Dieterich Buxtehude: Te Deum Laudamus BuxWV 218 | Bálint Karosi | Norden
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- Опубліковано 5 чер 2024
- Dieterich Buxtehude: Te Deum Laudamus BuxWV 218 | Bálint Karosi | Norden
www.patreon.com/user?u=243796...
0:00 Praeludium
1:03 Canticum: te deum laudamus
2:23 primus versus: te deum laudamus Herr Gott dich loben wir
5:33 secundus versus pleni sunt cœli et terra dein göttlich macht + Herrlichkeit geht über Himmel
10:35 te martyrum candidatus laudat exercitus die teuren märt‘rer allzumal loben dich Herr mit grossem schall
11:51 tu devicto mortis aculeo du hast den Tod zerstört sein macht + all christen zum Himmel bracht
The 1985 state of the organ shows the original disposition:
I Rückpositiv CDE-c3
1. Principal 8′ A
2. Gedact 8′ P
3. Octav 4′ S
4. Rohrfloit 4' S
5. Octav 2′ P
6. Waldfloit 2′ S
7. Ziffloit 1′ S
8. Sexquialt II P
9. Tertian II S
10. Scharff VI A
11. Dulcian 8′ A
Tremulant
Cimbelstern
II Hauptwerk CDEFGA-c3
12. Principal 8′ A
13. Quintadena 16′ P
14. Rohrfloit 8′ P
15. Octav 4′ P
16. Spitzfloit 4′ A
17. Quinta 3′ A
18. Nasat 3′ A
19. Octav 2′ E
20. Gemshorn 2′ S
21. Mixtur VI A
22. Cimbel III A
23. Trommet 16′ A
Vogelgesang
III Brustpositiv CDEFGA-c3
24. Gedact 8′ S
25. Plockfloit 4′ S
26. Principal 2′ A
27. Quinta 1 1⁄2′ S
28. Scharff IV S
29. Regal 8′ A
III Oberpositiv CDEFGA-c3
30. Hollfloit 8′ S
31. Octav 4′ S
32. Flachfloit 2′ S
33. Rauschpfeiff II A
34. Scharff IV-VI A
35. Trommet 8′ A
36. Vox humana 8′ A
37. Schalmey 4′ A
Tremulant
Pedal CD-d1
38. Principal 16′ A
39. Octav 8′ P
40. Octav 4′ A
41. Rauschpfeiff II A
42. Mixtur VIII A
43. Posaun 16′ A
44. Trommet 8′ A
45. Trommet 4′ A
46. Cornet 2′ A
Coupler: sliding coupler III/II (A)
2 Tremulants (A)
Cimbelstern (S)
Vogelsang (A)
Keys: Wooden (boxwood).
P = previous organ by Edo Evers (or Andreas de Mare)
S = Arp Schnitger
A = Jürgen Ahrend
Technical Data:
46 stops, 76 ranks of pipes, 3.110 pipes
Wind system:
3 wedge bellows (Ahrend)
5 check valves (ventils)
Wind pressure: 71.5 mm
Windchests (Schnitger)
Mechanism/Action (Ahrend):
Keyboards (Ahrend)
Key action: Mechanical
Stop action: Mechanical
Temperament:
Modified meantone
Pitch: 5⁄8 tone above a1 = 440 Hz
Rückpositiv (left), Hauptwerk (center), pedal tower (right)
![ПОЛНАЯ ИСТОРИЯ ЭКЗОРЦИЗМА [Топ Сикрет]](http://i.ytimg.com/vi/qBySr6Bt0B8/mqdefault.jpg)
A sublime rendition of Bustehude's brilliant free setting of the Ambrosian hymn Te Deum laudamus in literally every way. The Schnitger organ in Norden is - without exaggeration - one of the most beautiful and most special pipe instruments in the world, which is operated in a corresponding way by this musician.
Big respect for that alone!
Habe gerne zugehört. Dankeschön für dieses Orgelspiel.
Wow.....beautiful registration and nice flow, making Buxtehude so enjoyable.
It's often hard for me to follow the spirituality of Buxtehude, but it comes down to me very naturally.
I can never grow tired of the sound from this wonderful instrument. Thank you for the upload.
What I like VERY VERY much is that you add the registrations! So instructive. Thanks.
Balint Karosi has the same didactical purpose as Finn Viderø did in his records for the Haydn Society in the 1950s. Congratulations for this accomplished artist, naturally Balint Karosi!
