I started doing this for my arpeggios. It works. 5 measly minutes a day for a week and I've got the Dom 7 arp's nailed. Next up minor 7 arps. Thanks Chris.
At my last count there were 60+ (mostly blokes) teaching guitar on UA-cam. The algorithm suggested this lesson today - and I am glad that it did. Chris - IMHO, you are in the top handful of excellent tutors. This lesson is very clear, encouraging and achievable. Thanks. Have several 🎉🎉🎉
From 6:50 - "Turning my attention away from the voicing itself, and on to this other cognitive load." Wow! What a subtle but great reminder for us to trust the intuition that guides the movements of our hands. Who knows? While we're staring at the circle of fifths and strengthening our fingers, we may even soak in a few key signatures as well. Great lesson!
Needed an exercise for this! I guess if you look at it as a power chord progression, you basically drop down a string and up 2 frets to anticipate next 5th. From there a two fret gives you a 4th so 1,4,5 is an easy progression with whatever is being worked on. Good stuff.
Somehow i missed this jewel of a lesson!! This just spiced up my practice routine and challenged me at the same time. Thats why your the only teacher i follow, you make everything so clear and easy to understand. Ive learned more from you in 6 months than my last 3 teachers over the last 2 years. Thanks so much chris!!🎉
That's so great to hear, thanks for this comment, and of course, I'm so glad this stuff is helpful. I personally do this type of thing all the time...it really helps cement info onto the fretboard.
As an absolute beginner after putting the guitar away and picking up drums, I’m glad I found your channel, I picked the guitar back up-a few months ago, picked up a Yamaha 612 and have been concentrating on the pentatonic scales and just getting hands and fingers working together, this really helps push forward
Chris it's been about 6 months since I have been able to sit down and watch some of your videos. I really believe you have a special way to give knowledge also inspiration to do the work to get closer to goals a person has. The ability to achieve also improves skills along with confidence. You are a very unique teacher. I appreciate your efforts. It amazes me how I fumble around knowing I don't see it yet or know how to improve upon it. Sit down and watch some lessons and bam there it is. The answer to the question along with knowledge. It doesn't get much better than that. Thanks again
Wow, another epiphany moment for me! Thanks so much!! I am just a few years in and never saw the circle of fifths explained or applied this way! You're exactly right, this method helps the guitarist learn multiply lessons here - memorizing notes, finding chords, and playing riffs all across the fretboard, etc..! I'm going to make this a large part of my practice routine starting now!
Thanks Chris for showing us how to use the 12 root notes of the chord shape exercises from the circle of fifth to navigate freely around the guitar fretboard
Chris, this is an outstanding lesson and explanation! I wish I would have thought of this years ago. Yep, this has officially been added to my practice routine for sure. Thank you!!
I’m thankfully not surprised to see you deploying the CoF as a template and training device yet again, having had the privilege to study with you through various Mastery Courses via The Studio. 🙏 This CoF training idea has pretty much endless applications, the ability to quickly locate a desired note on demand is a vital skill.
Hey Chris, I once commented that you need to go big when you were sub5K subs. You replied you were happy with the 5K. I'm sure you are happy at 60K, You will be happy at 600K soon. Wishing you the best.!
Way cool! It never occurred to me to use the CO5ths as a training platform. Learn new right hand skills AND the notes of the neck at the same time...the double mint of guitar practice. Thanks Chris.
Good stuff Chris! I do something similar but also use a flashcard app on phone. The 12 notes flip randomly, combined with my metronome at 40bpm. Works great!
Indeed! Often referred to as "Minor9". Whenever you see just the number "9" after a chord name it usually suggests that the proper 7th is already in the chord (this does not hold true for 11 and 13 chords containing the extensions below them). When a triad simply has the 9th degree added it is properly written as "add 9". Hope that helps!
