THANK YOU Chris! Your method is wonderfully sensitive and your ability to present these melodic concepts in such a humble way, where you always put the music first, is inspiring! Please continue. Your logical yet creative approach is truly encouraging on my musical journey!
Glad this video is still up. Perhaps the best I’ve seen for an intermediate picker serious about improving jazz concepts and improving on any genre of guitar and essential theory. Basic and clear while informative with no condescension.
Snap! Thank you for modeling your thought process as you fleshed out your chords and arpeggios. I “discovered” you yesterday and immediately joined your Patreon page. I have been struggling with “playing the changes” for a year. No matter how many fabulous teachers we might have and how effective we are at triangulating all the information we absorb into actionable “music,” one person CAN bring it home. Thank you for the gift of (for me) this “breakthrough” lesson! I’m a fan.
This is truly a professional lesson, and has a high level of mindfulness in adding to the complexity. I greatly appreciated this lesson. It really made me sit down and work out these arpeggios even though I've known the need to practice this way, this video broke it down and made it possible for me. Thank you!
Best lesson I have watched (and followed along with!) on arpeggios and turning them into lines. I know my arpeggios, mostly, but playing them over chord changes sounds like an exercise and not making music - your lesson added just enough for me in terms of making the lines more interesting, thank you
Some of us don't know what jazz is, what I gather is these odd chords that fit those odd melodies. Keep educating us! By the way I loved your Barney Kessel video a lot, a big big thanks to you!
I just discovered your channel. this is a goldmine! in 3 vids you have disclosed a whole new world! unveiled mysteries. at last I start to see how all the stuff I am learning practising for hours connects. and makes MUSIC. Thanx. you are great
A great demonstration of the arpeggios with two octaves and their visual relationship as shapes and how to couns out the time in the progression, meanwhile pointing out the voice leading.
This has really made a lot of half-understood ideas click for me. At last, I finally understand that there is a logic behind jazz soloing! Up till now my note selection has been, shall we say, experimental (completely random) but now I totally get it. Mucho gracias!
Thanks Chris, excellent lesson. I realize I need to get back to basics and build a foundation. It worked you and Bill Evans, so it’s probably the best way to go. I noticed your shell voicing is the opening phrase for “ I should care” which I’m pretty sure you have covered. Heading to your Patreon page, Thanks again, your the best.
I did a Blues based gig with a tremendous Jazz bass player, who said after the first set, "Oh, you're a Jazz player!", to which I replied, "Oh no, I'm not!". He thought I was because I played the changes in all my solos, but I don't put in the odd notes that aren't normally in the scale like real Jazz players do.
so harmony is 3 or more notes (a chord). To fully understand harmony, you would need to know the parent scale from which the harmony is constructed and all of the extensions that are available on the chord (9,11,13)
I really like your teaching style Chris. I would love a follow up on how to extend the II V to 4 beats each using chromaticism - maybe that would need a few follow-ups lol.
Awesome. I watched the front loading video before this one. Probably should have been reversed. Do you have a video of examples on how one can make interesting improvised melodies by varying the composed melody of a standard song?
@@ChrisWhitemanGuitar I’m practicing this awesome video. I see you just added another video on creating Interesting lines. I’ll watch that one too after I have this one under my fingers solid and maybe experiment a little with it.
i love ur channel. ALWAYS a thumbs up... but... always a "but", right? it makes me scratch my head when i see your guitar, on a floor stand, sitting atop the sideboard behind you. just waxed floors??
@@ChrisWhitemanGuitar ahhh... thank you... the giant question mark over my head is gone. and again... i love ur channel and your playing. you are absolutely mesmerizing to watch and obviously a musician's musician. i practice 8 hours a day (thank u covid) just trying to reach the very fringes of your ability. you are great motivation!
THANK YOU Chris! Your method is wonderfully sensitive and your ability to present these melodic concepts in such a humble way, where you always put the music first, is inspiring! Please continue. Your logical yet creative approach is truly encouraging on my musical journey!
Thank you for this wonderful feedback. I wish you success on your journey!
Glad this video is still up. Perhaps the best I’ve seen for an intermediate picker serious about improving jazz concepts and improving on any genre of guitar and essential theory. Basic and clear while informative with no condescension.
