@@tobieeck9676 If you're playing jazz, there's no such thing as a wrong note. Only a note you didn't mean to play and didn't play again to make it seem intentional.
I've never used a backing track before, this is pretty awesome. I'm still learning piano and so far I've mostly learned blues scales, this works wonderfully with them!
@@guitarman6742 These are not notes but the list of the G tonality's chords: GM7M; Am7; Bm7; CM7M; D7; Em7; F#m7b5 I just tried to explane that it is normal for Jesper to play easily along this track, the same scales, because the piece is keeping the same tonality of G (only the chords of the list above)
Absolutely love this! I’m p insecure to be a sax player who knows so little about improv so this is a nice place to start. I had a lot of fun! I’m going to come back here time and time again :) as a note to my self and other saxophonists (if they need it) - for alto sax it’s in E major
This is so awesome dude! I did not know that I can play jazz with my soprano saxophone! It's like you are a musician helping other musicians discover new things from themselves! Thanks dude whoever you are! 😊
This is the perfect backing track, especially for guitar. All natural notes for the frets excelt for f# and all the chords are also beginner shapes. Any chromatics (wrong notes) flow seamlessly. Keep listening and playing and doing random intervals and trying to come up with phrases and you'll become a jazz pro in no time as long as you can play in more keys
How significant it is that this cat plays like this and isn't a jazz snob :) In the 70's a few guitarists in our jamming circle went off to Berklee School of Music, came back and wouldn't play anything we used to play....... we'd loved jamming on Robin Trower, Allman Brothers, Frank Zappa, Herbie Hancock, Dixie Dregs, Santana, Blue Oyster Cult, Stanley Clarke, Jeff Beck, etc., but the Berklee grads.....looking down their noses from their lofty places, if it wasn't in the key of H and jam-packed with (X)mmaj7b9b11b13aug+9sus2 chords, they don't even leave the house for less than $250........ now, since my birth in 1958, when my jazz bassist father was playing clubs in NYC, I'd grown up among world-class jazz players...... I've seen the spectrum of attitudes. Something that always boggled my mind was jazz players for whom jamming over a Latin vamp was so boring they'd take the chance to show the crowd how sophisticated their syncopation and modulation skills were, at times nearly causing train wrecks. So far out of pocket, so flashy, but don't care where the "1" is of the next measure. Pocket is all that matters, but to so many jazz players, it's all about proving how far "above" everyone else they are. I never listened to Grand Funk Railroad...... they were balked at. Only in recent years did I discover what a phenomenal amount of talent they have. SO...... in terms of "humble", this Quist cat is the epitome of it. "Humble" means not the newly displaced alpha dog baring his throat to the new alpha, but "teachable". If you listen to the breadth and depth of styles in his libraries, "teachable" is an understatement :)
this is a very relatable post. I always thought many virtuosos were fun y because the shit they played was just so ugly. People need to remember what music is
Been 10 months since my last entry........ I actually presumed my posts have a shelf life of a few days. Much to learn about this UA-cam realm....... I was reading under your "Show More" section that you can play G Major scale-based phrases, except over the E7 where you'd go for the A harmonic minor. What bogs me down about the idea, which I'm sure works like magic, is that very often there's not enough time over a certain chord to do such things. For example an A harmonic minor arpeggio over that E7..... but there's only 7 diatonic/12 chromatic notes to choose from. How to put enough in such a small time segment to make it worth it, unless of course it's with a run of 16ths or 32nds (???). Regardless, Quist, your standardized presentations under "Show More" carry immense weight, have helped in ways no others have or could!!! Big thanks!!! Be well, stay well, man.
I like to play along this backtrack very much, really relaxing. I just play funny notes and have fun (can't sound good though). When my neighbors ask me what was that I say - jazz. Now all my neighbors hate jazz.