May I ask: why the circle of fifths? The overwhelming majority of musical movement is in the opposite direction: the circle of fourths. e-7 > a-7 > D7 > Gmaj7. First of many reasons: bass tone resolution, the “perfect cadence”. If instead of working the Circe of fifths for these exercises you were to work the Circle of Fourths, you would be automatically building in the movement that covers 80% of all pop, jazz, and classical music.
The direction does not matter, 4ths is fine. I chose 5ths because it is usually how the circle is described, and an easier inroad description-wise. Thanks for the view and comment.
One more time a really great method. I already learned sth bout the circle just watching and before I even grab my guitar. But if you have a beautiful chord shape you don't know anything about, how to determine what of these notes actually is the root? Is there sth to stick to? At this point my only chance would be a comparison with the CAGED shapes to get there and then find out "oh yeah, it's a kind of a C shape with maybe a minor 7 or maybe a 4 instead of a 3" for instance. Is there any better, faster way to get there?
Glad you enjoyed this one! As far as identifying the root, studying triads get's you everything you need to be able to ID what notes are in a chord, and what function they serve, beyond that, getting familiar with the notes in chords (chord spelling) helps a ton as well.
I'm already familiar with chordspelling and triads (which are often just a part of a barchord). But the chord you play there consists of 4 notes (incl the octave). Now that I know what the root is, I could eventually manage to name it (think it's just a kind of inversion of E major with the 3rd on the low E string, A string skipped, root on D, 5th on G and octave on B string) but if I didn't know what the root is, how could I figure it out?
@@toxictime9604 great question. And yes you're right, that chord is a first inversion triad, with an octave of the root on the D string as you pointed out. When I look at a new voicing I always try to deconstruct it...finding the root can be done by ear with a bit of practice. But if there is no context at all about the voicing I rely heavily on triadic familiarity to apply trial and error. That get's easier and easier as you work through new voicings. One thing you can try is to "build" a random chord...could be anything...move the notes around without ANY context till you have something you like, then get out the pencil, write down all the notes and start analyzing it. I learn something new everytime I do stuff like that. Hope this helps!
Robert Johnson did a song using the circle of 5th called : Hot tamales and they red-hot yeah, yeah, yeah !! It's an easy song to do and a lot of fun too.
There is no Gb, Db, Ab, Eb, or Bb major keys. As an example, to write Bb Major (Bb, C, D, Eb, F, G, A) as A# Major, you would have to write out the notes (in A# Major) as A#, C, D, D#, F, G, A. This is awkward and confusing even though it is technically correct. Details matter! Music is confusing enough for beginning and intermediate players. Hope this clarification helps.
Just a thought isn’t the circle of 4ths more common in music? Ie backward round the circle of 5ths or do you think actually better to go both directions? Thanks
Yes indeed, best to go in both if you want to. The circle of fourths generates the 2 5 1 4 7 3 6 chord progression, used a lot in Classical and Jazz music. Going in 5ths brings you stuff like "Hey Joe" etc...
I learned that chord voicing as an E chord. When analyzed it I could see it was G# E B and E again on the B string. So that voicing has two roots in it, one on the D and one on the B string. The B string is the easier one to follow for me because it’s the highest note in the chord. Hope that helps!
Where you going with that gun in your hand?! I’m definitely somebody who has the e and a strings down pretty well but not the others. I will t practice that last chord voicing.
Thank you, Chris.
I've seen a few teachers that talk about this, your explanation and examples made the most sense.
Much appreciated 🙏🏻
You got it! Glad this landed well for you
I started doing this for my arpeggios. It works. 5 measly minutes a day for a week and I've got the Dom 7 arp's nailed. Next up minor 7 arps. Thanks Chris.
5 minutes a day for a week is how i drill scale shapes into my head. It works!
Good idea. I’ll try it.
I just started diving into arp’s and it seems overwhelming. Thanks for the up beat.
