Simply outstanding ! So glad I got to see them back in the 70's. He and Chris Squire got me hooked on RIC basses. Still going strong. Thank you for posting this gem ! ! !
So true! I don't know why people don't talk more about how great the bass is in this group (or maybe I am just a bit of a loner and don't know anyone who loves Renaissance as much as I do to talk about it)
@@RabbiJonathanKlein We are a rare breed mate although I suspect there is a legion of hard core fans that ( now older ) are too loaded down with life to focus on the good stuff and times. We soldier on ! Cheers ! ! !
I was a Ric 4001 player because of Chris Squire. Jon Camp never made any bones about the fact that he was a huge Squire fan and went for the same trebly/lead sound. More than a few of us bassists of the era did the same. 😊
Please don't forget and make a note: Next year in June 2025 it will be 50 years since Renaissance had their epic performances at Carnegie Hall/New York.
This is the best version I've heard aside from the one recorded for the live album at Carnegie Hall. Definitely a band that deserves to be included at the very top of '70s prog along with Yes and ELP.
The Carnegie Hall version is so much better. This version devolves into too much self-indulgent "let's see how many weird sounds I can make". The Carnegie Hall album caught just the right mix of solos while keeping the whole number on track and building to the finish in a more cohesive way.
It's weird how this video has been up for 18 months, only has 700 views and 4 comments right now and here I am one hour after you commented this. RIP Michael Dunford indeed.
I saw them right around this time at Radio City Music Hall in NYC, a venue built for the best acoustics. OMG, I wept, I soared, I fell in love, I was enraptured, I lived, I died, I was reborn. Nothing like it. I can still close my eyes and hear Annie singing, swaying. This song was their encore closer.
First saw them at Liverpool Uni in 1976. Had never heard of them but was spellbound. This was their final song….it was incredible. Annie has the voice of an angel. 😊😊😊😊
@@ralphstalnecker3469 I heard some rumors way back when but never really knew any details at all about him... whatever it was it's a shame in a way because he was very talented...
@@ogrebattle22763 not really sure, all I know is that Annie will not discuss Jon Camp in any interviews, I am thinking it an ego issue, but don't quote me..
Finding out about this band in my teens (the 80s) was like digging gold. What a wonderful ensamble! The songs were full of substance and beauty. Heard their albums repeatadly, especially the live performance. Didn't have the chance to see them live, until too late. Thanks ever so much for this upload.
What a magnificent performance.As a long time Renaissance fan I keep tuning back to this version.The improvisation between Tout and Camp is something to behold.Lets not forget Annie who with her alluring gowns,looks and of course voice commands the spotlight.The only thing they did wrong was they didn't put out enough music with this lineup.
I had only listened to the studio albums at this point. What a magnificent thirty minute live performance. Especially the synergy with the Jon Camp and John Tout during the piano/bass solo. That was fantastic.
@@NoahtheEpicGuy Yes. ELP took their recordings to another level live. Although I did see that Keith Emerson bemoaned the fact that some tracks were impossible to recreate on stage in the 1970s due to technical constraints.
Thanks for posting. They came to Bristol University students union around this time. I remember being very impressed by John Camp's bass solo, as I was learning the bass at the time. John Martyn was the support act, as far as I remember.
I agree with all the superlatives others have placed here. Someday (not soon I hope, I am roughly her age and my family live long lives, so environment destruction by uncaring megacorps will probably take me before old age does and I want to hear that wonderful lady sing live a few more times before I move on) she will take her place among the souls of all of the departed dramatic coloraturas as a principal vocalist in the Heavenly Choir! No improvement whatsoever needed!
Such an amazing performance by the entire band. Annie’s voice and Jon’s bass were sublime. I feel the only thing that spoiled the video is the psychedelic obsession with the camera on that glitter ball. (This seemed to be the norm at that time) ELP, Pictures At An exhibition suffered the same fate I would much rather seen the band play.
Each live version of Ashes are Burning are different in the solos and ending. As a new fan hearing 2 longgg songs on my college radio station then seeing them live on UA-cam I fell in love, Annie was a classic 70's girl, I can remember those years, now she is a classic 2020 women. Notice how the comments are from men, her later concerts were men (up front). The few women I have played her songs for don't like her voice, to high hurts their ears? And I have NOT even played Ashes my fav. longest song
Chris Squire must surely have been a big fan of Jon Camp, n'est-ce pas? For an understandable reason I should say. And of course we all know full well who Jon's major inspiration was...😉
Hi folks! This is not from "Live at Carnegie Hall"? BTW: I didn't know that Michael Dunford has pas sed away!😓 RIP Mick Dunford and Jon Tout! A big loss for music!😢 Arnold Sturm from Romania A big loss for the music!😢
It's possible, but not for now. 31 min. of video is more than my hardware can support. And to be sincere, i'm very satisfied with the audio restoring and remastering i did and won't want back to redo it. All the best!
