I Won't Play The Sap For You - The Maltese Falcon (9/10) Movie CLIP (1941) HD
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- Опубліковано 24 жов 2012
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CLIP DESCRIPTION:
Sam Spade (Humphrey Bogart) confronts Brigid (Mary Astor) about why she killed his partner, Miles.
FILM DESCRIPTION:
After two previous film versions of Dashiell Hammett's detective classic The Maltese Falcon, Warner Bros. finally got it right in 1941--or, rather, John Huston, a long-established screenwriter making his directorial debut, got it right, simply by adhering as closely as possible to the original. Taking over from a recalcitrant George Raft, Humphrey Bogart achieved true stardom as Sam Spade, a hard-boiled San Francisco private eye who can be as unscrupulous as the next guy but also adheres to his own personal code of honor. Into the offices of the Spade & Archer detective agency sweeps a Miss Wonderly (Mary Astor), who offers a large retainer to Sam and his partner Miles Archer (Jerome Cowan) if they'll protect her from someone named Floyd Thursby. The detectives believe neither Miss Wonderly nor her story, but they believe her money. Since Archer saw her first, he takes the case -- and later that evening he is shot to death, as is the mysterious Thursby. Miss Wonderly's real name turns out to be Brigid O'Shaughnessey, and, as the story continues, Sam is also introduced to the effeminate Joel Cairo (Peter Lorre) and the fat, erudite Kasper Gutman (Sydney Greenstreet, in his film debut). It turns out that Brigid, Cairo and Gutman are all international scoundrels, all involved in the search for a foot-high, jewel-encrusted statuette in the shape of a falcon. Though both Cairo and Gutman offer Spade small fortunes to find the "black bird," they are obviously willing to commit mayhem and murder towards that goal: Gutman, for example, drugs Spade and allows his "gunsel" Wilmer (Elisha Cook Jr.) to kick and beat the unconscious detective. This classic film noir detective yarn gets better with each viewing, which is more than can be said for the first two Maltese Falcons and the ill-advised 1975 "sequel" The Black Bird.
CREDITS:
TM & © Warner Bros. (1941)
Cast: Humphrey Bogart, Mary Astor
Director: John Huston
Producers: Henry Blanke, Hal B. Wallis
Screenwriters: John Huston, Dashiell Hammett
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love the fierce intensity in Bogie's face! He is dead serious.
"If they hang you I'll always remember you."
That line is the very essence of film noir.
2:04 I just don't now if there was ever a more dramatically chilling facial expression in Bogart's entire career than the one he has at this very moment ... just screams out of his eyes!
And modern viewers have the gall to complain that his acting is "flat" or "wooden" compared to Brando or other later stars. It's so infuriating. Bogie wasn't flat or phoning it in. He was just more selective. He made every expression and vocal inflection count.
Yep, one of his best.
And a few seconds later the jaw muscles start working ...
Watching this many times made me realize how great Bogart really was.
"You killed Miles and you're going over for it..." great line, great movie. Bogart's the best.
It's not a great line at all, it's a complete repeat of a previous line. Bogart turned it into a great line by magic, by slightly widening his eyes to show determination not to break, then clenching his jaw and allowing the flutter of his set jaw to show through his cheek. This nervous tic (deliberately artificially simulated) demonstrates that he is acting against instinct, against desire, only so as to do what is right.
@@annaclarafenyo8185 Well... um... okay.
@@jameshayes4390 What I'm saying is... don't credit the writer. The writing in the film isn't as great as the acting makes it seem to be. The actors are phenomenal.
@@annaclarafenyo8185 Your comment makes no sense. By your own words you agree that "Bogart turned it into a great line". So you and the OP both think it was a "great line" even though you start your comment by saying "It's not a great line". Confused much?
@@baronvonnembles There are some clunky lines that great actors can turn into gold.
The part they cut out is where he talks about why he is doing what he's doing to her. The line goes something like "When your partner gets killed, you have to do something about it. Doesn't matter how you felt about him, if you do nothing, it's bad for business, bad for everybody." It's very cynical, but it still about being a man living by a code of ethics.