@@alexanderball6326isn't 5 min too little
At my last count there were 60+ (mostly blokes) teaching guitar on UA-cam. The algorithm suggested this lesson today - and I am glad that it did. Chris - IMHO, you are in the top handful of excellent tutors. This lesson is very clear, encouraging and achievable. Thanks. Have several 🎉🎉🎉
Deep thanks for this, mate. Much appreciated
60+..!? Surely there aren’t that many people teaching guitar on Ewe Choob?
From 6:50 - "Turning my attention away from the voicing itself, and on to this other cognitive load." Wow! What a subtle but great reminder for us to trust the intuition that guides the movements of our hands. Who knows? While we're staring at the circle of fifths and strengthening our fingers, we may even soak in a few key signatures as well. Great lesson!
so glad this landed well for you! Thanks for the comment
Needed an exercise for this!
I guess if you look at it as a power chord progression, you basically drop down a string and up 2 frets to anticipate next 5th. From there a two fret gives you a 4th so 1,4,5 is an easy progression with whatever is being worked on.
Good stuff.
Exactly how I looked at it. It helps.
👏👏👏 Been stuck for way to long with my barre chords, 30 mins and see progress already. Your a legend Chris.
Now THAT is great news, not my legend status, your progress!! :)
Somehow i missed this jewel of a lesson!! This just spiced up my practice routine and challenged me at the same time. Thats why your the only teacher i follow, you make everything so clear and easy to understand. Ive learned more from you in 6 months than my last 3 teachers over the last 2 years. Thanks so much chris!!🎉
That's so great to hear, thanks for this comment, and of course, I'm so glad this stuff is helpful. I personally do this type of thing all the time...it really helps cement info onto the fretboard.
I'm working on 1st and 2nd inversions. This is really going to give me a system for that. Thanks Chris!
Fantastic, Jeff. Glad this was helpful! Keep me posted.
As an absolute beginner after putting the guitar away and picking up drums, I’m glad I found your channel, I picked the guitar back up-a few months ago, picked up a Yamaha 612 and have been concentrating on the pentatonic scales and just getting hands and fingers working together, this really helps push forward
Amazing Chris I never realized that you could use the circle like this. This is going to take my note identification to another level. Thanks
Guarantied!
Chris..! Always keeping us on the right path.! Thanks man.!👍🏼❤️
Once again, Your un-selfish ability to share insight one would not normally have access to. Great Lesson! Chris! Thank you!
My pleasure, Tone! Thanks for everything!
This is absolute GOLD. Thank you.
Chris it's been about 6 months since I have been able to sit down and watch some of your videos. I really believe you have a special way to give knowledge also inspiration to do the work to get closer to goals a person has. The ability to achieve also improves skills along with confidence. You are a very unique teacher. I appreciate your efforts. It amazes me how I fumble around knowing I don't see it yet or know how to improve upon it. Sit down and watch some lessons and bam there it is. The answer to the question along with knowledge. It doesn't get much better than that. Thanks again
Great comment!
I have been doing this exercise with a metronome and wow is all I can say. It has made reaction time and muscle memory work hand in hand.
@@ChadHarland-o2g oh man that’s great to hear!!
Chris, Thank you! I am two years into guitar. This is helpful to help progress my skills!
So glad you enjoyed it, Ronald.
This makes sense. I will try this out on some familiar chords, scales and riffs. Thanks Chris.
Keep me posted!
Tremendous lesson. I'll be adding this to my practice for sure. Thanks man!
Yeah, you bet!
Great lesson Chris, thank you! 🙏 The Circle of Fifths is such a game-changer for learning and owning newly learnt chords effectively 🙂
What a great suggestion. I’m learning the notes on the fretboard in a similar way but without the context (circle of fifths) presented. Well done.
Glad it was helpful, Steve. Once you start using these types of methods, you really map the fretboard very effectively. and quickly.
Great exercise, multiple effect.
Your friendly explanation is great too.
Thank you
Glad you liked it, Fred!
