The NKH sym. orchestra under mtro. Fedoseyev, brings out a sound that is astounding. The subtle melodic lines or Borodin's "robust" harmony, highlighted in a brilliant manner.(esp.1st, 3rd & 4th parts). It is the "distilled" outcome of 60 years of experience by this veteran of the rostrum.
A música de Borodine é bem um reflexo da alma do povo russo, que me cativa desde os tempos em que, ainda rapaz, li os Contos de Dostoievski. Excelente interpretação.
0:00 is a good place to start. ... I think I finally now understand why Valery Gergiev sometimes conducts with a toothpick sized baton. He doesn't really need the baton, but he knows that we crave to see SOMETHING. It would be so much more satisfying watching this if Fedoseyev was just holding a toothpick.
Stating the time where a good place to start is, would only seem worthwhile to help those people unfamiliar with the piece to know straight away if the best bit is somewhere OTHER than 0:00, coz without that information, they'd have no reason not to start listening from 0:00. But even when the music really is better somewhere in the piece other than from 0:00, it's still not useful to give the time of that other spot, because even those unfamiliar with the piece aren't going to listen from a recommended spot in the piece that's not 0:00 -that's because they'd know hearing the preceding bars will result in greater appreciation of that best part that's further into the piece. I'm sure music-lovers know that the good bits are better when heard in the context of the entire piece. So what it all boils down to is, everyone will listen from 0:00, whether that spot or any other is said by someone else to be a good place to start. Some people may first do a quick check of one or more spots in the piece just to get an idea if it's likely to be their cup of tea-and if that's established , they'll then head back to listen to the whole thing from 0:00-but they won't sit there and make those best spots the start of where they listen from, by leaving it playing from that point until the end of the piece. I think Sleepy Joe put it best-"Aww, c'mon maaaan??!!". Wouldn't happen.
@@darrylschultz6479 I put in the "0:00 is a good place to start" just for my own use. It's not there for anyone else. It's just something for me to click to get the video going. I could click the play button instead, but sometimes the play button begins things too early, before the music starts. So I quit relying on the play button and put in my own button (so to speak) instead.
В заслугу Федосееву, порхающему, как бабочка без дирижерской палочки, что нынче очень модно среди считающих себя гениями, можно поставить только умеренные темпы. Во всем остальном это вполне себе средненькое исполнение. Средненькое и формальное.
![[1991 Live] Tchaikovsky : “Romeo and Juliet” Fedoseyev & Moscow Radio Symphony Orchestra](http://i.ytimg.com/vi/a3YSnaGCUIE/mqdefault.jpg)
![[1991 Live] Tchaikovsky : “Romeo and Juliet” Fedoseyev & Moscow Radio Symphony Orchestra](/img/tr.png)
自分の主張を押し付ける指揮者ではないね。鳴ってるの聞きながら、うん・いいね・思った通り鳴ってると共感してる気がする。オケとの共感が素晴らしい。松本さんに向けた笑顔も優しくとってもいいね。
３楽章のシミジミ・アダージョから４楽章の楽しいアップテンポ、そして、サラッと終わる。
粋やなぁ～～～
I could watch, and listen to, this conductor getting the best out of orchestras all day. Thanks for posting.
初めて聞いたけど、格調が高く、画面のくすんだ感じも相まって、長く聞き継がれる音楽なのかな？
良く分からないけど、何回も聞きたくなる。一つの印象に向かって全体が鳴ってる感じ。N響の味わい
Just came across this performance. Thanks for posting. Maestro Fedoseyev is always worth a watch.
The NKH sym. orchestra under mtro. Fedoseyev, brings out a sound that is astounding. The subtle melodic lines or Borodin's "robust" harmony, highlighted in a brilliant manner.(esp.1st, 3rd & 4th parts). It is the "distilled" outcome of 60 years of experience by this veteran of the rostrum.
Hahaha I love the screaming guy at the end... it was a really beautiful interpretation
Bellísima conducción de una sinfonía maravillosa .
マロさんがコンマスだぁ〜🎶 この交響曲を聴くと、ボロディンの心優しさがわかって、自然に涙が出てしまう😭
A música de Borodine é bem um reflexo da alma do povo russo, que me cativa desde os tempos em que, ainda rapaz, li os Contos de Dostoievski. Excelente interpretação.
Grandissimo Borodin .Pensare che faceva il musicista nel tempo libero!
「中央アジアの草原にて」もあるんだね、草原を馬に乗って走るイメージ、お道化た陽気な感じもあって楽しいね。ジョン・ウェインでも、いいね、場所は違うけど
Богатырская симфония поднимает дух нашего народа укрепляет душевные и телесные силы! Огромная вам благодарность за ваше творчество! Браво!
Fedoseyev has his head in the score throughout the piece.
The right name is NHK Symphony Orchestra(Nihon Housou Kyoukai)
あなたもしかして日本語がわかるの？？
個性的なメロディ。ボロディンの新たな一発見発見。
mov4 23:14
8:20
0:00 is a good place to start. ... I think I finally now understand why Valery Gergiev sometimes conducts with a toothpick sized baton. He doesn't really need the baton, but he knows that we crave to see SOMETHING. It would be so much more satisfying watching this if Fedoseyev was just holding a toothpick.
To see something laugh for players? wwww
He conducts the way I do when I conduct my air orchestra in Bruckner.
Stating the time where a good place to start is, would only seem worthwhile to help those people unfamiliar with the piece to know straight away if the best bit is somewhere OTHER than 0:00, coz without that information, they'd have no reason not to start listening from 0:00. But even when the music really is better somewhere in the piece other than from 0:00, it's still not useful to give the time of that other spot, because even those unfamiliar with the piece aren't going to listen from a recommended spot in the piece that's not 0:00 -that's because they'd know hearing the preceding bars will result in greater appreciation of that best part that's further into the piece. I'm sure music-lovers know that the good bits are better when heard in the context of the entire piece. So what it all boils down to is, everyone will listen from 0:00, whether that spot or any other is said by someone else to be a good place to start. Some people may first do a quick check of one or more spots in the piece just to get an idea if it's likely to be their cup of tea-and if that's established , they'll then head back to listen to the whole thing from 0:00-but they won't sit there and make those best spots the start of where they listen from, by leaving it playing from that point until the end of the piece. I think Sleepy Joe put it best-"Aww, c'mon maaaan??!!". Wouldn't happen.
@@darrylschultz6479 I put in the "0:00 is a good place to start" just for my own use. It's not there for anyone else. It's just something for me to click to get the video going. I could click the play button instead, but sometimes the play button begins things too early, before the music starts. So I quit relying on the play button and put in my own button (so to speak) instead.
@@yowzephyr Oh I see. Fair enough, sounds like you've worked out a good plan.😎👍
0:00
8:16
14:40
23:14
В заслугу Федосееву, порхающему, как бабочка без дирижерской палочки, что нынче очень модно среди считающих себя гениями, можно поставить только умеренные темпы. Во всем остальном это вполне себе средненькое исполнение. Средненькое и формальное.
начало разработки в первой части видимо проклято для валторнистов всего мира 😀😀😀
8:13