Snap! Thank you for modeling your thought process as you fleshed out your chords and arpeggios. I “discovered” you yesterday and immediately joined your Patreon page. I have been struggling with “playing the changes” for a year. No matter how many fabulous teachers we might have and how effective we are at triangulating all the information we absorb into actionable “music,” one person CAN bring it home. Thank you for the gift of (for me) this “breakthrough” lesson! I’m a fan.
So glad to hear this! Thank you!
I like how you walk us through the steps adding just a little complexity as you go, just the right amount without leaving us behind. Great lesson.
Thank you Gary. So glad you enjoyed the lesson
Thanks Chris. Wish l had a teacher like you when l was a youngster.🎸🎸👍
Thank you Robert! I had some horrible teachers early on and they sent me on a trajectory that wasted a lot of time
@@ChrisWhitemanGuitar why was that? Can you explain so I can avoid this while selecting a teacher
So clear and logical. Building musicality step by step. Immediately useful. Thank you..
Thanks Allan!
This is truly a professional lesson, and has a high level of mindfulness in adding to the complexity. I greatly appreciated this lesson. It really made me sit down and work out these arpeggios even though I've known the need to practice this way, this video broke it down and made it possible for me. Thank you!
Glad it was helpful!
Thank you, Chris. I always learn something new whenever I watch your videos.
My pleasure! Thank you!
Magic, very clear and helpful. Thanks for sharing. Lee
Thank you Lee
Best lesson I have watched (and followed along with!) on arpeggios and turning them into lines. I know my arpeggios, mostly, but playing them over chord changes sounds like an exercise and not making music - your lesson added just enough for me in terms of making the lines more interesting, thank you
Thank you Stefan
Thanks Chris- appreciate your lessons
Thank you Mitch!
Brilliantly explained, step by step .. .thanks so much, Chris!
Glad it was helpful!
Extremely helpful and well presented information, thank you Chris
Glad it was helpful! Thank you
Chris, you do a great job at teaching... patient and measured. Very enjoyable - the summary recap is a nice touch. 👏😄
Thank you Barry
Man you're sooo softly spoken I love it. Could be ASMR
Thank you 🙏🏻
Some of us don't know what jazz is, what I gather is these odd chords that fit those odd melodies. Keep educating us! By the way I loved your Barney Kessel video a lot, a big big thanks to you!
Glad you are enjoying the videos! Thanks
as the "ears" open up "odd" becomes beautiful :)
@@zuvarian very true!
First rate teaching. Extremely clear. Many thanks.
Thank you, you're very welcome!
This is a GREAT lesson on playing the changes! THANKS!
Thank you Rich, glad it was helpful!
I just discovered your channel. this is a goldmine! in 3 vids you have disclosed a whole new world! unveiled mysteries. at last I start to see how all the stuff I am learning practising for hours connects. and makes MUSIC. Thanx. you are great
Thank you Maurizio, so glad to hear this!
Gentle explanation. Much appreciated.
Thank you Michael, Glad it was helpful!
Thanks you Chris For the information, from Argentina...
Thank you 😊
A clear and methodical explanation which I have really enjoyed following. Thank you Chris and - love those guitars.
Thank you Steve. So glad you are enjoying the lessons
I love how clear and concise you explain this step by step soloing approach to the ll v l. Excellent.!
Thank you, very glad to hear that the lesson was helpful!
that was awesome. just in time to inspire a more creative approach to it might as well be spring
Thank you Michael
A great demonstration of the arpeggios with two octaves and their visual relationship as shapes and how to couns out the time in the progression, meanwhile pointing out the voice leading.
Thank you Joe
I have the same bronze guitar statue behind you LOL I've never seen another one until now. Great chops man Los Angeles
I friend of mine gave me the statue. Not sure where it is from, but I haven't seen another one either. Thanks!
Wonderful lesson! Thanks
My pleasure!
Thank you very much! So easy explanation and charming voice
Thank you Elena!
This has really made a lot of half-understood ideas click for me.
At last, I finally understand that there is a logic behind jazz soloing!
Up till now my note selection has been, shall we say, experimental (completely random) but now I totally get it.
Mucho gracias!
me too :)
I am very happy to hear this Chris. Thanks for sharing your experience!
Fantastic to hear this Mason
If u know 2 5 1 , u already know a big part of the jazz, keep going
Thanks Chris. Great content and delivery as usual!
Thank you Marv, glad to hear!
Nicely done! Appreciate it.
