You have really inspired me over the years, even though I use FL Studio, it's because of you I have started thinking more outside of the box. And I appreciate your contribution to electronic music man.
Hi Mr. Bill, I just want to say both you and Slynk are my guru's for Sound design and pretty much everything in Ableton. You're are both teaching me so many tips and techniques which I can't thank you enough for! You are an absolute genius and I have my mind set on becoming the same! Wish me luck. Haha!
Thanks for sharing how you put your sets together dude!! Exactly where I wana take things for live shows, this is really helpful! And I just knew you were into metal at some point man, your musics beats and heavy melodies are mad 🙌🙌
I can switch it between the chunks (eg. one night I might play it in the order of 1-2-3-4-5-6, then the next night I might play it in the order of 6-4-5-3-1-2) but that's about all the arrangement freedom I have doing things this way. Please argue with me if you think this lacks integrity, because I like to be challenged on this particular topic & I'd like to try and improve my set more and more based on not only my ideals, but other people in the electronic music scenes ideals also.
meh, to each their own, self cheerleaders still make an impression, eg the prodigy is 1 synth guy and 2 cheerleaders. just find something to do on stage that makes the show interesting
VIP in music production means Variation in Production. Basically means taking a track you've done and giving it a different twist, whether it's different elements, instruments, bpm, etc. A version in progress is commonly referred to as a WIP (work in progress).
If you could figure out a way to improvise gradually more and more, and gradually get more musicians to join, this could be epic. Just having the raw material from the produced songs and jamming around that. I have no idea how it would work right now, but wouldn't it be cool if every playing of a track was different? I, as a former metal guitarist, at least think jamming is way more fun than just playing through a sequence.
More musicians? Then you've gotta pay them - wait for them to turn up to rehearsal - and you better pay them to do that so as they do actually turn up, and then you've gotta hope they don't murder the music because they've got some personality disorder that requires them to 'self-medicate'. Then after all that you've gotta hope they like each other.
You have really inspired me over the years, even though I use FL Studio, it's because of you I have started thinking more outside of the box. And I appreciate your contribution to electronic music man.
I love how personal your tutorials feel because of your realness.
32:00 this shit right here. These types of moments are why all this work is worth it. No one can say that wasn't a hype moment
Hi Mr. Bill, I just want to say both you and Slynk are my guru's for Sound design and pretty much everything in Ableton. You're are both teaching me so many tips and techniques which I can't thank you enough for! You are an absolute genius and I have my mind set on becoming the same! Wish me luck. Haha!
dude, your knowledge and how u applied everything in your music, is fking amazing !
Thanks for doing this! I too can't wait to see what kind of innovative performances we're going to see in the next few years.
eres una inmensa inspiracion para todos los abletonianos, muchas gracias por tus conocimientos
"it's not gonna go anywhere if people just keep fckn DJing" - Mr Bill 😢
Hope to see you doing some more live performance shit again some day Bill!
There is an "Insert Time Signature Change" in arrangement view, right click in the Scrub Area
Thanks for sharing how you put your sets together dude!! Exactly where I wana take things for live shows, this is really helpful!
And I just knew you were into metal at some point man, your musics beats and heavy melodies are mad 🙌🙌
Gold. Im all about this.
super bummed to have missed this in person, but thankful for the live stream!
legend
this was extremely helpful, thanks
bill, you're fucking amazing.
"nothing from the 70´s is good".. that was funny. But i learned a lot from you, anyway :) From a 70´s dude, thanks for your tips :)
Too advanced for me right now :( def will be back to fully retain ALL of this knowledge.
Do you play the same set every show or switch up your ableton arrangement?
I can switch it between the chunks (eg. one night I might play it in the order of 1-2-3-4-5-6, then the next night I might play it in the order of 6-4-5-3-1-2) but that's about all the arrangement freedom I have doing things this way. Please argue with me if you think this lacks integrity, because I like to be challenged on this particular topic & I'd like to try and improve my set more and more based on not only my ideals, but other people in the electronic music scenes ideals also.
meh, to each their own, self cheerleaders still make an impression, eg the prodigy is 1 synth guy and 2 cheerleaders. just find something to do on stage that makes the show interesting
Anyone know the song at 40:15??
Mr. Bill - Slate
but with some super dope bassline custom fitted & added on. would love to see the process of how he cut the old line out with the new
What is a VIP in ableton? Is it another project within a master project?
Version in Progress
VIP in music production means Variation in Production. Basically means taking a track you've done and giving it a different twist, whether it's different elements, instruments, bpm, etc. A version in progress is commonly referred to as a WIP (work in progress).
whats that first track 3:35
If you're talking about the track at exactly that timestamp, that's his tune Klaf (with Clockvice).
If you could figure out a way to improvise gradually more and more, and gradually get more musicians to join, this could be epic. Just having the raw material from the produced songs and jamming around that. I have no idea how it would work right now, but wouldn't it be cool if every playing of a track was different? I, as a former metal guitarist, at least think jamming is way more fun than just playing through a sequence.
More musicians? Then you've gotta pay them - wait for them to turn up to rehearsal - and you better pay them to do that so as they do actually turn up, and then you've gotta hope they don't murder the music because they've got some personality disorder that requires them to 'self-medicate'. Then after all that you've gotta hope they like each other.
Arne Hanna Souds like you had a bad experience involving musicians. Are you ok?
Nice XD
11:21 wait... what? XD
thought you had tissues in your nose till I saw them shining
Nothing good coming out of the 70's you say. I was born in 77 so will have to disagree :) Nice session though. Interesting way to build a live set.
After a quick Google of "music from the 70s" I retract my statement :p
Mr. Bill Ableton can bring the good out of the 80’s tho, that’s for sure (Synthwave)
H3H3 hehe