This was the second remake of The Maltese Falcon and the others are... not good. The earlier movies made Sam Spade something like Dashiell Hammett's other famous detective, Nick Charles from the Thin Man series. Spade and Charles are nothing alike. This can fairly be called the first hard boiled detective movie. Huge success for everyone involved.
Matt Hubbard that’s the next clip
Love is the death of duty.
@@mygoogleemail2063 Yeah remember that line.
One of my favorite lines: "You're takin' the fall... "
Mine is, "If they hang you, I'll... always remember you."
"If they hang you by that pretty neck (he touches her neck)... "
+SamBuddwing Cold and ruthless.
"We're both of us sitting under the gallows". What a line.
The absolute disgust in Spade’s facial expression and voice makes it 1000x better. Bogart was truly one of the best.
"Well, if you get a good break, you'll be out of Tehachapi in twenty years and you can come back to me then."
Love her expression.
Bogie could set something on fire with the intensity of that gaze.
After all these years this is still a great movie, to me the perfect movie. John Huston first movie as a director and he hits a grand slam with a great detective story that pretty closely follows the book except for some minor changes but keeps the story so well. What better actors could have have been found than these to play the parts so well that you could never imagine anyone else playing a part but that person. Back in the late 70's I was lucky enough to see this movie on a large screen in a theater and it was a pure pleasure to see it how it was meant to be seen in a dark theater and not on a TV screen. As Sam Spade said, The stuff dreams are made of.
I've read that book three times. It's almost like Dashiell Hammett wrote the screenplay. The casting was spot on!
@@boblozaintherealworld3577 Except for Mary Astor. I've never liked her in the part.
@@baronvonnembles I AGREE with you on that. I'd forgotten she played the "weepy girl" way too much.
The late film critic Dwight Macdonald -- who loved this film -- commented that Brigid, for all her sociopathic hardness and amorality, has come to think of the world as a whole in sentimental melodramatic terms, and thus believes that Love Will Conquer All when she finally tells Sam the truth about Miles' murder. With regard to her shocked look when he gives her the grim news: "The poor woman had obviously seen too many movies". GREAT comment!
Amazing scene!!! I wish there were more scenes like this in movies.
you''ll be out in 20 years and I'll be waiting for you..... hahahahaa….. love that line , love it!!!
And to think I've read reviews where people think Astor was over acting in this scene. I can't imagine it being better done by either actor. One for the ages.
No way! She played it perfectly! In fact, her roller coaster of emotions may be trickier to pull off than Bogey's intensity. Not sure, but those looked like real tears forming in her eyes.
Does anyone believe that Bogie would ever consider playing the chump by taking the rap for this dame?
One of the best scence in movie. "I'll think fondly of you."
ha!!!!!!
Are you Kiddin'?
They should’ve cast somebody hotter.
Mary Astor is an amazing actress. She can play a villain like this one, or a mother like in Meet Me in St. Louis. Such talent.
One of the great scenes from the movies with bogart at his very best
There was a Magazine Edition made several years ago on Hollywoods 50 greatest film stars. Unsurprisingly, Humphrey Bogart was Number One. Who else could it be? How is this for a list of Screen Credits? Treasure of the Sierra Madre, The Caine Mutiny, African Queen, Key Largo, The Maltese Falcon and Casablanca!!! No other actor in any era could match this collection of Classics. Bogart was a Fabulous Actor with an even greater Screen Presence. The closing scene in The Maltese Falcon is probably the greatest example of this. The Backstabber Wonderley (Or whatever her name really was) is Sent Up The River by the Coolest character of them all. "Dooont sayyyy it Sam, even in fun. You do such wild and unpredictable things!!!" "DONT BE SILLY. YOURE TAKING THE FALL!!" Sam Spade and every other character Bogart ever played is unwilling to play the Fool. Even for Love or Lust!! A single look from Bogey and you knew instantly who was in charge. If you cloned 20 Clint Eastwoods, you couldn't approach his presence. His calling card was his relaxed confidence. No Bragging. No, "Damn I'm Bad. Look at Me!! No Action Hero to this day can withstand the remotest comparison to this man. Bogart was the final stage of Darwins Evolutionary Process. At least in terms of Acting. If you want to see Cool. If you want to witness complete control of the domain, watch Humphrey Bogart. Bogey was the baddest cat ever captured on screen. Or anywhere else.
the lines in this scene are straight out of the book....like most of the scenes. well played.
