Beethoven - Adelaide, Op. 46 (Peter Schreier, Norman Shetler)
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- Опубліковано 12 кві 2016
- From the festival hall in Bad Urach (Germany)
Songs from Ludwig van Beethoven
Tenor - Peter Schreier
Piano - Norman Shetler
Ludwig van Beethoven - Adelaide, Op.46
Tenor Peter Schreier, accompanied by pianist Norman Shetler, gives a recital consisting entirely of Beethoven songs,
among others the song cycle ''An die ferne Geliebte".
Lyrics:
Einsam wandelt dein Freund im Frühlingsgarten,
Mild vom lieblichen Zauberlicht umflossen,
Das durch wankende Blüthenzweige zittert,
Adelaide!
In der spiegelnden Fluth, im Schnee der Alpen,
In des sinkenden Tages Goldgewölken,
Im Gefilde der Sterne strahlt dein Bildniß,
Adelaide!
Abendlüftchen im zarten Laube flüstern,
Silberglöckchen des Mais im Grase säuseln,
Wellen rauschen und Nachtigallen flöten:
Adelaide!
Einst, o Wunder! entblüht, auf meinem Grabe,
Eine Blume der Asche meines Herzens;
Deutlich schimmert auf jedem Purpurblättchen:
Adelaide!
Watch the full concert: • Beethoven - Adelaide, ...
![베토벤: 아델라이데, Op.46 [피셔-디스카우/자발리쉬] (마티슨)](http://i.ytimg.com/vi/MDWFNN1vH1I/mqdefault.jpg)
Performed so elegantly and perfectly beautiful in every possible measurement and musicale quality
Ruhe in Frieden, lieber Peter. Du warst mir einer der besten Sänger überhaupt. Du und deine Aufnahmen werden unvergessen bleiben. Danke für die Musik, die du uns geschenkt hast!
Rest in peace dear Peter. You were one of my favorites. We will never forgot you and your beautiful recordings. Thank you for the music that you gifted us!
Einer sehr schöne Stimme und Interpretation. Herrlich!
R.I.P Maestro!!
I was listening to this for school and this is really good
Fantastic! Thank you.
Exzellent!!
Obrigada! Ouço e quero ouvir sempre!
Bravo!
It can't get much better than that! Thank you!
Rest In Peace, Mr. Schreier.
この若々しい声に感じ入っています。
R I P in pace maestro
Solenne,celebrativo e tenero il tenore: il piano più vivo e spirituale
이분 소리 깨끗하고 깔끔 젊을때 보다 좀 힘들어하시는듯 해도 감동은 그대로 줌
breathtaking ..
太棒了！
WOW! this is just an amazing performance from both performers. So tied together. Thank you for sharing.
아일린 ㆍ 만들기도 끝 그리고 한 일로 저는 너무 ㆍㆍ해서 제가 너무 잘 수 있다고 긍정의 힘을 가지고 온다고 해서 정말 감사해 하는 한해로 채워지기를 기도할께요 저는 연중무휴 입니다 안부가 아닌 진심으로 ᆢ 안녕하세요 저 오늘 하루 되세요 감사합니다 ㆍ ㆍ ㆍ 정말로 아정말 ㆍ 진짜 감사했습니다 ㆍ ㆍ 그 항상 잊지않고 제가 ᆢ ᆢ ㆍ 막 찾아주셔서 ㆍㄴ2응원합니다 친구 만나서 ㆍ 하지만
Die Meister
This was on September 30, 1987. He was 52 years old.
How do you know the exact date of this performance?
I researched it using the information you had provided. It took a little while, but I found it. :)
Allright! Can you please share the link of your source?
Wonderful singing! RIP maestro!
Уау!!! Спасибо!!!
Belíssimos.
O seu nome é Adelaide
Such a beautiful song and wonderful interpretation!
Such fine singing. That was a voice lesson! Thanks for sharing!
Thanks for listening ;)
R.I.P.
What happened to the video of the cycle An die Ferne Geliebte? Did you have to take off from UA-cam? I remember watching it a few months ago.
0:59
He skipped a high A toward the end. Did he forget the note or was he afraid of cracking?
Joon Kang this high a is Not Original Beethoven , just a Tradition
I‘m sorry, I made a mistake. I was told that this high a is not originally by Beethoven. Now I checked with the Henle Urtext Edition and it’s comments and there is no doubt, that the a in bar 150 is written in every available source. The only differences in the sources concern the note before the a (f# or g). Maybe Schreier just made a mistake and mixed it up with bar 109 (while Shetler played the eighth notes as written in the score) or dit it on purpose just as you said, because he didn’t feel well. It was a big Beethoven Recital and he would have had every right to feel tired. On the other hand he never had problems with high notes as far as I know. So... there is a big chance, that we will never know! sorry for my wrong information! I’ll ask my colleague once more, maybe there is still something to find out about this!
Amazing? I beg to differ. This is a very intricately constructed piece, and Schreier inexplicably just...fails or refuses to fulfil entire sections of it. I kept noticing that when the music was obviously undergoing a movement from a piano section to a forte section that in the passages making the transition he just...quit. He also hammered away at one passage which is absolutely not forte, just because he felt like making a lot of noise, I guess. And then, he skipped an entire passage of more than six notes! From Beethoven! You can't do that. The passage I am referring to comes with the word "Adelaide" just before the last repetition of the phrase "deutlich" towards the end of the piece. There is supposed to be a six eighth note descent from the high A down to Bflat, followed by a quarter note and a couple other notes. Schreier simply doesn't SING them! Instead, I think he just holds the G and drops directly to the B flat. I mean, the beauty of the passage is partly that this goes very quickly so you have to be really good to articulate this descent completely and elegantly. And he skips it!
And why is it that you can't skip notes?
@@bharp4390 because if you do, Beethoven will rise from his grave, hunt you down, and whack you on the head with a very big stick. 😉
@B Harp43 Because, world class artists are assumed capable of singing every note of a piece. Jussi Björling 's version of this is the crown jewel. This gentleman is skipping notes, is slightly flat, missed an entire six note passage, and does not maintain a beautiful tone.