Ils s' en tirent pas mal avec cette musique antillaise de Stellio. Les solistes n' ont pas démérité. Le rythme et l' âme de la musique antillaise ont été respectés. Bravo pour ces Français.
So far, Hunter seems to be the originator. But Caribbean artists moved around and worked in not only the US South but even up to New York, and into the Midwest, and Tickled was a big hit from the beginning. But the transformation is so delicious. I wonder if there are more examples of ragtime transplants like this? The syncopations of the Duroseau brothers and of Belasco have ties, to my ears.
I’d love to know if there are any other beguines with trio sections. I have my suspicion that Hunter indeed got here first, but what is more certain is that if this piece existed before Tickled, then we can’t fathom how it sounded. As far as I know, the version we have of this dates no earlier than 1929, and has had plenty of time to be informed by Tickled. The version I first heard was even closer to Tickled, and was likely informed by a specific recording of Tickled that I happened to have.
This music is the vital link that connects early New Orleans piano styles like that of Scott Joplin to the French Caribbean. Early New Orleans musicians like Joplin, Sidney Bechet and even Louis Armstrong were of Creole origin. New Orleans used to belong to France just like Martinique and Guadeloupe still do....figure-toi un peu par exemple!
C'est quand même terrible à quel point l'américanisation efface la culture française au sens large du terme... Car la biguine a devancé le jazz, mais qui le sait aujourd'hui ?
Ils s' en tirent pas mal avec cette musique antillaise de Stellio. Les solistes n' ont pas démérité. Le rythme et l' âme de la musique antillaise ont été respectés. Bravo pour ces Français.
Se class de commentarios. Bravo, bravo
CELA ME RAPPELLE, NOS ANCIENS *** ORCHESTRES *** ET EN PLUS L'AMBIANCE. SUPER
Vive la Musique Traditionnelle de Mon Pays.
Alain Jean_Marie, très Bon. Je t'ai connu lors du Mariage de paulo Rosine.
Il faut vraiment aller le voir sur scène. Ils sont tout simplement géniaux.
bravo, c'est tres bon et drôle
Alain,super,je n,avais jamais entendu cette version SUPER, bisous
Bravo Alain Jean_Marie. Une belle Harmonie.
Si Paulo Rosine était la, et je n'oublierai pas mon Ami Roland
Et tu as joué pour le Mariage de Paulo, en 1971
HBien
Bravo
Géant l'interprétation du Titre 🤭😉💟👋
C'est super!
So far, Hunter seems to be the originator. But Caribbean artists moved around and worked in not only the US South but even up to New York, and into the Midwest, and Tickled was a big hit from the beginning. But the transformation is so delicious. I wonder if there are more examples of ragtime transplants like this? The syncopations of the Duroseau brothers and of Belasco have ties, to my ears.
I’d love to know if there are any other beguines with trio sections. I have my suspicion that Hunter indeed got here first, but what is more certain is that if this piece existed before Tickled, then we can’t fathom how it sounded. As far as I know, the version we have of this dates no earlier than 1929, and has had plenty of time to be informed by Tickled. The version I first heard was even closer to Tickled, and was likely informed by a specific recording of Tickled that I happened to have.
Super !
ça swing !
❤
This music is the vital link that connects early New Orleans piano styles like that of Scott Joplin to the French Caribbean. Early New Orleans musicians like Joplin, Sidney Bechet and even Louis Armstrong were of Creole origin. New Orleans used to belong to France just like Martinique and Guadeloupe still do....figure-toi un peu par exemple!
And Jellyroll Morton born Ferdinand LeMothe.
Vive la Musique
Respect...!
And don't forget the original tune: "Tickled to Death" by Charles Hunter! 1900 or so...
Tickled to Death appeared 1899.
Looks like ragtime and biguine may share some roots.
coooool comme quoi le caractère universel de la musique est fondé ;-)
Oeuvre de l'americain blanc (Charles Hunter : Teckled to Death 1899) qu'a repris Alexandre Stélio en 1930
Et l"ami en question c'est le pianiste de "BLUES BROTHERS" ce qui veut dire que la Musique n'a pas de frontières
Et je pense à Mon Ami Roland Pierre Charles.
New"ofleans
Stellio serait content.
J'ai fait écouter cette musique à quelqu'un ( un pianiste) que j'ai connu il y a 10 jours en RDQ, IL m'a dit New Orleans j'ai répondu non Martinique
C'est quand même terrible à quel point l'américanisation efface la culture française au sens large du terme... Car la biguine a devancé le jazz, mais qui le sait aujourd'hui ?
Et Rolanf Pierre Charles