I won't play the sap for you!. Bogie told her straight up!
dont be silly...dramatic pause.YOURE TAKING THE FALL!
that line drops like a hammer and he delivers it with cold brutal efficiency
Despite the fact that Mary Astor led what can be most politely called a "checkered life", I've always felt sympathy for her. After she cared for her dying mother in her last (lengthy) illness, she read her mother's diary, and discovered that her mother had always hated her with a passion. I can relate; after a totally unloving upbringing by my adoptive parents, I finally met my birth mother, who hated me even more than they had.
I am so sorry for your rough childhood, but you seemed to have overcome it. Jerry Lewis also had a heartbreaking childhood. As an adult, he went to a psychiatrist, who told Lewis "I can help stop your pain, but when we're done, you won't be the same person. So, you probably won't be funny anymore." Lewis said "Thanks, doc. I'll pass." And Lewis went on with his career for 60 more years, until the age of 93. So, you can have hope.
@@essessessesq Thank you so much for your supportive comments. Fortunately, I have something much better than hope. For twenty-three years, I have had a wonderful lady at the center of my life. She and I travel together (both domestically and abroad; this was, of course, pre-Covid); we go to lovely restaurants and theatrical events (again, pre-pandemic); and, in general, revel in one another's company. (All gratitude to Scotland; my good angel was born and raised in Glasgow). God got the bad years of my life out of the way quickly, and then opened the portals of real life to me. And -- thank God -- He kept me from becoming too sour or embittered by my early life to enjoy love and happiness. Life astounds.
@@tadimaggio Such a happy ending to your story, thanks for the good news. Yes, sometimes bad times are what we needed to appreciate fully the good times that followed.
yes but she got into AA and led a sober life till the end
“You’ve been playing with me..”
“Lady, you KILLED my partner”
Bogey wasn't about to simp for this broad, see you in 20.
Great movie and they should have showed the entire scene. Absolutely fantastic.
You look up "noir" in the dictionary, and there's Bogart.
"You never played square with me for half an hour at a stretch since I've known ya!...".
Miss O’Shaughnessy’s shocked, terrified reaction to Spade saying “Im going to send you over” never fails to make me laugh.
One of the most satisfying villain defeats I have ever seen!
Would like to watch the whole film, but seeing the final 5 minutes on YT is actually enough.
Great scene, great ending, great dialogue.......
Like a boss.
Love the movie... but most misleading poster EVER! Those aren't his .45's... and he doesn't even like guns!
Correction: SUPER ultimate badness!!!
In my opinion, Brigid O'shaughnessy is one of the greatest villains of all time.
When we are first introduced to her, we are lead to believe she is an innocent victim, a normal person who ended in extreme circumstances by pure bad luck. As the plot thickens, however, we gradually learn who she really is: a callous narcissist who manipulates people to get what she wants and then casually tosses them aside to avoid suffering any consequences from her actions. By the end of the story, we figure out that all the conflict, all the death, destruction and mayhem that has transpired, was because of her. She was the central villain all along.
When she finally gets arrested, it is EXTREMELY satisfying because she not only gets she held accountable for all her misdeeds, she also gets beaten at her own game. She believed, after everything he had done for her, that Sam Spade was completely loyal. She believed that, even after everything she’d done and having no other tricks up her sleeve, that she could completely rely on him to protect her, to help her avoid punishment, to help her live happily ever after… and then he says “Don’t kid yourself. You’re taking the fall!” and hands her to the police. She doesn’t just get what she deserves, she gets what she deserves BECAUSE someone turned her greatest strength into her greatest weakness.
It’s disappointing that barely anyone talks about her. I believe she deserves just as much praise and analysis as other iconic villains like Darth Vader and Hannibal Lecter.
