1931 Fletcher Henderson - My Gal Sal
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- Опубліковано 7 лют 2025
- The flip side is “My Pretty Girl” ( • 1931 Fletcher Henderso... ). For a 1928 recording of “My Gal Sal” by the Tom Gerunovich orchestra, listen here: • 1928 Tom Gerun (as Tom...
Transferred from 78rpm Columbia 2586-D - My Gal Sal (Dresser) by Fletcher Henderson & his Orchestra, recorded in NYC February 5, 1931 .
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Any day with Fletcher Henderson is a great day. Thank you!
Never could agree more.
AWESOME SOLOS! CRAZY RHYTHM! This is FANTASTIC! Fletcher Henderson is among the very Tops!
Smack! Thank you.
In at least one way, the great Fletcher Henderson orchestra could be thought of as the black counterpart to the Paul Whiteman Orchestra: Just as many of the most notable and talented white musicians of the Jazz Age-to-Swing Era and beyond passed through the Whiteman band, a great number of highly gifted and influential black musicians served for a time -- in some instances, several years -- with the Henderson band. Here, on one of my favorite treatments of this oft-recorded number, we can appreciate scorching solo appearances from Bobby Stark, Jimmy Harrison, Rex Stewart and Coleman Hawkins.
He's called The Uncrowned King Of Jazz for a reason in that biography
@@CPorter Yes indeed!
@@Trombonology Also in my experience with Henderson, I've never found another leader that could dish out CONSISTENTLY hot jazz on nearly every single record. Sure there were others that could beat and/or equal him on one or two discs, but their discographies sure wouldn't hold up.
@@CPorter Yeah, I'd go with that. As the '30s wore on, he threw in some sweet sides with vocalists, but everybody did -- and as we know. that trend was growing in pop as the '40s drew near. Fletcher always had very heavy hitter soloists!
@@Trombonology My favorite sweet side of his, with that other orchestra of his, "Saving Myself For You". with Chuck Richards. And yours?
Stokers of hades...
On the Parlophone label.
Imprinted at first hearing, it will always mean that. This era has been so secondary in the history of jazz that the personal means just as much as the scholarly. Maybe more.
A very long playing 78 rpm. 3 minutes and 26 seconds!
A lot of early Victor Goodman 78s are long too.