That is a great practice technique to learn the fretboard, improve fingering of chords and speed up changes… brilliant, thank you very much Chris 🎸🎶
Glad it was helpful, Mark~
Great method for practicing and really internalizing almost everything on the guitar.
BRILLIANT! thx matey - Captain "Long John" Sinclair.
I like this! I've recently toyed with something similar but your presentation has a lot more substance. Thanks for the "food for thought"!
Glad it was helpful, and of course you're welcome.
Great lesson, super useful! Thank you very much, Chris!
Brilliant practice concept Chris! Thank you for your generosity making this lesson.
Of course, Steve!
Wow, another epiphany moment for me! Thanks so much!! I am just a few years in and never saw the circle of fifths explained or applied this way! You're exactly right, this method helps the guitarist learn multiply lessons here - memorizing notes, finding chords, and playing riffs all across the fretboard, etc..! I'm going to make this a large part of my practice routine starting now!
I use the CoF to this day to integrate new stuff...it is really priceless. Glad you enjoyed this one!
An aboslute gem of a piece right here, friends. I've been doing this for years and it really helps too figure the fretboard out. Good stuff Chris 🤘
My pleasure, Joe! Glad you're enjoying these.
Best guitar cognitive skill trainer I have seen in a while !
Glad you enjoyed this one, Jeffrey!
I love the way you teach. Straightforward without the fluff. So helpful. Thank you.
You bet, Maryk!
Great teaching pace. Much appreciated. Subscribed
Thanks for your trust!! Happy to help
Great lesson Chris. Thanks again sir. ✌🏼
My pleasure!
Such a great workout to build up muscle memory, thanks Chris👍👍👍
My pleasure, Bubba! Keep on tuggin!
Wow what a great way to approach 5ths I’ve been moving in baby steps this is cool and interesting very productive thanks
Glad you enjoyed it, David!
Since i have been learning instrument you're the one God use to make me understand circle of fifths, thanks 🙏 sir
Thanks Chris for showing us how to use the 12 root notes of the chord shape exercises from the circle of fifth to navigate freely around the guitar fretboard
You bet!
Chris, this is an outstanding lesson and explanation! I wish I would have thought of this years ago. Yep, this has officially been added to my practice routine for sure. Thank you!!
Got get 'em! Keep me posted on your progress.
wow. youre the first teacher that gets through my thick skull and stubbornness! 😅
That means a lot to me Jr! Thank you.
Great lesson per usual. Thanks Chris
Thank you so much for your kind words! I'm glad you enjoyed the lesson.
I definitely need to do this more! Thanks Chris!
Thank YOU Tim, for all your support! See you Friday night!!
@@curiousguitarist YES! Looking forward to it!
This is excellent
I remember this lesson and had to come back to review it! I just love this concept!! Thank you Chris!💕🙏😄
You are SO welcome Mary Beth!
Great lesson, Chris.
Glad you liked it, Kevin. Love the HA-1112 in your avatar :)
Thank you!
I’m thankfully not surprised to see you deploying the CoF as a template and training device yet again, having had the privilege to study with you through various Mastery Courses via The Studio. 🙏
This CoF training idea has pretty much endless applications, the ability to quickly locate a desired note on demand is a vital skill.
So true! Thanks so much for all your trust and support JC!
Excelent lesson!
Thanks
Nice ideas and nice demonstration. Thanks.
You are welcome!
Excellent drill.
Great video!
Hello Chris. I agree with this way of working but I prefer the circle of Fourth because of the ii -V-I. (I-IV-vii-iii-vi-ii-V-I)
How ever you can get around works fine! Thanks for the comment!
Great video! I really need to start doing this
Yeah, go for it, Jake! Keep me posted too.
great stuff
That’s some great advice!
solid lesson, thanks
Hey Chris, I once commented that you need to go big when you were sub5K subs. You replied you were happy with the 5K. I'm sure you are happy at 60K, You will be happy at 600K soon.
Wishing you the best.!
That is such a great sentiment, thank you for your trust and confidence in my efforts here. I really appreciate that.
