Part of the reason I love him! Got my younger brother into them and all I remember my brother finding out was something that happened back then with Trent and his Porsche. And all I thought was - Trent driving a Porsche, can't picture it! 😅
@@Redhotrussian1 That is pretty amusing. I've since read up on him and learned more about him. I personally don't like Trent Reznor. However, I still love NIN. Eventhough, Trent IS N.I.N, I can still separate it and enjoy the music.
@@sonicepiphany Things have changed since I made that comment, and I am no longer a NIN or Trent Reznor fan. He's definitely a very, very gifted man. But I just don't enjoy his work anymore.
What Trent says about production design and consumption habits matter. I wanted to add that when you come up with a sound patch, it lends to a certain usage you didn't plan for on a track, but you just roll with it and the track becomes unique in that way. You push the boundaries and objectives aside, your influences become subconcious, and you just go. If strife motivates the album, will it have utility in the future if you are trying to be positive? Great interview.
First clip: Trent Reznor Interview [1994] ua-cam.com/video/1JXFCq5QaE0/v-deo.html Second clip: Trent Reznor Interview with Zane Lowe on brand:new (1999) ua-cam.com/video/zuuK8IYeABY/v-deo.html Third clip: Intervista a Trent Reznor [2005] - ua-cam.com/video/-tWskjE7zao/v-deo.html Fourth clip: Times Talks presents Trent Reznor Interview 2011 - ua-cam.com/video/N8jF4bmlJIY/v-deo.html Fifth clip: Nine Inch Nails Interview: "Influences Today" - ua-cam.com/video/LxZDDIvvf2E/v-deo.html
@@mickey8423 I did not say he was a lesser artist. Nor did I say he 'relies' on help from others. Just saying when it comes to recording in the studio, it's a group effort. For example, I don't think Pretty Hate Machine or Downward Spiral would have sounded half as good sonically or be as rich in textures if Trent didn't have help to achieve it. Now stop getting all butthurt from simple comments. 🤭
interesting that around the 3 minute mark, trent criticisms people who do something different just to be different...and thats exactly what radiohead did on kid a. and the music press drooled over it because they were on a mission to over compliment anything that WASNT rap metal, weather it was good or bad. kid a isn't a good album. a lot of the accolades that radiohead gets, nine inch nails deserves way more.
1. didnt the press like hate kid a at first and 2. radiohead made kid a because they genuinely hated making the music they used to after their horrible and draining touring experience for ok computer. tbf i wasnt in the studios but in every interview ive seen they talked about how they genuinely felt drained and almost depressed after the ok computer tour
oh yeah theres a whole documentary of the tour that shows their mindset at the time. and also music is subjective so what do i know and you have the right to your opinion. im just a dude on the internet
@@blarboi i get what you're saying. but regardless of how the press may not have liked the album immediately, it ended up shortly after become the most sucked off album i've ever seen
Sounds like someone wanted them to stay in Creep mode. Radiohead's transition was legit. You can see it coming on through the years - Lurgee and Blow Out off of Pablo Honey hinted at The Bends (and beyond) which had Planet Telex on which hinted at OK Computer, and so on; not to mention their b-sides like Talk Show Host, Bishop's Robes and the Paranoid Android b-sides. Kid A should be viewed as a complete work, just like the Downward Spiral. It's a definite mood piece. A concept album with no concept. It was artistically genuine. Before it came out, I expected either they'd go really 'grand' and everything would have massive orchestras on it (kinda a Fake Plastic Trees Plus thing) OR that it'd be exactly what it turned out to be, so I wasn't surprised. The Downward Spiral would have had a bigger impact culturally if the lyrical matter had been more palatable to a wider audience as, from a production/arrangement/recording stand point, it's a fking monolith of artistry. Seriously, I think it's objectively one of the greatest albums ever made. But the whole fk like an animal/suck my big old duck/shoot in the head thing kept a lot of people from connecting with it in that way. In the 90s, I was the only person into them in my social circle/local music scene that wasn't a 'goth' or into cutting myself and into Marilyn Manson and all those dark 'image' bands, which was probs 95% of his fanbase, so it was never going to be taken seriously by the wider music community in large part because of that. As an album and as a band they had a lot of other baggage, subculturally speaking. Obvs the lyrics had to be what they were, but nonetheless...
Strangely enough, I am a big Nine Inch Nails fan. Though, i've never heard him in any interviews and know very little about Trent Reznor.
Part of the reason I love him! Got my younger brother into them and all I remember my brother finding out was something that happened back then with Trent and his Porsche. And all I thought was - Trent driving a Porsche, can't picture it! 😅
@@Redhotrussian1 That is pretty amusing. I've since read up on him and learned more about him. I personally don't like Trent Reznor. However, I still love NIN. Eventhough, Trent IS N.I.N, I can still separate it and enjoy the music.
Its all flood. He needed a face and sex. S0 h3 us3d tr3nt. 1:30
@@sonicepiphany Things have changed since I made that comment, and I am no longer a NIN or Trent Reznor fan. He's definitely a very, very gifted man. But I just don't enjoy his work anymore.
Damn, he was so young in that first Downward Spiral interview.
He always looks good for his age tbh. Wildly handsome individual
I think he was 27 back then.
@@sL4UgHtA he was almost 30, he was 29 at the time
bro what the heck this is so relaxing and it helps me focus on school
just like podcasts
Trent ASMR
Unlike a lot of front men what makes Reznor stand out is how elite his production is.
