Wagner DER FLIEGENDE HOLLÄNDER | Titus, Studer, Silvasti, Sotin, Schiml, Kerl | Bayreuth | Schneider
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- Опубліковано 19 кві 2017
- Opera and libretto by Richard Wagner, conceived by the composer to be performed without intermission; however, it is also performed with breaks between acts. This run of performances was performed without intermission. *** Additional commentary below ***
Der Holländer - Alan Titus
Senta - Cheryl Studer
Daland - Hans Sotin
Erik - Jorma Silvasti
Mary - Marga Schiml
Der Steuermann - Torsten Kerl
Live, 26 July 1999, Bayreuth, Festspielhaus, Chor und Orchester der Bayreuther Festspiele, Peter Schneider (Conductor), Norbert Balatsch (Chorleitung)
I had previously uploaded roughly half the performance in 16 segments, from the Spinning Chorus onward, due to UA-cam's cumbersome video length restrictions at the time. I also recently uploaded its grand Finale:
• DER FLIEGENDE HOLLÄNDE...
This upload is of the complete performance. And it is white hot. Note that the Senta of Cheryl Studer is not your garden variety tempest-in-a-teacup. You were warned. With her large, powerful, luminous and distinctive instrument she delineates a character of sustained, live-coil ardor and intensity that often matches or surpasses the utterly tone-deaf (but sainted) Leonie Rysanek (and spares you the distasteful and disruptive Geschreis too). Terms used in some circles to describe this brand of impact are "demented" or "left blood on the floor". And here you have it, both. As for the other important principals, they are the stuff of dream casting. No one ever talks about the fine Dutchman of Alan Titus nor the equally fine Erik of Jorma Silvasti and one wonders why but comes up empty. No less important is the direction of Peter Schneider, a conductor in the great German tradition. No one talks about him either. And the exceptional Norbert Balatsch shaped the Bayreuth chorus to match the intensity of the principals which helped raise the already scorching-hot musical temperature to intolerable (for good) levels. Enjoy.
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Wonderful Studer!!!! We owe you so much!!!!!
... Schneider unvergessen einfach wunderbar
Sublime Studer, as well as the whole cast.
je suis très gêné par son vibrato. C'est franchement laid et donne à Senta un coté soubrette insupportable. Ecoutez Rysanek pour savoir ce qu'est une Senta.
@@gerardmignon700 J'étais là. Elle a été merveilleise.
@@gerardmignon700 I have never liked Studer but here I find her vibrato unbearable.
This is very good sound quality, better than I already had. I first heard Peter Schneider in Düsseldorf in 1979 - great Wagner conductor. He took over the "English" Ring at Bayreuth after Solti pulled out in 1984. He also conducted often at the Vienna State Opera. A greatly appreciated conductor by many, especially at Bayreuth.
Which Holländer-Version (-Fassung) is this? I would be pleased to know it
The Steuermann shold sing a lyric song. Interesting that at Bayreuth he must try to be a heroic tenor even there... it is not Siegfried :)
What a magnificent performance! Absolutely white-hot.