Thank you
Excellent teacher/player! thanks
Thank you Mason
Such a great approach and well explained
Thank you, glad it was helpful
Great explaination, thanks
Thanks David
Thanks Chris, excellent lesson. I realize I need to get back to basics and build a foundation. It worked you and Bill Evans, so it’s probably the best way to go. I noticed your shell voicing is the opening phrase for “ I should care” which I’m pretty sure you have covered. Heading to your Patreon page, Thanks again, your the best.
Thank you Charles, I appreciate your support and kind words
Thank you so much for this lesson! I found it to be very useful and well explained.
Glad you found it helpful Daniel!
Great lesson Chris! Very clear and well organized delivery of a ton of great ideas.
Thanks Bruce
A very clear succinct lesson...
Thanks Peter
Thank you, Chris, your explanation is really interesting and helpful 🙏🎸
Glad to hear this!
Thanks Chris! Great structured beginner improvisation lesson. Gives me inspiration for my own material.
Great to hear this Lothar
Great lesson!
Thank you 🙏🏻
great teacher, great lesson. thank you.
Thank you 🙏🏻
Amazing vidéo tanks for sharing this !
My pleasure!
Wonderful lesson Chris; thank you for sharing.
Thank you Jon
Good stuff, as always! “The Geometry of Jazz Guitar” might be a cool book subject 🤔
Thank you Steve! A good title for sure!
Another GREAT lesson, thanks!
Thank you 🙏🏻
I did a Blues based gig with a tremendous Jazz bass player, who said after the first set, "Oh, you're a Jazz player!", to which I replied, "Oh no, I'm not!". He thought I was because I played the changes in all my solos, but I don't put in the odd notes that aren't normally in the scale like real Jazz players do.
Awesome teacher! Thank you for this! Bless up! 🙏
Thank you my friend!
Nice, I really gotta get into this!
Thanks Wesley
Great lesson, thank you!!
Thank you Curtis
brilliant ! as always.
thank you
Thank you 🙏🏻 I
Phenomenal , love the knowledge . Great teaching 👍 👏
Thank you Ray
THANKS!
You're welcome Gertz!
1:00 first step being really familiar with harmony. How would you describe harmony? Thanks for you lesson
so harmony is 3 or more notes (a chord). To fully understand harmony, you would need to know the parent scale from which the harmony is constructed and all of the extensions that are available on the chord (9,11,13)
Chris Whiteman Thanks for taking time to answer. A lesson on how to harmonize a melody would be very interesting. God bless in Jesus mighty name
Perfect lesson, thank you!
Great!
Wonderful....thank you!!!
Thank you 😊
Thank 💜 You LOVE
Thanks Ed. Hope you have a wonderful weekend
And just like that, we are wonderful equipped to immerse ourselves into the vast, deep, mysterious land of LoFi.
😁🎸
I really like your teaching style Chris. I would love a follow up on how to extend the II V to 4 beats each using chromaticism - maybe that would need a few follow-ups lol.
Thank you John
Awesome. I watched the front loading video before this one. Probably should have been reversed. Do
you have a video of examples on how one can make interesting improvised melodies by varying the composed melody of a standard song?
Thank you Jerry. I don't have a video like that yet, nut I am always adding new content
@@ChrisWhitemanGuitar I’m practicing this awesome video. I see you just added another video on creating Interesting lines. I’ll watch that one too after I have this one under my fingers solid and maybe experiment a little with it.
Stainless steel frets?
These are nickel
Great job, keep them coming :)
Thank you Abraham, more to come!
Ou are a great player and
thanks Fred
I don’t know the chord shapes you are using. Where can find a picture of the fingering? Thanks.
Sir, I would like to know for how long you have been studing music
more than 30 years
Ok I'm not going to lie I didn't expect that...maybe one day I will be able to reach your level 🙇🏻♂️ I hope so
👍🏼
i love ur channel. ALWAYS a thumbs up... but... always a "but", right?
it makes me scratch my head when i see your guitar, on a floor stand, sitting atop the sideboard behind you.
just waxed floors??
Thank you Arlo. I have 2 large dogs that like to chew on things so I have to put the guitars up high to protect them😁
@@ChrisWhitemanGuitar ahhh... thank you... the giant question mark over my head is gone.
and again... i love ur channel and your playing. you are absolutely mesmerizing to watch and obviously a musician's musician.
i practice 8 hours a day (thank u covid) just trying to reach the very fringes of your ability.
you are great motivation!
learn the arpeggios ....
yes!
Thank you! Great lesson!!!
Thank you Augusto