I was onto her from that start, see? No two-timin’, lyin’, loose, good-for-nothing dame is gettin’ in with me. No sir!
Fav golden oldie love this!
"You never played square with me for half an hour at a stretch since I've known ya!" Sounds like most women in my life lol
@ 1:27 - “ …you do such wild and unpredictable things.”
Ultimate badness!!!!!!
“Stop it. This isn’t the time for the school girl act, with both of us sitting under the gallows.”
They rarely write ‘em now like that anymore.
Riveting! It must have taken hours to get out of character after scenes like that.
For a modern method actor, maybe, but if you search for outtakes of Bogie, you can see how quickly he snapped out of it over even the smallest mistake. It puts most modern actors to shame. I'll always be more impressed by ones like Bogie and the rest of his generation, who were able to step in and out of character at the drop of a dime.
@@TheLukeMonster Reminds me of seeing Robert Mitchum on Carson in the 1980s....Johnny asked him, "Bob, are a 'method' actor?"....Mitchum smiled and said "Sure. And here's my "method"....I say my lines, and then i pickup my paycheck."
They cut the scene short...He goes into why he cannot let her go in much more detail. Too bad...
Around 0:18 Mary Astor buries her forehead in her hands
Next split-second, her face is not in her hands.
Just a small continuity error
Mary Astor's big comeback after a major sex scandal. Everyone involved in this was great. And only about 10 words of dialogue form the novel are not on screen.
with George S. Kaufman and the infamous diary, that scandalized the court
That’s what you get for being the girl who cried wolf. Makes it hard for people to trust you.
So you came back to me!!!!
Sure you would, Brigid.
If there is ever a remake of this movie William Dafoe should play the role as Bogie.
@Pedro Sepulveda Savage!!!
Why do a remake? It's perfect as it is.
You can’t recreate San Francisco the way it was.
Yes angel I am gonna send you over
This film is in my personal top five. I have seen it more times than I can count. But one of the aspects to the relationship between Spade and Wonderly that always puzzled me was how quickly they "fell in love." It wasn't until I found out this was a remake of a 1931 film staring Ricardo Cortez as Spade, and Bebe Daniels as Wonderly. This pre-censor original revealed Spade and Wonderly had a sexual encounter. Something left to the imagination in the 1941 Bogart run-up.
While this does sew up a bit of disbelief for me, it also leaves some questions. Sam Spade's character possessed a suspicious nature. He also had more than his share of cynicism. Falling in love as quickly as the audience is led to believe is a bit of a stretch, even with the sexual component. His final speech informing her she will go down for the killing of his partner, Miles Archer, is so convincing that he has feelings for her, you just have to accept his comment, "I'll wait for you."
One last point. Subtext is always fascinating for me. You see it so often, yet, unless you are aware, it influences your understanding of plot, or scene in such a benign way.
The last scene where they walk Wonderly out into the elevator is perhaps one of the best uses of subtext, without saying a word. In the elevator they slide the cage door in front of her. Symbolic of the prison door being closed. Her end revealed. Then the elevator door shuts. The beaded glass still downs her image. Then the elevator slowly goes down. Can you truly believe Spade's comment that she will likely get life at that point?
John Huston was a remarkable director.
great actors in their prime
Awesome!
Great scene . . .
Ralphie Williams will Talk, Morino Faulk
good
She’s great
Sigma Male Sam Spade.
SAP.Thursbie.the whole greedy affairs..
I had a dream about it.
You’ll come at me, carrying a Last Word or Death in the Afternoon.
Some glowing green drink I made.
You’ll be hard to resist.
But it ain’t gonna happen, baybee.
Sam Spade
...and Simon Shovel...
Stone cold.
I am Sam Spade is my homage to the classics please check it out now, and give me a good thumbs up.
Mel Blanc-snubbing Pinnochio's Pleasure Island met its match in this repeat of the Satan Met A Lady theme. I want to know what Warner Bros.-employed Disney traitors Friz Freling and Carl Stalling were telling Warner Bros. executives about Walt Disney's political goals.