5 Modern Jazz Piano Exercises [Jazz Piano Tutorial]
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- Опубліковано 17 жов 2024
- Here are 5 exercises to help you master the "modern" jazz piano sound. These progressions and techniques will give you some new tools to add to your arsenal with a focus on achieving a modern sound.
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Great clear teaching thank you!!!
Piano teacher of the year
Keep sending more exercises like this one its amazing like i said before GodBlessing
Man, I just recently discovered you . I Just want to thank you so much. All your videos are just gold material for improvement. I've been stuck with my practice and after watching your videos i've started practicing again and it is helping me out soo much. Thank you so much, Noah! YOU ARE A GEM OF A TEACHER
Hey Sambit sorry I missed your comment before. Thank you so much really glad you are getting a lot out of the videos!
Same here….
Always useful .. Thanks again !!
This is great! Feels like water in the desert. Unlike most of the jazz tutorials you find on UA-cam, this really opens you up to being creative and doing your own thing with the stuff that Noah shows you. He explains the patterns and licks in a way that you understand how they work so you can modify them and make them your own. Thank you Noah!
This exercise is amazing
Shalom brother. Thanks for the jazz lessons!
Thanks a lot
Nice! Thanks for sharing Noah! Great teacher!!!
Hey, you’re welcome!!
Great movement technique 🙏!!!
so great
Thank you sir! 👍👍👍
Creativeness master class, thank you very much!.
These tutorials are excellent, super interesting and rich sounds, definitely will be practicing these! Keep it up!!
Ty so much
You’re welcome!
Thanks a lot for sharing and God bless you abundantly 🙏
This is Piano Digital or Piano??Great Teacher!Thanks Noal
Amazing
Noah Kellman I absolutely love you. You are not only an amazing jazz pianist but you are also an incredible teacher. Because I can play what you teach, and follow along, my knowledge and love for jazz is growing with each lesson. Toda raba.
BARUCH HASHEM.
Thank you so much, David. Makes me very happy to hear and gives me the inspiration to keep teaching! Appreciate your kind words.
I'm new here, and Wow I had to hit the subscribe button. These exercises are actually fun and video quality it good not grainy. I appreciate it.❤️
Hey you’re welcome thanks for the kind words. Glad you found the channel!
Excellent Noah, thank you very much for sharing
You’re welcome!!
Very cool stuff, Noah. Thanks so much!
My pleasure!!
Great teacher !
Thanks, Beka 🙏
Te quiero mucho camarada.
I love those great musical “snippets”, Thank you again!
You’re welcome, Theo! Glad you like them
This video has so much gold in it, as a bass player who wants to beef up my compositional tools on keys this channel has given me so much inspiration! Thank you Noah!
You’re welcome! So glad to hear the info has been helpful. Appreciate the comment 🙏
Great lesson - but most of all: I want that cardigan!!
I just found out you’re from Syracuse! I am too! It’s great to see Syracuse musicians killing it! 🙏🏾
No way Deyquan!! Sorry just saw your comment. That’s awesome. Love the 315.
You are absolutely amazing man, thanks a lot for sharing!
My pleasure, Parth!
Just found Noah. Great job. Straight to the chops.
Great
Great as always, thanks Noah
I am sooo loving these!! thanks to you im progressing with the piano so much quicker! I started to learn a chopin a nocturne for hand independence, melodic ideas and analyze a little bit how the harmony works, but my main goal is to learn jazz, i love Bill Evans soo much...Can i ask you what would you advise practicing after i learn the chords with the melody on a jazz standard? What are the essential things to practice? should i try to learn it in different keys? add extra tension to existing chords? could you perhaps make a video on what are the main important aspects to practice with a jazz standard please? Thank you and have a great day!!!
Hey Kristof, thanks for your comment! Sure I will add that to my video list, though no promises for exactly when I’ll be able to get to it. I would learn the scales that correspond to each chord and work on improvisation. I do also think learning it in all keys is a great exercise. All in all though, I would spend some time working on each voicing and making sure you truly understand it, even beyond the context of the song. I think people often move onto a new song far too soon. Hope that helps!
