This is extraordinary,like a storm,or a dialogue of mind and soul. I'm only glad that my limited understanding is drawn to the incredible power of this haunting music. Thankyou so much.
It reminds me of shifting sand dunes,and evening winds ever changing,stirring up leaves and many thoughts and emotions. No two phrases are ever exactly alike.
Thanks a lot Benjamin! As you very well know, music only really lives, when it makes its way to the ears and minds and hearts of the listeners. So thank you for making that living possible by listening 🙏
Really interesting. I could hear Southern American blues/slide, Iberian classical guitar, even European medieval "troubadour" and so many other kinds of music packed into this (I do realise it happened the other way around). At a deeper level there is something to be found in common even with himalayan meditative (?) music and far Eastern (Han, Japanese, etc.) compositions and instruments - with an established filiation as well with ancestral oud/barbat, in some instances. It is so universal and kind of goes full circle in terms of time and places but no one should ever call this folklore, it is as alive as ever and of course, you do make it your own. Pardon the clichés. And so much for the fixed scales and time signatures of most mainstream music, which - if there is such a thing as a step backwards or towards the actual death of music by fossilisation, that must be where it is at. A truly great thing we now have all of these other channels. Brainstorm in a teacup aside... it sounds lovely, thanks and friendly yours.
In fact, I deleted the comment because I felt it was long and also you don't have time to answer every silly comment 😅 My comment was about this big amount of sadness in Shajarian song which you linked and it is common sadness in most middle eastern music in the way it is really very hard to listen to it since it makes the listener more gloomy and more sad. I was wondering if it is healthy in that way and if that amount of sadness is also kind of tool to keep us sad. Of course, here I am not talking about the quality of music. We all know that Shajarian is such a big master and a legend. Here I try to think about the way of representing the sadness. Some ways are kind of condescending. Others ways are kind of depressing and recalling sadness. I am not asking you a direct question. I just share you my ideas. Even you don't need to answer. Feel free (:
قطعات آوازی و تکنوازی عود دریچه ای جدید برای من بود و خودمم باورم نمیشد وقتی همخوانی میکردم بسیار جالب بود
ممنون که به اشتراک گذاشتید استاد🍃
سپاس از مهرتان!
و این که گوش می کنید🌹
I am in awe of the virtuosity, and the challenge to the mind and senses of this tapestry of music. Thankyou Negar Bouban
Merci pour cette magnifique musique ❤
Eleven minutes! Much, very much appreciated. Thanks.
Genial, como siempre, Negar
thank you for listening!
music only makes sense when it is received by the right audience. 🌹
This is extraordinary,like a storm,or a dialogue of mind and soul. I'm only glad that my limited understanding is drawn to the incredible power of this haunting music. Thankyou so much.
I am among the haunted myself.
:)
It reminds me of shifting sand dunes,and evening winds ever changing,stirring up leaves and many thoughts and emotions. No two phrases are ever exactly alike.
Bravo, c'est magnifique comme tout....
thanks for the support!
So Beautiful, Thanks dear Negar
سپاس!
Thanks for the video. Hope to see more uploads soon
Desde la mitad hacia adelante, me gusta más esta composición
Wonderful playing as always! Thanks for sharing :) .
Extraordinarily beautiful and inspiring. Thanks a lot for this gift to us music lovers.
Thanks a lot Benjamin!
As you very well know, music only really lives, when it makes its way to the ears and minds and hearts of the listeners.
So thank you for making that living possible by listening 🙏
Beautiful! Thanks for sharing...
TheMusicalEvents thanks for listening ☺️
Flowers aroma
Really interesting. I could hear Southern American blues/slide, Iberian classical guitar, even European medieval "troubadour" and so many other kinds of music packed into this (I do realise it happened the other way around). At a deeper level there is something to be found in common even with himalayan meditative (?) music and far Eastern (Han, Japanese, etc.) compositions and instruments - with an established filiation as well with ancestral oud/barbat, in some instances. It is so universal and kind of goes full circle in terms of time and places but no one should ever call this folklore, it is as alive as ever and of course, you do make it your own. Pardon the clichés. And so much for the fixed scales and time signatures of most mainstream music, which - if there is such a thing as a step backwards or towards the actual death of music by fossilisation, that must be where it is at. A truly great thing we now have all of these other channels.
Brainstorm in a teacup aside... it sounds lovely, thanks and friendly yours.
😍
♥️
In fact, I deleted the comment because I felt it was long and also you don't have time to answer every silly comment 😅
My comment was about this big amount of sadness in Shajarian song which you linked and it is common sadness in most middle eastern music in the way it is really very hard to listen to it since it makes the listener more gloomy and more sad. I was wondering if it is healthy in that way and if that amount of sadness is also kind of tool to keep us sad. Of course, here I am not talking about the quality of music. We all know that Shajarian is such a big master and a legend. Here I try to think about the way of representing the sadness. Some ways are kind of condescending. Others ways are kind of depressing and recalling sadness. I am not asking you a direct question. I just share you my ideas. Even you don't need to answer. Feel free (:
لاحدود لا أنثى وأنتي أنثى
❤
🙏🌷