melodies. One thing that no one ever seems to point out is Kurt's constant use of sus4 chords on guitar. Of course, this wasn't entirely intentional. If you notice how he played his power chords on guitar, he always used his first finger and ring finger only, yet he played more than just the lowest three strings. Take the first chord of "Smells Like Teen Spirit" - it's not exactly an F5, but an Fsus4, his ring finger extended to the 3rd fret of the G string, playing a Bb. In fact, any power chord he played with it's root on the E-string almost always was rendered in the sus4 form. Although the addition of this sus4 note obviously wasn't intentional, Kurt subconsciously realized its inclusion and enjoyed the tension that the note added to his songs. For example, take the chorus of "Come As You Are" - the "memoria" part, F#sus4 to A major (not A5, his power chord unintentionally adds the C#). This part would not have that tension if he simply played F#5 to A5. Although you can argue that this was just a consequence of Kurt's sloppy guitar playing, let's take a look at an even better example: the verse of "Dumb", all barre chords (tuned down 1/2 step) Esus4, Amaj, Gsus4, Cmaj with the sus4 or maj note purposely picked out, not just sloppy guitar playing.
Joseph Saccente
but he plays some times Maj and minor and other times Sus, so it was intentional.
no accident
from what i have learned from my guitar teacher i remember that curt tuned his guitar to " fit" the powerchord playstyle. and on live recordings sometimes we can hear him tune the guitar different per song
the chord in that part of come as you are are G5 to Bb5, as the song is written with the guitar one step down. (although it can easily be played by just dropping the E and A strings a step each)