Love the solo, hated the backing until the solo sold what could be musically done over it. Continued listening but now enjoying the form and changes more for how the soloist expressed himself on top of it
don't feel bad about your skill just know that if you keep practicing then you'll get better and sound like that cause im just learning but it gives me something to look forward too
Caro Jacob,inserire come intro un assoletto cinese fa pensare di essere più sensibili musicalmente quando si esegue un backing track così delicato. Ho suonato anche questo brano con armonichetta diatonica. Ho sentito delle voci a Firenze e prima a Bologna che sono uno degli migliori. Auguri. Gregorio
I play metal guitar primarily, and I've recently gained interest in jazz guitar. I like playing over tracks line this to work on different kinds of phrasing. I was actually alternating between D minor and D Harmonic Minor over this, adding some whole-tone and diminished stuff in between. The in between didn't sound that great, but the rest sounded pretty cool over this. Thanks for the track!
Man I am really enjoing your channel. Long time guitar player but only now recently getting into Jazz and the fusion of Jazz with blues. Players liike Robben Ford and Josh smith have been my newest path in this rabbit hole of guitar playing.
Damn you and your jazz....all feely and intelligent and chordy edumacated stuff. AAAArrrggghhh!! lol. I'll just play something completely unrelatedly shreddy over it until I learn gooder stuff.
Well, I surprised mahself! Yes I did. I clicked on this on a whim, and the next thing I knew I was jammin all jazzy. Yeahya! Now I'm sittin here thinking that maybe, because of the pace of it, playing along with jazz might be a really good way for me to learn scales. I mean, just playing a scale over and over again can get boring real quick. Having something like this to play along with sounds like fun. I'm glad I clicked on the link! Gonna see what else you offer. Thanks!
Not sure why but it sounds more like the a minor is home. Probably because that 5 to 1 motion but the d is also resolving down a 5th to g. Does anyone know why a feels like home?
Quist-interesting that I can hum a riff a moment before I play it and it's pretty jazzy. And I've only played rock and some classical - forever. The other interesting thing is it's very easy to play very complicated things with a lot of 'chromaticism,' as it's easier to remember hard things - than easy things! At least for me. My lifelong problem is I cannot - cannot - remember what I play. Too bad or I'd be a jazz guitarist. Oh, well. Thanks for this.
Assim Que o dia amanheceu Lá no mar alto da paixão Dava pra ver o tempo ruir Cadê você? Que solidão Esquecera de mim Enfim De tudo que há na Terra Não há nada em lugar nenhum Que vá crescer sem você chegar Longe de ti tudo parou Ninguém sabe o que eu sofri Amar é um deserto E seus temores Vida que vai na sela Dessas dores Não sabe voltar Me dá teu calor Vem me fazer feliz Porque eu te amo Você deságua em mim E eu oceano Esqueço que amar É quase uma dor Só sei Viver Se for Por você
![[BackingTrack] Bossanova 1-6-2-5 in G major](http://i.ytimg.com/vi/cC7LluQmtLw/mqdefault.jpg)
![[BackingTrack] Bossanova 1-6-2-5 in G major](/img/tr.png)
![[ #1 ] Smooth Jazz Backing Track 2-5-1-6 in C Major, 80 bpm](/img/n.gif)
First jam of 2019!
HAPPY NEW YEAR :) Let's have a great one!!!!! HAPPY JAMMING 🔥
@Bogdan Neamţu long as you give clear credit with a link, yes :)
Hey any tips for learning lead voicing
Me: Wants to learn the fine art of jazz Also me: plays random notes over this and calls it a day
lmao I'm here just for that too
me playing classical music: wrong note noooo
me playing jazz: Ah yes, delving into the finer arts.
@@tobieeck9676 jaja XD just play and fun
@@tobieeck9676 If you're playing jazz, there's no such thing as a wrong note. Only a note you didn't mean to play and didn't play again to make it seem intentional.
@@carloseduardogonzalezsalga7947 I know you speak spanish
I've never used a backing track before, this is pretty awesome. I'm still learning piano and so far I've mostly learned blues scales, this works wonderfully with them!
Awesome, welcome in the jam fam!!
Because of the dominant 7th chords
I can suddenly play jazz when jamming to this track. Good job!
Awesome!
Victor Kirsch , *dissonant
It's normal, we stay in the same tonality. (G Maj) It means that all these 4 chords are made with the same scale which is (G-A-B-C-D-E-F#)
@@Denisstrato It would sound very boring to just play those notes over and over.