So many directors insisted on trying to be all artistic and trippy. Worst example is Awaken on Keys to Ascension...unnecessary clips of some idiot on a trapeze during Wakeman's astonishing keyboard section. 😬
![RENAISSANCE - Ashes Are Burning [LIVE IN STUDIO] 1974 RARE](http://i.ytimg.com/vi/SykBbwU3JwY/mqdefault.jpg)
![RENAISSANCE - Ashes Are Burning [LIVE IN STUDIO] 1974 RARE](/img/tr.png)
Audio Restored and Remastered by BrunoSamppa - ko-fi.com/brunosamppa
Simply outstanding ! So glad I got to see them back in the 70's. He and Chris Squire got me hooked on RIC basses. Still going strong. Thank you for posting this gem ! ! !
So true! I don't know why people don't talk more about how great the bass is in this group (or maybe I am just a bit of a loner and don't know anyone who loves Renaissance as much as I do to talk about it)
@@RabbiJonathanKlein We are a rare breed mate although I suspect there is a legion of hard core fans that ( now older ) are too loaded down with life to focus on the good stuff and times. We soldier on ! Cheers ! ! !
I was a Ric 4001 player because of Chris Squire. Jon Camp never made any bones about the fact that he was a huge Squire fan and went for the same trebly/lead sound. More than a few of us bassists of the era did the same. 😊
My God, Annie. You are like another instrument in the orchestra. A voice like that can only come from heaven.
renaissance は英国が誇るプログレband
です。Ms.annie haslam きれいでそれで
力強くてそれでいて、透明なvocalは
世界一と思いました😊bandさんたちも
テクニシャンぞろいでkeyboardmemberがはなつ｢個人的意見ですが｣音源｢ とくにmelotronがアニーとたのメンバーのあいだの音と調和していてrenaissance sound ここにあり❤まさに1stalbumから
culasic rock!私のmy
favorite artistです。
今日は、ここまで
また愛ましょう
ありがとうございます。😮
終
Please don't forget and make a note:
Next year in June 2025 it will be 50 years since Renaissance had their epic performances at Carnegie Hall/New York.
I won't!
This is the best version I've heard aside from the one recorded for the live album at Carnegie Hall. Definitely a band that deserves to be included at the very top of '70s prog along with Yes and ELP.
You can say that again.
Due to the soli of both Camp and Tout, this version is superior to the even superb Carnegie Hall one, I'd say. Just stunning!
The Carnegie Hall version is so much better. This version devolves into too much self-indulgent "let's see how many weird sounds I can make". The Carnegie Hall album caught just the right mix of solos while keeping the whole number on track and building to the finish in a more cohesive way.
(and I didn't even mention the cameraman's inexplicable self-indulgent hard-on with the disco ball instead of focusing on Annie)
Do we know where it was recorded?
Thank you! - Simply wonderful!
They truly were a live-band.
Always amazed at the number of people who respond with who?? when I mention Renaissance. They are INCREDIBLE! Still play them all the time.
i cant find the words to describe this angel voice. best voice in the music history
Just a MASTERPIECE 😅😊
Annie's voice is so beautiful! That's what heaven sounds like.
R. I. P Michael Dunford you are missed!!
It's weird how this video has been up for 18 months, only has 700 views and 4 comments right now and here I am one hour after you commented this. RIP Michael Dunford indeed.
John Tout as well
Whenever I am asked if I believe in heaven, I say yes, I have heard Annie sing.
That VOICE! The guys were exceptional musicians, but that VOICE!
I saw them right around this time at Radio City Music Hall in NYC, a venue built for the best acoustics. OMG, I wept, I soared, I fell in love, I was enraptured, I lived, I died, I was reborn. Nothing like it. I can still close my eyes and hear Annie singing, swaying. This song was their encore closer.
I completely understand your feelings. Good for you!
I saw them 4 times at Toronto's Massey Hall. Fabulous. Camp remains my all time favourite bass player.
@@machone35 under rated.
A favourite of mine for 50 years…….there is no more underrated band than Renaissance…….
Progressive Rock at its finest!
Jon Camp and John Tout (RIP) were amazing!
First saw them at Liverpool Uni in 1976. Had never heard of them but was spellbound. This was their final song….it was incredible. Annie has the voice of an angel. 😊😊😊😊
Jon Camp is an amazing bassist...
Too bad his ego took over in the 80's
@@ralphstalnecker3469 What happened?
Not sure, Annie will not talk about him in any interviews..
@@ralphstalnecker3469 I heard some rumors way back when but never really knew any details at all about him... whatever it was it's a shame in a way because he was very talented...
@@ogrebattle22763 not really sure, all I know is that Annie will not discuss Jon Camp in any interviews, I am thinking it an ego issue, but don't quote me..
Annie shines. The gentle jams are immersive.
I saw them 2 times millersville college pa, and dickinson collega pa 1978
What a timeless band. No greater singer. So glad Annie kept the band going in order to make new music.
What a performance, a music lovers treat.
The Best Renaissance Rock Bank Ever Annie makes this Band complete. Thank you Renaissance for the journey!!!!!
Finding out about this band in my teens (the 80s) was like digging gold. What a wonderful ensamble! The songs were full of substance and beauty. Heard their albums repeatadly, especially the live performance. Didn't have the chance to see them live, until too late. Thanks ever so much for this upload.
