Lugansky - Scriabin Piano Sonata No. 3 “Etats d'âme"
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- Опубліковано 29 чер 2024
- Alexander Scriabin (1872-1915)
Piano Sonata No. 3 in F# minor ("Etats d'âme"), Op. 23 (1897)
Nikolai Lugansky, 2019
From Moscow Philharmonic Society
[0:00] I. Drammatico
[5:58] II. Allegretto
[8:30] III. Andante
[12:54] IV. Presto con fuoco
“Alexander Scriabin began composing his Third Piano Sonata in 1897, immediately upon completing his Second. Like that work, the Third shows only vague signs of the remarkable atonal revolution that Scriabin will, quite independently of Schoenberg or any other composer, carry out in his music during the years just prior to World War I. The Sonata No. 3 in F sharp minor, Op. 23 was completed in just a few months (as opposed to the nearly five years it took to finish the Second Sonata).
Throughout this 20-minute piece, Scriabin continues to assert his own individuality over the Chopin-Liszt tradition which heavily influenced his earliest works. Although even his earliest compositions contain an ecstatic rapture entirely his own, the Third Sonata is perhaps the first truly Scriabin-esque musical statement, wholly deserving of its special little niche in the repertories of the world's pianists. Scriabin gave the Sonata several titles at various times, including "Gothic" and, from a much later period, "États d'âme (States of the Soul)," the latter an effort on the composer's part to reconcile the work with his growing interest in mystical and theosophical traditions. Happily, the programmatic outlines Scriabin indicated -- from the suffering of the first movement through the respite of the second and deep feeling of the third to the final plunge into nothingness in the finale -- are sufficiently vague to allow the piece to be heard as a purely musical statement. “
- Blair Johnston
![Scriabin: Piano Sonata No. 3 "States of the Soul", Op. 23 [Horowitz 1955]](/img/n.gif)
Scriabin creates in this and other sonatas (especially the second) a personal and unique sound universe. Scriabin was an absolute musical genius.
Section 11:35 is just such a heaven part melodically. Unlike the other pianists, this section is well tempered and with a beautiful gradual accentuation.
Absolutely fantastic.
Oh, glad to see you here!
That second movement 😍❤️
Yes!!!! Trying to learn it!!
L'immensité du répertoire de Lugansky est absolument considérable, on dirait qu'il n'y a pas une oeuvre qu'il ne connaît pas.....
Nice sonata! He performed it quite well. The third movement is simply beautiful.
"Quite well" ? He is one of the best pianists I know
Quite well? Omg you are so st...d ajd ignorant..... :/// one of the best pianist in history.
Interesting how at 3:45 he plays the bass an octave lower than what’s written. Great effect
I think this must be a somewhat common practice with scriabin, because my teacher (who studied at Moscow Consv.) also recommended taking a bass octave in the third movement (that was not written in the score).
and then he proceeds to make a mistake at 3:47
@@samaritan29 so?
@@samaritan29 😑
On a first listening, at least, this sounds quite a lot like the Second and Fourth Sonatas rolled into one.
This sonata is so sick, great performance as well
Incredible performance🌿
Обожаю Скрябина ❤
8:30
Пальцы Луганского ❤
Yes.
Sounds zo jazzzzyyyy😄
Охренеть, особенно 4 часть!
I could feel the anxiousness in the beginning from the mistakes
Mistake? He is a piano God
@@Reboost269 He certainly is, but you can't deny that he missed a few notes at the start, but it happens to all of us.
@@EetuRautio yeah, the thing is that, he is not from us
L'inizio non è convincente
Of Course
A beautiful interpretation, sadly littered with mistakes! :(
Rachmaninoff better than Scriabin
Shut up man. Both are legends
Debatable
It,s too difficult to compere them.
Listen 2 sonata of Rachmaninoff
@@user-vv4oh5xk1w its another style and another language. Rach wrote 2, scriabin 10. Rachmaninoff respected scriabin a lot, and after Alexander death, Sergei performed a lot of his music in honor to his gone friend.