@@guitarman6742 These are not notes but the list of the G tonality's chords:
GM7M; Am7; Bm7; CM7M; D7; Em7; F#m7b5
I just tried to explane that it is normal for Jesper to play easily along this track, the same scales, because the piece is keeping the same tonality of G (only the chords of the list above)
Harmonics on the 7th fret work rly well
Perfect jazz backing track, I love to practice solo with alto, soprano and piccolo flutes!!!!!!!!!! THANK YOU!
🙏🙏🙏🙌
@@QuistJam 🎷🎺🎸
*intensely focuses while playing jazz on a slide whistle*
Great backing track btw
this is helping me practice my arpeggios as I transition from rock to jazz! thanks!
Absolutely love this! I’m p insecure to be a sax player who knows so little about improv so this is a nice place to start. I had a lot of fun! I’m going to come back here time and time again :) as a note to my self and other saxophonists (if they need it) - for alto sax it’s in E major
I just used this for my first ever G Major improv session! I was mostly using Am before this moment!
This is so awesome dude! I did not know that I can play jazz with my soprano saxophone! It's like you are a musician helping other musicians discover new things from themselves! Thanks dude whoever you are! 😊
Hey. My name is Quist and that is exactly what I'm here for :))))
I used this to practice improvising on Alto saxophone and it works really well
Awesome!!
Thanks, Quist. You're the best. I play with your backing tracks nearly every day and its helping me a lot :)
This is the perfect backing track, especially for guitar. All natural notes for the frets excelt for f# and all the chords are also beginner shapes. Any chromatics (wrong notes) flow seamlessly. Keep listening and playing and doing random intervals and trying to come up with phrases and you'll become a jazz pro in no time as long as you can play in more keys
How significant it is that this cat plays like this and isn't a jazz snob :) In the 70's a few guitarists in our jamming circle went off to Berklee School of Music, came back and wouldn't play anything we used to play....... we'd loved jamming on Robin Trower, Allman Brothers, Frank Zappa, Herbie Hancock, Dixie Dregs, Santana, Blue Oyster Cult, Stanley Clarke, Jeff Beck, etc., but the Berklee grads.....looking down their noses from their lofty places, if it wasn't in the key of H and jam-packed with (X)mmaj7b9b11b13aug+9sus2 chords, they don't even leave the house for less than $250........ now, since my birth in 1958, when my jazz bassist father was playing clubs in NYC, I'd grown up among world-class jazz players...... I've seen the spectrum of attitudes. Something that always boggled my mind was jazz players for whom jamming over a Latin vamp was so boring they'd take the chance to show the crowd how sophisticated their syncopation and modulation skills were, at times nearly causing train wrecks. So far out of pocket, so flashy, but don't care where the "1" is of the next measure. Pocket is all that matters, but to so many jazz players, it's all about proving how far "above" everyone else they are. I never listened to Grand Funk Railroad...... they were balked at. Only in recent years did I discover what a phenomenal amount of talent they have.
SO...... in terms of "humble", this Quist cat is the epitome of it. "Humble" means not the newly displaced alpha dog baring his throat to the new alpha, but "teachable". If you listen to the breadth and depth of styles in his libraries, "teachable" is an understatement :)
My jazz jargon isn't sophisticated enough for this text, but I did read it all I guess.
this is a very relatable post. I always thought many virtuosos were fun y because the shit they played was just so ugly. People need to remember what music is
I loved it. There's nothing quite as nice as getting into a sweet little jazz melody early in the morning.
This gives me nostalgic summer night vibes, whitch I can't describe..
🙏🙌
Would you use to listen to it when you were younger? This brings back those memories
Been 10 months since my last entry........ I actually presumed my posts have a shelf life of a few days. Much to learn about this UA-cam realm.......
I was reading under your "Show More" section that you can play G Major scale-based phrases, except over the E7 where you'd go for the A harmonic minor. What bogs me down about the idea, which I'm sure works like magic, is that very often there's not enough time over a certain chord to do such things. For example an A harmonic minor arpeggio over that E7..... but there's only 7 diatonic/12 chromatic notes to choose from. How to put enough in such a small time segment to make it worth it, unless of course it's with a run of 16ths or 32nds (???).
