Totally LOVE Mr Levy's approach to harmonica ... great lines; chewy, earthy tone very different (in a good way) from my other FAVs (Toots, Stevie, Little Walter,). Mr Taylor wow, just WOW...soloing is always on point the comping is amazing. Mr. Patitucci's pocket "feels" great, timing, tone. groove .... groin!
I hate the sound of Martin's guitar. Bland and lacking dynamics. What amazes me is that it's always claimed that when jazz guitar went electric in the 30s, guitarist could play on equal terms with horns but they never tried to!. For some reason they chose to become the bland, undynamic poor relative of the exciting sounding horns. With that in mind, it's not surprising that jazz guitarist never caught the imagination of jazz fans, generally, like the sax, trumpet and even piano players.
@@albertking1566 Interestingly, if Charlie Christian's sound in the Minton Sessions had become the "go to" tone for jazz guitar from the early 40s, then the subsequent history of jazz guitar would, I feel, have been very different. BTW, I'm pretty sure that Charlie favored a harder, even a bit distorted, sound; indeed, I read somewhere that Charlie was hoping to find an amplifier with distortion built in. Finally. as I said previously, the post-Charlie jazz guitarists never tried to compete sonically with the horns...and they could have.
Totally LOVE Mr Levy's approach to harmonica ... great lines; chewy, earthy tone very different (in a good way) from my other FAVs (Toots, Stevie, Little Walter,). Mr Taylor wow, just WOW...soloing is always on point the comping is amazing. Mr. Patitucci's pocket "feels" great, timing, tone. groove .... groin!
Просто великолепно! Истинное наслаждение слуха! Браво!
Fantastic
These magnificent MEN with their great skills… and passion.
Best Jazz in the world. Thank you for this incredible ride …
Wow, this spirited me off to Zanadu! 💞
Three world class musicians at the very top of their game....sublime!!!!!
What a great sound. Great to hear the harmonica. Miss Toots.
Xoxoxcellent
😘 from France to you all
at 1:38 Martin Taylor, John Patitucci enjoying howard solo :)
Martin Taylor is the Maestro. Thanks for posting man!
💯
Great music.make me enjoy each beat melody.
Just beautiful you guys,,,took me on a exhilarating trip....
Yeah man! 😍
Superb! Bless you, guys!
Wow!!!
What a pretty guitar.
WOW 🎉!❤
❤❤❤
Sayin Doll is interesting in a wonderful way.
bomba
Giant Steps peeks in at 27:36
Is that Darol Anger on violin? Cool session.
Yes, it’s Darol Anger 👍
Whats the first song they did with the violin player
Taking a chance on love
This was great.....apart from the harmonica, which was hopelessly out of place and severely undermined the overall vibe.
Was that played on a diatonic harp?
Yes !
Too much piano
Magic music
I hate the sound of Martin's guitar. Bland and lacking dynamics. What amazes me is that it's always claimed that when jazz guitar went electric in the 30s, guitarist could play on equal terms with horns but they never tried to!. For some reason they chose to become the bland, undynamic poor relative of the exciting sounding horns. With that in mind, it's not surprising that jazz guitarist never caught the imagination of jazz fans, generally, like the sax, trumpet and even piano players.
Interesting comment. If possible, can you provide a couple examples of jazz guitar that demonstrates the tones and dynamics you like?
@@albertking1566 Interestingly, if Charlie Christian's sound in the Minton Sessions had become the "go to" tone for jazz guitar from the early 40s, then the subsequent history of jazz guitar would, I feel, have been very different. BTW, I'm pretty sure that Charlie favored a harder, even a bit distorted, sound; indeed, I read somewhere that Charlie was hoping to find an amplifier with distortion built in. Finally. as I said previously, the post-Charlie jazz guitarists never tried to compete sonically with the horns...and they could have.
Need Joe Pass😅
Do you like the more modern sound of Kurt Rosenwinkel or Gilad Hekselman? @@musik102