The death of a star: the archetype of the movie star | Kinocube Vlogs

Kinocube Cinema talks about the this character in cinema history. From Norma Desmond to Baby Jane, we'll talk about the rise and fall of the movie stars.
This video belongs to a non-profit project with the aim of spreading knowledge. These images and movie clips don't belong to me, but to the owners of the rights of each film.
You can take a look to the whole project in kinocubecinema.com.
You can follow us in / kinocubecinema and / kinocubecinema
00:00 Introduction
1:13 The stars of History
6:27 The death of a star
19:01 Blurred boundaries
20:45 Ending
Films used:
Par le trou de la serrure (Ferdinand Zecca, 1901)
The great train robbery (Edwin S. Porter, 1903)
L'Île de Calypso Ulysse et le géant Polyphème (Georges Méliès, 1905)
Curtas da Biograph (1908-1909)
Les Amours de la reine Élisabeth (Louis Mercanton, Henri Desfontaines, 1912)
Méres Françaises (Jean Richepin, 1916)
Bestia (Aleksander Hertz, 1917)
Stella Maris (Marshall Neilan, 1918)
The cigarette (Germaine Dulac, 1919)
Zaza (Allan Dwan, 1923)
Sherlock Jr. (Buster Keaton, 1924)
The thief of Bagdad (Raoul Walsh, 1924)
The phantom of the Opera (Rupert Julian, 1925)
The lost world (Harry O. Hoyt, 1925)
Steamboat Bill Jr. (Buster Keaton, 1928)
Die Büchse der Pandora (Georg Wilhelm Pabst, 1929)
The Jazz singer (Alan Crosland, 1927)
Little Caesar (Mervyn LeRoy, 1931)
Devil and the deep (Marion Gering, 1932)
King Kong (Ernest B. Shoedsack, 1933)
Imitation of life (John M. Stahl, 1934)
Cleopatra (Cecil B. DeMille, 1934)
It happened in Hollywood (Harry Lachman, 1937)
A Star is born (William A. Wellman, 1937)
Crashing Hollywood (Lew Landers, 1938)
Ninotchka (Ernst Lubitsch, 1939)
Pinocchio (Norman Ferguson e outros, 1940)
To be or not to be (Ernst Lubitsch, 1942)
Lifeboat (Alfred Hitchcock, 1944)
The postman always rings twice (Tay Garnett, 1946)
醜聞 - Shūbun (Akira Kurosawa, 1950)
Sunset Boulevard (Billy Wilder, 1950)
All about Eve (Joseph L. Mankiewicz, 1950)
Singin' in the rain (Stanley Donen, 1952)
Ivanhoe (Richard Thorpe, 1952)
Limelight (Charles Chaplin, 1952)
Stazione Termini (Vittorio de Sica, 1953)
A Star is born (George Cukor, 1954)
Rebel without a cause (Nicholas Ray, 1955)
Lonelyhearts (Vincent J. Donehue, 1958)
Some like it hot (Billy Wilder, 1959)
Ben-Hur (William Wyler, 1959
What ever happened to Baby Jane? (1962)
Paris when it sizzles (Richard Quine, 1964)
A Hard Day's Night (Richard Lester, 1964)
My fair lady (George Cukor, 1964)
The Producers (Mel Brooks, 1967)
La nuit americaine (François Truffaut, 1973)
Barry Lyndon (Stanley Kubrick, 1975)
A Star Is Born (Frank Pierson, 1976)
All that Jazz (Bob Fosse, 1979)
Mommie dearest (Frank Perry, 1981)
Misery (Rob Reiner, 1990)
Barton Fink (Coen Brothers, 1991)
Chaplin (Richard Attenborough, 1992)
Bullets over Broadway (Woody Allen, 1994)
Perfect Blue (Satoshi Kon, 1997)
La niña de tus ojos (Fernando Trueba, 1998)
Gladiator (Ridley Scott, 2000)
Millennium actress (Satoshi Kon, 2001)
800 Balas (Álex de la Iglesia, 2002)
And starring Pancho Villa as himself (Bruce Beresford, 2003)
Exit through the gift shop (Banksy, 2010)
My week with Marilyn (Simon Curtis, 2011)
The Artist (Michel Hazanavicius, 2011)
Birdman (or The Unexpected Virtue of Ignorance) (Alejandro G. Iñárritu, 2014)
Clouds of Sils Maria (Olivier Assayas, 2014)
Trumbo (Jay Roach, 2015)
Hail, Caesar! (Joel & Ethan Coen, 2016)
Bohemian Rhapsody (Bryan Singer, 2018)
A Star Is Born (Bradley Cooper, 2018)
Judy (Rupert Goold, 2019)
Once upon a time... in Hollywood (Quentin Tarantino, 2019)
Mank (David Fincher, 2020)
Last night in Soho (Edgar Wright, 2021)
Blonde (Andrew Dominik, 2022)
Elvis (Baz Luhrmann, 2022)
For the images, check in-video credits.
Music:
Scott Joplin - Scott Joplin’s New Rag
Scott Joplin - Elite Syncopations
Scott Joplin - Original Rags
Scott Joplin - Sugar Cane
Scott Joplin - A Real Slow Rag
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Ai, sabía que o vídeo do Giallo non o vira, pero estaba convencidísimo de que xa vira este vídeo fai meses! En calquera caso, igual que co primeiro, moitísimos parabéns polo vídeo! É moi entretido e moi interesante.
E a respecto da pregunta que fas sobre o horror psicolóxico encarnado nunha muller vella e tola, pois... Si, igual nesa película que mencionas non é o caso, nin idea, pero si que soa moito a edadismo sexista, aínda que sexa como elemento subxacente ó contexto. Ó final dá unha visión das mulleres, neste caso actrices, vellas, fracasadas xa, estreladas, moi lonxe dos seus tempos de gloria, que é de todo menos positiva, vaites. Claro que iso non ten que ver co entretido que poida ser o rol para a actriz en cuestión, claro: o obxectivo do filme, entendo eu en abstracto, non é xeneralizar, é retratar unha situación particular que, aínda con inspiración real, é ficticia. Pero, claro, a ficción inflúe á realidade e todo iso.