Regardless, Quist, your standardized presentations under "Show More" carry immense weight, have helped in ways no others have or could!!! Big thanks!!!
Be well, stay well, man.
This is so helpful when learning how to just bust out solos by using your ear to what sounds good.
:)))
Such good times jaming along to your backing tracks man... thank yoooooou!
:))
This had such a Christmasy vibe when I jammed to it. Anyone else feel it?
well, I did record it literally a couple of days b4 Christmas haha!! Was on a gig in the Maldives
Fenders playing jazz sound so tasty
I like to play along this backtrack very much, really relaxing. I just play funny notes and have fun (can't sound good though). When my neighbors ask me what was that I say - jazz. Now all my neighbors hate jazz.
Put this on to see what it's like, 10 mins later i realized i was jammin and i didn't want it to stop, love this
Love the solo, hated the backing until the solo sold what could be musically done over it. Continued listening but now enjoying the form and changes more for how the soloist expressed himself on top of it
It took me a few minutes. I’m just getting into jazz. This guys channel is awesome for this
That was so much fun , thank you , so nice to find JAM Fam, used the Mandolin this time , refreshing ! Merci
Thankyou Quist You are the best ! Caught the show with Marty you guys are awesome and thanks for all the guitar tips and ticks !
Great to hear!!! Thanks
thx for this, i love improv on piano so i love getting to do this without a band
Learnt hour to tastefully use wrong note's with this😊. Thanks. Metal is my main mojo, but this really broadened my musicality😁
Amazing for improv using this to practice for my college jazz audition
Dude, you’re my hero. I have mad respect for you bro!
Always a good day when a Quist jam shows up!
Thanks dude!
:)))) Have a good one! Much love
Thank you loads and loads I am really enjoying learning with it.
dont play it first im ashamed of my skill now
@@Anthonyxmmx me going eadgbe eadgbe
LOL...……….hilarious...…….wish I had said that...;)
Rubby aybub
don't feel bad about your skill just know that if you keep practicing then you'll get better and sound like that cause im just learning but it gives me something to look forward too
Lols same here no morale again
Quist i owe you my life!!!!! you've allowed me to make sense of theory and scales, now off to play some jazz!
I don’t owe u nothin my friend!! That is SO good to hear tho :))))
well I'll give it to u anyway bro hahahaha:)
@@dylanthomas1636 i meant U don't owe me nothin HAHAHAHA
Great ! Very Good !
Really thank you for explaining the Scales that u used in your solo in the description. This helps a lot
First time jazz come to my hand so easily! Nice job my man
Awesome 👏👏👏
What a day for a day dream. Thanks!
Caro Jacob,inserire come intro un assoletto cinese fa pensare di essere più sensibili musicalmente quando si esegue un backing track così delicato. Ho suonato anche questo brano con armonichetta diatonica. Ho sentito delle voci a Firenze e prima a Bologna che sono uno degli migliori. Auguri. Gregorio
man this is just beautiful!
Quist is quite the surprise. A real gift to seekers!
Real players? Not midi? Not Quantized? Such a dep pocket! I could noodle on this for hours. Such a great feel!
Thanks for ten minutes of jam
I play metal guitar primarily, and I've recently gained interest in jazz guitar. I like playing over tracks line this to work on different kinds of phrasing. I was actually alternating between D minor and D Harmonic Minor over this, adding some whole-tone and diminished stuff in between. The in between didn't sound that great, but the rest sounded pretty cool over this. Thanks for the track!
hum. if you can hum, transfer it to the neck of your guitar. works for me.
many thanks for this!!
Thanks a lot Quist! Plz upload more instrumentals like this one with chord names!
You got it 🙌
this is stupid fun. in the spirit of one balkie batakamous, thankyouvery much!!!
Man I am really enjoing your channel. Long time guitar player but only now recently getting into Jazz and the fusion of Jazz with blues. Players liike Robben Ford and Josh smith have been my newest path in this rabbit hole of guitar playing.
Your intro is a sublime example of a I VI II V
Damn you and your jazz....all feely and intelligent and chordy edumacated stuff. AAAArrrggghhh!! lol. I'll just play something completely unrelatedly shreddy over it until I learn gooder stuff.