Once in a life time dude. Way beyond his years.
And they all were from the late 80s early 90s the bands then had way more creativity
No thats talking heads lol
big man with a gun
He likes to have fun.
he has a big old dick….
Lol 😂🤣
it's been 12 years since my dad played 9 inch nails for me for the first time and i still love them to this day
Aww I remember these from my teen years - damn I’ve loved him for decades 💜
I like how he sounded wistful that he hadn’t met Prince.😊 Such a sexy geek😍
Smart dude
This was a neat little compilation. I haven't even seen most of them. Been a nin/Reznor fan since the early 2000s.
I vaguely remember hearing “closer” as a pre teen and being freaked out. Now at 27, I love that song & NIN 😹🖤
What Trent says about production design and consumption habits matter. I wanted to add that when you come up with a sound patch, it lends to a certain usage you didn't plan for on a track, but you just roll with it and the track becomes unique in that way. You push the boundaries and objectives aside, your influences become subconcious, and you just go. If strife motivates the album, will it have utility in the future if you are trying to be positive? Great interview.
Trent "Chunks" Reznor
Where did it come from the chunks parts??
First clip: Trent Reznor Interview [1994] ua-cam.com/video/1JXFCq5QaE0/v-deo.html
Second clip: Trent Reznor Interview with Zane Lowe on brand:new (1999) ua-cam.com/video/zuuK8IYeABY/v-deo.html
Third clip: Intervista a Trent Reznor [2005] - ua-cam.com/video/-tWskjE7zao/v-deo.html
Fourth clip: Times Talks presents Trent Reznor Interview 2011 - ua-cam.com/video/N8jF4bmlJIY/v-deo.html
Fifth clip: Nine Inch Nails Interview: "Influences Today" - ua-cam.com/video/LxZDDIvvf2E/v-deo.html
Thank you!
@@sweetophelia4584 It’s my pleasure. You did a wonderful job for all of us Trent and NIN fans. Thanks for editing and for uploading and sharing.
Just seen him 2022 in Manchester, still a God! 🤘👍
his early interview he talk more about him and his emotions in pretty hate machine, and downward spiral
love you
"In the studio it's just me" and Alan Moulder, Adrian Sherwood, etc lol
@@mickey8423 I'm a big fan of Trent Reznor. But it's not just him putting this stuff together. Not envious, just stating facts. Calm down.
@@mickey8423 I did not say he was a lesser artist. Nor did I say he 'relies' on help from others. Just saying when it comes to recording in the studio, it's a group effort. For example, I don't think Pretty Hate Machine or Downward Spiral would have sounded half as good sonically or be as rich in textures if Trent didn't have help to achieve it. Now stop getting all butthurt from simple comments. 🤭
I like howw people comparee him to prrince all the time. Both absolute geniuses.
Missa nin verso
lukethelux! share the lux, huh
❤️🎹🙏✝️📹🫂
interesting that around the 3 minute mark, trent criticisms people who do something different just to be different...and thats exactly what radiohead did on kid a. and the music press drooled over it because they were on a mission to over compliment anything that WASNT rap metal, weather it was good or bad. kid a isn't a good album. a lot of the accolades that radiohead gets, nine inch nails deserves way more.
interesting that you don't like kid a, don't know anything about radiohead besides their music but your comment about the music press is interesting
1. didnt the press like hate kid a at first and
2. radiohead made kid a because they genuinely hated making the music they used to after their horrible and draining touring experience for ok computer. tbf i wasnt in the studios but in every interview ive seen they talked about how they genuinely felt drained and almost depressed after the ok computer tour
oh yeah theres a whole documentary of the tour that shows their mindset at the time. and also music is subjective so what do i know and you have the right to your opinion. im just a dude on the internet
@@blarboi i get what you're saying. but regardless of how the press may not have liked the album immediately, it ended up shortly after become the most sucked off album i've ever seen
Sounds like someone wanted them to stay in Creep mode. Radiohead's transition was legit. You can see it coming on through the years - Lurgee and Blow Out off of Pablo Honey hinted at The Bends (and beyond) which had Planet Telex on which hinted at OK Computer, and so on; not to mention their b-sides like Talk Show Host, Bishop's Robes and the Paranoid Android b-sides. Kid A should be viewed as a complete work, just like the Downward Spiral. It's a definite mood piece. A concept album with no concept. It was artistically genuine. Before it came out, I expected either they'd go really 'grand' and everything would have massive orchestras on it (kinda a Fake Plastic Trees Plus thing) OR that it'd be exactly what it turned out to be, so I wasn't surprised.
The Downward Spiral would have had a bigger impact culturally if the lyrical matter had been more palatable to a wider audience as, from a production/arrangement/recording stand point, it's a fking monolith of artistry. Seriously, I think it's objectively one of the greatest albums ever made. But the whole fk like an animal/suck my big old duck/shoot in the head thing kept a lot of people from connecting with it in that way. In the 90s, I was the only person into them in my social circle/local music scene that wasn't a 'goth' or into cutting myself and into Marilyn Manson and all those dark 'image' bands, which was probs 95% of his fanbase, so it was never going to be taken seriously by the wider music community in large part because of that. As an album and as a band they had a lot of other baggage, subculturally speaking. Obvs the lyrics had to be what they were, but nonetheless...