I could not agree more ... the addition of the registrations is perfect!
Dear Balint, please release an album of the complete works of Buxtehude
I am working on the complete Bach now, but perhaps next!
Thank you for taking the trouble to add your registrations to help us appreciate further your fine interpretation of this work.
You are quite an overall sight to admire! That hair color of yours is simply marvelous. 🤩
So very good... thrilling even !
Thanks so much. I love Buxtehude. You perform so well!
Nice performance on a splendid instrument. And thanks for showing your registrations as well!
Coolest youtube channel out here! I love it!!
The variety of registrations is particilarly enthralling. Thank you for a thoroughly excellent performance!!
I just LOVE the sound of that organ! 👍
Bravo! and many thanks for a super performance on this iconic organ.
Thanks for yet another delight! I love the use if the Cimbel in the last part
Great interpretation and performance.
maravilloso - me encanta - Enhorabuena - y buena interpretación en ese Enorme y bonito Órgano de tubos....
Ya tienes mi Like.....
great performance! i love it!!!
Primus versus 4:35 fantastique 16/8/16 3:57
I love your interpretation of this magnificent work of Buxtehude. For me the Te Deum of Buxtehude is one of the best piece of music written in the Northen German baroque tradition.Your performance is oustanding at probably one of the best organs in the world. I wonder if Sietze took you to the Schnitger organ in Noordbroek as well.;)
Buena interpretación y registración
Finally you get to play on this organ!
Skønt og flot orgelværk. Flot.....
This is awesome!
Very well done. Impressive that in a short time, you can make these wonderful scores and these classic instruments your own. Assume accomplishment.
Très beau! MERCI !
Oh wow! We've been there too, one week ago. Will you attend the next Krummhörner Orgelfrühling in 2020?
Many thanks for this post. We can hear why Bach traveled so far to meet and hear Buxtehude.
The registrations are very much appreciated, as well (even though I disagree with them sometimes). It would have been nice to have the complete stoplist and rebuild history of this brilliant instrument.
I just added that to the description!
@@bkarosi Thanks Balint. But I don't see the stoplist in the video description. Am I not understanding correctly?
@@bobh5087 check again!
@@bkarosi Nothing showing. C'est un mystère.... 🤔
@@bobh5087 I can see it, click on show more just under the uploader ( in this case Balint Karosi).
Eu gostaria de ter essa profissão.
I think I Rückpositiv means Choir, II Hauptwerk means Great, III Brustpositiv means Swell and III Oberpositiv means Echo.
A question regarding the Hauptwerk Octav 2': that stop is marked as "E", which marks it as neither the work of Jürgen Ahrens, Arp Schnitger or either of the two previous organ-builders Andreas de Mare or Edo Evers.
Is the "E" meant to mark it as definitely identified as the work of Edo Evers? If so, how come is no provision made to clarify as much?
Yet another excellent performance. Nice job 👏
Crisp organ sound
0:08 Praeludium
Canticum: te deum laudamus
1:03
2:23 primus versus: te deum laudamus Herr Gott dich loben wir
4:01
5:33 secundus versus pleni sunt cœli et terra dein göttlich macht + Herrlichkeit geht über Himmel + Erden weit; quasi ciaccona
7:23
10:35 te martyrum candidatus laudat exercitus die teuren märt‘rer allzumal loben dich Herr mit grossem schall
11:51 tu devicto mortis aculeo du hast den Tod zerstört sein macht + all christen zum Himmel bracht
Wonderful!
Balint, you sound great! Is there any chance that you would play in The Netherlands sometime?
Where is the video of this beautiful Norden organ demo? And the Martinikerk organ too. I'm sure I've watched it in the past, but now I can't find it.
What are they using for a microphone, and for a camera in the Video
iPhone and H5
@@bkarosi Thank you very much
Tuning: +135c: A4 = 476Hz
Where is the demo of this organ? I can't find the video
I'm looking at the pedalboard going.... what happened to the rest of it?? It only goes down to D?? AND the organ is tuned sharp!
Ohhhhh it DOES go down to C, it's shortened!
No couplers... no pistons.... LOL
And the manuals look like they only go down to F, unless they're shortened too lol
Aaaand they are. The entire bottom octave on each manual is shortened to play major notes only.
Corrrection: One coupler, from the Swell to the Great (III to II.)