Además de arpegios y aproximaciones ¿qué metéis para sonar a jazz? Gracias
Very nice jammin changing between G minor pentatonic and E minor pentatonic.
This is really great. Thanks for it.
I’m singing Fly me to the moon in my head and trying to mimic it in different octaves
It worked really well
Happy New Year 2019 !!
🙏🙏 Happy New Year! Have a great one :)))))
Thnx for this 👍 Delightful track
This is so dope thanks bro
Yo I can dig for sure. Thanks for giving us a taste.
Played this with the Charlie Brown Christmas song- pretty dope :)
Really good playing
🙏🙌
This helped alot with becoming creative when improvising
Very cool playing. Love it.
if you can explain what you are playing and why, that would be a great content :)
Nice playing there Sir... tasty...
Tks for it!
Bruh, I make hiphop beats but soloing on these tracks takes me into another universe. Thank you 🙏
Another good one! A great start to my day.
Well, I surprised mahself! Yes I did. I clicked on this on a whim, and the next thing I knew I was jammin all jazzy. Yeahya! Now I'm sittin here thinking that maybe, because of the pace of it, playing along with jazz might be a really good way for me to learn scales. I mean, just playing a scale over and over again can get boring real quick. Having something like this to play along with sounds like fun. I'm glad I clicked on the link! Gonna see what else you offer. Thanks!
I use this as a whistling backing track in stead, and it's awesome!
VIVA AMIGO!!!!!HUGS FROM BRASIL!!!!!!!GRATEFULL!!!!!!
Sweet jam, sweet location.
:)))
Thanks brotha
Not sure why but it sounds more like the a minor is home. Probably because that 5 to 1 motion but the d is also resolving down a 5th to g. Does anyone know why a feels like home?
Thanks for sharing this brother really appreciate it!
Nice track. I like it. But shouldn't the E7 be an Em7? Cause there's no G# in Gmajor..
Quist-interesting that I can hum a riff a moment before I play it and it's pretty jazzy. And I've only played rock and some classical - forever.
The other interesting thing is it's very easy to play very complicated things with a lot of 'chromaticism,' as it's easier to remember hard things - than easy things! At least for me.
My lifelong problem is I cannot - cannot - remember what I play. Too bad or I'd be a jazz guitarist. Oh, well.
Thanks for this.
Jamming on my flute haha, thanks for this
Thank you.
🙏🙌
I wish we could jam in person on my melodica. You've taught me so much
dope!
Is E7 a secondary dominant or is something else going on there?
Yes exactly
secondary dominant of A
Tons of fun
:))))
this is such a nice backing track
:))))
Nice Mustang 90... You can maybe tell from my picture that I love Mustangs!
Assim
Que o dia amanheceu
Lá no mar alto da paixão
Dava pra ver o tempo ruir
Cadê você? Que solidão
Esquecera de mim
Enfim
De tudo que há na Terra
Não há nada em lugar nenhum
Que vá crescer sem você chegar
Longe de ti tudo parou
Ninguém sabe o que eu sofri
Amar é um deserto
E seus temores
Vida que vai na sela
Dessas dores
Não sabe voltar
Me dá teu calor
Vem me fazer feliz
Porque eu te amo
Você deságua em mim
E eu oceano
Esqueço que amar
É quase uma dor
Só sei
Viver
Se for
Por você
que isso mano kkkkkkkkkkk
lançou o djavan na backing track
Amazing ✌️♥️
🙏🙌
Gracias !!!
that was so fun
am from maldives, witch resort is it. cool track
Adorei o conteudo.....parabens!!!!
bonjour !quelle est ce petit boitier que vous avez a cote de vous merci bonne journee!
Love this track, so much fun to play over it! A million hugs and thank you to you! :)
you know your guitar great playing
🙏🙏
If you hit the wrong notes in jazz it just sounds better!
Amazing song to study harmonica!
Coool!!
What kind of set up do you have? I like the tone
Just plah to those chords and you'll forget about everything
🙏🙌
Hi fruend, Very Nice Thank you.
i literally dont know how to use the cgord changes, so it usually just ends up as me constantly using Bb blues