BRAVO MAN!!! And thank you...
You are welcome!
Great Lesson! Thanks
My pleasure!
Are you finding the notes in the b-strings through octaves starting from the 5th string as described in your octaves video?
Exactly!!
Way cool! It never occurred to me to use the CO5ths as a training platform. Learn new right hand skills AND the notes of the neck at the same time...the double mint of guitar practice. Thanks Chris.
Double your progress, and double your fun :)
Good stuff Chris! I do something similar but also use a flashcard app on phone. The 12 notes flip randomly, combined with my metronome at 40bpm. Works great!
Oooh I love that idea. I use a random note generator for ear training.
Thank you, sir!
Oh yea! Love your lessons!
Thanks, Kevin!
Thanks Chris!
You bet, Chris.
This helps so much-thank you Chris!
Happy to help!
This was simple and great.
So glad you enjoyed it, Frank.
Like it ..very cool!
great lesson!
Glad you liked it!
Thanks!
You bet, thank you!
Excellent brain food that last one had me SLOWING WAY DOWN to see where root was.
hands on the best.
Yeah, slowing down is the key here, acknowledge the cognitive load, and calibrate to it. Then watch the real progress begin!!!
Thanks for being here!
thanks, Chris!
You're welcome!
Chris the chord you played first is E minor seventh nine
Indeed! Often referred to as "Minor9". Whenever you see just the number "9" after a chord name it usually suggests that the proper 7th is already in the chord (this does not hold true for 11 and 13 chords containing the extensions below them).
When a triad simply has the 9th degree added it is properly written as "add 9".
Hope that helps!
Hey Chris. Another good one. Of course you drilled this into us in triad mastery 😊
Any PTSD, Ed? 😂
@@curiousguitarist you mean permanent triad stress disorder ??? Yeah, I got that. But no complaints 🤣
May I ask: why the circle of fifths? The overwhelming majority of musical movement is in the opposite direction: the circle of fourths. e-7 > a-7 > D7 > Gmaj7. First of many reasons: bass tone resolution, the “perfect cadence”. If instead of working the Circe of fifths for these exercises you were to work the Circle of Fourths, you would be automatically building in the movement that covers 80% of all pop, jazz, and classical music.
The direction does not matter, 4ths is fine. I chose 5ths because it is usually how the circle is described, and an easier inroad description-wise.
Thanks for the view and comment.
Cool logo
thank you sir
You are welcome!
Great approach. Do it in reverse and it's the circle of 4ths.
Yup!
One more time a really great method. I already learned sth bout the circle just watching and before I even grab my guitar. But if you have a beautiful chord shape you don't know anything about, how to determine what of these notes actually is the root? Is there sth to stick to? At this point my only chance would be a comparison with the CAGED shapes to get there and then find out "oh yeah, it's a kind of a C shape with maybe a minor 7 or maybe a 4 instead of a 3" for instance. Is there any better, faster way to get there?
Besides, there is another root on the D string as well one could use to practice with
Glad you enjoyed this one!
As far as identifying the root, studying triads get's you everything you need to be able to ID what notes are in a chord, and what function they serve, beyond that, getting familiar with the notes in chords (chord spelling) helps a ton as well.
I'm already familiar with chordspelling and triads (which are often just a part of a barchord). But the chord you play there consists of 4 notes (incl the octave). Now that I know what the root is, I could eventually manage to name it (think it's just a kind of inversion of E major with the 3rd on the low E string, A string skipped, root on D, 5th on G and octave on B string) but if I didn't know what the root is, how could I figure it out?
@@toxictime9604 great question. And yes you're right, that chord is a first inversion triad, with an octave of the root on the D string as you pointed out.
When I look at a new voicing I always try to deconstruct it...finding the root can be done by ear with a bit of practice. But if there is no context at all about the voicing I rely heavily on triadic familiarity to apply trial and error. That get's easier and easier as you work through new voicings.