@@NoahKellman It okey i appreciate your answer either way if you get to it or don't, i understand you have many things to do :) When you talk about understanding the voicing what exactly do you mean? I try to learn a song arranging the voicing so the top note is always the melody so that it can be played with chord melody. I understand i think the structure of the voicing used and tend to analyze the song itself as far as chord progressions, key centers,etc...But since im self taught and dont have at the moment people to play with these kind of songs im a bit confused after i learn the song what thing to do or what kind of practice routine coud i perform so i have a routine for every new jazz standard im learning you know? I just finished memorizing Nocturne Opus 9 No. 2 of Frederic Chopin so i will be practicing that and starting to learn Stella By Starlight, after learnign the song i will practice the scale and learn it in 2 different keys, but when it comes to adding differnet passing chords to make it more interesting and rich and imrprovise im a bit clueless how to start :/ Thanks for the reply and have an awesome day Noah!
Hi Noah.
Do you have any lessons about playing minor ii v i with two hands voicings for piano solo?
If not that would-be great, I didn't found so much about this on the web.
Thank you so much for your lessons.
Regards.
You are great
Thanks, very helpful. Is there a pdf of the exercises?
Thanks Noah. Great exercise for getting 9ths fluid in the left hand. I find some of them hard to stretch in certain keys - sometimes the LH, sometimes the RH. E.g. I find it hard to stretch Cm11 in the RH, playing Eb,F,Bb,D, as you can't use your thumb for two notes. How would you do that?
I have the same issue. If I curve my index finger more than is “proper” and use the top of the fingernail to hit the F, it can be done. But it’s awkward. I imagine some teachers might have us do that, and some might have us leave out one of the notes of the right hand voicing?!?
Hey man happy new year just discovered your channel. I’m only a few years in of playing but your videos are very helpful. You’re a great teacher!
Nice
Deus abençoe
thank u so much for this
great stuff Noah!
Please provide a worksheet of these exercises.
Hi Noah! Just loved the 4th exercise. How can we use that in other tonalities? For instance : you used F7 in 7,3,13 and the arpeggios from Eb dim. If we change the tonality how it works? Thanks
Thanx, Maestro.
You’re welcome, Brenda!
great stuff!
GREAT!
Let's go!
Awesome vital info, thanks for sharing
No problem, Lenn! Glad you enjoyed it.
You are fucking elite dude, awesome stuff
Exact the video i have search👍👍
Exercises that actually sound musical
The 1st reminds me of native sense by chick corea and gary burton, check it out!
Im confused how youre able to just transpose voicings without thinking. Is it muscle memory that youve developed or like how do you do it? Thank you for the video!!
It's basically just having done it many times before. Take the time to figure out the chord tones and different ways you can voice those chords. Just have those voicings memorized to the point where you can think Eb, and your fingers have a great vocabulary of all sorts of different things you could do with Eb depending on the context
at this point I hit like first and then watch
Anyone else having trouble doing the right hand voicing of the second exercise in certain keys? Specially in Bb and Eb. I suppose my hands aren’t as large as our maestro’s. I figured out that if I curve my index finger under I can use it to hit that second note (C or F, in the keys of Bb And Eb, respectively) of the voicing with the top of my fingernail while the other fingers stretch their way to success. But it’s awkward. Can anyone empathize? Haha.
Incredible data! I’ve put this into sheet music if anyone is interested in the pdf hit me up :)
Hi! Do you still have the PDF for these exercises?
News you can USE!
Great. You make it look easy, then you break it down so we can actually do it,... but it’s definitely not easy! You need to have a theory and practice background... otherwise it’s NO go. I am lucky I can follow you. Thanks a lot!
4:06
👍
This sound reminds me of Lyle Mays
Those last two are money in the bank
Thanks Jake glad you like em!