Maravillosa composición, de esas que ya no se hacen. Gracias por compartir.
What a magnificent performance.As a long time Renaissance fan I keep tuning back to this version.The improvisation between Tout and Camp is something to behold.Lets not forget Annie who with her alluring gowns,looks and of course voice commands the spotlight.The only thing they did wrong was they didn't put out enough music with this lineup.
Quando la musica era vera musica, e i musicisti veri musicisti!
I had only listened to the studio albums at this point. What a magnificent thirty minute live performance. Especially the synergy with the Jon Camp and John Tout during the piano/bass solo. That was fantastic.
They were one of those bands who were better live than on record. Phenomenally good.
@@beds139 Like ELP.
@@NoahtheEpicGuy Yes. ELP took their recordings to another level live. Although I did see that Keith Emerson bemoaned the fact that some tracks were impossible to recreate on stage in the 1970s due to technical constraints.
Get the Live at Carnegie Hall double lp ASAP
Jhon Tout, un genio en los teclados. Saludos Bruno, muchas gracias por compartir saludos desde Lima Perú.
Outstanding
Thank heaven for classical music
The Best Music Ever, Awesome.
Thanks for posting. They came to Bristol University students union around this time. I remember being very impressed by John Camp's bass solo, as I was learning the bass at the time. John Martyn was the support act, as far as I remember.
Everyone was impressed by Jon Camp's bass solo and Annie's voice. I saw them in Cleveland.
@@alanbruce8632 Jon's voice doesn't impress?
Awesome performance, love it!
Oh my God…fabulous ..!!!
I agree with all the superlatives others have placed here. Someday (not soon I hope, I am roughly her age and my family live long lives, so environment destruction by uncaring megacorps will probably take me before old age does and I want to hear that wonderful lady sing live a few more times before I move on) she will take her place among the souls of all of the departed dramatic coloraturas as a principal vocalist in the Heavenly Choir! No improvement whatsoever needed!
The bass solo by Jon Camp is incredible. Edges out Chris Squire of Yes for the number 1 spot in my book.
Average bass player, doesn't do anything that deserves to be compared to the best.
Marvelous!!!
Magnificent!!!
I'm speechless . . .
alladin hotel, las vegas with YES
Brill!
Bruno, vc é GENIAL obrigado.
Such an amazing performance by the entire band. Annie’s voice and Jon’s bass were sublime. I feel the only thing that spoiled the video is the psychedelic obsession with the camera on that glitter ball. (This seemed to be the norm at that time) ELP, Pictures At An exhibition suffered the same fate I would much rather seen the band play.
Each live version of Ashes are Burning are different in the solos and ending. As a new fan hearing 2 longgg songs on my college radio station then seeing them live on UA-cam I fell in love, Annie was a classic 70's girl, I can remember those years, now she is a classic 2020 women. Notice how the comments are from men, her later concerts were men (up front). The few women I have played her songs for don't like her voice, to high hurts their ears? And I have NOT even played Ashes my fav. longest song
men just dig prog more.
What a voice.
이곡을 좋아했었다, 젠장 이제야 오디오로만 듣던 그들의 실체를 본다. 갑자기 예전에 듣던 노래들이 생각날때가 있다.
From my home town. Bolton
Jon Camp channeling Chris Squire on that Rickenbacker
Progressive Rock Soundscapings...as Black,and White !...
Not one second of this version that is not outstanding !
Renaissance's early first
time curassic and rock fuse
Chris Squire must surely have been a big fan of Jon Camp, n'est-ce pas? For an understandable reason I should say. And of course we all know full well who Jon's major inspiration was...😉
fired the cameraman...
Genial!
Hi folks!
This is not from "Live at Carnegie Hall"?
BTW: I didn't know that Michael Dunford has pas
sed away!😓
RIP Mick Dunford and Jon Tout!
A big loss for music!😢
Arnold Sturm from Romania
A big loss for the music!😢
hi remastered and colorized is possible?
It's possible, but not for now. 31 min. of video is more than my hardware can support. And to be sincere, i'm very satisfied with the audio restoring and remastering i did and won't want back to redo it.
All the best!
iwanted to say only with the video, audio is top, many thanks! @@brunosamppa
@@schizoidman4646 I got it. Thanks!
@@brunosamppa It should also remain a document of the time, but the acoustic processing is justifiable.
Claudécio
Who's bright idea was it to just show that damn disco ball for 7 minutes instead of the band? Pfffft.
They used the disco ball for all their live performances of this track.
So many directors insisted on trying to be all artistic and trippy. Worst example is Awaken on Keys to Ascension...unnecessary clips of some idiot on a trapeze during Wakeman's astonishing keyboard section. 😬
A 30 minute song ?????
Thos were the days! Although this is long, even by standards of other live versions. Usually, it would run 18-23 minutes or so.
That's why the legendary three-day concert in June 1975 at Carnegie Hall in NYC was also released as a live double album.
Not much guitar in all this.
No, the classic era of Renaissance with primarily about acoustic guitars supporting, rather than being prominent.
Renaissance used piano/clavinet and bass as it's lead instrument...behind Annie's crystalline 5 octave voice of course