One thing you can try is to "build" a random chord...could be anything...move the notes around without ANY context till you have something you like, then get out the pencil, write down all the notes and start analyzing it. I learn something new everytime I do stuff like that.
Hope this helps!
Question: So as long as you know the root note of a chord you can shift/practice the COF?
Yes, perfect!
Stellar
Thanks Warren
Killer dude!
Thanks, mate!
Light bulb moment!
Thanks 🙏
I love hearing this! Thanks for the comment.
Robert Johnson did a song using the circle of 5th called : Hot tamales and they red-hot yeah, yeah, yeah !! It's an easy song to do and a lot of fun too.
Sweet, thanks! Sounds like Taj Mahal borrowed some stuff this Johnson tune when he did "She Caught The Katy.
ua-cam.com/video/G-83fZi-JB8/v-deo.html
O always learn so much from you
I appreciate that, happy you're here, Daniel!
There is no Gb, Db, Ab, Eb, or Bb major keys. As an example, to write Bb Major (Bb, C, D, Eb, F, G, A) as A# Major, you would have to write out the notes (in A# Major) as A#, C, D, D#, F, G, A. This is awkward and confusing even though it is technically correct. Details matter! Music is confusing enough for beginning and intermediate players. Hope this clarification helps.
Thanks so much! Depending on who you ask, the number of “valid” key varies wildly!
Thanks for posting!
What??
makes no sense what u jsut said
Just a thought isn’t the circle of 4ths more common in music? Ie backward round the circle of 5ths or do you think actually better to go both directions? Thanks
Yes indeed, best to go in both if you want to. The circle of fourths generates the 2 5 1 4 7 3 6 chord progression, used a lot in Classical and Jazz music. Going in 5ths brings you stuff like "Hey Joe" etc...
@@curiousguitarist cool thanks
Very constructive lesson
Glad you enjoyed it!
How did you know the root for the last chord?
I learned that chord voicing as an E chord. When analyzed it I could see it was G# E B and E again on the B string. So that voicing has two roots in it, one on the D and one on the B string. The B string is the easier one to follow for me because it’s the highest note in the chord.
Hope that helps!
Where you going with that gun in your hand?!
I’m definitely somebody who has the e and a strings down pretty well but not the others. I will t practice that last chord voicing.
Keep me posted! Glad you enjoyed it.
Hey Joe workout :)
@@KutayYavuzMusic hahah! Love it!
Hi guys, why do you bring some tutorials in fast mode. Alan from Switzerland.
Hey there! I’m sorry but I don’t understand the comment, can you rephrase it please?
Thanks!
Possibly coming: "Indiana Jones and the Circle of Fifths".
😊
I'm still working on learning my fretboard. I feel like some parts are still a mystery to me
Yeah, I know that feeling too. These types of drills close those gaps very effectively.
@@curiousguitarist that root note on B string is clutch. I'm mostly going blind on B and G strings haha
@@ibrajimenez2098 once you map out the B string it all fills in quickly. Have you seen the octaves video here…?
@@ibrajimenez2098 Learn the notes on the fretboard. Use Octaves
ua-cam.com/video/M6UAgi5nPyE/v-deo.html
@@curiousguitarist not yet! But I'll check it out! . Thank you!
Thank you! Some great suggestions for how to use it for practice other than the same old boring way I use it.
Right no, glad you enjoyed it!
That last chord was just a wierd spread voicing of a major chord.
I know...I love it
Hugh
Traditional harmony goes through the circle backwards. That’s how I practice things.
Either way works, fifths is Hey Joe, fourths is Autumn Leaves!
@@curiousguitarist yes! As I listened to your examples I kept hearing Hey Joe in my head.
🙏🙏🙏🙌🙌🙌🙏🙏🙏
🙏🙏🙏🙌🙌🙌🙏🙏🙏
I heard "Hey Joe" right off the start
Yeah baby~
HEY JOE...
...where you goin' with that gun in your hand?