Cardillo: Core ‘ngrato (Catari, Catari) • Julia Faulkner Masterclass • BPYAP • Snape Maltings
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- Опубліковано 14 бер 2019
- Alex Aldren (tenor) and Maya Irgalina (piano) work with Julia on the approach of medical professionals in singing and spend time using a different stance to free up muscles while singing.
Filmed at Aldeburgh Festival 2018, as part of a series of masterclasses on the Britten-Pears Young Artist Programme with John Fisher, Julia Faulkner and Matthew Rose.
Find out more about courses: snapemaltings....
The Britten-Pears Young Artist Programme is generously supported by the Britten-Pears Foundation, ENOA (co-funded by Creative Europe Progrmme of the European Union) and the Leverhulme Trust. Student bursaries are supported by the Cedar Trust, Geoffrey Collens, Haskel Family Charities and the Viola Tunnard Trust.
Beautiful tone. He's a young, developing singer. It's a masterclass for God sake, lay off with all the criticism!
If he develops the technique he's using, he will ruin his voice. He needs to change his technique completely.
He is singing with low soft palate and head voice. He needs to develop his chest voice and relax his neck and jaw.
Thank you madame Heinz that's what I said
He sings not Sul fiato instead he is singing with his material
@@gunterjauch9051 Yes, he's singing on tansions, pushing the air...
@@celibidache1000 I have seen many of your comments on these videos and I must say you come across as very arrogant and condescending. These are young developing artists. You cannot expect their technique to be perfect. They are on a journey to discover their ideal tone and manner of production. Saying that someone will “ruin” their voice is an irresponsible and uncalled for mischaracterization. Do you realize how reading something like that could affect the development of a young singer? This is not constructive criticism, in fact, it is DESTRUCTIVE.
Maravilhoso!!!! Parabéns!!! ❤❤❤❤❤❤❤❤🎉🎉🎉🎉🎉🎉🎉
Wow, well done Alex Aldren, you will make it to the Met. I will look forward to seeing you,
Great job on the piano Maya. This is my favorite Neopolitan song. I favor versions by Franco Corelli, Mario Lanza and Sergio Franchi. May they rest in peace. Thank you for posting.
Que maravilha!!!🎉🎉🎉🎉 parabéns!!!!!
Great voice, and will get even better
A lovely voice and some nice phrasing.
Excellent!
You sure do have a great voice. My tip would be to not pay so much attention to the teacher. You know what to do. Listen to the 1971 Tokyo recording of this by Franco Corelli. His phrasing and timing, also pronunciation, is unmatched. You could easily be just as good. Congratulations!
Powerful voice and incredible Neapolitanaccent. A pleasure to watch and listen. Bravissimo.
haahahah come on, its nasal as hell.
@@martinposavec5255tu ne capisci tanto eh?. Non è certo perfetto ma non è affatto nasale...
Cela m'a fait très plaisir je suis un grand amateurs d opéra
Brillantes las últimas Octavas.
Throat tension very obvious. Movement in voice is a tremolo. Base of tongue and larynx shake in unison. Needs a lot of work.
I think he has a really nice instrument
Super Danke
This is a few years old now! Check out some of my newer recordings on my channel! Feedback welcome!
CONSTRICTED SOUND ΑΝΔ closed throat.very good material and voice but he needs a teacher who knows how ton free the voice
13:59-14:01 :)
There's your voice!
I have this exact problem with my ee vowel!
Все на горле.
I kind of liked it better the before than the after... I could understand the text better and that's a huge deal because it has to do with how you produce your vowels... vibrato was also better and freer before. I see maybe jaw tension? pushing the jaw forward sometimes? I dont know... also, this is meant to help not to criticize... great voice anyway
Now, if he could just stop knödeling the I's
Such a shame he's singing with a veiled sound and not using clear Italianate vowels
He's using a perfect Neapolitan accent. The "e" sound is different to standard Italian.
Ricardo meu caro Fratelli,Francesco.murilo
A LOT OF PEOPLE HAVE A VOICE....IT CAN BE A WONDERFUL ,DIVINE, AVERAGE OR ACCEPTABLE ONE, BUT ALL THIS HAS NOTHING TO DO WITH THE SINGING ART. WHEN YOU ATTACK THE NEAPOLITAN REPERTORY OR SIMPLY A SONG YOU MUST "SPEAK IT" AND FOR THAT YOU NEED "TRUTH" AND THE MOST IMPORTANT IS THE "WORDS". THIS TENOR NEEDS TO LEARN THE ITALIAN SOUNDS AND THEN TO FIND HIS LIBERTY. IT`S NOT AN EASY TASK AND DEMANDS A LOT OF WORK AND HONESTY. THIS TENOR WITH HIS VERY GOOD INSTRUMENT IS "STILL" A MACHINE OF PRODUCING SOUNDS WITH NO MEANING JUST TO SHOW HIS VOICE BUT IN FACT HE DOESN`T LIVE IT, MEANING "FEELING IT" OR BETTER "BEING IT".....FOR ACHIEVING THIS YOU HAVE TO PRACTICE AND WORK IN A TOTALLY DIFFERENT WAY. ONCE AN ARTIST UNDERSTANDS THIS HIS LIFE CHANGES AND NOT ONLY FOR SINGING BUT FOR LIFE ITSELF AS WELL.
As a Sicilian, I completely agree. Italian songs, when done right, should almost sound like you’re speaking them. In order to achieve this one must sing freely and as you said, know what you’re singing. The Italians do it easier because they understand the music and often have a connection with it. One cannot simply transfer to Italian songs and expect to do it correctly, just like you cannot expect to instantly master lieder.
@@tenoremodernotecnicavecchi2151 Thanks for the feedback! It's been a few years since this now, I wonder what you might think of my Italian singing now? Check out Lunge da lei... De' miei bollenti spiriti on my channel!
Giọng đẹp vl
He must learn to breath the right way
Canta con la voce indietro. Potrebbe migliorare.
Not a bad voice but he lacks breath power
Would you please recommend a video that i can practice with to improve my breath power or breath the right way. Sometimes i see myself while singing
*breathless at times*
Hello nice hearing from you can contact me on Skype if you like I can tell you something about the breath
Some singing teacher don't know the importance of breathing which is the most important part in singing according to maestro Enrico caruso
@@gunterjauch9051 that would be great if only i can get your skype ID
Russian tenor?
Voce ingolata,canto indietro.
And he tries to sing into the mask what creates a nasal sound caruso mentioned in his book never ever sing in the nose
But what was right for Caruso is not automatically right for every other singer in the world.
The art of good singing is always same depending on the material. Nasal singing is never correct for no one
And he simply don't have the sufficient breath strength I am not saying he cannot achieve it
Rubbish.
I like to hear you singing it seems you have a profound knowledge I like to hear you singing vesti la giubba I can sing it for you I hope you can
Ma come si chiama questo giovane tenore ?. Si può sapere?.