This is exactly what I needed. Thank you! Also how did you do those slurs for Beethoven 5 so good (8:14). You barely used any bow while I use like the whole bow for the first 4 notes :(. Imppecable bow control nevertheless
Thank you for watching! Long tone each note so you get used to controlling the flautando/pianissimo. It’s also useful to isolate each string crossing such as the first too notes looping G to C legato. And so on with each successive interval/string crossing.
Schön, dich kennenzulernen 🎵🎵. Ich finde es gut, dass du alle Stücken auswendig spielst, weil es zeigt, dass du viel geübt hast👌. Aber vielleicht sind meine Ohren schlecht 😰⁉️ Leider konnte ich die verschiedenen Töne der einzelnen Stück und die Seele im Klang leider nicht so viel hören, die von dir ausging.
Aaron Meives my bow is by Les Korus. I think he has a Facebook page. Cincinnati Bass Cellar also sells his bows. Let me know if you need more information.
Wonderfull playing and great sound. But I think the vibrato technique wasn´t strong and permanent like this in the epoch of van Beethoven. We have no idea of which is the sound and the playing technique of the 18th and 19th century. We may have to learn to play a different style maybe far away from the sound we know. Imagine another world with another sounds, orchestras and a very new job: the conductor!
Wow, this is an incredible video and resource for bassists! Thanks for sharing it.
Discover Double Bass thank you for checking this out, I’m glad you find it useful!
That right hand . . . those dynamics . . . wow!
Yessssss this is so helpful for auditions thank you!
Jaidyn Turner thanks for watching! Glad it is useful. Best wishes, Owen
Sehr gut
Very nice! Lets hear it the gen xers!!!
Glad to hear such a fine point of view expressed .
James Giles thank very much!
Thank you from Rome!
Thank you for watching!
this is freakin awesome!!
Thank you!
WOW,what a canon that bass is!! Such a huge sound- who's the maker please. Of course, your playing is spectacular. I'm guessing it's a jackstadt ??
What device was this recorded on? Sound is pretty nice.
Great extension playing in the Shostakovich!
Thank you!
This is exactly what I needed. Thank you! Also how did you do those slurs for Beethoven 5 so good (8:14). You barely used any bow while I use like the whole bow for the first 4 notes :(. Imppecable bow control nevertheless
Thank you for watching! Long tone each note so you get used to controlling the flautando/pianissimo. It’s also useful to isolate each string crossing such as the first too notes looping G to C legato. And so on with each successive interval/string crossing.
Schön, dich kennenzulernen 🎵🎵.
Ich finde es gut, dass du alle Stücken auswendig spielst, weil es zeigt, dass du viel geübt hast👌.
Aber vielleicht sind meine Ohren schlecht 😰⁉️
Leider konnte ich die verschiedenen Töne der einzelnen Stück und die Seele im Klang leider nicht so viel hören, die von dir ausging.
will be heavily relying on your recordings as reference for my college auditions lol
Hi Mr. Lee, who is your bowmaker? I love your tone (I know it’s the player more than the bow haha)
Aaron Meives my bow is by Les Korus. I think he has a Facebook page. Cincinnati Bass Cellar also sells his bows. Let me know if you need more information.
Wonderfull playing and great sound. But I think the vibrato technique wasn´t strong and permanent like this in the epoch of van Beethoven. We have no idea of which is the sound and the playing technique of the 18th and 19th century. We may have to learn to play a different style maybe far away from the sound we know. Imagine another world with another sounds, orchestras and a very new job: the conductor!
Dude, play Freebird
You have beautiful hair
Larry King LOL.
It's better than yours.
@@shawnking6678 mine is wonderful. How's yours? Probably stringy and falling out.
You’ll be receiving your contract in the mail.
James Giles lol
18:32 - eighteen fifty three
20:15 - twenty twenty four