You can definitely shoot Cinestill 800T with daylight, you just need to use a yellow filter to compensate for the blue shift. Reference of the filter would be 85B
Thank you! And they’ve got a few different stocks now so I’m sure you’d be able to find one you like. Their black and white is lovely too! I have a video about it from last summer
400D looks gorgeous. I’ve got some and waiting to shoot with it. Do you ever use a filter when shooting 800T in daylight or just colour grade afterwards?
@@SophiaCarey I use an 85B (might be 85A) but only learnt that from being on set with 16mm/35mm and seeing DOP’s doing it when I was a camera trainee. It’s quite fun using filters in camera, I like how it forces a look so that editors can’t remove it later haha!
This is actually the very first roll of 400D that I’ve liked; everything else I have seen on UA-cam and IG is just too beige/brown blah. Now, I’m actually going have to grab a couple of rolls and try it out. BTW-how were these scanned?
Ah I’m glad you like them! Might be a case of the stock rendering certain colours better than others. Scanned at Come Through Lab (linked in description) who I believe use a Noritsu scanner
It's funny when I lived in Scotland in early 2000s I could easily afford Porta 120 but there were hardly any beautiful and slim women around to photograph.After few years I went back to Poland and there were milions of beautiful women around but I could hardly afford the film. Crazy times 🤣
You can definitely shoot Cinestill 800T with daylight, you just need to use a yellow filter to compensate for the blue shift. Reference of the filter would be 85B
Good to know! Thanks!
@@SophiaCarey You're wolcome. Your images are gorgeous by the way, love your channel.
@@doctorstrobe thank you so much!
don't forget to compensate by at least one stop! So it becomes a 200 to 400 film.
I admire your photography work! Fantastic! Thank you for your videos. I send you many greetings from Switzerland
Thank you so much!! I really appreciate your kind words!
You are getting much more confident with your ' reviews ' ,as your experience and knowledge of analogue/film photography increases. Well done.
Thank you so much!
Thanks for posting this Sophia!
Thanks. You allmost convinced me. What holds me back is just that I hate flare.
Great choice of location & styling to really capitalise on the strengths of 400D
Thanks Gareth!
I like the results. I have never used Cinestill before. But I would like to try them in future.
Thank you! And they’ve got a few different stocks now so I’m sure you’d be able to find one you like. Their black and white is lovely too! I have a video about it from last summer
@@SophiaCarey Thank you! I will watch another video! Cheers.
400D looks gorgeous. I’ve got some and waiting to shoot with it.
Do you ever use a filter when shooting 800T in daylight or just colour grade afterwards?
Never used one but I’d like to try one soon!!
@@SophiaCarey I use an 85B (might be 85A) but only learnt that from being on set with 16mm/35mm and seeing DOP’s doing it when I was a camera trainee.
It’s quite fun using filters in camera, I like how it forces a look so that editors can’t remove it later haha!
This is actually the very first roll of 400D that I’ve liked; everything else I have seen on UA-cam and IG is just too beige/brown blah.
Now, I’m actually going have to grab a couple of rolls and try it out.
BTW-how were these scanned?
Ah I’m glad you like them! Might be a case of the stock rendering certain colours better than others. Scanned at Come Through Lab (linked in description) who I believe use a Noritsu scanner
It's funny when I lived in Scotland in early 2000s I could easily afford Porta 120 but there were hardly any beautiful and slim women around to photograph.After few years I went back to Poland and there were milions of beautiful women around but I could hardly afford the film. Crazy times 🤣